INSCAPE: Emotion expression and experience in an authoring environment

Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)

Volumn 4326 LNCS, Issue , 2006, Pages 219-230

  Zagalo, Nelson ^a   Göbel, Stefan ^b   Torres, Ana ^a   Malkewitz, Rainer ^b   Branco, Vasco ^a  

^a UNIVERSITY OF AVEIRO   (Portugal)

^b ZGDV Darmstadt eV   (Germany)

Author keywords

Author tools; Emotion; Emotional expression; Virtual characters

Indexed keywords

COMPUTER GAMES; HUMAN COMPUTER INTERACTION; INTERACTIVE COMPUTER GRAPHICS; THREE DIMENSIONAL COMPUTER GRAPHICS;

3D COMPUTER GRAPHICS; AUTHOR TOOL; AUTHORING ENVIRONMENTS; EMOTION; EMOTIONAL EXPRESSIONS; INTERACTIVE STORYTELLING; MULTICHANNEL SOUNDS; VIRTUAL CHARACTER;

BEHAVIORAL RESEARCH;

EID: 85014068756     PISSN: 03029743     EISSN: 16113349     Source Type: Book Series    
DOI: 10.1007/11944577_23     Document Type: Conference Paper

References (37)

1. Izard, C. E.&Ackerman, B. P. (2000), Motivational, organizational and regulatory functions of discrete emotions, In Lewis, M. &Haviland-Jones, M. (Eds.), Handbook of Emotion, New York: Guilford Press.
2. Bradley, M. M.; Codispoti, M., Cuthbert, B. N.&Lang, P.J. (2001), Emotion and Motivation I: Defensive and Appetitive Reactions in Picture Processing. Emotion, 1 (3): 276-298.
3. Lang, P. J.; Bradley, M. M.&Cuthbert, B. N. (1998), Emotion, Motivation and Anxiety: Brain Mechanisms and Psychophysiology. Biology Psychiatry, 44: 1248-1263.
4. Frijda, N. H. (1986). The emotions.Cambridge, Cambridge University Press.
5. Damasio, A. R. (1994). Descartes' error: emotion, reason, and the human brain. New York, G.P. Putnam.
6. Stern, Andrew; Creating Emotional Relationships With Virtual Characters; from: Emotions in Humans and Artifacts, eds. R. Trappl, P. Petta, and S.Payr, MIT Press, (2003)
7. Tomlinson, B., B.Blumberg, et al. (2000). Expressive autonomous cinematography for interactive virtual environments.International Conference on Autonomous Agents, Barcelona, Spain.
8. Perlin, K. (2003). Building virtual actors who can really act.2nd International Conference on Virtual Storytelling - ICVS 2003, Toulouse, Springer Ed.
9. Ekman, P.; Universals and cultural differences in facial expressions of emotion. From: J. Cole (Ed.), Nebraska Symposium on Motivation 1971, (Vol. 19, pp. 207-283). Lincoln, NE: University of Nebraska Press (1972)
10. Half-Life 2, Gabe Newell, ValveCorporation, Vivendi Universal, (2004)
11. Mateas, M., &Stern, A. (2005). Structuring content in the façade interactive drama architecture.Paper presented at the Artificial Intelligence and Interactive Digital Entertainment (AIIDE), Los Angeles.
12. Stern, A., A.Frank, et al. (1998). Virtual Petz: A Hybrid Approach to Creating Autonomous, Lifelike Dogz and Catz. International Conference on Autonomous Agents, St. Paul, Minnepolis.
13. Gratch, J., Marsella, S., Evaluating the modeling and use of emotion in virtual humans. In: Proceedings of the Third International Joint Conference on Autonomous Agents and Multiagent Systems, New York, New York (2004)
14. Pelachaud, C.Carofiglio, V.Carolis, B.D., Rosis, F. and Poggi, I., First International Joint Conference on Autonomous Agents and Multiagent Systems, presented at Embodied Contextual Agent in Information Delivering Application, Bologna, Italy, (2002)
15. Poggi, I., Pelachaud, C., Talking faces that communicate by eyes, In: S. Santi, B. Guaitella, C. Cavé and G. Konopczynski (Eds.) "Orage'98. Oralité et gestualité, communication multimodale, interaction", Paris: L'Harmattan, (1998)
16. Klesen, M.Using Theatrical Concepts for Role-Plays with Educational Agents, Applied Artificial Intelligence special Issue Educational Agents - Beyond Virtual Tutors (2005)
17. Biswas, G., Schwartz, D., Leelawong, K., Vye, N., TAG-V, Learning by Teaching. A New Agent Paradigm for Educational Software, Applied Artificial Intelligence Special Issue "Educational Agents - Beyond Virtual Tutors”,. 19, (2005).
18. 18.Mao, W., Gratch, J.Social Causality and Responsibility: Modeling and Evaluation, International Conference on Interactive Virtual Agents, Kos Greece (2005)
19. Eladhari, M. and Lindley, C. “Player Character Design Facilitating Emotional Depth in MMORPGs” Digital Games Research Conference 2003, 4-6November 2003University of Utrecht, The Netherlands
20. 20.Carroll, Noel, Art and mood: preliminary notes and conjectures. (Critical Essay), The Monist, vol. 86, no. 4, 2003, pp. 521-555
21. Douglass, J. S., &Harnden, G. P. (1996). The art of technique: An aesthetic approach to film and video production.Boston, Mass.; London: Allyn and Bacon.
22. Anderson, B. F., &Anderson, J. D. (2004). Moving image theory: Ecological considerations.Carbondale: SouthernIllinois University Press.
23. Grodal, T. K. (1997). Moving pictures: A new theory of film genres, feelings and cognition.Oxford: Clarendon Press.
24. 24.Tan, E. S. (1996). Emotion and the structure of narrative film: Film as an emotion machine.Hillsdale, NJ: L. Erlbaum Associates.
25. Smith, G. M. (1999). Local emotions, global moods, and film structure. In C. R. Plantinga& G. M. Smith (Eds.), Passionate views: Film, cognition, and emotion (pp. 301). Baltimore, Md.: Johns Hopkins University Press.
26. Gross, J. J.&Levenson, R. W, (1995), Emotion Elicitation Using Films, Cognition and Emotion, 1995, 9 (1), 87 –108.
27. Niedenthal, P.M., Halberstadt, J.B., &Innes-Ker, A.H. (1999). Emotional response categorization.Psychological Review, 106, 337-361
28. 28.Wensveen, S., Overbeeke, CJ, &Djajadiningrat, JP, (2002), Push me, shove me and I show you how you feel. Proceedings of DIS2002, London, pp. 335-340. 97
29. ZagaloN., TorresA., &Branco, V., (2005), Emotional Spectrum developed by Virtual Storytelling, 3rd International Conference on Virtual Storytelling, in Lecture Notes in Computer Science, Springer, Volume 3805/2005. (pp.105-114)
30. Asch, S. E. (1946), Forming impressions of personality, Journal of Abnormal and Social Psychology, 41, 258-290.
31. 31.Hall, E. T. (1966). A dimensãooculta (The Hidden Dimension) (M. S. Pereira, Trans.).Lisboa: RelógioD'Água.
32. Öhman, A. (2000), “Fear and Anxiety: Evolutionary, Cognitive and Clinical Perspectives”, In Lewis, M. &Haviland-Jones, J.M. (Eds), “Handbook of Emotions”, New York: Guilford Press.
33. ndED), Madison: International Universities Press.
34. Johnstone, T.&Scherer, K. R. (2000), Vocal Comunication of Emotion, In Lewis, M. &Haviland-Jones, M. (Eds.), Handbook of Emotion, New York: Guilford Press.
35. 35.Harlow, H. F.&Harlow, M. K. (1965), The Affectional Systems, In Schrier, A. M., Harlow, H. F. &Stollnitz, F. (Eds), Behaviour of Nonhuman Primates, New York and London: Academic Press.
36. 36.McCrae, Robert, Costa, Paul, Personality in Adulthood, h.D., New York: The Guilford Press (1990)
37. 37.Digman, J. (1990). Personality structure: Emergence of the five-factor model. Annual Review of Psychology, 41, 417–440.