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Volumn 4, Issue 3, 1999, Pages 91-98

Dying swans or sitting ducks?: A critical reflection on feminist gazes at ballet

(1)  Carter, Alexandra a  

a NONE

Author keywords

[No Author keywords available]

Indexed keywords


EID: 85009570615     PISSN: 13528165     EISSN: None     Source Type: Journal    
DOI: 10.1080/13528165.1999.10871700     Document Type: Article
Times cited : (9)

References (25)
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    • Bruner, J. (1997) ‘Redeeming Giselle: making a case for the ballet we love to hate’, in L. Garafola (ed.) Rethinking the Sylph: New Perspectives on the Romantic Ballet, Hanover: Wesleyan University Press.
    • (1997) Rethinking the Sylph: New Perspectives on the Romantic Ballet
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  • 8
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    • Copeland, R.1
  • 9
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    • Daly, A.1
  • 10
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    • Daly, A. (1991) ‘Unlimited partnership: dance and feminist analysis’, Dance Research Journal 23(1): 2-5.
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    • Daly, A.1
  • 11
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    • Dance history and feminist scholarship: Reconsidering Isadora Duncan and the male gaze
    • L. Senelick (ed.), Hanover: Tufts University
    • Daly, A. (1992) ‘Dance history and feminist scholarship: reconsidering Isadora Duncan and the male gaze’, in L. Senelick (ed.) Gender in Performance: The Presentation of Difference in the Performing Arts, Hanover: Tufts University.
    • (1992) Gender in Performance: The Presentation of Difference in the Performing Arts
    • Daly, A.1
  • 12
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    • Women writing the body: Lets watch a little how she dances’
    • S. Sheridan (ed.), London: Verso
    • Dempster, E. (1988) ‘Women writing the body: let’s watch a little how she dances’, in S. Sheridan (ed.) Grafts: Feminist Cultural Criticism, London: Verso.
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    • Dempster, E.1
  • 13
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    • Alas alack: The representation of the ballerina
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  • 14
    • 0344376485 scopus 로고    scopus 로고
    • The ballerinas phallic pointe’
    • S. Foster (ed.), London: Routledge
    • Foster, S. (1996) ‘The ballerina’s phallic pointe’, in S. Foster (ed.) Corporealities, London: Routledge.
    • (1996) Corporealities
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  • 15
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    • Ballerinas and ball passing
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  • 17
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  • 18
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    • Dance and gender: Formalism and semiotics reconsidered
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    • (1994) Dance Research , vol.vol II , Issue.2 , pp. 3-14
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    • Who was Giselle?
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  • 20
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    • Manning, S. (1997) ‘The female dancer and the male gaze’, in J. Desmond (ed.) Meaning in Motion: New Cultural Studies of Dance, Durham, NC: Duke University Press.
    • (1997) The Female Dancer and the Male Gaze
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  • 21
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    • (1998) New Theatre Qiiarterly , vol.vol XIV , Issue.2 , pp. 119-124
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  • 22
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  • 23
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.