ChucK: A Concurrent, On-the-fly, Audio Programming Language

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 2003, Pages

  Wang, Ge ^a   Cook, Perry R ^a,b  

^a Computer Science Department ^*  (Japan)

^b PRINCETON UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

AUDIO SYSTEMS; CHUCKS; COMPUTER MUSIC; CONCURRENCY CONTROL; INTERACTIVE COMPUTER SYSTEMS;

AUDIO SYNTHESIS; COMMODITY OPERATING SYSTEMS; CONTROL RATES; DYNAMIC CONTROLS; FLEXIBLE PROGRAMMING; PROGRAMMING TOOLS; REAL TIME PERFORMANCE; REAL-TIME COMPOSITION; REAL-TIME SYNTHESIS; SYNTHESIS COMPOSITION;

REAL TIME SYSTEMS;

EID: 85159617294     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (14)

1. Anderson, T. E., B. N. Bershad, E. D. Lazowska, and Henry M. Levy. 1992. "Scheduler Activations: Effective Kernel Support for the User-Level Management of Parallelism." ACM Transactions on Computer Systems, 10(1):53-79.
2. Burk, P. 1998. "JSyn - A Real-time Synthesis API for Java." In Proceedings of the International Computer Music Conference. International Computer Music Association, pp. 252-255.
3. Cook, P. R. and G. Scavone. 1999. "The Synthesis Toolkit (STK)." In Proceedings of the International Computer Music Conference. International Computer Music Association, pp. 164-166.
4. Dannenberg, R B. 1988. "A Real Time Scheduler/Dispatcher." In Proceedings of the International Computer Music Conference. International Computer Music Association, pp. 239-242.
5. Dannenberg, R. B. and E. Brandt. 1996. "A Flexible Real-Time Software Synthesis System." In Proceedings of the International Computer Music Conference. International Computer Music Association, pp. 270-273.
6. Dannenberg, R. B. 1997. "Machine Tongues XIX: Nyquist, a Language for Composition and Sound Synthesis." Computer Music Journal 21(3):50-60.
7. Lampson, B. W. and D. D. Redell. 1980. "Experience with Process and Monitors in Mesa." Communications of the ACM 23(2):105-117.
8. Lansky, P. 1987. "CMIX" Program Documentation. Princeton, New Jersey: Princeton University. http://silvertone.princeton.edu/winham/man/
9. Mathews, M. V. 1969. The Technology of Computer Music. Cambridge, Massachusetts: MIT Press.
10. McCartney, J. 1996. "SuperCollider: A New Real-Time Synthesis Language." In Proceedings of the International Computer Music Conference. International Computer Music Association, pp. 257-258.
11. Pope, S. T. 1993. "Machine Tongues XV: Three Packages for Software Sound Synthesis." Computer Music Journal. 17(2):23-54.
12. Pope, S. T. 1997. Sound and Music Processing in SuperCollider. University of California, Santa Barbara. http://www.create.ucsb.edu/htmls/sc.book.html
13. Roads, C. 1985. “Granular Synthesis of Sound.” In C. Roads and J. Strawn, eds. 1985. Foundations of Computer Music. Cambridge, Massachusetts: MIT Press. pp.145-159.
14. Wright, M. and A. Freed. 1997. “Open Sound Control: A New Protocol for Communicating with Sound Synthesizers.” In Proceedings of the International Computer Music Conference. International Computer Music Association, pp. 101-104.