The methods of musical narratology

Semiotica

Volumn 110, Issue 1-2, 1996, Pages 179-196

  Pederson, Sanna ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61249455845     PISSN: 00371998     EISSN: 16133692     Source Type: Journal    
DOI: None     Document Type: Review

References (23)

1. Abbate, Carolyn (1989). What the sorcerer said. Nineteenth-Century Music 12, 221-230.
2. - (1991). Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton: Princeton University Press.
3. Burnham, Scott (1992). The criticism of analysis and the analysis of criticism. Nineteenth-Century Music 16, 70-76.
4. Culler, Jonathan (1981). Story and discourse in the analysis of narrative. In The Pursuit of Signs: Semiotics, Literature, Deconstruclion, 169-187. Ithaca: Cornell University Press.
5. Genette, Gérard (1980). Narrative Discourse: An Essay in Method, trans. Jane Lewin. Ithaca: Cornell University Press.
6. Godzich, Wlad (1985). Foreword to Thomas G. Pavel, The Poetics of Plot: The Case of English Renaissance Drama. Minneapolis: University of Minnesota Press.
7. Harpham, Geoffrey Gait (1987). The Ascetic Imperative in Culture and Criticism. Chicago and London: University of Chicago Press.
8. - (1992). Getting It Right: Language, Literature, and Ethics. Chicago and London: University of Chicago Press.
9. Jameson, Frederic (1987). Foreword to Algirdas Julien Greimas, On Meaning: Selected Writings in Semiotic Theory, trans. by Paul J. Perron and Frank H. Collins. Minneapolis: University of Minnesota Press.
10. Kramer, Lawrence (1991). Music As Cultural Practice, 1800-1900. Berkeley, Los Angeles and Oxford: University of California Press.
11. - (1992a). Haydn's chaos, Schenker's order; or, hermeneutics and musical analysis: Can they mix? Nineteenth-Century Music 16, 3-17.
12. -(1992b). The musicology of the future, repercussions 1, 5-18.
13. McClary, Susan (1991). Feminine Endings: Music, Gender, and Sexuality. Minneapolis: University of Minnesota Press.
14. McCreless, Patrick (1988). Roland Barthes's S/Z from a musical point of view. In Theory Only 10, 1-29.
15. Maus, Fred Everett (1988). Music as drama. Music Theory Spectrum 10, 56-73.
16. Newcomb, Anthony (1984). Once more 'Between absolute and program music': Schumann's Second Symphony. Nineteenth-Century Music 7, 233-250.
17. -(1987). Schumann and late eighteenth-century narrative strategies. Nineteenth-Century Music 11, 164-174.
18. Propp, V. J. (1968). Morphology of the Folktale, second edition. Austin: University of Texas Press.
19. Prince, Gerald (1988). Narratological illustrations. Semiotica 68 (3/4), 355-366.
20. Smith, Barbara Herrnstein (1968). Poetic Closure: A Study of How Poems End. Chicago and London: University of Chicago Press.
21. - (1981). Narrative versions, narrative theories. In On Narrative, W. J. T. Mitchell (ed.), 209-232. Chicago and London: University of Chicago Press.
22. Todorov, Tzvetan (1969). Structural analysis of narrative. Novel 3, 70-76.
23. - (1981). Introduction to Poetics, trans. by Richard Howard. Minneapolis: University of Minnesota Press.