Individual differences in rhythmic cortical entrainment correlate with predictive behavior in sensorimotor synchronization

Scientific Reports

Volumn 6, Issue , 2016, Pages

  Nozaradan, Sylvie ^a,b   Peretz, Isabelle ^b   Keller, Peter E ^c,d  

^a UNIVERSITÉ CATHOLIQUE DE LOUVAIN   (Belgium)

^b UNIVERSITÉ DE MONTRÉAL   (Canada)

^c WESTERN SYDNEY UNIVERSITY   (Australia)

^d MAX PLANCK INSTITUTE FOR HUMAN COGNITIVE AND BRAIN SCIENCES   (Germany)

Author keywords

[No Author keywords available]

Indexed keywords

BEHAVIOR; BRAIN FUNCTION; ELECTROENCEPHALOGRAM; HUMAN; NERVOUS SYSTEM; PERCEPTION; PREDICTION; RHYTHM; SENSORY STIMULATION; ADULT; BRAIN; CORTICAL SYNCHRONIZATION; HEARING; INDIVIDUALITY; MALE; MUSIC; PERIODICITY; PHYSIOLOGY; YOUNG ADULT;

ADULT; AUDITORY PERCEPTION; BRAIN; CORTICAL SYNCHRONIZATION; HUMANS; INDIVIDUALITY; MALE; MUSIC; PERIODICITY; YOUNG ADULT;

EID: 84957602289     PISSN: None     EISSN: 20452322     Source Type: Journal    
DOI: 10.1038/srep20612     Document Type: Article

References (63)

1. Phillips-Silver, J., & Keller, P. E. Searching for roots of entrainment and joint action in early musical interactions. Front Hum Neurosci 6, 26 (2012).
2. Nozaradan, S. Exploring how musical rhythm entrains brain activity with electroencephalogram frequency-Tagging. Phil Trans B 369, (1658) 20130393 (2014).
3. London, J. Hearing in time: psychological aspects of musical meter. London. Oxford UP. (2004).
4. Jones, M. R. Time, our lost dimension: Toward a new theory of perception, attention, and memory. Psychological Review 83, 323-335 (1976)
5. Large, E. W. Resonating to musical rhythm: Theory and experiment. In Simon Grondin (Ed.) The Psychology of Time. Emerald, West Yorkshire (2008).
6. McAuley J.D. In Music Perception, 1st edn (eds. Jones, M.R.) (Springer Handbook of Auditory Research, 2010).
7. Regan, D. M. in Human Brain Electrophysiology: Evoked Potentials and Evoked Magnetic Fields in Science and Medicine. (eds. Regan, D.M.) (Elsevier, 1989).
8. Nozaradan, S., Peretz, I., Missal, M., & Mouraux, A. Tagging the neuronal entrainment to beat and meter. J Neurosci 31, 10234-40 (2011).
9. Nozaradan, S., Peretz, I., & Mouraux, A. Selective neuronal entrainment to the beat and meter embedded in a musical rhythm. J Neurosci 32(49), 17572-81 (2012).
10. van Noorden, L., & Moelants, D. Resonance in the perception of musical pulse. J New Music Res 28, 43-66 (1999).
11. Parncutt, R. A perceptual model of pulse salience and metrical accent in musical rhythms. Music Perception 11, 409-464 (1994).
12. Keller, P. E., Novembre, G., & Hove, M. J. Rhythm in joint action: psychological and neurophysiological mechanisms for real-Time interpersonal coordination. Phil Trans B 369(1658), 20130394 (2014).
13. Nozaradan, S., Zerouali, Y., Peretz, I., & Mouraux, A. Capturing with EEG the neural entrainment and coupling underlying sensorimotor synchronization to the beat. Cereb Cortex doi: 10.1093/cercor/bht261 (2015).
14. Iversen, J. R., Repp, B. H., & Patel, A. D. Top-Down control of rhythm perception modulates early auditory responses. In Dalla Bella, S., et al. (Eds.) The neurosciences and music III: Disorders and plasticity. Ann NY Acad Sci 1169, 58-73 (2009).
15. Aschersleben, G. Temporal control of movements in sensorimotor synchronization. Brain Cogn 48, 66-79 (2002).
16. Repp, B. H. Sensorimotor synchronization: A review of the tapping literature. Psychon B Rev 12, 969-992 (2005).
17. Berens, P. CircStat: A Matlab Toolbox for Circular Statistics. Journal of Statistical Software 31, 10 (2009).
18. Pecenka, N., & Keller, P. E. Auditory pitch imagery and its relationship to musical synchronization. Ann N Y Acad Sci 1169, 282-286 (2009).
19. Mills, P. F., van der Steen, M. C., Schultz, B. G., & Keller, P. E. Individual differences in temporal anticipation and adaptation during sensorimotor synchronization. Timing and Time Perception In Press (2015).
20. Van der Steen, M.C., Jacoby, N., Fairhurst, M. T., & Keller, P. E. Sensorimotor synchronization with tempo-chaning auditory sequences: modeling temporal adaptation and anticipation. Brain Res pii. S0006-8993(15), 00087-6 (2015).
21. Galambos, R., Makeig, S., & Talmachoff, P.J. A 40-Hz auditory potential recorded from the human scalp. Proc Natl Acad Sci USA 78, 2643-7 (1981).
22. Vialatte, F. B., Maurice, M., Dauwels, J., & Cichocki, A. Steady-state visually evoked potentials: focus on essential paradigms and future perspectives. Prog Neurobiol 90(4), 418-38 (2010).
23. Zhang, L., Peng, W., Zhang, Z., & Hu, L. Distinct features of auditory steady-state responses as compared to transient event-related potentials. Plos One 8(7), e69164 (2013).
24. Capilla, A., Pazo-Alvarez, P., Darriba, A., Campo, P., & Gross, J. Steady-state visual evoked potentials can be explained by temporal superposition of transient event-related responses. PLoS One 6(1), e14543 (2011).
25. Chemin, B., Mouraux, A., & Nozaradan, S. Body movement selectively shapes the neural representation of musical rhythm. Psychol Sc 25(12), 2147-59 (2014).
26. Rajendran, V., Garcia-Lazaro, J., Lesica, N., & Schnupp, J. Neuronal entrainment to rhythm in the gerbil inferior colliculus. Proceedings of the 5th International Conference on Auditory Cortex-Towards a Synthesis of Human and Animal Research Magdeburg, Germany (2014).
27. Cameron, D. J., & Grahn, J. A. The influence of culture on rhythm perception, behaviour, and neural entrainment to the beat. Proceedings of the Rhythm Perception and Production Workshop. Amsterdam, The Netherlands (2015).
28. Gibbings, A., Cruse, D., Stojanowski, B., & Grahn, J. A. Attention and presence of a beat modulate neural entrainment to nonrepeating rhythms. Proceedings of the Rhythm Perception and Production Workshop. Amsterdam, The Netherlands (2015)
29. Vuust, P., & Witek, M. A. Rhythmic complexity and predictive coding: a novel approach to modeling rhythm and meter perception in music. Front Psychol, doi: 10.3389/fpsyg.2014.01111 (2014).
30. Friston, K. Functional integration and inference in the brain. Prog Neurobiol 68(2), 113-43 (2002).
31. Friston, K. A theory of cortical responses. Phil Trans B 360(1456), 815-36 (2005).
32. Rao, R. P., & Ballard, D. H. Predictive coding in the visual cortex: a functional interpretation of some extra-classical receptive-field effects. Nat Neurosci 2(1), 79-87 (1999).
33. Wacongne, C., et al. Evidence for a hierarchy of predictions and prediction errors in human cortex. Proc Natl Acad Sci USA 108(51), 20754-9 (2011).
34. Friston, K. J., Daunizeau, J., Kilner, J. M., & Kiebel, S. J. Action and behavior: a free-Energy formulation. Biological Cybernetics 102(3), 227-260 (2010).
35. Rybarczyk, Y. P., & Mestre, D. Effect of temporal organization of the visuo-locomotor coupling on the predictive steering. Front. Psychology 3, 239, doi: 10.3389/fpsyg.2012.00239 (2012).
36. Morillon, B., Schroeder, C.E., & Wyart, V. Motor contributions to the temporal precision of auditory attention. Nat Commun 5, 5255 (2014).
37. Morillon, B., Hackett, T. A., Kajikawa, Y., & Schroeder, C. E. Predictive motor control of sensory dynamics in auditory active sensing. Curr Opin Neurosci 31, 230-8 (2015).
38. Merchant, H., et al. Sensorimotor neural dynamics during isochronous tapping in the medial premotor cortex of the macaque. Eur J Neurosci 41(5), 586-602 (2015).
39. Rossion, B. Understanding individual face discrimination by means of fast periodic visual stimulation. Exp Brain Res 232(6), 1599-621 (2014).
40. Patel, A. D., & Iversen, J. R. The evolutionary neuroscience of musical beat perception: the Action Simulation for Auditory Prediction (ASAP) hypothesis. Frontiers in Psychol, doi: 10.3389/fnsys.2014.00057 (2014).
41. Moreau, P., Jolicoeur, P., & Peretz, I. Pitch discrimination without awareness in congenital amusia: evidence frome vent-related potentials. Brain Cogn 81(3), 337-44 (2013).
42. Nettl, B. An ethnomusicologist contemplates universals in musical sound and musical culture. In Walin, et al. (Eds.) The origins of music, Cambridge, USA, MIT Press (2000).
43. Grahn, J. A., & McAuley, J. D. Neural bases of individual differences in beat perception. Neuroimage 47(4), 1894-903 (2009).
44. Phillips-Silver, J., et al. Born to dance but beat deaf: a new form of congenital amusia. Neuropsychologia 49(5), 961-9 (2011).
45. Sowinski, J., & Dalla Bella, S. Poor synchronization to the beat may result from deficient auditory-motor mapping. Neuropsychologia 51(10), 1952-63 (2013).
46. Launay, J., Grube, M., & Stewart, L. Dysrhythmia: a specific congenital rhythm perception deficit. Front Psychol, doi: 10.3389/ fpsyg.2014.00018 (2014).
47. Penhune, V. B., & Doyon, J. Cerebellum and M1 interaction during early learning of timed motor sequences. Neuroimage 26(3), 801-12 (2005).
48. Ullen, F., Forsman, L., Blom, O., Karabanov, A., & Madison, G. Intelligence and variability in a simple timing task share neural substrates in the prefrontal white matter. J Neurosci 28(16), 4238-43 (2008).
49. Tierney, A., & Kraus, N. The ability to move to a beat is linked to the consistency of neural responses to sound. J Neurosci 33(38), 1481-8 (2013).
50. Pollok, B., et al. Cortical activations associated with auditorily paced finger tapping. Neuroreport 14, 247-250 (2003).
51. Chen, J. L., Penhune, V. B., & Zatorre, R. J. Moving on time: brain network for auditory-motor synchronization is modulated by rhythm complexity and musical training. J Cogn Neurosci 20, 226-239 (2008).
52. Merchant, H., Perez, O., Zarco, W., & Gamez, J. Interval tuning in the primate medial premotor cortex as a general timing mechanism. J Neurosci 33(21), 9082-96 (2013).
53. Crowe, D. A., Zarco, W., Bartolo, R., & Merchant, H. Dynamic representation of the temporal and sequential structure of rhythmic movements in the primate medial premotor cortex. J Neurosci 34(36), 11972-83 (2014).
54. Bartolo, R., Prado, L., & Merchant, H. Information processing in the primate basal ganglia during sensory-guided and internally driven rhythmic tapping. J Neurosci 34(11), 3910-23 (2014).
55. Nozaradan, S., et al. Musical entrainment directly recorded in the depth of the human temporal and frontal cortex. Proceedings of the 5th International Conference on Auditory Cortex-Towards a Synthesis of Human and Animal Research. Magdeburg, Germany (2014).
56. Vuust, P., Brattico, E., Seppanen, M., Naatanen, R., & Tervaniemi, M. Practiced musical style shapes auditory skills. Ann NY Acad Sci 1252, 139-56 (2012).
57. Wallin, N. L., Merker, B., & Brown, S. (Eds.) The origins of music. MIT Press, Cambridge, MA, USA (2000).
58. Merchant, H., & Honing, H. Are non-human primates capable of rhythmic entrainment? Evidence for the gradual audiomotor evolution hypothesis. Front Neurosci, doi: 10.3389/fnins.2013.00274 (2014).
59. Povel, D. J., & Essens, P. J. Perception of temporal patterns. Music Percept 2, 411-441 (1985).
60. Saupe, K., Schroger, E., Andersen, S. K., & Muller, M. M. Neural mechanisms of intermodal sustained selective attention with concurrently presented auditory and visual stimuli. Front Hum Neurosci 3, 58 (2009).
61. Mouraux, A., et al. Nociceptive steady-state evoked potentials elicited by rapid periodic thermal stimulation of cutaneous nociceptors. J Neurosci 31, 6079-87 (2011).
62. Nozaradan, S., Peretz, I., & Mouraux, A. Steady-state evoked potentials as an index of multisensory temporal binding. NeuroImage 60, 21-8 (2012).
63. Fisher, N. I. Statistical Analysis of Circular Data. 1st edn (eds Fisher, N. I.) (Cambridge University Press, 1993).