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Volumn , Issue , 2010, Pages 135-142

Toward understanding human-computer interaction in composing the instrument

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER MUSIC; COMPUTER SOFTWARE; USER CENTERED DESIGN;

EID: 84924978533     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (30)

References (20)
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  • 3
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  • 4
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    • Understanding interactive systems
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    • Drummond, J.1
  • 5
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    • Glove-Talk: A neural network interface between a data-glove and a speech synthesizer
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    • Fels, S.S.1    Hinton, G.E.2
  • 7
    • 85160352027 scopus 로고    scopus 로고
    • A metainstrument for interactive, on-the-fly machine learning
    • Fiebrink, R., D. Trueman, and P. R. Cook. "A metainstrument for interactive, on-the-fly machine learning," Proc. NIME, 2009.
    • (2009) Proc. NIME
    • Fiebrink, R.1    Trueman, D.2    Cook, P.R.3
  • 8
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    • Pikapika-The collaborative composition of an interactive sonic character
    • Hahn, T., and C. Bahn. "Pikapika-The collaborative composition of an interactive sonic character," Organised sound vol. 7, no. 3, pp. 229-238, 2003.
    • (2003) Organised Sound , vol.7 , Issue.3 , pp. 229-238
    • Hahn, T.1    Bahn, C.2
  • 9
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    • Mapping performer parameters to synthesis engines
    • Hunt, A., and M. M. Wanderley, "Mapping performer parameters to synthesis engines," Organised Sound, vol. 7, pp. 97-108, 2002.
    • (2002) Organised Sound , vol.7 , pp. 97-108
    • Hunt, A.1    Wanderley, M.M.2
  • 10
    • 85038113409 scopus 로고    scopus 로고
    • The importance of parameter mapping in electronic instrument design
    • Hunt, A., M. M. Wanderley, and M. Paradis. "The importance of parameter mapping in electronic instrument design," Proc. NIME, 2002.
    • (2002) Proc. NIME
    • Hunt, A.1    Wanderley, M.M.2    Paradis, M.3
  • 11
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    • Integrality and separability of input devices
    • Jacob, R., L. Sibert, D. McFarlane, and M. Mullen, Jr. "Integrality and separability of input devices," Proc. ACM TOCHI, vol. 1., no. 1., pp. 3-26, 1994.
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    • Jacob, R.1    Sibert, L.2    McFarlane, D.3    Mullen, M.4
  • 12
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    • Paine, G., Ed. Organised Sound, vol. 14, no. 2, pp 121-123, 2009.
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  • 13
    • 85022725340 scopus 로고    scopus 로고
    • Introducing composed instruments, technical and musicological implications
    • Schnell, N., and M. Battier. "Introducing composed instruments, technical and musicological implications," Proc. NIME, 2002.
    • (2002) Proc. NIME
    • Schnell, N.1    Battier, M.2
  • 14
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    • Creativity support tools: Accelerating discovery and innovation
    • Dec
    • Shneiderman, B. "Creativity support tools: Accelerating discovery and innovation." Comm. ACM vol. 50, no. 12, pp. 20-32, Dec. 2007.
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  • 15
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    • Musink: Composing music through augmented drawing
    • Tsandilas, T., Letondal, C., and Mackay, W. E. 2009. "Musink: Composing music through augmented drawing," Proc. ACM CHI 2009, pp. 819-828.
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    • Tsandilas, T.1    Letondal, C.2    Mackay, W.E.3
  • 16
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    • Instrumental listening: Sonic gesture as design principle
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    • Van Nort, D.1
  • 19
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    • An enactive approach to computer music performance
    • Y. Orlarey, Ed., Lyon, France: Studio Gramme
    • Wessel, D. "An Enactive Approach to Computer Music Performance," Le Feedback dans la Creation Musical, Y. Orlarey, Ed., Lyon, France: Studio Gramme, 2006, pp. 93-98.
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.