-
1
-
-
60949350923
-
-
(Originally published in 1949). Frankfurt/Main: Suhrkamp
-
Adorno, Th. W. (1978). Philosophie der Neuen Musik. (Originally published in 1949). Frankfurt/Main: Suhrkamp.
-
(1978)
Philosophie der Neuen Musik
-
-
Adorno, T.W.1
-
3
-
-
84908934643
-
Über ein dänisches Schul-Liederbuch, über Mitbewegungen und Gehaltsanalyse
-
Reprinted in W. Kramolisch (ed.) (1975), Gustav Becking zum Gedächtnis. Tutzing: H. Schneider, 191-210
-
Becking, G. (1923/24). Über ein dänisches Schul-Liederbuch, über Mitbewegungen und Gehaltsanalyse. Zeitschrift für Musikwissenschaft 6, 100-119. Reprinted in W. Kramolisch (ed.) (1975), Gustav Becking zum Gedächtnis. Tutzing: H. Schneider, 191-210.
-
(1923)
Zeitschrift für Musikwissenschaft
, vol.6
, pp. 100-119
-
-
Becking, G.1
-
5
-
-
79957939302
-
Musik und Sprache. Überlegungen zu ihrer Struktur und Funktionsweise
-
In, 1978. Leipzig: Edition Peters
-
Bierwisch, M. (1979). Musik und Sprache. Überlegungen zu ihrer Struktur und Funktionsweise. In Jahrbuch Peters 1978. Leipzig: Edition Peters, 9-102.
-
(1979)
Jahrbuch Peters
, pp. 9-102
-
-
Bierwisch, M.1
-
6
-
-
84908934632
-
Deutsche Musiktheorie des 15. bis 17. Jahrhunderts. T
-
Darmstadt: Wissenschaftliche Buchgesellschaft
-
Braun, W. (1994). Deutsche Musiktheorie des 15. bis 17. Jahrhunderts. T. II: Von Calvisius bis Mattheson. Darmstadt: Wissenschaftliche Buchgesellschaft.
-
(1994)
Von Calvisius bis Mattheson
, vol.2
-
-
Braun, W.1
-
8
-
-
84908934631
-
Ueber Gebärde und Musik in der Oper
-
Cahn-Speyer, R. (1927). Ueber Gebärde und Musik in der Oper. Melos, 5, 8-9.
-
(1927)
Melos
, vol.5
, pp. 8-9
-
-
Cahn-speyer, R.1
-
9
-
-
21244490702
-
Expressiveness and physicality in interaction
-
Camurri, A., Paolo C., Ricchetti, M., and Volpe, G. (2000). Expressiveness and physicality in interaction. Journal of New Music Research, 29(3), 187-198.
-
(2000)
Journal of New Music Research
, vol.29
, Issue.3
, pp. 187-198
-
-
Camurri, A.1
Paolo, C.2
Ricchetti, M.3
Volpe, G.4
-
10
-
-
0006113525
-
Expressive microstructures in music, linked to living qualities
-
In J. Sundberg (ed.), Stockholm: Royal Swedish Academy of Music, Publication No. 39
-
Clynes, M. (1983). Expressive microstructures in music, linked to living qualities. In J. Sundberg (ed.), Studies in Music Performance. Stockholm: Royal Swedish Academy of Music, Publication No. 39, 76-186.
-
(1983)
Studies in Music Performance
, pp. 76-186
-
-
Clynes, M.1
-
11
-
-
0029314605
-
Microstructural musical linguistics: composer's pulses are liked most by the best musicians
-
Clynes, M. (1995). Microstructural musical linguistics: composer's pulses are liked most by the best musicians. Cognition, 55(3), 269-310.
-
(1995)
Cognition
, vol.55
, Issue.3
, pp. 269-310
-
-
Clynes, M.1
-
12
-
-
0001948237
-
The living quality of music. Neurobiologic patterns of communicating feeling
-
In M. Clynes (ed.), New York/London: Plenum Press
-
Clynes, M. and Nettheim, N. (1982). The living quality of music. Neurobiologic patterns of communicating feeling. In M. Clynes (ed.), Music, Mind, and Brain. New York/London: Plenum Press, 47-82.
-
(1982)
Music, Mind, and Brain
, pp. 47-82
-
-
Clynes, M.1
Nettheim, N.2
-
13
-
-
0347560956
-
Neurobiologic functions of rhythm, time and pulse in music
-
In M. Clynes (ed.), New York/London: Plenum Press
-
Clynes, M. and Walker, J. (1982). Neurobiologic functions of rhythm, time and pulse in music. In M. Clynes (ed.), Music, Mind, and Brain. New York/London: Plenum Press, 171-216.
-
(1982)
Music, Mind, and Brain
, pp. 171-216
-
-
Clynes, M.1
Walker, J.2
-
18
-
-
84908934630
-
Passiones animae. (Les passions de l'âme, Amsterdam and Paris)
-
In Ch. Adam and P. Tannery (eds.), T. XI, Paris: Cerf 1911
-
Descartes, R. (1649). Passiones animae. (Les passions de l'âme, Amsterdam and Paris). In Ch. Adam and P. Tannery (eds.), Oeuvres des Descartes, T. XI, Paris: Cerf 1911.
-
(1649)
Oeuvres des Descartes
-
-
Descartes, R.1
-
19
-
-
70349347763
-
Der Tanz der Zukunft: eine Vorlesung
-
German translation of The Dance of the Future, Leipzig: Diederichs
-
Duncan, I. (1903). Der Tanz der Zukunft: eine Vorlesung (German translation of The Dance of the Future). Leipzig: Diederichs.
-
(1903)
-
-
Duncan, I.1
-
22
-
-
0014663317
-
Pan-cultural elements in facial displays of emotion
-
Ekman, P., Sorensen, R., and Friesen, W. V. (1969). Pan-cultural elements in facial displays of emotion. Science, 164(4), 86-88.
-
(1969)
Science
, vol.164
, Issue.4
, pp. 86-88
-
-
Ekman, P.1
Sorensen, R.2
Friesen, W.V.3
-
23
-
-
0004237496
-
-
New York, Oxford: Pergamon Press
-
Ekman, P., Friesen, W. V., and Ellsworth, P. (1972). Emotion in the Human Face: Guidelines for Research and an Integration of Findings. New York, Oxford: Pergamon Press.
-
(1972)
Emotion in the Human Face: Guidelines for Research and an Integration of Findings
-
-
Ekman, P.1
Friesen, W.V.2
Ellsworth, P.3
-
24
-
-
65849281726
-
Context analysis of musical gestures
-
Fay, T. (1974). Context analysis of musical gestures. Journal of Music Theory, 18(1), 124-151.
-
(1974)
Journal of Music Theory
, vol.18
, Issue.1
, pp. 124-151
-
-
Fay, T.1
-
27
-
-
0010901593
-
Music from motion: sound level envelopes of tones expressing human locomotion
-
Friberg, A., Sundberg, J., and Frydén, L. (2000). Music from motion: sound level envelopes of tones expressing human locomotion. Journal of New Music Research, 29(3), 199-210.
-
(2000)
Journal of New Music Research
, vol.29
, Issue.3
, pp. 199-210
-
-
Friberg, A.1
Sundberg, J.2
Frydén, L.3
-
30
-
-
84858661103
-
Imagined action, excitation, and resonance
-
In R. I. Godøy and H. Jørgensen (eds.), Lisse, Holland: Swets and Zeitlinger
-
Godøy, R. I. (2001). Imagined action, excitation, and resonance. In R. I. Godøy and H. Jørgensen (eds.), Musical Imagery. Lisse, Holland: Swets and Zeitlinger, 237-250.
-
(2001)
Musical Imagery
, pp. 237-250
-
-
Godøy, R.I.1
-
31
-
-
33745547750
-
Playing "air instruments:" mimicry of sound-producing gestures by novices and experts
-
In S. Gibet, N. Courty, and J.-F. Kamp (eds.), LNAI 3881. Berlin, Heidelberg: Springer
-
Godøy, R. I., Haga, E., and Jensenius, A. R. (2006). Playing "air instruments:" mimicry of sound-producing gestures by novices and experts. In S. Gibet, N. Courty, and J.-F. Kamp (eds.), Gesture in Human-Computer Interaction and Simulation, LNAI 3881. Berlin, Heidelberg: Springer, 256-267.
-
(2006)
Gesture in Human-Computer Interaction and Simulation
, pp. 256-267
-
-
Godøy, R.I.1
Haga, E.2
Jensenius, A.R.3
-
32
-
-
79952246662
-
Fictional planes and their interplay: the alchemy of forms and emotions in Bach's St. Matthew Passion
-
In I. Zannos (ed.), Bratislava: ASCO
-
HaCohen, R. (1999). Fictional planes and their interplay: the alchemy of forms and emotions in Bach's St. Matthew Passion. In I. Zannos (ed.), Music and Signs. Semiotic and Cognitive Studies in Music. Bratislava: ASCO, 416-434.
-
(1999)
Music and Signs. Semiotic and Cognitive Studies in Music
, pp. 416-434
-
-
HaCohen, R.1
-
33
-
-
38849167916
-
The communicative force of Wagner's Leitmotifs: complementary relations between their connotations and denotations
-
HaCohen, R. and Wagner, N. (1997). The communicative force of Wagner's Leitmotifs: complementary relations between their connotations and denotations. Music Perception, 14(4), 445-475.
-
(1997)
Music Perception
, vol.14
, Issue.4
, pp. 445-475
-
-
HaCohen, R.1
Wagner, N.2
-
36
-
-
84909401554
-
-
Course description
-
Hatten, R. S. (2001). Musical gesture. Course description. http://chass.utoronto.ca/epc/srb/cyber/hatout.html
-
(2001)
Musical gesture
-
-
Hatten, R.S.1
-
37
-
-
84908934625
-
Musikalische Ausdrucksstudien an Phonogrammen
-
Heinitz, W. (1927). Musikalische Ausdrucksstudien an Phonogrammen. Zeitschrift für Musikwissenschaft, 9, 568-575.
-
(1927)
Zeitschrift für Musikwissenschaft
, vol.9
, pp. 568-575
-
-
Heinitz, W.1
-
38
-
-
84909026168
-
Das Studium musikalischen Ausdrucks an Atembewegungskurven
-
Heinitz, W. (1929). Das Studium musikalischen Ausdrucks an Atembewegungskurven. Zeitschrift für Laryngologie, 17, 487-493.
-
(1929)
Zeitschrift für Laryngologie
, vol.17
, pp. 487-493
-
-
Heinitz, W.1
-
41
-
-
84909120896
-
-
Ettal: Buch-Kunstverlag Ettal
-
Huber, K. (1953). Ästhetik. Ettal: Buch-Kunstverlag Ettal.
-
(1953)
Ästhetik
-
-
Huber, K.1
-
42
-
-
61149144285
-
Meaning in musical gesture
-
In M. M. Wanderley and M. Battier (eds.), Paris: IRCAM
-
Iazetta, F. (2000). Meaning in musical gesture. In M. M. Wanderley and M. Battier (eds.), Trends in Gestural Control of Music. Paris: IRCAM, 71-87.
-
(2000)
Trends in Gestural Control of Music
, pp. 71-87
-
-
Iazetta, F.1
-
44
-
-
84909337196
-
-
(translation from the French by Julius Schwabe). Basel: Schwabe
-
Jacques-Dalcroze, E. (1921). Rhythmus, Musik und Erziehung. (translation from the French by Julius Schwabe). Basel: Schwabe.
-
(1921)
Rhythmus, Musik und Erziehung
-
-
Jacques-dalcroze, E.1
-
49
-
-
84855904975
-
Oratores, Poet[a]e, Mimi and Musici. Affekt, Gestik und Rhetorik in der Musik
-
In B. Siegmund (ed.), Stiftung Kloster Michaelstein
-
Krones, H. (2003). Oratores, Poet[a]e, Mimi and Musici. Affekt, Gestik und Rhetorik in der Musik. In B. Siegmund (ed.). Gestik und Affekt in der Musik des 17. Jahrhunderts. Stiftung Kloster Michaelstein, 19-41.
-
(2003)
Gestik und Affekt in der Musik des 17. Jahrhunderts
, pp. 19-41
-
-
Krones, H.1
-
50
-
-
79953465066
-
-
Bern: Krompholz (2nd ed. 1947)
-
Kurth, E. (1930). Musikpsychologie. Bern: Krompholz (2nd ed. 1947).
-
(1930)
Musikpsychologie
-
-
Kurth, E.1
-
51
-
-
0002413313
-
-
London: Macdonald and Evans (2nd ed. 1963)
-
Laban, R. v. (1948). Modern Educational Dance. London: Macdonald and Evans (2nd ed. 1963).
-
(1948)
Modern Educational Dance
-
-
Laban, R.V.1
-
53
-
-
33244456384
-
Musical forces and melodic expectations: comparing computer models and experimental results
-
Larson, S. (2004). Musical forces and melodic expectations: comparing computer models and experimental results. Music Perception, 21(4), 457-498.
-
(2004)
Music Perception
, vol.21
, Issue.4
, pp. 457-498
-
-
Larson, S.1
-
54
-
-
84909260569
-
Prinzipien und Quellen der barocken Gestik
-
In B. Siegmund (ed.), Stiftung Kloster Michaelstein
-
Legler, M. and Kubik, R. (2003). Prinzipien und Quellen der barocken Gestik. In B. Siegmund (ed.). Gestik und Affekt in der Musik des 17. Jahrhunderts. Stiftung Kloster Michaelstein, 43-64.
-
(2003)
Gestik und Affekt in der Musik des 17. Jahrhunderts
, pp. 43-64
-
-
Legler, M.1
Kubik, R.2
-
55
-
-
27144541841
-
-
Cambridge, MA: Harvard University Press (German translation Frankfurt/Main: Suhrkamp 2005)
-
Libet, B. (2004). Mind Time: The Temporal Factor in Consciousness. Cambridge, MA: Harvard University Press (German translation Frankfurt/Main: Suhrkamp 2005).
-
(2004)
Mind Time: The Temporal Factor in Consciousness
-
-
Libet, B.1
-
57
-
-
0347209572
-
-
Hamburg: Herold (new edition Kassel: Bärenreiter 1999)
-
Mattheson, J. (1739). Der vollkommene Capellmeister. Hamburg: Herold (new edition Kassel: Bärenreiter 1999).
-
(1739)
Der vollkommene Capellmeister
-
-
Mattheson, J.1
-
58
-
-
34447189722
-
Motion and E-motion in music
-
Meidner, O. M. (1985). Motion and E-motion in music. British Journal of Aesthetics, 25(4), 349-356.
-
(1985)
British Journal of Aesthetics
, vol.25
, Issue.4
, pp. 349-356
-
-
Meidner, O.M.1
-
59
-
-
79953341682
-
Versuch einer Phänomenologie der Musik
-
Mersmann, H. (1922/23). Versuch einer Phänomenologie der Musik. Zeitschrift für Musikwissenschaft, 5, 226-269.
-
(1922)
Zeitschrift für Musikwissenschaft
, vol.5
, pp. 226-269
-
-
Mersmann, H.1
-
60
-
-
84909436846
-
A Schubert fingerprint related to the theory of metre, tempo and the Becking curve
-
Nettheim, N. (1999). A Schubert fingerprint related to the theory of metre, tempo and the Becking curve. Systematische Musikwissenschaft/Systematic Musicology, 6(4), 363-413.
-
(1999)
Systematische Musikwissenschaft/Systematic Musicology
, vol.6
, Issue.4
, pp. 363-413
-
-
Nettheim, N.1
-
62
-
-
84968285570
-
Expressive microstructure in music: a preliminary perceptual assessment of four composers
-
Repp, B. (1989). Expressive microstructure in music: a preliminary perceptual assessment of four composers. Music Perception, 6(3), 243-274.
-
(1989)
Music Perception
, vol.6
, Issue.3
, pp. 243-274
-
-
Repp, B.1
-
63
-
-
84953678664
-
Further perceptual evaluations of pulse microstructure in computer performances of classical piano music
-
Repp, B. (1990). Further perceptual evaluations of pulse microstructure in computer performances of classical piano music. Music Perception, 8(1), 1-33.
-
(1990)
Music Perception
, vol.8
, Issue.1
, pp. 1-33
-
-
Repp, B.1
-
64
-
-
84968286715
-
A constraint on the expressive timing of a melodic gesture: evidence from performance and aesthetic judgment
-
Repp, B. (1992). A constraint on the expressive timing of a melodic gesture: evidence from performance and aesthetic judgment. Music Perception, 10(2), 221-242.
-
(1992)
Music Perception
, vol.10
, Issue.2
, pp. 221-242
-
-
Repp, B.1
-
65
-
-
42449133689
-
Musical imagery between sensory processing and ideomotor simulation
-
In R. I. Godøy and H. Jørgensen (eds.), Lisse, Holland: Swets and Zeitlinger
-
Reybrouck, M. (2001). Musical imagery between sensory processing and ideomotor simulation. In R. I. Godøy and H. Jørgensen (eds.), Musical Imagery. Lisse, Holland: Swets and Zeitlinger, 117-135.
-
(2001)
Musical Imagery
, pp. 117-135
-
-
Reybrouck, M.1
-
66
-
-
0004267806
-
-
3rd ed. Philadelphia: W. Saunders, German transl. Vergleichende Anatomie der Wirbeltiere. 2nd ed. Hamburg. P. Parey 1966
-
Romer, A. S. (1962). The Vertebrate Body. 3rd ed. Philadelphia: W. Saunders (German transl. Vergleichende Anatomie der Wirbeltiere. 2nd ed. Hamburg. P. Parey 1966).
-
(1962)
The Vertebrate Body
-
-
Romer, A.S.1
-
72
-
-
33646860501
-
Dalcroze, the body, movement and musicality
-
Seitz, J. (2005). Dalcroze, the body, movement and musicality. Psychology of music, 33(4), 419-435.
-
(2005)
Psychology of music
, vol.33
, Issue.4
, pp. 419-435
-
-
Seitz, J.1
-
73
-
-
0142210268
-
Musical motion and performance: theoretical and empirical perspectives
-
In J. Rink (ed.), Cambridge: Cambridge University Press
-
Shove, P. and Repp. B. (1995). Musical motion and performance: theoretical and empirical perspectives. In J. Rink (ed.), The Practice of Performance: Studies in Musical Interpretation. Cambridge: Cambridge University Press, 55-83.
-
(1995)
The Practice of Performance: Studies in Musical Interpretation
, pp. 55-83
-
-
Shove, P.1
Repp, B.2
-
75
-
-
84895588418
-
Musica vulgaris im französischen Hochmittelalter: Johannes de Grocheio in neuer Sicht
-
Graz: Akademische Druckund Verlagsanstalt
-
Stockmann, D. (1985). Musica vulgaris im französischen Hochmittelalter: Johannes de Grocheio in neuer Sicht. Musikethnologische Sammelbände 7, Graz: Akademische Druckund Verlagsanstalt, 163-180.
-
(1985)
Musikethnologische Sammelbände
, vol.7
, pp. 163-180
-
-
Stockmann, D.1
-
77
-
-
0040781479
-
Motion in music: a neurobiological perspective
-
Todd, N. P. M. (1999). Motion in music: a neurobiological perspective. Music Perception, 17(1), 115-126.
-
(1999)
Music Perception
, vol.17
, Issue.1
, pp. 115-126
-
-
Todd, N.P.M.1
-
79
-
-
0003559602
-
-
Frankfurt am Main: Suhrkamp
-
Wittgenstein, L. (1984). Werkausgabe. Vol. 1-8. Frankfurt am Main: Suhrkamp.
-
(1984)
Werkausgabe
, vol.1-8
-
-
Wittgenstein, L.1
|