Intercode translation: Words and music in opera

Target

Volumn 9, Issue 2, 1997, Pages 235-270

  Gorlée, Dinda L ^a  

^a UNIVERSITY OF INNSBRUCK   (Austria)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84989376800     PISSN: 09241884     EISSN: 15699986     Source Type: Journal    
DOI: 10.1075/target.9.2.03gor     Document Type: Article

References (55)

1. Adorno, T.W. ([1952] 1964). Versuch über Wagner. München and Zürich: Droemer Knaur.
2. Apter, Ronnie. 1985. “A Peculiar Bürden: Some Technical Problems of Translating Opera for Performance in English”. Meta 30:4. 309-319.
3. Apter, Ronnie. 1989. “The Impossible Takes a Little Longen Translating Opera into English”. Translation Review 31. 27-37.
4. Bamstone, Willis. 1994. “Translation Theory with a Semiotic Slant”. Semiotica 102:1-2. 89-100.
5. Benveniste, Émile. 1985. “The Semiology of Language”. Robert E. Innis, ed. & intro. Semiotics: An Introdäctory Anthology. Bloomington, IN: Indiana University Press, 1985. 228-246. [Advances in Semiotics.]
6. Dalmonte, Rossana. 1987. “The Concept of Expansion in Theories Concerning the Rela-tionships between Music and Poetry”. Semiotica 66:1-3. 111-128.
7. Darcy, Warren. 1993. Wagner’s Das Rheingold. Oxford: Oxford University Press/Claren-don Press. [Studies in Musical Genesis and Structure.]
8. Deledalle-Rhodes, Janice. 1996. “The Transposition of the Linguistic Sign in Peirce’s Contributions to The Nation”. Transactions ofthe Charles S. Peirce Society 32:4. 668-682.
9. Donington, Robert. 1992. Opera andlts Symbols: The Unity ofWords, Music, and Staging. New Haven, CO: Yale University Press.
10. Gorlée, Dinda L. 1989. “Wittgenstein, Translation, and Semiotics”. Target 1:1. 69-94.
11. Gorlée, Dinda L. 1994. Semiotics and the Problem of Translation, with Special Reference to the Semiotics of Charles S. Peirce. Amsterdam and Atlanta, GA: Rodopi. [Approaches to Translation Studies, 12.]
12. Gorlée, Dinda L. 1996. “Opera Translation: Charles Peirce Translating Richard Wagner”. Eero Tarasti, ed. Musical Semiotics in Growth. Bloomington, IN: Indiana University Press and Imatra: International Semiotics Institute, 1996. 413-441. [Acta Fennica, 4.]
13. Graham, Arthur. 1989. “A New Look at Recital Song Translation”. Translation Review 29. 31-37.
14. Hess-Lüttich, Ernst W.B. 1986. “Multimedia Communication”. Sebeok 1986:1. 573-577.
15. Honolka, Kurt. 1978. Opernübersetzungen: Zur Geschichte der Verdeutschung musiktheatralischer Texte. Wilhelmshaven: Heinrichshofen. [Taschenbücher zur Musikwissenschaft, 20.]
16. Hosokawa, Shuhei. 1986. “Opera”. Sebeok 1986:2. 649-651.
17. Huber, Herbert. 1988. Richard Wagner, Der Ring des Nibelungen: Nach seinem mythologischen, theologischen und philosophischen Gehalt Vers für Vers erklärt. Weinheim: VCH. [Acta Humaniora.]
18. Jakobson, Roman. 1959. “On Linguistic Aspects of Translation”. Reuben A. Brower, ed. On Translation. Cambridge, MA: Harvard University Press, 1959. 232-239. [Harvard Studies in Comparative Literature, 23.]
19. Jakobson, Roman. 1960. “Concluding Statement: Linguistics and Poetics”. Thomas A. Sebeok, ed. Style in Language. Cambridge, MA: MIT Press, 1960. 350-377.
20. Jakobson, Roman. 1971. Selected Writings II: Word and Language. The Hague and Paris: Mouton.
21. Langer, Susanne K. 1953. Feeling and Form: A Theory of Art Developed From Philosophy in a New Key. New York: Scribner’s Sons.
22. Leithauser, Brad. 1996. “Here To Stay”. The New York Review of Books 43-16 (October 17). 35-38.
23. Littlefield, Richard, ed. 1991. Music as Narrative. Indiana Theory Review 12 [Specialissue].
24. Martinez, José Luiz. 1996. “Icons in Music: A Peircean Rationale”. Semiotica 110:1-2. 5786.
25. Meeüs, Nicolas. 1993. “De la forme de l’expression musicale”. S: European Journal for Semiotic Studies 5:4. 713-728.
26. Mosley, David L. 1990. Gesture, Sign, and Song: An Interdisciplinary Approach to Schumann s Liederkreis Opus 39. New York, etc.: Peter Lang. [New Connections: Studies in Interdisciplinarity, 3.]
27. Mukafovsky, M., Jan. 1989. Kunst, Poetik, Semiotik, ed. & pref. Kvetoslav Chvatik; tr. Erika Annuß and Walter Annuß. Frankfurt am Main: Suhrkamp.
28. Nida, Eugene A. 1964. Toward a Science of Translating, with Special Reference to Principles and Procedures Involved in Bible Translating. Leiden: E.J. Brill.
29. Nieder, Christoph. 1989. Von der “Zauberflöte” zum “Lohengrin”: Das deutsche Opernlibretto in der ersten Hälfte des 19. Jahrhunderts. Stuttgart: J.B. Metzlersche Verlagsbuchhandlung. [Germanistische Abhandlungen, 64.]
30. Orlando, Francesco. 1975. “Propositions pour une sémantique du leitmotiv dans L’anneau des Nibelungen”. Musique en jeu 17. 73-86.
31. Ostwald, Peter F. 1973. The Semiotics of Human Sound. The Hague and Paris: Mouton. [Approaches to Semiotics, 36.]
32. Pagnini, Marcello. 1994. Parola/Musica. Universitâ di Urbino: Centro Internazionale di Semiotica e di Linguistica. [Documenti di lavoro e pre-pubblicazioni, 236, serie E.]
33. Pederson, Sanna. 1996. “The Methods of Musical Narratology”. Semiotica 110:1-2. 179-196.
34. Peirce, Charles S. 1931-1966. Collected Papers of Charles Sanders Peirce, eds. Charles Hartshorne, Paul Weiss and Arthur W. Burks. 8 vols. Cambridge, MA: Belknap Press, Harvard University Press.
35. Reiß, Katharina. 1971. Möglichkeiten und Grenzen der Übersetzungskritik: Kategorien und Kriterien für eine sachgerechte Beurteilung von Übersetzungen. München: Max Hueber. [Hueber Hochschulereihe, 12.]
36. Reiß, Katharina. 1977. “Texttypen, Übersetzungstypen und die Beurteilung von Übersetzungen”. Lebende Sprachen 3. 97-100.
37. Rodda, Anne E. 1981. “Translating for Music: The German Art Song”. Marilyn Gaddis Rose, ed. Translation Spectrum: Essays in Theory and Practice. Albany, NY: State University of New York Press, 1981. 147-159.
38. Rudder, Michael Eigin. 1993. “An Investigation of Critical Factors in Opera Translation: A Study of English Versions of ‘La Bohème’”. Dissertation Abstracts International (DAI) 53(9): 3197 A. Georgetown University, 1992.
39. Ruwet, Nicolas. 1972. Langage, Musique, Poésie. Paris: Seuil. [Collection Poétique.]
40. Scher, Steven Paul. 1982. “Literature and Music”. Jean-Pierre Barricelli and Joseph Gibaldi, eds. Interrelations of Literature. New York: The Modern Language Association of America, 1982. 225-250.
41. Sebeok, Thomas A., gen. ed. 1986. Encyclopedic Dictionary of Semiotics. 3 vols. Berlin: Mouton de Gruyter. [Approaches to Semiotics, 73.]
42. Sebeok, Thomas A. 1991. Semiotics in the United States. Bloomington and Indianapolis: Indiana University Press. [Advances in Semiotics.]
43. Spencer, Stewart. 1985. “The Language and Sources of ‘The Ring’”. Wagner 1985: 31-38.
44. Stein, Jack Madison. 1971. Poem and Music in the German Liedfrom Gluck to Hugo Wolf Cambridge, MA: Harvard University Press.
45. Stein, Jack Madison. 1973. Richard Wagner & the Synthesis of the Arts. Westport, CO: Greenwood Press Publishers.'[Rep. of the 1960 ed.]
46. Tarasti, Eero. 1987. “On the Jodalities of Opera”. Semiotica 66:1-3. 155-168.
47. Wagner, Richard. [1852] 19B4. Oper und Drama, ed. & comm. Klaus Kropfinger. Stuttgart: Philipp Reclam Jr.
48. Wagner, Richard, n.d. Das Rheingold. Vorspiel zu der Trilogie: Der Ring des Nibelungen. Text mit den hauptsächlichsten Leitmotiven und Notenbeispielen, ed. Dr. Julius Burghold. Mainz, London, Paris and Brüssel: B. Schott’s Söhne. [In-text references take the format Rheingold: page]
49. Wagner, Richard, n.d.-a.DasRheingold: Orchesterpartitur. English translation by Frederick Jameson; Version frangaise par Alfred Ernst. Mainz, London, Brüssel and Paris: B. Schott’s Söhne. [In-text references take the format Jameson 1896: page#]
50. Wagner, Richard. 1976. The Ring ofthe Nibelung. German text with English translation by Andrew Porter. London: Faber Music Ltd. in association with Faber & Faber Ltd. [Intext references take the format Porter 1976: page#]
51. Wagner, Richard. 1983. Der Ring des Nibelungen — The Ring of the Nibelung: Das Rheingold — The Rhinegold. Dual-language piano-vocal score, tr. from the German into English by Mark Herman and Ronnie Apter. [Available from the translators: 5748 West Brooks Road, Shepherd, MI 48883-9202, USA.] [In-text references take the format Herman/Apter 1983: page#]
52. Wagner, Richard. 1985. The Rhinegold — Das Rheingold. London: John Calder Publishers. [English National Opera Guides, 35.]
53. Weisstein, Ulrich. 1961. “The Libretto as Literature”. Books Abroad 35. 16-22.
54. Wittgenstein, Ludwig. [1921] 1988. Tractatus logico-philosophicus, tr. D.F. Pears and B.F. McGuiness. London: Routledge and Kegan Paul.
55. Wittgenstein, Ludwig. [1953] 1968. Philosophical Investigations, eds. G.E.M. Anscombe and R. Rhees, tr. G.E.M. Anscombe. Rprt. Oxford: Basil Blackwell.