The New GENDYN Program

Computer Music Journal

Volumn 24, Issue 2, 2000, Pages 31-38

  Hoffmann, Peter ^a  

^a NONE   (Germany)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0038200325     PISSN: 01489267     EISSN: None     Source Type: Journal    
DOI: 10.1162/014892600559290     Document Type: Article

References (16)

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3. Chandra, A. 1994. "The Linear Change of Waveform Segments Causing Non-Linear Changes of Timbral Presence." Contemporary Music Review 10(2):157-169.
4. Hoffmann, P. 1996. "Implementing the Dynamic Stochastic Synthesis." Caen, France: Groupe de Recherches en Informatique, Image, Instrumentation de Caen, pp. 341-347.
5. Hoffmann, P. In preparation. "Analysis through Resynthesis: Gendy3 by Iannis Xenakis." In Présences de Iannis Xenakis, International Symposium on Iannis Xenakis. Paris: Centre de Documentation de Musique Contemporaine.
6. Hoffmann, P. In preparation. "Music Out of Nothing? The Dynamic Stochastic Synthesis: A Rigorous Approach to Algorithmic Composition by Iannis Xenakis." PhD dissertation, Technische Universität Berlin.
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10. Loy, G. 1989. "Composing with Computers: A Survey of Some Compositional Formalisms and Music Programming Languages." In M. V. Mathews and J. R. Pierce, eds. Current Directions in Computer Music Research. Cambridge, Massachusetts: MIT Press, pp. 291-396.
11. Mandelbrot, B. 1983. The Fractal Geometry of Nature. New York: W. H. Freeman.
12. Serra, M.-H. 1992. "Stochastic Composition and Stochastic Timbre: Gendy3 by Iannis Xenakis." Perspectives of New Music 31(1):236-257.
13. Smith, J. O. 1991. "Viewpoints on the History of Digital Synthesis." Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association, pp. 1-10.
14. Xenakis, I. 1992. Formalized Music, rev. ed. Stuyvesant, New York: Pendragon Press.
15. Xenakis, I. 1994. Gendy3. Acton, Massachusetts: Neuma, CD 450-86.
16. Xenakis, I. 1996. "Determinacy and Indeterminacy." Organised Sound 1(3):143-155.