British national cinema

British National Cinema

Volumn , Issue , 2003, Pages 1-225

  Street, Sarah ^a  

^a UNIVERSITY OF BRISTOL   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84909417916     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203414880     Document Type: Book

References (169)

1. Adair, Gilbert (1985) 'The British Tradition', in Adair, Gilbert and Roddick, Nick (eds) A Night at the Pictures: Ten Decades of British Film, Kent: Columbus Books.
2. Aitken, Ian (1990) Film and Reform: John Grierson and the Documentary Film Movement, London: Routledge.
3. Aldgate, Tony (1983) 'Comedy, Class and Containment: the British Domestic Cinema in the 1930s', in Curran, James and Porter, Vincent (eds) British Cinema History, London: Weidenfeld and Nicholson.
4. Aldgate, Anthony and Richards, Jeffrey (1983) The Best of British: Cinema and Society, 1930-70, Oxford: Blackwell.
5. Aldgate, Anthony and Richards, Jeffrey (1986) Britain Can Take It: British Cinema in the Second World War, Oxford:Blackwell.
6. Ambler, D. (1948), Close-Up.
7. Anderson, Benedict (1983) Imagined Communities: Reflections on the Origins and Spread of Nationalism, London: Verso.
8. Anthony, B. (1984) 'Music-hall and Mirth-makers', in Lloyd, A. (ed.) with Robinson, David (consultant ed.) Movies of the Silent Years, London: Orbis.
9. Aspinall, Sue (1983) 'Women, Realism and Reality in British Films, 1943-53', in Curran, James and Porter, Vincent (eds) British Cinema History, London: Weidenfeld and Nicholson.
10. Aspinall, Sue and Murphy, Robert (eds) (1983) Gainsborough Melodrama, London:British Film Institute Dossier 18.
11. Balcon, Michael (1969) Michael Balcon Presents: A Lifetime of Films, London:Hutchinson.
12. Barr, Charles (1977) Ealing Studios, London and Devon: Cameron and Tayleur, David and Charles.
13. Barr, Charles (1986) 'Amnesia and Schizophrenia', in Barr, Charles (ed.) All Our Yesterdays: 90 Years of British Cinema, London: British Film Institute.
14. Boffin, Tessa and Fraser, Jean (1991) Stolen Glances, London: Pandora.
15. Bordwell, David (1985) Narration in the Fiction Film, London: Methuen.
16. Bordwell, David, Staiger, Janet and Thompson, Kristin (1985) The Classical Hollywood Cinema: Film Style and Mode of Production to 1960, London: Routledge Kegan Paul. British Film Institute Film and Television Handbooks, 1991-96.
17. British Screen (1987) Basic Information for Producers, London: British Screen.
18. Brown, Geoff (1986) "'Sister of the Stage": British Film and British Theatre', in Barr, Charles (ed.) All Our Yesterdays, London: British Film Institute.
19. Burch, Noël (1990) 'A Primitive Mode of Representation?', in Elsaesser, Thomas (ed.) Early Cinema: Space, Frame, Narrative, London: British Film Institute.
20. Burrows, Elaine (1986) 'Live Action: a Brief History of British Animation', in Barr, Charles (ed.) All Our Yesterdays, London: British Film Institute.
21. Chanan, Michael (1990) 'Economic Conditions of Early Cinema', in Elsaesser, Thomas (ed.) Early Cinema: Space, Frame, Narrative, London: British Film Institute.
22. Christie, Ian (1985) Arrows of Desire, London: Waterstone.
23. Christie, Ian (1995) The Last Machine: Early Cinema and the Birth of the Modern World, London: British Film Institute/BBC.
24. Ciment, Michel (1985) Conversations with Losey, London: Methuen.
25. Cook, Chris and Stevenson, John (1979) The Slump: Society and Politics during the Depression, London: Jonathan Cape.
26. Cook, Pam (1996) Fashioning the Nation: Costume and Identity in British Cinema, London: British Film Institute.
27. Diawawa, Martha (1993) 'Power and Territory: the Emergence of Black British Film Collectives', in Friedman, Lester (ed.) British Cinema and Thatcherism, London:University College of London Press.
28. Dick, Eddie, Noble, Andrew and Petrie, Duncan (eds), (1993) Bill Douglas: A Magic Lanternist's Account, London: British Film Institute/Scottish Film Council.
29. Dickinson, Margaret and Street, Sarah (1985) Cinema and State: the Film Industry and the British Government, 1927-84, London: British Film Institute.
30. Dixon, Wheeler Winston (1994) 'The Long Day Closes: an Interview with Terence Davies', in Dixon, Wheeler Winston (ed.) Re-Viewing British Cinema, 1900-1992, New York: SUNY.
31. Docherty, David, Morrison, David and Tracey, Michael (1987) The Last Picture Show? Britain's Changing Film Audiences, London: British Film Institute.
32. Dors, Diana (1950), 'They Made Me a Good Time Girl', Picturegoer, 7 October 1950.
33. Durgnat, Raymond (1970) A Mirror For England: British Movies from Austerity to Affluence, London: Faber.
34. Dusinberre, Deke (1976), 'St George in the Forest: the English Avant-garde', Afterimage, no. 6. Also printed in the Arts Council/British Council (1978), A Perspective on English Avant-Garde Film which includes Dusinberre's 'The Ascetic Task'.
35. Dusinberre, Deke (1980) 'The Avant-garde Attitude in the Thirties', in Macpherson, Don (ed.) Traditions of Independence: British Cinema in the Thirties, London: British Film Institute.
36. Dyer, Richard (1979) Stars, London: British Film Institute.
37. Dyer, Richard (1987) Heavenly Bodies: Film Stars and Society, London: Macmillan.
38. Dyer, Richard (1993a) 'Victim: Hegemonic Project' in The Matter of Images: Essays on Representation, London: Routledge.
39. Dyer, Richard (1993b) Brief Encounter, London: British Film Institute.
40. Ehrenreich, B., Hess, E. and Jacobs, G. (1992) 'Beatlemania: Girls Just Want to Have Fun', in Lewis, Lisa A. (ed.) The Adoring Audience: Fan Culture and Popular Media, London: Routledge.
41. Ellis, John (1982) Visible Fictions, London: Routledge.
42. Elsaesser, Thomas (1984) 'Images for England', in Monthly Film Bulletin, September 1984.
43. Elsaesser, Thomas (1993) 'Images for Sale', in Friedman, Lester (ed.) British Cinema and Thatcherism, London: University College of London Press.
44. Finney, Albert (May 1994), Sight and Sound.
45. Friedman, Lester (ed.) (1992) British Cinema and Thatcherism, University of London Press.
46. Friedman, Lester and Stewart, Scott (1994) 'The Tradition of Independence: an Interview with Lindsay Anderson', in Dixon, Wheeler Winston (ed.) Re-Viewing British Cinema, 1900-1992, New York, SUNY.
47. Geraghty, Christine (1986) 'Diana Dors', in Barr, Charles (ed.) All Our Yesterdays, London: British Film Institute.
48. Gifford, Denis (1986) The British Film Catalogue, 1895-1985, London: David and Charles.
49. Gledhill, Christine (ed.) (1991) Stardom: Industry of Desire, London: Routledge.
50. Gledhill, Christine and Swanson, Gillian (1984) 'Gender and Sexuality in the Second World War-a Feminist Approach', in Hurd, Geoff (ed.) National Fictions, London:British Film Institute.
51. Gomery, Douglas (1986) The Hollywood Studio System, London: British Film Institute.
52. Gunning, Tom (1990) 'The Cinema of Attractions: Early Film, its Spectator and the Avant-garde', in Elsaesser, Thomas (ed.) Early Cinema: Space, Frame, Narrative, London: British Film Institute.
53. Hacker, Jonathan and Price, David (1991) Take 10: Contemporary British Film Directors, Oxford: Oxford University Press.
54. Harper, Sue (1987) 'Historical Pleasures: Gainsborough Costume Melodrama', in Gledhill, Christine (ed.) Home Is Where the Heart Is: Studies in Melodrama and the Women's Film, London: British Film Institute.
55. Harper, Sue (1992) 'Studying Popular Taste: British Historical Films in the 1930s', in Dyer, Richard and Vincendeau, Ginette (eds) Popular European Cinema, London:Routledge.
56. Harper, Sue (1994) Picturing the Past: the Rise and Fall of the British Costume Film, London:British Film Institute.
57. Harvey, Sylvia (1986) 'The "Other Cinema" in Britain: Unfinished Business in Oppositional and Independent Film, 1929-1984', in Barr, Charles (ed.) All Our Yesterdays, London: British Film Institute.
58. Hebdige, Dick (1979) Subculture: the Meaning of Style, London: Methuen.
59. Hibbin, Nina (1981) 'British New Wave', The Movie, vol. 5, chap. 57, London: Orbis.
60. Higson, Andrew (1984a) 'Five Films', in Hurd, Geoff (ed.) National Fictions, London:British Film Institute.
61. Higson, Andrew (1984b) 'Space, Place, Spectacle: Landscape and Townscape in the "Kitchen Sink" Film', Screen, vol. 25, nos. 4-5, July-October 1984.
62. Higson, Andrew (1993) 'Re-presenting the National Past: Nostalgia and Pastiche in the Heritage Film', in Friedman, Lester (ed.) British Cinema and Thatcherism, London: University College of London Press.
63. Higson, Andrew (1995) Waving the Flag: Constructing a National Cinema in Britain, Oxford University Press.
64. Hill, John (1986) Sex, Class and Realism: British Cinema 1956-63, London: British Film Institute.
65. Hill, John (1992) 'The Issue of National Cinema and British Film Production', in Petrie, Duncan (ed.) New Questions of British Cinema, London: British Film Institute.
66. Hood, Stuart (1983) 'John Grierson and the Documentary Film Movement', in Curran, John and Porter, Vincent (eds) British Cinema History, London: Weidenfeld and Nicholson.
67. Howkins, Alan and Saville, John (1979) Socialist Register.
68. Hurd, Geoff (ed.) (1984) National Fictions, London: British Film Institute.
69. Hutchings, Peter (1993) Hammer and Beyond: the British Horror Film, Manchester University Press.
70. Jarman, Derek (1987) The Last of England, London: Constable.
71. Jarvie, Ian (1990) 'The Postwar Economic Foreign Policy of the American Film Industry:Europe 1945-1950', Film History, vol. 4.
72. Johnston, Claire and Dawson, Jan (1969/1970), 'Declarations of Independence', Sight and Sound, vol. 39, no. 1, Winter 1969/70.
73. Johnston, Sheila (1985) 'Charioteers and Ploughmen', in Auty, Martyn and Roddick, Nick (eds) British Cinema Now, London: British Film Institute.
74. Jones, Stephen (1987) The British Labour Movement and Film, 1918-1939, London:Routledge & Kegan Paul.
75. Kader, C. and Piontek, T. (1992) Discourse, vol. 15, no. 1.
76. Kaplan, E.Ann, (1992) Motherhood and Representation: the Mother in Popular Culture and Melodrama, London: Routledge.
77. Kolker, Robert Philip (1988) A Cinema of Loneliness, 2nd edition, Oxford: Oxford University Press.
78. Kuhn, Annette (1980) 'British Documentary in the 1930s and "Independence":Recontextualising a Film Movement', in Macpherson, Don (ed.) Traditions of Independence, London: British Film Institute.
79. Kuhn, Annette (1995) Family Secrets: Acts of Memory and Imagination, London, Verso.
80. Kulik, Karol (1975) Alexander Korda, the Man who Could Work Miracles, London: Allen & Unwin.
81. Landy, Marcia (1991) British Genres: Cinema and Society, 1930-1960, Princeton University Press.
82. Lant, Antonia (1991) Blackout: Reinventing Women for Wartime British Cinema, Princeton University Press.
83. LeMahieu, D.L. (1988) A Culture for Democracy: Mass Communication and the Cultivated Mind in Britain Between the Wars, Oxford: Oxford University Press.
84. Lewis, Jane (1984) Women In England, 1870-1950, London: Harvester Wheatsheaf.
85. Light, Alison (July 1991a) 'Englishness', Sight and Sound.
86. Light, Alison (1991b) Forever England: Femininity, Literature and Conservatism Between the Wars, London: Routledge.
87. Light, Alison (September 1993) 'The Importance of Being Ordinary', Sight and Sound.
88. Lovell, Terry (1990) 'Landscapes and Stories in 1960s British Realism', Screen, vol. 31, no. 4, Winter 1990.
89. Low, Rachael (1949) History of the British Film, 1906-1914, London: Allen & Unwin.
90. Low, Rachael (1950) The History of the British Film, 1914-1918, London: Allen & Unwin.
91. Low, Rachael (1971) The History of the British Film, 1918-1929, London: Allen & Unwin.
92. Low, Rachael and Manvell, Roger (1948) History of the British Film, 1896-1906, London: Allen & Unwin
93. Lusted, David (1984) '"Builders" and "The Demi-Paradise"', in Hurd, Geoff (ed.) National Fictions, London: British Film Institute.
94. McFarlane, Brian (1986) 'A Literary Cinema: British Films and British Novels', in Barr, Charles (ed.) All Our Yesterdays, London: British Film Institute.
95. McIlroy, Brian (1993) 'The Repression of Communities: Visual Representations of Northern Ireland during the Thatcher Years', in Friedman, Lester (ed.) British Cinema and Thatcherism, London: University College of London University Press.
96. Macnab, Geoffrey (1992), 'Before Bond', Sight and Sound, October.
97. Macnab, Geoffrey (1993) J.Arthur Rank and the British Film Industry, London, Routledge.
98. Marshall, N. (1931) 'Reflections on the English Film', The Bookman, October.
99. Marwick, Arthur (1990) (ed.) British Society Since 1945 (2nd edn), London: Penguin.
100. Marwick, Arthur (1996) (ed.) British Society Since 1945 (3rd edn), London: Penguin.
101. Medhurst, Andy (1984) '1950s War Films', in Hurd, Geoff (ed.) National Fictions: World War Two in British Films and Television, London: British Film Institute.
102. Medhurst, Andy (1986a) 'Music Hall and British Cinema', in Barr, Charles (ed.) All Our Yesterdays, London: British Film Institute.
103. Medhurst, Andy (1986b) 'Dirk Bogarde', in Barr, Charles (ed.), All Our Yesterdays, London: British Film Institute.
104. Mellencamp, Patricia (1990) Indiscretions: Avant-garde Film, Video and Feminism, Indiana.
105. Miller, Laurence (1994) 'Evidence for a British Film Noir Cycle', in Dixon, Wheeler Winston (ed.) Re-Viewing British Cinema, 1900-1992, New York: SUNY.
106. Mitchie, Alastair (1986) 'Scotland: Strategies of Centralisation', in Barr, Charles (ed.) All Our Yesterdays, London: British Film Institute.
107. Montagu, Ivor (1975) 'Old Man's Trouble: Reflections on a Semi-centenery', Sight and Sound, vol. 44, no. 4.
108. Mulvey, Laura (1975) 'Visual Pleasure and Narrative Cinema', Screen, 13, 3:6-18.
109. Murphy, Robert (1983) 'Rank's Attempt on the American Market, 1944-49', in Curran, James and Porter, Vincent (eds) British Cinema History, London: Weidenfeld and Nicolson.
110. Murphy, Robert (1984) 'The Coming of Sound to the Cinema in Britain', Historical Journal of Film, Radio and Television, vol. 4, no. 2.
111. Murphy, Robert (1986) 'Riff-Raff. British Cinema and the Underworld', in Barr, Charles (ed.), All Our Yesterdays, London: British Film Institute.
112. Murphy, Robert (1989) Realism and Tinsel: Cinema and Society, 1939-49, London: Routledge.
113. Murphy, Robert (1992) Sixties British Cinema, London: British Film Institute.
114. Neagle, Anna (1974) There's Always Tomorrow, London: W.H. Allen.
115. Neale, Steve (1980) Genre, London: British Film Institute.
116. Noble, Peter (ed.) (1950) British Film Yearbook, 1949-50.
117. Orr, John (1992) Cinema and Modernity, Cambridge: Polity Press.
118. Pearson, George (1957) Flashback, London: Allen & Unwin.
119. Perelli, Patricia (1983) 'A Statistical Survey of the British Film Industry', in Curran, James and Porter, Vincent (eds) British Cinema History, London: Weidenfeld and Nicholson.
120. Petley, Julian (1985), 'Reaching for the Stars', in Auty, Martin and Roddick, Nick (eds) British Cinema Now, London: British Film Institute.
121. Petley, Julian (1986) 'The Lost Continent', in Barr, Charles (ed.) All Our Yesterdays, London:British Film Institute.
122. Petrie, Duncan (1991) Creativity and Constraint in the British Film Industry, London:Macmillan.
123. Petrie, Duncan (ed.) (1993) New Questions of British Cinema, London: British Film Institute.
124. Petrie, Duncan (1996) The British Cinematographer, London: British Film Institute.
125. Petrie, Graham (1985) Hollywood Destinies: European Directors in America, London:Croom Helm.
126. Pines, Jim and Willemen, Paul (1989) Questions of Third Cinema, London: British Film Institute. Political and Economic Planning (1952), London: PEP.
127. Powell, Michael (1986) A Life in Movies, London: Heinemann.
128. Pribram, E.Deidre (1988) (ed.) Female Spectators: Looking at Film and Television, London: Verso.
129. Rattigan, Neil (1994) 'The Last Gasp of the Middle Class: British War Films of the 1950s', in Dixon, Wheeler Winston (ed.) Re-Viewing British Cinema, 1900-1994, New York: SUNY.
130. Richards, Jeffrey (1984) The Age of the Dream Palace, London: Routledge & Kegan Paul.
131. Ritchie, Harry (1988) Success Stories: Literature and the Media in England, 1950-1959, London: Faber and Faber.
132. Robertson, James C. (1985) The British Board of Film Censors: Film Censorship in Britain, 1896-1950, London: Croom Helm.
133. Rowson, Simon (1936) 'A Statistical Survey of the Cinema Industry in Great Britain in 1934', Journal of the Royal Statistical Society, vol. XC1X, PT. 1.
134. Ryall, Tom (1986) Alfred Hitchcock and the British Cinema, London: Croom Helm.
135. Ryan, Trevor (1983) 'The New Road to Progress: the Use and Production of Films by the Labour Movement, 1929-1939', in Curran, James and Porter, Vincent (eds) British Cinema History, London: Weidenfeld and Nicholson.
136. Salt, Barry (1983) Film Style and Technology: History and Analysis, London: Starword.
137. Samson, Jen (1986) 'The Film Society, 1925-1939', in Barr, Charles (ed.) All Our Yesterdays, London: British Film Institute.
138. Sanjek, David (1994) 'Twilight of the Monsters: The English Horror Film, 1968-1975', in Dixon, Wheeler Winston (ed.) Re-Viewing British Cinema, 1900-1992, New York:SUNY.
139. Seabury, William Marston (1926) The Public and the Motion Picture Industry, New York: Macmillan.
140. Sedgwick, John (1994) 'The Market for Feature Films in Britain, 1934: a Viable National Cinema', Historical Journal of Film, Radio and Television, vol. 14, no. 1.
141. Sinfield, Alan (1989) Literature, Politics and Culture in Post-War Britain, Oxford:Blackwell.
142. Stacey, Jackie (1993) Star-Gazing, London: Routledge.
143. Stanbrook, Alan (1984) 'When the Lease Runs Out', Sight and Sound, vol. 53, no. 3.
144. Stanbrook, Alan (1986) 'The Boys from Tiberias', Sight and Sound, vol. 55, no. 4.
145. Stevenson, John (1990) British Society, 1914-45, London: Penguin.
146. Street, Sarah (1985) 'The Hays Office and the Defence of the British Market in the 1930s', Historical Journal of Film, Radio and Television, vol. 5, no. 1.
147. Street, Sarah (1986) 'Alexander Korda, Prudential Assurance and British Film Finance in the 1930s', Historical Journal of Film, Radio and Television, vol. 6, no. 2.
148. Thompson, Kristin (1985) Exporting Entertainment: America in the World Film Market, 1907-1934, London: British Film Institute.
149. Threadgall, Derek (1994) Shepperton Studios: an Independent View, London, British Film Institute.
150. Thumim, Janet (1991) 'The "Popular", Cash and Culture in the Postwar British Cinema', Screen, 32:3.
151. Thumim, Janet (1992) Celluloid Sisters: Women and Popular Cinema, London: Macmillan.
152. Vaughan, Dai (1983) Portrait of an Invisible Man: the Working Life of Stewart McAllister, Film Editor, London: British Film Institute.
153. Vincendeau, Ginette (ed.) (1995) Encydopedia of European Cinema, London: Cassell and British Film Institute.
154. Walker, Alexander (1974) Hollywood, England, London: Michael Joseph.
155. Walker, Alexander (1985) National Heroes: British Cinema in the Seventies and Eighties, London:Harrap.
156. Walker, John (1985) The Once and Future Film, London: Methuen.
157. Warren, Patricia (1995) British Film Studios: an Illustrated History, London: Batsford.
158. Weiss, Andrea (1992) Vampires and Violets: Lesbians in the Cinema, London: Jonathan Cape.
159. Wilcox, Herbert (1967) Twenty-Five Thousand Sunsets, Bodley Head.
160. Willemen, Paul (1994) Looks and Frictions: Essays in Cultural Studies and Film Theory, London: British Film Institute.
161. Williams, Linda (1983) 'When the Woman Looks', in Doane, Mary Ann, Mellencamp, Patricia and Williams, Linda (eds) Re-vision: Essays in Feminist Film Criticism, American Film Institute Monograph Series, University Publications of America.
162. Williams, Tony (1994) 'The Repressed Fantastic in Passport to Pimlico', in Dixon, Wheeler Winston (ed.) Re-viewing British Cinema, 1900-1992, New York: SUNY.
163. Winterson, Jeanette (1994) Great Moments in Aviation and Oranges Are Not the Only Fruit, London: Vintage Film Scripts.
164. Wollen, Peter (1972) 'Counter-Cinema: Vent D'Est', Afterimage, 4.
165. Wollen, Peter (1993) 'The Last New Wave: Modernism in the British Films of the Thatcher Era', in Friedman, Lester (ed.) British Cinema and Thatcherism, London: University College of London Press.
166. Wollen, Peter (1994) 'The Western and the Bather', article on artists and cinema in Sight and Sound supplement 'Art Into Film'.
167. Wollen, Peter (1995) 'Possession: 25 Years On; Peter Wollen Explores Drugs, Decadence and Jagger in Performance', Sight and Sound, vol. 5, no. 9.
168. Wood, Linda (ed.) (1983) British Films, 1971-1981, London: British Film Institute Library Services.
169. Young, Cynthia (1994) 'Revision to Reproduction: Myth and its Author, in The Red Shoes!' in Dixon, Wheeler Winston (ed.) Re-Viewing British Cinema, 1900-1992, New York: SUNY.