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Volumn , Issue , 2014, Pages 110-113

Body as instrument – performing with gestural interfaces

Author keywords

Ancillary gestures; Audiovisual; Augmented instruments; Gestural interaction; Kinect; Non tactile; Vocal

Indexed keywords

FEEDBACK; MUSIC;

EID: 84939129751     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (9)

References (21)
  • 1
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    • Human–computer-intuition? Exploring the cognitive basis for intuition in embodied interaction
    • A. N. Antle., G. Corness and M. Droumeva, Human–computer-intuition? Exploring the cognitive basis for intuition in embodied interaction, Int. J. Arts and Technology, 2 (3): 235–254, 2009.
    • (2009) Int. J. Arts and Technology , vol.2 , Issue.3 , pp. 235-254
    • Antle, A. N.1    Corness, G.2    Droumeva, M.3
  • 7
    • 57049146237 scopus 로고    scopus 로고
    • Automated analysis of body movement in emotionally expressive piano performances
    • G. Castellano, M. Mortillaro, A. Camurri, G. Volpe, and K. Scherer, Automated analysis of body movement in emotionally expressive piano performances, Music Perception, 26 (2):103-119, 2008.
    • (2008) Music Perception , vol.26 , Issue.2 , pp. 103-119
    • Castellano, G.1    Mortillaro, M.2    Camurri, A.3    Volpe, G.4    Scherer, K.5
  • 8
    • 34250768958 scopus 로고    scopus 로고
    • Visual Perception of Expressiveness in Musicians' Body Movement
    • S. Dahl and A. Friberg. Visual Perception of Expressiveness in Musicians' Body Movement, Music Perception, 24(5): 433-54, 2007.
    • (2007) Music Perception , vol.24 , Issue.5 , pp. 433-454
    • Dahl, S.1    Friberg, A.2
  • 9
    • 84990398479 scopus 로고    scopus 로고
    • The role of the body in the production and perception of solo vocal performance: A case study of Annie Lennox
    • J. W. Davidson, The role of the body in the production and perception of solo vocal performance: A case study of Annie Lennox, Musicae Scientiae, 5(2): 235-256, 2001.
    • (2001) Musicae Scientiae , vol.5 , Issue.2 , pp. 235-256
    • Davidson, J. W.1
  • 10
    • 84888427158 scopus 로고    scopus 로고
    • In the Beginning was Gesture: Piano, Touch and the Phenomenology of the Performing Body
    • A. Gritten and E. King (eds), Ashgate
    • M. Doğantan-Dack, In the Beginning was Gesture: Piano, Touch and the Phenomenology of the Performing Body. In A. Gritten and E. King (eds), New Perspectives on Music and Gesture, Ashgate, 2011.
    • (2011) New Perspectives on Music and Gesture
    • Doğantan-Dack, M.1
  • 13
    • 84903979092 scopus 로고    scopus 로고
    • eMic: developing works for vocal performance using a modified, sensor based microphone stand
    • ACM Press, Paris, France
    • D. Hewitt. eMic: developing works for vocal performance using a modified, sensor based microphone stand. CHI' 13 Extended Abstracts on Human Factors in Computing Systems. ACM Press, Paris, France, 2943-2946, 2013.
    • (2013) CHI' 13 Extended Abstracts on Human Factors in Computing Systems , pp. 2943-2946
    • Hewitt, D.1
  • 18
    • 1642377245 scopus 로고    scopus 로고
    • Typology of Tactile Sounds and their Synthesis in Gesture-Driven Computer Music Performance
    • M. M. Wanderley and M. Battier (eds), IRCAM, Paris
    • J. Rovan and V. Hayward. Typology of Tactile Sounds and their Synthesis in Gesture-Driven Computer Music Performance. In M. M. Wanderley and M. Battier (eds), Trends in Gestural Control of Music, IRCAM, Paris, 2000.
    • (2000) Trends in Gestural Control of Music
    • Rovan, J.1    Hayward, V.2
  • 19
    • 33745688819 scopus 로고    scopus 로고
    • [Web site] Accessed 1/2014
    • L. Sonami., “Lady's Glove,” [Web site] Accessed 1/2014. http://www.sonami.net/works/ladys-glove/
    • Lady's Glove
    • Sonami, L.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.