The ‘road that turning always…’: Re-placing the familiar and the unfamiliar in Iciar Bollain’s flores de otro mundo/flowers from another world (1999)

Studies in European Cinema

Volumn 1, Issue 2, 2004, Pages 129-138

  Santaolalla, Isabel ^a  

^a UNIVERSITY OF ROEHAMPTON   (United Kingdom)

Author keywords

Gender; Migration; Postcolonial space; Spanish cinema

Indexed keywords

EID: 84997833938     PISSN: 17411548     EISSN: 20400594     Source Type: Journal    
DOI: 10.1386/seci.1.2.129/0     Document Type: Article

References (9)

1. Alonso, C. (1999), ‘Genuinamente nuestro’, Diario de Burgos, 2 June.
2. Bachelard, G. (1964 [1958]), The Poetics of Space, Boston: Beacon Press.
3. Bollain, I. and Llamazares, J. (2000), Cine y literatura. Reflexiones a partir de ‘Flores de otro mundo’, Madrid: Páginas de Espuma.
4. Freud, S. (1985 [1919]), ‘The Uncanny’, Art and Literature, Harmondsworth: Penguin, pp. 336–76.
5. La Iguana (1999), ‘Flores de otro mundo pressbook’, http://www.la-iguana.com/HTML/principal.htm. Accessed 23 April 2003.
6. Lefebvre, H. (2000 [1991]), The Production of Space (trans. D. Nicholson-Smith), Oxford and Malden, MA: Blackwell.
7. Muir, E. (1960), Collected Poems (1921–1958), London: Faber and Faber.
8. Nair, P. (2001), ‘In Modernity’s Wake: Transculturality, Deterritorialization and the Question of Community in Iciar Bollain’s Flores de otro mundo (Flowers from Another World)’, Post Script, 21: 2, pp. 38–49.
9. Santaolalla, I. (2004), ‘The “road that turning always…”. Re-placing the familiar and the unfamiliar in Iciar Bollain’s Flores de otro mundo/Flowers from Another World (1999)’, Studies in European Cinema 1: 2, pp. 129–138, doi: 10.1386/seci.1.2.129/0