Implicit Patching for dataflow-based audio analysis and synthesis

International Computer Music Conference, ICMC 2005

Volumn , Issue , 2005, Pages

  Bray, Stuart ^a   Tzanetakis, George ^a  

^a UNIVERSITY OF VICTORIA   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

AUDIO ACOUSTICS; AUDIO SYSTEMS; COMPUTER MUSIC; COMPUTER PROGRAMMING; DATA HANDLING; SEMANTICS; VISUAL LANGUAGES; XML;

AUDIO ANALYSIS AND SYNTHESIS; AUDIO APPLICATIONS; CONCEPTUAL MODEL; DATA-FLOW SEMANTICS; DATAFLOW PROGRAMMING; PROGRAMMING SOFTWARE; SOFTWARE FRAMEWORKS; STYLE LANGUAGES;

DATA FLOW ANALYSIS;

EID: 84923863345     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (15)

1. W. Wadge and E. Ashcroft, Lucid, the dataflow programming language, ser. APIC Studies in Data Processing. New York, NY: Academic Press, 1985.
2. W. Johnston, J. Paul Hanna, and R. Millar, "Advances in dataflow programming languages", ACM Computing Surveys, vol. 36, no. 1, pp. 1-34, 2004.
3. D.-A. Manolescu, "A data flow pattern language", in Proceedings of the 4th Pattern Languages of Programming, Monticello, Illinois, September 1997.
4. R. Boulanger, The Csound book. Cambridge, Mass.: MIT Press, 2000.
5. M. Puckette, "Max at seventeen", Computer Music Journal, vol. 26, no. 4, pp. 31-43, 2002.
6. X. Amatriain, "An object-oriented metamodel for digital signal processing with a focus on audio and music", Ph. D. dissertation, Univ. of Pompeu Fabra, 2005.
7. R. Dannenberg, "Machine tongues xix: Nyquist, a language for composition and osound", Computer Music Journal, vol. 21, no. 3, pp. 50-60, 1997.
8. G. Tzanetakis and P. Cook, "Marsyas: A framework for audio analysis", Organised Sound, vol. 4(3), 2000.
9. P. Cook and G. Scavone, "The Synthesis Toolkit (STK), version 2.1", in Proc. Int. Computer Music Conf. ICMC. Beij ing, China: ICMA, Oct. 1999.
10. G. Wang and P. Cook, "Chuck: A concurrent, onthe-fly audio programming language", in Proc. Int. Computer Music Conf. (ICMC), Singapore, 2003.
11. R. Dannenberg and E. Brandt, "A flexible real-time software synthesis system", in Proc. Int. Computer Music Conf. (ICMC), 1996, pp. 270-273.
12. D. Schwarz and Wright. M., "Extensions and applications of the sdif sound description interchange format", in Proc. Int. Computer Music Conf., 2000.
13. M. Wright and A. Freed, "Open sound control: A new protocol for communicating with sound syntesizers", in Proc. Int. Computer Music Conf. (ICMC), Thessaloniki, Greece, 1997.
14. G. Tzanetakis and P. Cook, "Musical Genre Classification of Audio Signals", IEEE Trans, on Speech and Audio Processing, vol. 10, no. 5, July 2002.
15. E. Gamma, R. Helm, R. Johnson, and J. Vlissides, Design Patterns: Elements of Reusable Object-Oriented Software. Addison Wesley, 1995.