Subject-position and the specification of invariants in music by Frank Zappa and P.J. Harvey

Music Analysis

Volumn 18, Issue 3, 1999, Pages 347-374

  Clarke, Eric F ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0038055827     PISSN: 02625245     EISSN: None     Source Type: Journal    
DOI: 10.1111/1468-2249.00099     Document Type: Review

References (16)

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5. Dowling, W. J. & Harwood, D., 1986: Music Cognition (New York: Academic Press)
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8. - 1979: The Ecological Approach to Visual Perception (Hillsdale, NJ: Lawrence Erlbaum Associates)
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11. Kaleta, K. C., 1993: David Lynch (New York: Twayne Publishers)
12. Meyer, Leonard B., 1967: Music, The Arts, and Ideas (Chicago: University of Chicago Press)
13. Moore, A., 1998: 'In a Big Country: The Portrayal of Wide Open Spaces in the Music of Big Country', Contemporary Music Review, 17, part 3, pp. 1-6
14. Purkis, Charlotte, 1995: 'Postmodernity at The Piano: 19th-century Erotic Bodies and the Limits of Language', Critical Musicology Newsletter, 3, pp. 34-40
15. Tagg, Philip, 1979: 'Kojak, 50 Seconds of Television Music: Towards the Analysis of Affect in Popular Music', Studies from the Department of Musicology, Göteborg, 2
16. Windsor, W. L., 1996: 'Perception and Signification in Electroacoustic Music', in R. Monelle & C. T. Gray (eds.), Song and Signification (Edinburgh: Edinburgh University Faculty of Music)