Music and psychology

The Cultural Study of Music: A Critical Introduction

Volumn , Issue , 2013, Pages 113-123

  Clarke, Eric F ^a  

^a UNIVERSITY OF SHEFFIELD   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84920581138     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203821015     Document Type: Chapter

References (8)

1. Clarke, Eric F. 1999. Subject-position and the specification of invariants in music by Frank Zappa and P. J. Harvey. Music Analysis 18: 347–74.
2. Cook, Nicholas. 1990. Music, imagination and culture. Oxford: Oxford Univ. Press.
3. DeNora, Tia. 2000. Music in everyday life. Cambridge, U.K.: Cambridge Univ. Press.
4. Gaver, William W. 1993. How do we hear in the world? Explorations in ecological acoustics. Ecological Psychology 5: 285–313.
5. Gaver, William W. 1993. What in the world do we hear? An ecological approach to auditory event perception. Ecological Psychology 5: 1–30.
6. Musicae Scientiae (2001). Special issue on Perspectives on musical meaning. 5(2).
7. Serafine, Mary Louise. 1988. Music as cognition. The development of thought in sound. New York: Columbia Univ. Press.
8. Windsor, W. Luke. 2000. Through and around the acousmatic: the interpretation of electroacoustic sounds. Pp. 7–35 in Music, electronic media and culture. Edited by Simon Emmerson. Aldershot, U.K.: Ashgate Press.