메뉴 건너뛰기




Volumn 14, Issue 1_suppl, 2010, Pages 43-67

An embodied approach to music semantics

Author keywords

embodiment; meaning formation; music; semantics; signification

Indexed keywords


EID: 84991225243     PISSN: 10298649     EISSN: 20454147     Source Type: Journal    
DOI: 10.1177/10298649100140S104     Document Type: Article
Times cited : (25)

References (90)
  • 2
    • 2942735564 scopus 로고    scopus 로고
    • A large-scale evaluation of acoustic and subjective music-similarity measures
    • Berenzweig A., Logan B., Ellis D. P. W., & Whitman B., (2004). A large-scale evaluation of acoustic and subjective music-similarity measures. Computer Music Journal, 28(2), 63–76.
    • (2004) Computer Music Journal , vol.28 , Issue.2 , pp. 63-76
    • Berenzweig, A.1    Logan, B.2    Ellis, D.P.W.3    Whitman, B.4
  • 4
    • 84968265167 scopus 로고
    • Music cognition and perceptual facilitation—a connectionist framework
    • Bharucha J. J., (1987). Music cognition and perceptual facilitation—a connectionist framework. Music Perception, 5(1), 1–30.
    • (1987) Music Perception , vol.5 , Issue.1 , pp. 1-30
    • Bharucha, J.J.1
  • 5
    • 0029705805 scopus 로고    scopus 로고
    • Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training
    • Bigand E., Parncutt R., & Lerdahl F., (1996). Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training. Perception & Psychophysics, 58(1), 125–41.
    • (1996) Perception & Psychophysics , vol.58 , Issue.1 , pp. 125-141
    • Bigand, E.1    Parncutt, R.2    Lerdahl, F.3
  • 9
    • 14844365665 scopus 로고    scopus 로고
    • Communicating expressiveness and affect in multimodal interactive systems
    • Camurri A., volpe G., De Poli G., & Leman M., (2005). Communicating expressiveness and affect in multimodal interactive systems. IEEE Multimedia, 12(1), 43–53.
    • (2005) IEEE Multimedia , vol.12 , Issue.1 , pp. 43-53
    • Camurri, A.1    volpe, G.2    De Poli, G.3    Leman, M.4
  • 10
    • 39749089970 scopus 로고    scopus 로고
    • Observing entrainment in music performance: video-based observational analysis of Indian musicians’ tanpura playing and beat marking
    • Clayton M. R. L., (2007). Observing entrainment in music performance: video-based observational analysis of Indian musicians’ tanpura playing and beat marking. Musicæ Scientiæ, 11(1), 27–59.
    • (2007) Musicæ Scientiæ , vol.11 , Issue.1 , pp. 27-59
    • Clayton, M.R.L.1
  • 16
    • 68749114259 scopus 로고    scopus 로고
    • Does social interaction activate music listeners?
    • Ystad, kronland-Martinet, Jensen, (eds), Berlin, Springer verlag., In, (eds)
    • De Bruyn L., Leman M., Moelants D., Demey M., (2009). Does social interaction activate music listeners? In Ystad S., kronland-Martinet R., Jensen K., (eds). Computer music modeling and setrieval. Berlin: Springer verlag.
    • (2009) Computer music modeling and setrieval
    • De Bruyn, L.1    Leman, M.2    Moelants, D.3    Demey, M.4
  • 18
    • 84879578007 scopus 로고    scopus 로고
    • Statistical analysis of human body movement and group interactions in response to music
    • Fink, Seidel, Lausen, Ultsch, (eds), Berlin, Heidelberg, Springer-Verlag., In, (eds)
    • Desmet F., Leman M., Lesaffre M., & De Bruyn L., (2010). Statistical analysis of human body movement and group interactions in response to music. In Fink A., Seidel W., Lausen B., Ultsch A., (eds). Advances in data analysis, data handling and business intelligence. Berlin, Heidelberg: Springer-Verlag.
    • (2010) Advances in data analysis, data handling and business intelligence
    • Desmet, F.1    Leman, M.2    Lesaffre, M.3    De Bruyn, L.4
  • 22
    • 1642325338 scopus 로고    scopus 로고
    • The influence of musical structure on emotional expression
    • Juslin, Sloboda, (eds), London, Oxford University Press., In, (eds), (
    • Gabrielsson A., & Lindström E., (2001). The influence of musical structure on emotional expression. In Juslin P. N., & Sloboda J. A., (eds), Music and emotion: Theory and research (pp. 223–248). London: Oxford University Press.
    • (2001) Music and emotion: Theory and research , pp. 223-248
    • Gabrielsson, A.1    Lindström, E.2
  • 24
    • 84963163818 scopus 로고
    • How do we hear in the world—explorations in ecological acoustics
    • Gaver W. W., (1993). How do we hear in the world—explorations in ecological acoustics. Ecological Psychology, 5(4), 285–313.
    • (1993) Ecological Psychology , vol.5 , Issue.4 , pp. 285-313
    • Gaver, W.W.1
  • 25
    • 84959948834 scopus 로고
    • What in the world do we hear. An ecological approach to auditory event perception
    • Gaver W. W., (1993). What in the world do we hear. An ecological approach to auditory event perception. Ecological Psychology, 5(1), 1–29.
    • (1993) Ecological Psychology , vol.5 , Issue.1 , pp. 1-29
    • Gaver, W.W.1
  • 26
    • 0346358892 scopus 로고    scopus 로고
    • Situating action. Affordances for interaction: The social is material for design
    • Gaver W. W., (1996). Situating action. Affordances for interaction: The social is material for design. Ecological Psychology, 8(2), 111–29.
    • (1996) Ecological Psychology , vol.8 , Issue.2 , pp. 111-129
    • Gaver, W.W.1
  • 27
    • 84991205821 scopus 로고    scopus 로고
    • Sensorimotor control of sound-producing gestures
    • Godøy, Leman, (eds), New York, Routledge., In, (eds)
    • Gibet S. (2010). Sensorimotor control of sound-producing gestures. In Godøy R.I., & Leman M., (eds), Musical gestures—sound, movement and meaning. New York: Routledge.
    • (2010) Musical gestures—sound, movement and meaning
    • Gibet, S.1
  • 30
    • 84859893128 scopus 로고    scopus 로고
    • Gestural affordances affordances of musical sound
    • Godøy, Leman, (eds), New York, Routledge., In, (eds)
    • Godøy R.I., (2010). Gestural affordances affordances of musical sound. In Godøy R.I., & Leman M., (eds), Musical gestures—sound, movement and meaning. New York: Routledge.
    • (2010) Musical gestures—sound, movement and meaning
    • Godøy, R.I.1
  • 33
    • 0037159541 scopus 로고    scopus 로고
    • The faculty of language: What is it, who has it, and how did it evolve?
    • Hauser M. D., Chomsky N., & Fitch W. T., (2002). The faculty of language: What is it, who has it, and how did it evolve? Science, 298(5598), 1569–79.
    • (2002) Science , vol.298 , Issue.5598 , pp. 1569-1579
    • Hauser, M.D.1    Chomsky, N.2    Fitch, W.T.3
  • 38
    • 59549088177 scopus 로고    scopus 로고
    • Parallels and non parallels between language and music
    • Jackendoff R. (2009). Parallels and non parallels between language and music. Music Perception, 26(3), 195–204.
    • (2009) Music Perception , vol.26 , Issue.3 , pp. 195-204
    • Jackendoff, R.1
  • 39
    • 84991259406 scopus 로고
    • A grammatical parallel between music and language
    • Peregrín Otero, (ed), London, New York, Routledge., In, (ed), (
    • Jackendoff R., & Lerdahl F., (1994). A grammatical parallel between music and language. In Peregrín Otero C., (ed), Noam Chomsky: Critical Assessments (pp. 725–760). London, New York: Routledge.
    • (1994) Noam Chomsky: Critical Assessments , pp. 725-760
    • Jackendoff, R.1    Lerdahl, F.2
  • 40
    • 33745282660 scopus 로고    scopus 로고
    • The capacity for music: What is it, and what's special about it?
    • Jackendoff R., & Lerdahl F., (2006). The capacity for music: What is it, and what's special about it? Cognition, 100(1), 33–72.
    • (2006) Cognition , vol.100 , Issue.1 , pp. 33-72
    • Jackendoff, R.1    Lerdahl, F.2
  • 42
    • 0037073837 scopus 로고    scopus 로고
    • The cortical topography of tonal structures underlying Western music
    • Janata P., Birk J. L., van horn J. D., Leman M., Tillmann B., & Bharucha J. J., (2002). The cortical topography of tonal structures underlying Western music. Science, 298(5601), 2167–70.
    • (2002) Science , vol.298 , Issue.5601 , pp. 2167-2170
    • Janata, P.1    Birk, J.L.2    van horn, J.D.3    Leman, M.4    Tillmann, B.5    Bharucha, J.J.6
  • 43
    • 55949097934 scopus 로고    scopus 로고
    • Children with specific language impairment also show impairment of music-syntactic processing
    • Jentschke S., Koelsch S., Sallat S., & Friederici A. D., (2008). Children with specific language impairment also show impairment of music-syntactic processing. Journal of Cognitive Neuroscience, 20(11), 1940–51.
    • (2008) Journal of Cognitive Neuroscience , vol.20 , Issue.11 , pp. 1940-1951
    • Jentschke, S.1    Koelsch, S.2    Sallat, S.3    Friederici, A.D.4
  • 47
    • 20544445495 scopus 로고    scopus 로고
    • neural substrates of processing syntax and semantics in music
    • Koelsch S. (2005). neural substrates of processing syntax and semantics in music. Current Opinion in Neurobiology, 15(2), 207–12.
    • (2005) Current Opinion in Neurobiology , vol.15 , Issue.2 , pp. 207-212
    • Koelsch, S.1
  • 48
    • 43549098525 scopus 로고    scopus 로고
    • Short-term effects of processing musical syntax: An ERP study
    • Koelsch S., & Jentschke S., (2008). Short-term effects of processing musical syntax: An ERP study. Brain Research, 1212, 55–62.
    • (2008) Brain Research , vol.1212 , pp. 55-62
    • Koelsch, S.1    Jentschke, S.2
  • 49
    • 34247141951 scopus 로고    scopus 로고
    • Untangling syntactic and sensory processing: An ERP study of music perception
    • Koelsch S., Jentschke S., Sammler D., & Mietchen D., (2007). Untangling syntactic and sensory processing: An ERP study of music perception. Psychophysiology, 44(3), 476–90.
    • (2007) Psychophysiology , vol.44 , Issue.3 , pp. 476-490
    • Koelsch, S.1    Jentschke, S.2    Sammler, D.3    Mietchen, D.4
  • 52
    • 84991253159 scopus 로고    scopus 로고
    • The convergence paradigm, ecological modelling, and context-dependent pitch perception
    • Leman M. (1997). The convergence paradigm, ecological modelling, and context-dependent pitch perception. Journal of New Music Research, 26(2), 133–53.
    • (1997) Journal of New Music Research , vol.26 , Issue.2 , pp. 133-153
    • Leman, M.1
  • 53
    • 2242437357 scopus 로고    scopus 로고
    • An auditory model of the role of short-term memory in probe-tone ratings
    • Leman M. (2000). An auditory model of the role of short-term memory in probe-tone ratings. Music Perception, 17(4), 481–509.
    • (2000) Music Perception , vol.17 , Issue.4 , pp. 481-509
    • Leman, M.1
  • 55
    • 59649106554 scopus 로고    scopus 로고
    • Sharing musical expression through embodied listening: a case study based on Chinese guqin music
    • Leman M., Desmet F., Styns F., van noorden L., & Moelants D., (2009). Sharing musical expression through embodied listening: a case study based on Chinese guqin music. Music Perception, 26(3), 263–78.
    • (2009) Music Perception , vol.26 , Issue.3 , pp. 263-278
    • Leman, M.1    Desmet, F.2    Styns, F.3    van noorden, L.4    Moelants, D.5
  • 56
    • 39649090649 scopus 로고    scopus 로고
    • The societal contexts for sound and music computing: research, education, industry, and socio-culture
    • Leman M., Avanzini F., de Cheveigné A., Bigand E., (2007). The societal contexts for sound and music computing: research, education, industry, and socio-culture. Journal of New Music Research, 36(3), 149–67.
    • (2007) Journal of New Music Research , vol.36 , Issue.3 , pp. 149-167
    • Leman, M.1    Avanzini, F.2    de Cheveigné, A.3    Bigand, E.4
  • 57
    • 84863517878 scopus 로고    scopus 로고
    • Systematic musicology at the crossroads of modern music research
    • Schneider, (ed), Frankfurt am Main, Peter Lang., In, (ed), Hamburger Jahrbuch für Musikwissenschaft, 24
    • Leman M. (2008). Systematic musicology at the crossroads of modern music research. In Schneider A., (ed), Systematic and Comparative Musicology: Concepts, Methods, Findings. Hamburger Jahrbuch für Musikwissenschaft, 24, pp. 89–115. Frankfurt am Main: Peter Lang.
    • (2008) Systematic and Comparative Musicology: Concepts, Methods, Findings , pp. 89-115
    • Leman, M.1
  • 58
    • 84991231392 scopus 로고    scopus 로고
    • Some reflections on systematic musicology as proactive science
    • Bader, neuhaus, Morgenstern, (eds), Frankfurt am Main, Peter Lang., In, (eds)., Hamburger Jahrbuch für Systematische Musikwissenschaft
    • Leman M. (2010a). Some reflections on systematic musicology as proactive science. In Bader R., neuhaus C., Morgenstern U., (eds). Concepts, experiments, and fieldwork: studies in systematic musicology and ethnomusicology. Hamburger Jahrbuch für Systematische Musikwissenschaft. Frankfurt am Main: Peter Lang.
    • (2010) Concepts, experiments, and fieldwork: studies in systematic musicology and ethnomusicology
    • Leman, M.1
  • 59
    • 85070903787 scopus 로고    scopus 로고
    • Music, gesture, and the formation of embodied meaning
    • Godøy, Leman, (eds), New York, Routledge., In, (eds)
    • Leman M. (2010b). Music, gesture, and the formation of embodied meaning. In Godøy R.I., & Leman M., (eds), Musical gestures — sound, movement and meaning. New York: Routledge.
    • (2010) Musical gestures — sound, movement and meaning
    • Leman, M.1
  • 60
    • 84919774094 scopus 로고    scopus 로고
    • New York, Oxford University Press
    • Lerdahl F. (2001). Tonal pitch space. New York: Oxford University Press.
    • (2001) Tonal pitch space
    • Lerdahl, F.1
  • 62
    • 34047235257 scopus 로고    scopus 로고
    • Modeling tonal tension
    • Lerdahl F., & Krumhansl C. L., (2007). Modeling tonal tension. Music Perception, 24(4), 329–66.
    • (2007) Music Perception , vol.24 , Issue.4 , pp. 329-366
    • Lerdahl, F.1    Krumhansl, C.L.2
  • 64
    • 0042223407 scopus 로고    scopus 로고
    • At the heart of it all: The concept of presence
    • Lombard M., & Ditton T., (1997). At the heart of it all: The concept of presence Journal of Computer-Mediated Communication, 3(2) (jcmc.indiana.edu/vol3/issue2/lombard.html).
    • (1997) Journal of Computer-Mediated Communication , vol.3 , Issue.2
    • Lombard, M.1    Ditton, T.2
  • 68
    • 85150194180 scopus 로고    scopus 로고
    • A cross-modal heuristic for periodic pattern analysis of Samba music and dance
    • Naveda L., & Leman M., (2009). A cross-modal heuristic for periodic pattern analysis of Samba music and dance, Journal of New Music Research, 38(4), 255–83.
    • (2009) Journal of New Music Research , vol.38 , Issue.4 , pp. 255-283
    • Naveda, L.1    Leman, M.2
  • 69
    • 72949087030 scopus 로고    scopus 로고
    • Representation of Samba dance gestures, using a multimodal analysis approach
    • Ruffaldi, Fontana, (eds), Pisa, Edizioni ETS., In, and, (eds), (19-21 November)
    • th International Conferrence on Enactive Interfaces (19-21 November) pp. 68–74. Pisa: Edizioni ETS.
    • (2008) th International Conferrence on Enactive Interfaces , pp. 68-74
    • Naveda, L.1    Leman, M.2
  • 70
    • 0037482920 scopus 로고    scopus 로고
    • Language, music, syntax and the brain
    • Patel A. D., (2003). Language, music, syntax and the brain. Nature Neuroscience, 6(7), 674–81.
    • (2003) Nature Neuroscience , vol.6 , Issue.7 , pp. 674-681
    • Patel, A.D.1
  • 72
    • 45949089940 scopus 로고    scopus 로고
    • Musical syntactic processing in agrammatic Broca's aphasia
    • Patel A. D., Iversen J. R., Wassenaar M., & Hagoort P., (2008). Musical syntactic processing in agrammatic Broca's aphasia. Aphasiology, 22(7-8), 776–89.
    • (2008) Aphasiology , vol.22 , Issue.7-8 , pp. 776-789
    • Patel, A.D.1    Iversen, J.R.2    Wassenaar, M.3    Hagoort, P.4
  • 73
    • 21344495075 scopus 로고    scopus 로고
    • Feeling the beat: Movement influences infant rhythm perception
    • Phillips-Silver J., & Trainor L. J., (2005). Feeling the beat: Movement influences infant rhythm perception. Science, 308(5727), 1430–30.
    • (2005) Science , vol.308 , Issue.5727 , pp. 1430
    • Phillips-Silver, J.1    Trainor, L.J.2
  • 74
    • 34848905298 scopus 로고    scopus 로고
    • Hearing what the body feels: Auditory encoding of rhythmic movement
    • Phillips-Silver J., & Trainor L. J., (2007). Hearing what the body feels: Auditory encoding of rhythmic movement. Cognition, 105(3), 533–46.
    • (2007) Cognition , vol.105 , Issue.3 , pp. 533-546
    • Phillips-Silver, J.1    Trainor, L.J.2
  • 79
    • 84867964399 scopus 로고    scopus 로고
    • Music and Gestures: a historical introduction and survey of earlier research
    • Godøy, Leman, (eds), New York, Routledge., In, (eds)
    • Schneider A. (2010). Music and Gestures: a historical introduction and survey of earlier research. In Godøy R.I., & Leman M., (eds), Musical gestures—sound, movement and meaning. New York: Routledge.
    • (2010) Musical gestures—sound, movement and meaning
    • Schneider, A.1
  • 80
    • 44849120406 scopus 로고    scopus 로고
    • Shared neural resources between music and language indicate semantic processing of musical tension-resolution patterns
    • Steinbeis N., & Koelsch S., (2008). Shared neural resources between music and language indicate semantic processing of musical tension-resolution patterns. Cerebral Cortex, 18(5), 1169–78.
    • (2008) Cerebral Cortex , vol.18 , Issue.5 , pp. 1169-1178
    • Steinbeis, N.1    Koelsch, S.2
  • 83
    • 0034293604 scopus 로고    scopus 로고
    • Implicit learning of tonality: A self-organizing approach
    • Tillmann B., Bharucha J. J., & Bigand E., (2000). Implicit learning of tonality: A self-organizing approach. Psychological Review, 107(4), 885–913.
    • (2000) Psychological Review , vol.107 , Issue.4 , pp. 885-913
    • Tillmann, B.1    Bharucha, J.J.2    Bigand, E.3
  • 87
    • 84991279430 scopus 로고    scopus 로고
    • The functional role and bio-kinetics of basic and expressive gestures for activation and sonification?
    • Godøy, Leman, (eds), New York, Routledge., In, (eds)
    • Van Noorden L., (2010). The functional role and bio-kinetics of basic and expressive gestures for activation and sonification? In Godøy R.I., & Leman M., (eds), Musical gestures—sound, movement and meaning. New York: Routledge.
    • (2010) Musical gestures—sound, movement and meaning
    • Van Noorden, L.1
  • 89
    • 34250892502 scopus 로고    scopus 로고
    • When the brain plays music: auditory-motor interactions in music perception and production
    • Zatorre R. J., Chen J. L., & Penhune V. B., (2007). When the brain plays music: auditory-motor interactions in music perception and production. Nature Reviews Neuroscience, 8(7), 547–58.
    • (2007) Nature Reviews Neuroscience , vol.8 , Issue.7 , pp. 547-558
    • Zatorre, R.J.1    Chen, J.L.2    Penhune, V.B.3
  • 90
    • 0037073898 scopus 로고    scopus 로고
    • Mental models and musical minds
    • Zatorre R. J., & Krumhansl C. L., (2002). Mental models and musical minds. Science, 298(5601), 2138–39.
    • (2002) Science , vol.298 , Issue.5601 , pp. 2138-2139
    • Zatorre, R.J.1    Krumhansl, C.L.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.