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Volumn , Issue , 2007, Pages 292-299

aa-cell in practice: An approach to musical live coding

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTATION THEORY; COMPUTER MUSIC;

EID: 84924993198     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (38)

References (36)
  • 1
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    • Berg, P.
    • Berg, P. 1996. Abstracting the Future: The search for musical constructs. Computer Music Journal 20(3): 24-27.
    • (1996) Computer Music Journal , vol.20 , Issue.3 , pp. 24-27
  • 2
    • 0345850697 scopus 로고
    • General Publishing Company Limited Toronto,Ontario. 1987 Publishing by Dover Mineola, NY
    • Berry, W. 1976 "Structural Functions in Music" General Publishing Company Limited Toronto,Ontario. 1987 Publishing by Dover Mineola, NY.
    • (1976) Structural Functions in Music
    • Berry, W.1
  • 3
    • 78650103768 scopus 로고    scopus 로고
    • The programming language as a musical instrument
    • P. Romero, J. Good, E. Acosta Chaparro and S. Bryant (eds.), Sussex University
    • Blackwell, A. and Collins, N. 2005. The Programming Language as a Musical Instrument. In P. Romero, J. Good, E. Acosta Chaparro and S. Bryant (eds.) Proceedings of the 17th Workshop of the Psychology of Programming Interest Group. Sussex University, pp. 120-130.
    • (2005) Proceedings of the 17th Workshop of the Psychology of Programming Interest Group , pp. 120-130
    • Blackwell, A.1    Collins, N.2
  • 5
    • 44649140680 scopus 로고    scopus 로고
    • Opportunities for evolutionary music composition
    • P. Doornbusch (ed.), Melbourne: ACMA
    • Brown, A. R. 2002. Opportunities for Evolutionary Music Composition. In P. Doornbusch (ed.) Proceedings of the Australasian Computer Music Conference. Melbourne: ACMA, pp. 27-34.
    • (2002) Proceedings of the Australasian Computer Music Conference , pp. 27-34
    • Brown, A.R.1
  • 6
    • 85067755545 scopus 로고    scopus 로고
    • Playing with dynamic sound
    • E. Edmonds and R. Gibson (eds.), Sydney: Creativity and Cognition Studios Press
    • Brown, A. R. 2004. Playing with Dynamic Sound. In E. Edmonds and R. Gibson (eds.) Proceedings of the Interaction: System, Practice, Theory. Sydney: Creativity and Cognition Studios Press, pp. 435-450.
    • (2004) Proceedings of the Interaction: System, Practice, Theory , pp. 435-450
    • Brown, A.R.1
  • 7
    • 84962424295 scopus 로고    scopus 로고
    • An aesthetic comparison of rule-based and genetic algorithms for generating melodies
    • Brown, A. R. 2004. An aesthetic comparison of rule-based and genetic algorithms for generating melodies. Organised Sound 9(2): 191-198.
    • (2004) Organised Sound , vol.9 , Issue.2 , pp. 191-198
    • Brown, A.R.1
  • 10
    • 70949104451 scopus 로고    scopus 로고
    • Code jamming
    • Brown, A. R. 2006. Code Jamming. M/C Journal 9(6). ht tp: / / journa l .medi a-culture.org.au/0612/03-brown.php
    • (2006) M/C Journal , vol.9 , pp. 6
    • Brown, A.R.1
  • 14
    • 36949015657 scopus 로고    scopus 로고
    • Generative music and laptop performance
    • Collins, N. 2003. Generative Music and Laptop Performance. Contemporary Music Review. 22 (4): 67-79.
    • (2003) Contemporary Music Review , vol.22 , Issue.4 , pp. 67-79
    • Collins, N.1
  • 15
    • 33744791487 scopus 로고    scopus 로고
    • Klipp av: Live algorithmic splicing and audiovisual event capture
    • Collins, N. and Olofsson, F. 2006. klipp av: Live Algorithmic Splicing and Audiovisual Event Capture. Computer Music Journal. 30(2): 8-18.
    • (2006) Computer Music Journal , vol.30 , Issue.2 , pp. 8-18
    • Collins, N.1    Olofsson, F.2
  • 18
    • 0142148192 scopus 로고
    • Tempo curves considered harmful in Time in contemporary mu sical thought
    • J .D.Kramer (ed.)
    • Desain, P. & Honing, H. 1993. Tempo curves considered harmful. In Time in contemporary musical thought J .D.Kr ame r ( e d. ), Contemporary Music Review. 7(2). 123-138.
    • (1993) Contemporary Music Review , vol.7 , Issue.2 , pp. 123-138
    • Desain, P.1    Honing, H.2
  • 21
    • 0010896224 scopus 로고
    • Musical composition with a high-speed digital computer
    • S M. Schwanauer and D. A. Levitt, Eds MIT Press, Cambridge, MA
    • Hiller, L. and Isaacson, L. 1992. Musical composition with a high-speed digital computer. In Machine Models of Music, S. M. Schwanauer and D. A. Levitt, Eds. MIT Press, Cambridge, MA, 9-21.
    • (1992) Machine Models of Music , pp. 9-21
    • Hiller, L.1    Isaacson, L.2
  • 23
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    • NY, NY: Oxford University Press
    • Lerdahl, F. 2001. Tonal Pitch Space. NY, NY: Oxford University Press.
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    • Lerdahl, F.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.