메뉴 건너뛰기




Volumn , Issue , 2012, Pages

Cross-Cultural Musical Expressiveness: Theory and the Empirical Programme

Author keywords

Cross cultural studies; Expressiveness; Methodology; Music

Indexed keywords


EID: 84920437432     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1093/acprof:oso/9780199691517.003.0023     Document Type: Chapter
Times cited : (2)

References (36)
  • 1
    • 0002120254 scopus 로고    scopus 로고
    • A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues
    • Balkwill, Laura-Lee and William Forde Thompson (1999). 'A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues'. Music Perception, 17: 43-64.
    • (1999) Music Perception , vol.17 , pp. 43-64
    • Balkwill, L.-L.1    Thompson, W.F.2
  • 2
    • 10944245535 scopus 로고    scopus 로고
    • Recognition of Emotion in Japanese, Western, and Hindustani Music by Japanese Listeners
    • Balkwill, Laura-Lee William Forde Thompson and Rie Matsunaga (2004). 'Recognition of Emotion in Japanese, Western, and Hindustani Music by Japanese Listeners'. Japanese Psychological Research, 46: 337-49.
    • (2004) Japanese Psychological Research , vol.46 , pp. 337-349
    • Balkwill, L.-L.1    Thompson, W.F.2    Matsunaga, R.3
  • 3
    • 60949607017 scopus 로고    scopus 로고
    • Comparing Musical Affect: Java and the West
    • Benamou, M. (2003). 'Comparing Musical Affect: Java and the West'. The World of Music, 45: 57-76.
    • (2003) The World of Music , vol.45 , pp. 57-76
    • Benamou, M.1
  • 4
    • 0004237673 scopus 로고
    • London: Oxford University Press
    • Cooke, Deryck (1959). The Language of Music. London: Oxford University Press.
    • (1959) The Language of Music
    • Cooke, D.1
  • 5
    • 84970504577 scopus 로고
    • Descriptors and Preferences for Eastern and Western Musics by Japanese and American Nonmusic Majors
    • Darrow, Alice-Ann, Paul Haack, and Fumio Kuribayashi (1987). 'Descriptors and Preferences for Eastern and Western Musics by Japanese and American Nonmusic Majors'. Journal of Research in Music Education, 35/4: 237-48.
    • (1987) Journal of Research in Music Education , vol.35 , Issue.4 , pp. 237-248
    • Darrow, A.-A.1    Haack, P.2    Kuribayashi, F.3
  • 8
    • 77952945985 scopus 로고    scopus 로고
    • Artistic Expression and the Hard Case of Pure Music
    • M. Kieran (ed.), Oxford: Blackwell
    • Davies, Stephen (2006). 'Artistic Expression and the Hard Case of Pure Music', in M. Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art. Oxford: Blackwell, pp. 179-91.
    • (2006) Contemporary Debates in Aesthetics and the Philosophy of Art , pp. 179-191
    • Davies, S.1
  • 9
    • 84865435023 scopus 로고    scopus 로고
    • Infectious Music: Music-Listener Emotional Contagion
    • P. Goldie and A. Coplan (eds.), Oxford: Oxford University Press
    • Davies, Stephen (2011). 'Infectious Music: Music-Listener Emotional Contagion', in P. Goldie and A. Coplan (eds.), Empathy: Philosophical and Psychological Perspectives. Oxford: Oxford University Press, pp. 134-47.
    • (2011) Empathy: Philosophical and Psychological Perspectives , pp. 134-147
    • Davies, S.1
  • 10
    • 84889960454 scopus 로고
    • An Argument for Basic Emotions
    • Ekman, Paul (1992). 'An Argument for Basic Emotions'. Cognition and Emotion, 6: 169-200.
    • (1992) Cognition and Emotion , vol.6 , pp. 169-200
    • Ekman, P.1
  • 11
    • 85047670899 scopus 로고    scopus 로고
    • On the Universality and Cultural Specificity of Emotion Recognition: A Meta-analysis
    • Elfenbein, H. A. and N. Ambady (2002). 'On the Universality and Cultural Specificity of Emotion Recognition: A Meta-analysis'. Psychological Bulletin, 128: 203-35.
    • (2002) Psychological Bulletin , vol.128 , pp. 203-235
    • Elfenbein, H.A.1    Ambady, N.2
  • 12
    • 0003188479 scopus 로고
    • Meaningful Melodies in Mothers' Speech to Infants
    • H. Papousek, U. Jurgens, and M. Papousek (eds.), Cambridge:Cambridge University Press
    • Fernald, A. (1992). 'Meaningful Melodies in Mothers' Speech to Infants', in H. Papousek, U. Jurgens, and M. Papousek (eds.), Nonverbal Vocal Communication: Comparative and Developmental Aspects. Cambridge:Cambridge University Press, pp. 262-82.
    • (1992) Nonverbal Vocal Communication: Comparative and Developmental Aspects , pp. 262-282
    • Fernald, A.1
  • 13
    • 33745759392 scopus 로고    scopus 로고
    • Emotion Perceived and Emotion Felt: Same or Different?
    • Special number 2001-2
    • Gabrielsson, Alf (2002). 'Emotion Perceived and Emotion Felt: Same or Different?' Musicae Scientiae, Special number 2001-2: 123-47.
    • (2002) Musicae Scientiae , pp. 123-147
    • Gabrielsson, A.1
  • 14
    • 33847092112 scopus 로고    scopus 로고
    • Music Performance Research at the Millennium
    • Gabrielsson, Alf (2003). 'Music Performance Research at the Millennium'. Psychology of Music, 31: 221-72.
    • (2003) Psychology of Music , vol.31 , pp. 221-272
    • Gabrielsson, A.1
  • 15
    • 0038394201 scopus 로고    scopus 로고
    • Cross-Cultural Comparisons in the Affective Response to Music
    • Gregory, A. H. and N. Varney (1996). 'Cross-Cultural Comparisons in the Affective Response to Music'. Psychology of Music, 24: 47-52.
    • (1996) Psychology of Music , vol.24 , pp. 47-52
    • Gregory, A.H.1    Varney, N.2
  • 16
    • 60950229826 scopus 로고    scopus 로고
    • The Cognitive and Appreciative Impact of Musical Universals
    • Higgins, Kathleen Marie (2006). 'The Cognitive and Appreciative Impact of Musical Universals'. Revue Internationale de Philosophie, 60: 487-503.
    • (2006) Revue Internationale de Philosophie , vol.60 , pp. 487-503
    • Higgins, K.M.1
  • 17
    • 0346430546 scopus 로고    scopus 로고
    • The Feeling of Musical Mode and Its Emotional Character in a Melody
    • Hoshino, E. (1996). 'The Feeling of Musical Mode and Its Emotional Character in a Melody'. Psychology of Music, 24: 29-46.
    • (1996) Psychology of Music , vol.24 , pp. 29-46
    • Hoshino, E.1
  • 18
    • 0141764789 scopus 로고    scopus 로고
    • Communication of Emotion in Vocal Expression and Music Performance: Different Channels, Same Code?
    • Juslin, Patrik N. and Petri Laukka (2003). 'Communication of Emotion in Vocal Expression and Music Performance: Different Channels, Same Code?' Psychological Bulletin, 129/5: 770-814.
    • (2003) Psychological Bulletin , vol.129 , Issue.5 , pp. 770-814
    • Juslin, P.N.1    Laukka, P.2
  • 20
    • 33847791651 scopus 로고    scopus 로고
    • Fundamental Issues in the Evolutionary Psychology of Music: Assessing Innateness and Domain Specificity
    • Justus, Timothy and Jeffrey J. Hutsler (2005). 'Fundamental Issues in the Evolutionary Psychology of Music: Assessing Innateness and Domain Specificity'. Music Perception, 23: 1-27.
    • (2005) Music Perception , vol.23 , pp. 1-27
    • Justus, T.1    Hutsler, J.J.2
  • 21
    • 0002312062 scopus 로고
    • Music Psychology and Music Theory: Problems and Prospects
    • Krumhansl, Carol L. (1995). 'Music Psychology and Music Theory: Problems and Prospects'. Music Theory Spectrum, 17: 53-80.
    • (1995) Music Theory Spectrum , vol.17 , pp. 53-80
    • Krumhansl, C.L.1
  • 22
    • 79958750096 scopus 로고    scopus 로고
    • An Exploratory Study of Musical Emotions and Psychophysiology
    • Krumhansl, Carol L. (1997). 'An Exploratory Study of Musical Emotions and Psychophysiology'. Canadian Journal of Experimental Psychology, 51: 336-52.
    • (1997) Canadian Journal of Experimental Psychology , vol.51 , pp. 336-352
    • Krumhansl, C.L.1
  • 24
    • 0001348979 scopus 로고    scopus 로고
    • Melodic Expectation in Finnish Spiritual Folk Hymns: Convergence of Statistical, Behavioural, and Computational Approaches
    • Krumhansl, Carol L., J. Louhivuori, P. Toiviainen, T. Järvinen, and T. Eerola (1999). 'Melodic Expectation in Finnish Spiritual Folk Hymns: Convergence of Statistical, Behavioural, and Computational Approaches'. Music Perception, 17: 151-95.
    • (1999) Music Perception , vol.17 , pp. 151-195
    • Krumhansl, C.L.1    Louhivuori, J.2    Toiviainen, P.3    Järvinen, T.4    Eerola, T.5
  • 25
    • 0034648031 scopus 로고    scopus 로고
    • Cross-Cultural Music Cognition: Cognitive Methodology Applied to North Sami Yoiks
    • Krumhansl, Carol L., P. Toiviainen, T. Eerola, T. Järvinen, and J. Louhivuori (2000). 'Cross-Cultural Music Cognition: Cognitive Methodology Applied to North Sami Yoiks'. Cognition, 76: 13-58.
    • (2000) Cognition , vol.76 , pp. 13-58
    • Krumhansl, C.L.1    Toiviainen, P.2    Eerola, T.3    Järvinen, T.4    Louhivuori, J.5
  • 26
    • 33745286834 scopus 로고    scopus 로고
    • The Origins of Music:Innateness, Uniqueness, and Evolution
    • McDermott, Josh and Marc D. Hauser (2005). 'The Origins of Music:Innateness, Uniqueness, and Evolution'. Music Perception, 23: 29-59.
    • (2005) Music Perception , vol.23 , pp. 29-59
    • McDermott, J.1    Hauser, M.D.2
  • 27
    • 84873586166 scopus 로고    scopus 로고
    • Emotion and Music: Inherent Responses and the Importance of Empirical Cross-Cultural Research
    • Course Paper, McGill University, Canada
    • McKay, Cory (2002). 'Emotion and Music: Inherent Responses and the Importance of Empirical Cross-Cultural Research'. Course Paper, McGill University, Canada.
    • (2002)
    • McKay, C.1
  • 29
    • 0028487663 scopus 로고
    • Key Membership and Implied Harmony in Western Tonal Music: Developmental Perspectives
    • Trainor, L. J. and S. E. Trehub (1994). 'Key Membership and Implied Harmony in Western Tonal Music: Developmental Perspectives'. Perception & Psychophysics, 56: 125-32.
    • (1994) Perception & Psychophysics , vol.56 , pp. 125-132
    • Trainor, L.J.1    Trehub, S.E.2
  • 30
    • 0008879291 scopus 로고    scopus 로고
    • Human Processing Predispositions and Musical Universals
    • B. Merker and N. L. Wallin (eds.), Cambridge, MA: MIT Press
    • Trehub, S. E. (2000). 'Human Processing Predispositions and Musical Universals', in B. Merker and N. L. Wallin (eds.), The Origins of Music. Cambridge, MA: MIT Press, pp. 427-48.
    • (2000) The Origins of Music , pp. 427-448
    • Trehub, S.E.1
  • 31
    • 0038158154 scopus 로고    scopus 로고
    • The Developmental Origins of Musicality
    • Trehub, S. E. (2003). 'The Developmental Origins of Musicality'. Nature Neuroscience, 6: 669-73.
    • (2003) Nature Neuroscience , vol.6 , pp. 669-673
    • Trehub, S.E.1
  • 32
  • 33
    • 38249003268 scopus 로고
    • Adults Identify Infant-Directed Music across Cultures
    • Trehub, S. E., Anna M. Unyk, and Laurel J. Trainor (1993a). 'Adults Identify Infant-Directed Music across Cultures'. Infant Behavior & Development, 16/2: 193-211.
    • (1993) Infant Behavior & Development , vol.16 , Issue.2 , pp. 193-211
    • Trehub, S.E.1    Unyk, A.M.2    Trainor, L.J.3
  • 36
    • 33745475861 scopus 로고    scopus 로고
    • Open Peer Commentary: Can We Understand the Music of Another Culture?
    • Walker, Robert. (1996). 'Open Peer Commentary: Can We Understand the Music of Another Culture?' Psychology of Music, 24: 103-30.
    • (1996) Psychology of Music , vol.24 , pp. 103-130
    • Walker, R.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.