Errant sound synthesis

International Computer Music Conference, ICMC 2008

Volumn , Issue , 2008, Pages

  Collins, Nick ^a  

^a UNIVERSITY OF SUSSEX   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

ALGORITHMS; COMPUTER MUSIC;

ACOUSTICAL DATA; DATA PROCESSORS; NON-LINEAR DYNAMICS; PHYSICAL MODELLING; RESEARCH PROGRAMMES; SOUND GENERATION; SOUND SYNTHESIS; SUPERCOLLIDER;

AUDIO ACOUSTICS;

EID: 84923924624     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (14)

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2. G. J. Brown and D. Wang. Neural and perceptual modeling. In D. Wang and G. J. Brown, editors, Computational Auditory Scene Analysis: Principles, Algorithms, and Applications. JohnWiley and Sons/IEEE Press, Hoboken, NJ, 2006.
3. P. R. Cook. Real Sound Synthesis for Interactive Applications. AK Peters, Wellesley, MA, 2002.
4. A. Eldridge. Collaborating with the behaving machine: simple adaptive dynamical systems for generative and interactive music. PhD thesis, University of Sussex, 2007.
5. W. Gerstner andW. Kistler. Spiking Neuron Models. Cambridge University Press, Cambridge, 2002.
6. P. Hoffmann. The new GENDYN program. Computer Music Journal, 24(2):31-38, 2000.
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8. Y. Mitsuhashi. Piecewise interpolation techniques for audio signal synthesis. J. Audio Eng. Soc., 30(4), 1982.
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10. C. Roads. The Computer Music Tutorial. MIT Press, Cambs, MA, 1996.
11. J. O. Smith. Viewpoints on the history of digital synthesis. In Proc. Int. Computer Music Conference, 1991.
12. T. Stilson and J. Smith. Alias-free digital synthesis of classic analog waveforms. In Proc. Int. Computer Music Conference, 1996.
13. S. H. Strogatz. Nonlinear Dynamics and Chaos. Addison-Wesley, Reading, MA, 1994.
14. I. Xenakis. Formalized Music. Pendragon Press, Stuyvesant, NY, 1992.