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Volumn 31, Issue 4, 2015, Pages 4-16

A framework for design innovation: Present and future discussions

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EID: 84943521922     PISSN: 07479360     EISSN: 15314790     Source Type: Journal    
DOI: 10.1162/DESI_a_00347     Document Type: Article
Times cited : (18)

References (68)
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    • One of the first documents released by the Commission of the European Communities stating the importance of design is titled Design as a Driver of User-Centred Innovation. However, further efforts have been developed in its Europe, Helsinki: DG Enterprise and Industry of the European Commission
    • One of the first documents released by the Commission of the European Communities stating the importance of design is titled Design as a Driver of User-Centred Innovation. However, further efforts have been developed in its Europe 2020 Flagship Initiative. Innovation Union and in Michael Thomson, Tapio Koskinen, eds. Design for Growth and Prosperity (Helsinki: DG Enterprise and Industry of the European Commission, 2012).
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    • Interesting articles reporting on this missing link are
    • Interesting articles reporting on this missing link are Mike Hobday, Anne Boddington, and Andrew Grantham, “An Innovation Perspective on Design: Part 1,” Design Issues 27, no. 4 (Autumn 2011): 5-15
    • (2011) Design Issues , vol.27 , Issue.4 Autumn , pp. 5-15
    • Hobday, M.1    Boddington, A.2    Grantham, A.3
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    • An Innovation Perspective on Design: Part 2
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    • (2012) Design Issues , vol.28 , Issue.1 , pp. 18-29
    • Hobday, M.1    Boddington, A.2    Grantham, A.3
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    • Interesting reporting on this link include James Utterback et al., Design-Inspired Innovation (London: World Scientific Publishing, 2007)
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    • The statistics are reported in one of the latest presentations on design innovation made by an officer for design at the European Commission: Antti Valle, March 13
    • The statistics are reported in one of the latest presentations on design innovation made by an officer for design at the European Commission: Antti Valle, European Policies Promoting Design-Driven Innovation. Presentation in Helsinki, March 13, 2014.
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    • Irish Centre for Design Innovation, Sligo: Center for Design Innovation, These reports further outline a few interesting characteristics of design: (1) Design is a bridge between society, technology, and the market that studies users as links between creativity and innovation; (2) design can reinforce innovation as a process and connect each step better, for example by transforming ideas into products more effectively; (3) design can increase sales and return on investment, both by increasing product differentiation beyond price and performance and by rationalizing processes through the holistic vision of a system (production, logistics, product life cycle, etc.); and (4) design can improve the company’s culture, reputation, identity, and user relationships
    • Irish Centre for Design Innovation, The Design Difference. A Survey of Design and Innovation Amongst Ireland’s SMEs (Sligo: Center for Design Innovation, 2007). These reports further outline a few interesting characteristics of design: (1) Design is a bridge between society, technology, and the market that studies users as links between creativity and innovation; (2) design can reinforce innovation as a process and connect each step better, for example by transforming ideas into products more effectively; (3) design can increase sales and return on investment, both by increasing product differentiation beyond price and performance and by rationalizing processes through the holistic vision of a system (production, logistics, product life cycle, etc.); and (4) design can improve the company’s culture, reputation, identity, and user relationships.
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    • Examples of European design policies in Eastern Europe are particularly relevant, including: Design Bulldozer in Estonia, Design-Driven Innovation in Norway, Design your Profit in Poland.
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    • Relevant examples include the Latvian Ministry of Culture’s recent promotion of the creation of a Latvian Design Council and of a Creativity Week to bring design closer to local businesses, as well as the Dutch government’s launching of Creative Industry Scientific Programme (CRISP) to develop a knowledge infrastructure that can consolidate a leadership position for the Dutch design sector and creative industries
    • Relevant examples include the Latvian Ministry of Culture’s recent promotion of the creation of a Latvian Design Council and of a Creativity Week to bring design closer to local businesses, as well as the Dutch government’s launching of Creative Industry Scientific Programme (CRISP) to develop a knowledge infrastructure that can consolidate a leadership position for the Dutch design sector and creative industries.
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    • More specifically, social innovation focuses on innovative outcomes for social concerns and relates to new ideas that-when successfully implemented- provoke a positive transformation and improve society’s capacity to act.
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    • Design in European Policy (www.designpolicy.eu), one of the European Design Innovation Initiative (EDII) co-funded projects (EDII was launched in 2011), has identified four main elements that Europe should address to strengthen the connection between design and innovation policies: (1) the importance of advocating design policies across Europe’s innovation system by coaching policy makers and introducing design thinking into the policymaking system directly; (2) the importance of building an evidence base to demonstrate the value of design innovation to governments, which is currently provided by only fragmented data; (3) the importance of strengthening the design sector to sustain it as a source of income and economic wealth, and to develop more effective design capabilities; and (4) the importance of fostering an evaluation culture for design policies to make non-technological innovation score as highly as technological innovation in the policy makers’ agenda.
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    • The report contains other interesting information, including the growth of the sector by 29% from 2005 to 2010, and that it is mainly composed of small and young businesses (more than 60% have less than five employees). Moreover, the report offers details on the whole sector in Britain, including the profiles of companies in which design qualifies, the geographic concentration, the financial performance, the type of clients using these services, and the national competition
    • The report contains other interesting information, including the growth of the sector by 29% from 2005 to 2010, and that it is mainly composed of small and young businesses (more than 60% have less than five employees). Moreover, the report offers details on the whole sector in Britain, including the profiles of companies in which design qualifies, the geographic concentration, the financial performance, the type of clients using these services, and the national competition.
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