My body, your body, her-his body: Is/does some-body (live) there?

New Theatre Quarterly

Volumn 14, Issue 2, 1998, Pages 119-124

  Melrose, Susan ^a  

^a Central School of Speech and Drama

Author keywords

[No Author keywords available]

Indexed keywords

EID: 62649169722     PISSN: 0266464X     EISSN: None     Source Type: Journal    
DOI: 10.1017/s0266464x00011933     Document Type: Article

References (15)

1. J. Butler, Bodies That Matter (Routledge, 1994).
2. M. de Certeau, The Practice of Everyday Life (University of California Press, 1984).
3. J. Clifford and Marcus, Writing Culture (Johns Hopkins University Press, 1986).
4. G. Deleuze and F. Guattari, A Thousand Plateaus (University of Minnesota Press, 1987).
5. J. Dolan, 'In Defence of the Discourse', The Drama Review, No. 123 (Fall 1989).
6. T. Etchells and R. Lowdon, 'Forced Entertainment: Emanuelle Enchanted ... ', Contemporary Theatre Review, II, No. 2 (1994).
7. S. Foster, Corporealities (Routledge, 1996).
8. M. Halliday, 'Language and the Order of Nature', in MacCabe et al., eds., The Linguistics of Writing (Manchester University Press, 1987).
9. L. Irigaray, This Sex Which Is Not One (Cornell University Press, 1985).
10. J. Lacan, Four Fundamental Concepts of Psychoanalysis (Penguin, 1994).
11. S. Melrose, A Semiotics of the Dramatic Text (Macmillan, 1994).
12. S. Melrose, 'The Strange Arts of Ambivalence', in A. Heathfield., ed., Shattered Anatomies: Traces of the Body in Performance (Arnolfini Live, 1997).
13. L. Mulvey, 'Visual Pleasure and Narrative Cinema', Screen Reader in Sexuality (Routledge, 1993).
14. R. Schneider, The Explicit Body in Performance (Routledge, 1997).
15. S. Sellers., ed., The Hélène Cixous Reader (Routledge, 1994).