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Volumn 11, Issue 2, 2002, Pages 45-50

Music: A link between cognition and emotion

Author keywords

Music cognition; Music emotion

Indexed keywords


EID: 0036555380     PISSN: 09637214     EISSN: None     Source Type: Journal    
DOI: 10.1111/1467-8721.00165     Document Type: Article
Times cited : (192)

References (15)
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    • Krumhansl, C.L. (1995). Music psychology and music theory: Problems and prospects. Music Theory Spectrum, 17, 53-80.
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  • 4
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    • A perceptual analysis of Mozart's Piano Sonata K. 282: Segmentation, tension, and musical ideas
    • Krumhansl, C.L. (1996). A perceptual analysis of Mozart's Piano Sonata K. 282: Segmentation, tension, and musical ideas. Music Perception, 13, 401-432.
    • (1996) Music Perception , vol.13 , pp. 401-432
    • Krumhansl, C.L.1
  • 5
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    • An exploratory study of musical emotions and psychophysiology
    • Krumhansl, C.L. (1997). An exploratory study of musical emotions and psychophysiology. Canadian Journal of Experimental Psychology, 51, 336-352.
    • (1997) Canadian Journal of Experimental Psychology , vol.51 , pp. 336-352
    • Krumhansl, C.L.1
  • 6
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    • Topic in music: An empirical study of memorability, openness, and emotion in Mozart's String Quintet in C major and Beethoven's String Quartet in a minor
    • Krumhansl, C.L. (1998). Topic in music: An empirical study of memorability, openness, and emotion in Mozart's String Quintet in C major and Beethoven's String Quartet in A minor. Music Perception, 16, 119-134.
    • (1998) Music Perception , vol.16 , pp. 119-134
    • Krumhansl, C.L.1
  • 7
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    • Music and affect: Empirical and theoretical contributions from experimental psychology
    • D. Greer (Ed.). New York: Oxford University Press
    • Krumhansl, C.L. (2000). Music and affect: Empirical and theoretical contributions from experimental psychology. In D. Greer (Ed.), Musicology and sister disciplines: Past, present, and future (pp. 88-99). New York: Oxford University Press.
    • (2000) Musicology and sister disciplines: Past, present, and future , pp. 88-99
    • Krumhansl, C.L.1
  • 8
    • 0001348979 scopus 로고    scopus 로고
    • Melodic expectation in finnish spiritual folk hymns: Convergence of statistical, behavioral, and computational approaches
    • Krumhansl, C.L., Louhivuori, J., Toiviainen, P., Järvinen, T., & Eerola, T. (1999). Melodic expectation in Finnish spiritual folk hymns: Convergence of statistical, behavioral, and computational approaches. Music Perception, 17, 151-195.
    • (1999) Music Perception , vol.17 , pp. 151-195
    • Krumhansl, C.L.1    Louhivuori, J.2    Toiviainen, P.3    Järvinen, T.4    Eerola, T.5
  • 9
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    • Can dance reflect the structural and expressive qualities of music? A perceptual experiment on Balanchine's choreography of Mozart's Divertimento No. 15
    • Krumhansl, C.L., & Schenck, D.L. (1997). Can dance reflect the structural and expressive qualities of music? A perceptual experiment on Balanchine's choreography of Mozart's Divertimento No. 15. Musicae Scientiae, 1, 63-85.
    • (1997) Musicae Scientiae , vol.1 , pp. 63-85
    • Krumhansl, C.L.1    Schenck, D.L.2
  • 11
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    • New York: Oxford University Press
    • Lerdahl, F. (2001). Tonal pitch space. New York: Oxford University Press.
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.