From Social Contact to Social Cohesion—The 7 Cs

Music & Medicine

Volumn 5, Issue 4, 2013, Pages 204-209

  Koelsch, Stefan ^a  

^a FREIE UNIVERSITÄT BERLIN   (Germany)

Author keywords

creative arts therapy; music psychotherapy; music therapy; rhythmicity

Indexed keywords

EID: 84990342402     PISSN: 19438621     EISSN: 1943863X     Source Type: Journal    
DOI: 10.1177/1943862113508588     Document Type: Article

References (52)

1. Cross I. Cognitive science and the cultural nature of music. Top Cogn Sci. 2012; 4(4):668–677.
2. Huron D. Is music an evolutionary adaptation? Ann N Y Acad Sci. 2011; 930: 43–61.
3. Merker B. The conformal motive in birdsong, music, and language: an introduction. Ann N Y Acad Sci. 2005; 1060(1):17–28.
4. Patel AD. Music as a transformative technology of the mind. In: Proceedings from John Templeton Foundation Symposium: Music: its evolution, cognitive basis, and spiritual dimensions; September 18-20, 2008; Oxford, UK.
5. Koelsch S. Brain and Music. Chichester, England: Wiley; 2012.
6. Schubert E. The fundamental function of music. Music Sci. 2009; 13(2):63–81.
7. Schäfer T Tipandjan A Sedlmeier P. The functions of music and their relationship to music preference in India and Germany. Int J Psychol. 2012; 47(5):370-380.
8. Cacioppo J, Hawkley L. Social isolation and health, with an emphasis on underlying mechanisms. Perspect Biol Med. 2003; 46(suppl 3):S39–S52.
9. Siebel W, Winkler T. Noosomatik V: Noologie, Neurologie, Kardiologie. 2nd ed. Wiesbaden, Germany: Glaser; 1996.
10. Harlow H. The nature of love. Am Psychol. 1958; 13: 673–685.
11. House JS. Social isolation kills, but how and why? Psychosom Med. 2001; 63(2):273–274.
12. Koelsch S, Siebel WA, Fritz T. Functional neuroimaging. In: Juslin PA, Sloboda JA, eds. Handbook of Music and Emotion: Theory, Research, Applications. Oxford, England: Oxford University Press; 2010: 313–344.
13. Crozier WR. Music and social influence. In: Hargreaves DJ, North AC, eds. The Social Psychology of Music. New York, NY: Oxford University Press; 1997: 67–81.
14. Davidson JW. The social in musical performance. In: Hargreaves DJ, North AC, eds. The Social Psychology of Music. New York, NY: Oxford University Press; 1997: 209–228.
15. Hargreaves DJ, North AC. The functions of music in everyday life: redefining the social in music psychology. Psychol Music. 1999; 27(1):71–83.
16. Steinbeis N, Koelsch S. Understanding the intentions behind man-made products elicits neural activity in areas dedicated to mental state attribution. Cereb Cortex. 2008; 19(3):619–623.
17. Allen R, Hill E, Heaton P. ‘Hath charms to soothe...’: an exploratory study of how high-functioning adults with ASD experience music. Autism. 2009; 13(1):21–41.
18. Koelsch S, Offermanns K, Franzke P. Music in the treatment of affective disorders: an exploratory investigation of a new method for music-therapeutic research. Music Percept. 2010; 27(4):307–316.
19. Singer T, Lamm C. The social neuroscience of empathy. Ann N Y Acad Sci. 2009; 1156: 81–96.
20. Achaibou A, Pourtois G, Schwartz S, Vuilleumier P. Simultaneous recording of EEG and facial muscle reactions during spontaneous emotional mimicry. Neuropsychologia. 2008; 46(4):1104–1113.
21. Hatfield E, Rapson R, Le Y. Emotional contagion and empathy. In: Decety J, Ickes W, eds. The Social Neuroscience of Empathy. Cambridge, MA: MIT Press; 2009: 19–30.
22. Russel PA. Musical tastes and society. In Hargreaves DJ, North AC, eds. The Social Psychology of Music. New York, NY: Oxford University Press; 1997: 141–158.
23. Trehub S. The developmental origins of musicality. Nat Neurosci. 2003; 6(7):669–673.
24. Fitch W. The biology and evolution of music: a comparative perspective. Cognition. 2006; 100(1):173–215.
25. Koelsch S, Fritz T, Schulze K, Alsop D, Schlaug G. Adults and children processing music: an fMRI study. Neuroimage. 2005; 25(4):1068–1076.
26. Steinbeis N, Koelsch S. Shared neural resources between music and language indicate semantic processing of musical tension-resolution patterns. Cerebral Cortex. 2008; 18(5):1169–1178.
27. Slevc LR, Rosenberg JC, Patel AD. Making psycholinguistics musical: self-paced reading time evidence for shared processing of linguistic and musical syntax. Psychon Bull Rev. 2009; 16(2):374–381.
28. Koelsch S, Kasper E, Sammler D, Schulze K, Gunter T, Friederici AD, Music, language and meaning: brain signatures of semantic processing. Nat Neurosci. 2004; 7(3):302–307.
29. Daltrozzo J, Schön D. Conceptual processing in music as revealed by N400 effects on words and musical targets. J Cogn Neurosci. 2009; 21(10):1882–1892.
30. Steinbeis N, Koelsch S. Comparing the processing of music and language meaning using EEG and fMRI provides evidence for similar and distinct neural representations. PLoS One. 2008; 3(5):e2226.
31. Painter JG, Koelsch S. Can out–of–context musical sounds convey meaning? An ERP study on the processing of meaning in music. Psychophysiology. 2011; 48(5):645–655.
32. Schön D Ystad S Kronland-Martinet R Besson M. The evocative power of sounds: conceptual priming between words and nonverbal sounds. J Cogn Neurosci. 2010; 22(5):1026–1035.
33. Goerlich KS, Witteman J, Schiller NO, Van Heuven VJ Aleman A Martens S. The nature of affective priming in music and speech. J Cogn Neurosci. 2012; 24(8):1725–1741.
34. Callan DE, Tsytsarev V, Hanakawa T, et al. Song and speech: brain regions involved with perception and covert production. Neuroimage. 2006; 31(3):1327–1342.
35. Hillecke T, Nickel A, Bolay HV. Scientific perspectives on music therapy. Ann N Y Acad Sci. 2005; 1060(1):271–282.
36. Merriam AP. The Anthropology of Music. Evanston, IL: Northwestern University Press; 1964.
37. Radocy RE, Boyle JD. Psychological Foundations of Musical Behavior. 3rd ed. Springfield, IL: Charles C Thomas; 1996.
38. Kirschner S, Tomasello M. Joint drumming: social context facilitates synchronization in preschool children. J Exp Child Psychol. 2009; 102(3):299–314.
39. Overy K, Molnar-Szakacs I. Being together in time: musical experience and the mirror neuron system. Music Percept. 2009; 26(5):489–504.
40. Wiltermuth S, Heath C. Synchrony and cooperation. Psychol Sci. 2009; 20(1):1–5.
41. Jürgens U. Neural pathways underlying vocal control. Neurosci Biobehav Rev. 2002; 26(2):235–258.
42. Rilling J, Gutman D, Zeh T, Pagnoni G, Berns G, Kilts C. A neural basis for social cooperation. Neuron. 2002; 35(2):395–405.
43. van Veelen M Garcìa J Rand DG Nowak MA. Direct reciprocity in structured populations. Proc Natl Acad Sci U S A. 2012; 109(25):9929–9934.
44. Wedekind C, Milinski M. Human cooperation in the simultaneous and the alternating Prisoner's Dilemma: Pavlov versus Generous Tit-for-Tat. Proc Natl Acad Sci U S A. 1996; 93(7):2686–2689.
45. Nowak MA. Five rules for the evolution of cooperation. Science. 2006; 314(805):1560–1563.
46. Tomasello M, Carpenter M, Call J, Behne T, Moll H. Understanding and sharing intentions: the origins of cultural cognition. Behav Brain Sci. 2005; 28(5):675–691.
47. Cross I. Musicality and the human capacity for culture. Musicae Scientiae. 2008; 12(suppl 1):147–167.
48. Baumeister RF, Leary MR. The need to belong: desire for interpersonal attachments as a fundamental human motivation. Psychol Bull. 1995; 117(3):497–529.
49. Fitch W. The evolution of music in comparative perspective. Ann N Y Acad Sci. 2005; 1060: 29–49.
50. Brown S, Volgsten U. Music and Manipulation: On the Social Uses and Social Control of Music. Oxford, England: Berghahn Books; 2006.
51. Juslin PN, Västfjäll D. Emotional responses to music: the need to consider underlying mechanisms. Behav Brain Sci. 2008; 31(5):559–575.
52. Koelsch S, Stegemann T. The brain and positive biological effects in healthy and clinical populations. In: MacDonald R, Kreutz G, Mitchell L, eds. Music, Health, & Wellbeing. New York, NY: Oxford University Press; 2012: 436–476.