Music-listening in everyday life: Devices and choice

Psychology of Music

Volumn 43, Issue 2, 2015, Pages 155-170

  Krause, Amanda E ^a   North, Adrian C ^a   Hewitt, Lauren Y ^a  

^a CURTIN UNIVERSITY   (Australia)

Author keywords

choice; everyday life; experience sampling method; listening device; music

Indexed keywords

EID: 84923144618     PISSN: 03057356     EISSN: 17413087     Source Type: Journal    
DOI: 10.1177/0305735613496860     Document Type: Article

References (30)

1. Bull M. Sound moves: iPod culture and urban experience. Abingdon, UK: Routledge ; 2007 :
2. Czikszentmihalyi M., Lefevre J.. Optimal experience in work and leisure. Journal of Personality and Social Psychology. 1989 ; 56 (5). 815-822
3. Greasley A. E., Lamont A... Paper presented at the 9th International Conference on Music Perception and Cognition ; 2006 University of Bologna, Bologna, Italy ; 2006..
4. Greasley A. E., Lamont A.. Exploring engagement with music in everyday life using experience sampling methodology. Musicae Scientiae. 2011 ; 15 (1). 45-71
5. Hargreaves D. J., North A. C.. The functions of music in everyday life: Redefining the social in music psychology. Psychology of Music. 1999 ; 27: 71-83
6. Heye A., Lamont A.. Mobile listening situations in everyday life: The use of MP3 players while travelling. Musicae Scientiae. 2010 ; 14 (1). 95-120
7. Juslin P. N., Laukka P.. Expression, perception, and induction of musical emotions: A review and a questionnaire study of everyday listening. Journal of New Music Research. 2004 ; 33 (3). 217-238
8. Juslin P. N., Liljeström S., Västfjäll D., Barradas G., Silva A.. An experience sampling study of emotional reactions to music: Listener, music, and situation. Emotion. 2008 ; 8 (5). 668-683
9. Lachman M. E., Weaver S. L.. The sense of control as a moderator of social class differences in health and well being. Journal of Personality and Social Psychology. 1998 ; 74: 763-773
10. Lee C., Ford J., Gramotnev H.. The life control scale: Validation with a population cohort of middle-aged Australian women. International Journal of Behavioral Medicine. 2009 ; 16: 148-157
11. Liljeström S., Juslin P. N., Västfjäll D.. Experimental evidence of the roles of music choice, social context, and listener personality in emotional reactions to music. Psychology of Music. 2012 ;:
12. Mitchell L. A., MacDonald R. A. R., Knussen C.. An investigation of the effects of music and art on pain perception. Psychology of Aesthetics, Creativity, and the Arts. 2008 ; 2 (3). 162-170
13. Nielsen company. (2012). Music discovery still dominated by radio, says Nielsen Music 360 report. Retrieved from http://www.nielsen.com/us/en/insights/press-room/2012/music-discovery-still-dominated-by-radio-says-nielsen-music-360.html
14. Nill A., Geipel A.. Sharing and owning of musical works: Copyright protection from a societal perspective. Journal of Macromarketing. 2010 ; 30: 33-49
15. North A. C., Hargreaves D., J. Subjective complexity, familiarity, liking for popular music. Psychomusicology. 1995 ; 14: 77-93
16. North A. C., Hargreaves D., J. Liking, arousal potential, and the emotions expressed by music. Scandinavian Journal of Psychology. 1997 ; 38: 45-53
17. North A. C., Hargreaves D. J. The social and applied psychology of music. Oxford, UK: Oxford University Press ; 2008 :
18. North A. C., Hargreaves D. J., Hargreaves J. J.. Uses of music in everyday life. Music Perception. 2004 ; 22 (1). 41-77
19. O'Hara K., Brown B. Consuming music together: Social and collaborative aspects of music consumption technologies. O'Hara K. Brown B., ed. Dordrecht, The Netherlands: Springer ; 2006: 3-18.
20. Schulz R.. Effects of control and predictability on the physical and psychological well-being of the institutionalized aged. Journal of Personality and Social Psychology. 1976 ; 33 (5). 563-573
21. Skånland M. S.. Use of mp3 players as a coping resource. Music and Arts in Action. 2011 ; 3 (2). 15-33
22. Sloboda J. A. Exploring the musical mind. Oxford, UK: Oxford University Press ; 2005 :
23. Sloboda J. A. Handbook of music and emotion: Theory, research, applications. Juslin P. Sloboda J. A., ed. New York, NY: Oxford University Press ; 2010: 493-514.
24. Sloboda J. A., Juslin P. N. Handbook of music and emotion: Theory, research, applications. Juslin P. Sloboda J. A., ed. New York, NY: Oxford University Press ; 2010: 73-97.
25. Sloboda J. A., Lamont A., Greasley A. E. The Oxford handbook of music psychology. Hallam S. Cross I. Thaut M., ed. Oxford, UK: Oxford University Press ; 2009: 431-440.
26. Sloboda J. A., O'Neill S. A. Music and emotion. Juslin P. N. Sloboda J. A., ed. Oxford, UK: Oxford University Press ; 2001: 415-429.
27. Sloboda J. A., O'Neill S. A., Ivaldi A.. Functions of music in everyday life: An exploratory study using the experience sampling methodology. Musicae Scientiae. 2001 ; 5 (1). 9-32
28. Smith E.. Forget CDs. Teens are tuning in to YouTube. Nielsen survey says more youngsters listen to music via video-sharing site, while some adults still groove to cassettes. The Wall Street Journal. 2012 ;: B3
29. Taylor S. E., Brown J. D.. Illusion and well-being: A social psychological perspective on mental health. Psychological Bulletin. 1988 ; 103 (2). 193-210
30. Tepper S. J., Hargittai E.. Pathways to music exploration in a digital age. Poetics. 2009 ; 37: 227-249