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Volumn 10, Issue 2, 1996, Pages 148-167

Gender in the culture of Mexican American conjunto music

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Indexed keywords


EID: 0030306947     PISSN: 08912432     EISSN: None     Source Type: Journal    
DOI: 10.1177/089124396010002004     Document Type: Article
Times cited : (19)

References (26)
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    • Bayton, Mavis. 1990. How women become musicians. In On record: Rock, pop and the written word, edited by S. Frith and A. Goodwin. New York: Pantheon.
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    • Bayton, M.1
  • 6
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    • Women in local rock and roll: Just me and the boys?
    • Groce, Stephen B., and Margaret Cooper. 1990. Women in local rock and roll: Just me and the boys? Gender & Society 4:220-9.
    • (1990) Gender & Society , vol.4 , pp. 220-229
    • Groce, S.B.1    Cooper, M.2
  • 7
    • 85069138967 scopus 로고
    • The unofficial conjunto primer for the uninitiated music lover, revised
    • Guerra, Carlos. 1991. The unofficial conjunto primer for the uninitiated music lover, revised. Letras y colores (June) 1:2.
    • (1991) Letras y Colores (June) , vol.1 , pp. 2
    • Guerra, C.1
  • 8
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    • The development of rapport through the negotiation of gender in field work among police
    • Hunt, Jennifer. 1984. The development of rapport through the negotiation of gender in field work among police. Human Organization 43:283-96.
    • (1984) Human Organization , vol.43 , pp. 283-296
    • Hunt, J.1
  • 9
    • 0009978592 scopus 로고
    • We're more than a novelty, boys: Strategies of female rappers in the rap music tradition
    • edited by Joan N. Radner. Urbana: University of Illinois Press
    • Keyes, Cheryl L. 1991. We're more than a novelty, boys: Strategies of female rappers in the rap music tradition. In Feminist messages: Coding in women's folk culture, edited by Joan N. Radner. Urbana: University of Illinois Press.
    • (1991) Feminist Messages: Coding in Women's Folk Culture
    • Keyes, C.L.1
  • 12
    • 84894791244 scopus 로고
    • El baile: Culture and contradiction in Mexican-American dancing
    • Limón, José E. 1988. El baile: Culture and contradiction in Mexican-American dancing. Tonantzin 5:2.
    • (1988) Tonantzin , vol.5 , pp. 2
    • Limón, J.E.1
  • 14
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    • Women's music: No longer a small private party
    • edited by Reebee Garofalo. Boston: South End.
    • Lont, Cynthia M. 1992. Women's music: No longer a small private party. In Rockin' the boat: Mass music and mass movements, edited by Reebee Garofalo. Boston: South End.
    • (1992) Rockin' the Boat: Mass Music and Mass Movements
    • Lont, C.M.1
  • 18
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    • (U.S. Bureau of the Census, Current Population Reports, Series P20-475). Washington, DC: U.S. Government Printing Office
    • Montgomery, Patricia A. 1993. The Hispanic population in the United States: March 1993 (U.S. Bureau of the Census, Current Population Reports, Series P20-475). Washington, DC: U.S. Government Printing Office.
    • (1993) The Hispanic Population in the United States: March 1993
    • Montgomery, P.A.1
  • 19
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    • Why have there been no great women artists?
    • edited by Linda Nochlin. New York: Harper & Row
    • Nochlin, Linda. 1988. Why have there been no great women artists? In Women, art, and power and other essays, edited by Linda Nochlin. New York: Harper & Row.
    • (1988) Women, Art, and Power and other Essays
    • Nochlin, L.1
  • 23
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    • Career and identity in Mexican-American conjunto musicians
    • edited by H. Znaniecka Lopata, M. G. Cantor, and C. L. Zollars. Greenwich. CT: JAI
    • Valdez, Avelardo, and J. Halley. 1993. Career and identity in Mexican-American conjunto musicians. In Current research on occupations and professions: Creators of culture. Vol. 8, edited by H. Znaniecka Lopata, M. G. Cantor, and C. L. Zollars. Greenwich. CT: JAI.
    • (1993) Current Research on Occupations and Professions: Creators of Culture , vol.8
    • Valdez, A.1    Halley, J.2
  • 26
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    • Chicano men and masculinity
    • Zinn, Maxine Baca. 1981. Chicano men and masculinity. Journal of Ethnic Studies 10:29-41.
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    • Zinn, M.B.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.