Men, women and money: Masculinity in crisis in the British professional crime film 1946-1965

British Crime Cinema

Volumn , Issue , 2005, Pages 51-66

  Clay, Andrew ^a  

^a DE MONTFORT UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85014296210     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203979914-15     Document Type: Chapter

References (10)

1. Coltrane, S. (1994) ‘Theorising masculinities in contemporary social science’, in H. Brod and M.Kaufman (eds) Theorising Masculinities, Thousand Oaks, California: Sage.
2. Hill, J. (1986) Sex, Class and Realism: British Cinema 1956-63, London: British Film Institute.
3. Hopkins, H. (1964) The New Look, London: Secker & Warburg.
4. Kaufman, M. (1994) ‘Men, feminism, and men’s contradictory experience of power’, in H.Brod and M.Kaufman (eds) Theorising Masculinities, Thousand Oaks, California: Sage.
5. McFarlane, B. (1997) An Autobiography of British Cinema, London: Methuen.
6. Miller, L. (1994) ‘Evidence for a British film noir cycle’, in W.W.Dixon (ed.) ReViewing British Cinema, 1900-1992, NewYork: SUNY.
7. O’Sullivan, T. (1997) ‘Not quite fit for heroes: cautionary tales of men at work-The Ship That Died of Shame and The League of Gentlemen’, in A.Burton, T.O’Sullivan and P.Wells (eds) Liberal Directions, Basil Dearden and Post-war British Film Culture, Trowbridge: Flicks Books.
8. Place, J. (1980) ‘Women in film noir’, in A.E.Kaplan (ed.) women in Film Noir, London:British Film Institute.
9. Street, S. (1997) British National Cinema, London, NewYork: Routledge.
10. Wilson, E. (1980) Only Halfway to Paradise, London:Tavistock.