Men's vocal behaviour and the construction of Self

Musicae Scientiae

Volumn 8, Issue 2, 2004, Pages 231-255

  Faulkner, Robert ^a   Davidson, Jane ^a  

^a UNIVERSITY OF SHEFFIELD   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84990359308     PISSN: 10298649     EISSN: None     Source Type: Journal    
DOI: 10.1177/102986490400800206     Document Type: Article

References (26)

1. Bjbrnsdóttir I. D. (2001). Hin karlmannlega raust og hinn hljó∂láti máttur kvenna: Upphaf kórsöngs á fslandi. Saga, 39, 7–50.
2. Buder J. (1990). Gender Trouble. New York: Routledge.
3. Charmaz C. (2000). Grounded Theory: Objectivist and Constructivist Methods. In Denzin Norman K. Lincoln Yvonna S., (eds), Handbook of Qualitative Research, Second Edition (pp. 509–36). Thousand Oaks, California: Sage Publications.
4. Csikszentmihlyi M. (1993). The Evolving Self: A Psychology for the Third Millennium. New York: Harper Perennial.
5. Davidson J. Coimbra D. C. C. (2001). Investigating performance evaluation by assessors of singers in a music college setting. Musics Scientie, 5, 5–33.
6. Dawkins R. (1991). Viruses of the Mind At http://www.memes.net 2003–09 – 23.
7. DeNora T. (2000). Music in Everyday Life. Cambridge: Cambridge University Press.
8. Erlmann V. (1996). Nightsong: Performance, Power and Practice in South Africa. Chicago: University of Chicago Press.
9. Faulkner R. (2003). Men’s ways of singing. Paper presented at The IV Phenomenom of Singing International Symposium. Memorial University, St. John’s Newfoundland, Canada. (Submitted for publication in Symposium Proceedings).
10. Freud S. (1961). Civilization and its discontents. In The complete psychological works of Sigmund Freud: Standard edition (vol. 21). London: Hogarth.
11. Ingólfsson Á. H. (2003). “These are the things you never forget”: The written and aural traditions of Icelandic Tvisöngur. Doctoral dissertation, Harvard University, Cambridge, Massachusetts. UMI 3091584.
12. James W. (1890). Principles of Psychology New York: Henry Holt.
13. James W. (1892). Psychology: Briefer Course. New York: Henry Holt.
14. Johnson M. (1987). The Body in the Mind: The Bodily Basis of Meaning, Imagination and Reason. Chicago: University of Chicago Press.
15. Merker B. (2002). Synchronous Chorusing and Human Origins. In Brown Steven Merker Björn Wallin Nils L. (eds), The Origins of Music (pp. 315–27). Massachusetts: Massachusetts Institute of Technology.
16. Sloboda J. (1991). Music structure and emotional response: Some empirical findings. Psychology of Music, 19, 19–110.
17. Sloboda J. (1998). Does music mean anything? Musicæ Scientiæ, 2, 2–21.
18. Smith J. A. Osborn M. (2003). Interpretative phenomenological analysis. In Smith Jonathan A.,(ed. ), Qualitative Psychology (pp. 51–80). London: Sage.
19. Sparkes A. C. Silvennoinen M. (eds) (1999). Talking Bodies: Men’s Narratives of the Body and Sport. Jyvaskyla, Finland: Sophi.
20. Sparkes A. C. Smith B. (1999). Disrupted Selfs and Narrative Reconstructions. In Sparkes Andrew C Silvennoinen Martti (eds), Talking Bodies: Men’s Narratives of the Body and Sport (pp. 76–92). Jyvaskyla, Finland: Sophi.
21. Stebbins R. (1996). The Barbershop Singer: Inside the World of a Musical Hobby. Toronto and Buffalo: University of Toronto Press.
22. Tajfel H. (1978). Differentiation between social groups: Studies in the social psychology of intergroup relations. London: Academic Press.
23. Tomasson R. F. (1980). Iceland: The first new society. Minneapolis: University of Minneapolis Press.
24. Trevarthen C. (2002). Origins of Musical Identity: Evidence from Infancy for Musical Awareness. In Macdonald Raymond Hargreaves David Miell Dorothy (eds), Musical Identities (pp. 21–38). Oxford: Oxford University.
25. Weber R. (2000). The Created Self. Reinventing Body, Persona and Spirit. New York & London: W.W. Norton & Company.
26. Wilke H. Wit A. (2001). Group Performance. In Hewstone Miles Stroebe Wolfgang (eds), Social Psychology (pp. 445–78). Oxford: Blackwell.