Jennicam, or the telematic theatre of a real life

International Journal of Performance Arts and Digital Media

Volumn 1, Issue 2, 2005, Pages 91-100

  Smith, Barry ^a  

^a NOTTINGHAM TRENT UNIVERSITY   (United Kingdom)

Author keywords

Cyberspace theatre; Digital self; Socio performance; Telematic surveillance; Webcam

Indexed keywords

EID: 85007826568     PISSN: 14794713     EISSN: 20400934     Source Type: Journal    
DOI: 10.1386/padm.1.2.91/1     Document Type: Article

References (7)

1. Beckett, S. (1956), Waitingfor Codot, London: Faber and Faber.
2. Bolter, J. D. & Grusin, R. (2000), Remediation: Understanding New Media, Cambridge, Mass.: The MIT Press.
3. Burgin, V. (2002), ‘Jenni’s Room: Exhibitionism and Solitude’, in Thomas Y. Levin, Ursula Frohne and Peter Weibel (eds.), CTRL [SPACE]: Rhetorics of Surveillance from Bentham to Big Brother, Karlsruhe: ZKM Centre for Art and Media; and Cambridge, Mass.: MIT Press, pp. 228-35.
4. Campanella, T. J. (2001), ‘Eden by Wire: Webcameras and the Telepresent Landscape’, in Ken Goldberg (ed.), The Robot in the Carden: Telerobotics and Telepistemology in the Age ofthe Internet, Cambridge, Mass.: MIT Press, pp. 22-46.
5. Hertz, G. (1996), ‘Telepresence and Digital/Physical Body > Gaining a Perspective’, http://www.conceptlab.com/interface/theories/reality/index.html. Accessed 23 November 2000.
6. Osborne, J. (1957), Look Back in Anger, London: Faber and Faber.
7. Smith, B. (2005), ‘Jennicam, or the telematic theatre of a real life’, International Journal of Performance Arts and Digital Media 1: 2, pp. 91-100. doi: 10.1386/padm.1.2.91/1