메뉴 건너뛰기




Volumn 33, Issue 4, 2005, Pages 419-435

Dalcroze, the body, movement and musicality

Author keywords

Brain; Development; Embodied mind; Emile Jaques Dalcroze; Musical expression; Musical thought; Musical understanding

Indexed keywords


EID: 33646860501     PISSN: 03057356     EISSN: 17413087     Source Type: Journal    
DOI: 10.1177/0305735605056155     Document Type: Review
Times cited : (39)

References (64)
  • 1
    • 61049111272 scopus 로고
    • Dalcroze-based Improvisation
    • Abramson, R.M. (1980) 'Dalcroze-based Improvisation', Music Educators Journal 66 (5). 62 - 68
    • (1980) Music Educators Journal , vol.66 , Issue.5 , pp. 62-68
    • Abramson, R.M.1
  • 2
    • 79954272033 scopus 로고
    • GIA Publications, Inc., Chicago, IL
    • Abramson, R.M. (Director) and Caldwell, T. (Writer) (1992) Dalcroze Eurhythmics. Videotape, VHS-281. Available from GIA Publications, Inc., Chicago, IL
    • (1992) Dalcroze Eurhythmics
    • Abramson, R.M.1    Caldwell, T.2
  • 4
    • 84990342721 scopus 로고    scopus 로고
    • Meaning and the Specification of Motion in Music
    • Clarke, E. (2001) 'Meaning and the Specification of Motion in Music', Musicae Scientiae 5 (2). 213 - 234
    • (2001) Musicae Scientiae , vol.5 , Issue.2 , pp. 213-234
    • Clarke, E.1
  • 7
    • 85044811934 scopus 로고    scopus 로고
    • Why Does Music Express only Some Emotions? A Test of a Philosophical Theory
    • Collier, G.L. (2002) 'Why Does Music Express Only Some Emotions? A Test of a Philosophical Theory', Empirical Studies of the Arts 20 (1). 21 - 31
    • (2002) Empirical Studies of the Arts , vol.20 , Issue.1 , pp. 21-31
    • Collier, G.L.1
  • 8
    • 33645746572 scopus 로고
    • Cambridge, MA: Harvard University Press
    • Copland, A. (1952) Music and Imagination. Cambridge, MA: Harvard University Press
    • (1952) Music and Imagination
    • Copland, A.1
  • 9
    • 84990361318 scopus 로고    scopus 로고
    • The Mimetic Hypothesis and Embodied Musical Meaning
    • Cox, A. (2001) 'The Mimetic Hypothesis and Embodied Musical Meaning', Musicae Scientiae 5 (2). 195 - 212
    • (2001) Musicae Scientiae , vol.5 , Issue.2 , pp. 195-212
    • Cox, A.1
  • 10
    • 0030606018 scopus 로고    scopus 로고
    • The Somatic Marker Hypothesis and the Possible Functions of the Prefrontal Cortices
    • Damasio, A.R. (1996) 'The Somatic Marker Hypothesis and the Possible Functions of the Prefrontal Cortices', Philosophical Transactions of the Royal Society of London (Series B). 351: 1413 - 1420
    • (1996) Philosophical Transactions of the Royal Society of London , vol.351 , pp. 1413-1420
    • Damasio, A.R.1
  • 11
    • 84970103667 scopus 로고
    • Visual Perception of Performance Manner in the Movements of Solo Musicians
    • Davidson, J.W. (1993) 'Visual Perception of Performance Manner in the Movements of Solo Musicians', Psychology of Music 21: 103 - 113
    • (1993) Psychology of Music , vol.21 , pp. 103-113
    • Davidson, J.W.1
  • 12
    • 34250742729 scopus 로고
    • What Doesn't the Visual Information Contained in Music Performances Offer the Observer? Some Preliminary Thoughts
    • R. Steinberg (ed.) Berlin: Springer-Verlag
    • Davidson, J.W. (1995) 'What Doesn't the Visual Information Contained in Music Performances Offer the Observer? Some Preliminary Thoughts', in R. Steinberg (ed.) Music and the Mind Machine: The Psychophysiology and Psychopathology of the Sense of Music, pp. 105 - 113. Berlin: Springer-Verlag
    • (1995) Music and the Mind Machine: The Psychophysiology and Psychopathology of the Sense of Music , pp. 105-113
    • Davidson, J.W.1
  • 13
    • 84990398479 scopus 로고    scopus 로고
    • The Role of the Body in the Production and Perception of Solo Vocal Performance: A Case Study of Annie Lennox
    • Davidson, J.W. (2001a) 'The Role of the Body in the Production and Perception of Solo Vocal Performance: A Case Study of Annie Lennox', Musicae Scientiae 5 (2). 235 - 256
    • (2001) Musicae Scientiae , vol.5 , Issue.2 , pp. 235-256
    • Davidson, J.W.1
  • 14
    • 39749115014 scopus 로고    scopus 로고
    • Music and the Body
    • C. Blakemore and S. Jennett (eds) Oxford: Oxford University Press
    • Davidson, J.W. (2001b) 'Music and the Body', in C. Blakemore and S. Jennett (eds) The Oxford Companion to the Body, pp. 482 - 484. Oxford: Oxford University Press
    • (2001) The Oxford Companion to the Body , pp. 482-484
    • Davidson, J.W.1
  • 16
    • 0001848682 scopus 로고
    • The Repertoire of Nonverbal Behavior: Categories, Origins, Usage, and Coding
    • Ekman, P. and Friesen, W.V. (1969) 'The Repertoire of Nonverbal Behavior: Categories, Origins, Usage, and Coding', Semiotica 1 (1). 49 - 98
    • (1969) Semiotica , vol.1 , Issue.1 , pp. 49-98
    • Ekman, P.1    Friesen, W.V.2
  • 17
    • 79954185685 scopus 로고    scopus 로고
    • Proprioception
    • C. Blakemore and S. Jennett (eds) Oxford: Oxford University Press
    • Gandevia, S. (2001) 'Proprioception', in C. Blakemore and S. Jennett (eds) The Oxford Companion to the Body, pp. 558 - 559). Oxford: Oxford University Press
    • (2001) The Oxford Companion to the Body , pp. 558-559
    • Gandevia, S.1
  • 18
    • 84926170473 scopus 로고    scopus 로고
    • Evelyn Glennie home page
    • Glennie, E. (2001) Evelyn Glennie home page, accessed 9 June 2005. Available: http://www.evelyn.co.uk/script.htm
    • (2001)
    • Glennie, E.1
  • 20
    • 0034974524 scopus 로고    scopus 로고
    • Cerebral Substrates of Musical Imagery
    • R.J. Zatorre and I. Peretz (eds) New York: Annals of the New York Academy of Sciences
    • Halpern, A.R. (2001) 'Cerebral Substrates of Musical Imagery', in R.J. Zatorre and I. Peretz (eds) The Biological Foundations of Music, pp. 179 - 192. New York: Annals of the New York Academy of Sciences
    • (2001) The Biological Foundations of Music , pp. 179-192
    • Halpern, A.R.1
  • 21
    • 79954030410 scopus 로고    scopus 로고
    • Emile Jaques-Dalcroze
    • S. Sadie and J. Tyrrell (eds) London: Macmillan
    • Haward, L.W. and Ring, R. (2001) 'Emile Jaques-Dalcroze', in S. Sadie and J. Tyrrell (eds) The New Grove Dictionary of Music and Musicians, Vol. 12, pp. 891 - 893. London: Macmillan
    • (2001) The New Grove Dictionary of Music and Musicians , pp. 891-893
    • Haward, L.W.1    Ring, R.2
  • 24
    • 0347212092 scopus 로고
    • rev. edn, trans. H.F. Rubenstein. London: The Dalcroze Society
    • Jaques-Dalcroze, E. (1967[1921]) Rhythm, Music, and Education, rev. edn, trans. H.F. Rubenstein. London: The Dalcroze Society
    • (1921) Rhythm, Music, and Education
    • Jaques-Dalcroze, E.1
  • 25
    • 84968158056 scopus 로고
    • Perception of the Major/Minor Distinction: IV. Emotional Connotations in Young Children
    • Kastner, M.P. and Crowder, R.G. (1990) 'Perception of the Major/Minor Distinction: IV. Emotional Connotations in Young Children', Music Perception 8 (2). 189 - 202
    • (1990) Music Perception , vol.8 , Issue.2 , pp. 189-202
    • Kastner, M.P.1    Crowder, R.G.2
  • 26
    • 84968194752 scopus 로고
    • Interpreting Musical Analogy: From Rhetorical Device to Perceptual Process
    • Kielian-Gilbert, M. (1990) 'Interpreting Musical Analogy: From Rhetorical Device to Perceptual Process', Music Perception 8 (1). 63 - 94
    • (1990) Music Perception , vol.8 , Issue.1 , pp. 63-94
    • Kielian-Gilbert, M.1
  • 28
    • 0002869705 scopus 로고
    • Coding of Musical Structure and the Trion Model of Cortex
    • Leng, X., Shaw, G.L. and Wright, E.L. (1990) 'Coding of Musical Structure and the Trion Model of Cortex', Music Perception 8 (1). 49 - 62
    • (1990) Music Perception , vol.8 , Issue.1 , pp. 49-62
    • Leng, X.1    Shaw, G.L.2    Wright, E.L.3
  • 29
    • 0034964273 scopus 로고    scopus 로고
    • The Sounds of Poetry Viewed as Music
    • R.J. Zatorre and I. Peretz (eds) New York: Annals of the New York Academy of Sciences
    • Lerdahl, F. (2001) 'The Sounds of Poetry Viewed as Music', in R.J. Zatorre and I. Peretz (eds) The Biological Foundations of Music, pp. 337 - 354. New York: Annals of the New York Academy of Sciences
    • (2001) The Biological Foundations of Music , pp. 337-354
    • Lerdahl, F.1
  • 30
    • 0001194993 scopus 로고    scopus 로고
    • Musical Abilities in Individuals with Williams Syndrome
    • Levitin, D.J. and Bellugi, U. (1998) 'Musical Abilities in Individuals with Williams Syndrome', Music Perception 15 (4). 357 - 389
    • (1998) Music Perception , vol.15 , Issue.4 , pp. 357-389
    • Levitin, D.J.1    Bellugi, U.2
  • 31
    • 0034153159 scopus 로고    scopus 로고
    • The Development of Intersensory Temporal Perception: An Epigenetic Systems/Limitations Approach
    • Lewkowicz, D.L. (2000) 'The Development of Intersensory Temporal Perception: An Epigenetic Systems/Limitations Approach', Psychological Bulletin 126 (2). 281 - 308
    • (2000) Psychological Bulletin , vol.126 , Issue.2 , pp. 281-308
    • Lewkowicz, D.L.1
  • 33
  • 34
    • 79954116313 scopus 로고    scopus 로고
    • Emile Jaques-Dalcroze
    • S.J. Cohen (ed.) Oxford: Oxford University Press
    • Odom, S.L. (1998) 'Emile Jaques-Dalcroze', in S.J. Cohen (ed.) International Encyclopedia of Dance, Vol. 3, pp. 594 - 597. Oxford: Oxford University Press
    • (1998) International Encyclopedia of Dance , pp. 594-597
    • Odom, S.L.1
  • 35
    • 0001947048 scopus 로고    scopus 로고
    • Musicality in Infancy Research: Biological and Cultural Origins of Early Musicality
    • I. Deliege and J. Sloboda (eds) Oxford: Oxford University Press
    • Papousek, H. (1996) 'Musicality in Infancy Research: Biological and Cultural Origins of Early Musicality', in I. Deliege and J. Sloboda (eds) Musical Beginnings: Origins and Development of Musical Competence, pp. 37 - 55. Oxford: Oxford University Press
    • (1996) Musical Beginnings: Origins and Development of Musical Competence , pp. 37-55
    • Papousek, H.1
  • 36
    • 0001553448 scopus 로고
    • Musical Elements in the Infant's Vocalization: Their Significance for Communication, Cognition, and Creativity
    • L.P. Lipsitt and C.K. Rovee-Collier (eds) Norwood, NJ: Ablex
    • Papousek, M. and Papousek, H. (1981) 'Musical Elements in the Infant's Vocalization: Their Significance for Communication, Cognition, and Creativity', in L.P. Lipsitt and C.K. Rovee-Collier (eds) Advances in Infancy Research, Vol. 1, pp. 163 - 224. Norwood, NJ: Ablex
    • (1981) Advances in Infancy Research , pp. 163-224
    • Papousek, M.1    Papousek, H.2
  • 37
    • 0034969301 scopus 로고    scopus 로고
    • Exploring the Functional Neuroanatomy of Music Performance, Perception, and Comprehension
    • R.J. Zatorre and I. Peretz (eds) New York: Annals of the New York Academy of Sciences
    • Parsons, L.M. (2001) 'Exploring the Functional Neuroanatomy of Music Performance, Perception, and Comprehension', in R.J. Zatorre and I. Peretz (eds) The Biological Foundations of Music, pp. 211 - 231. New York: Annals of the New York Academy of Sciences
    • (2001) The Biological Foundations of Music , pp. 211-231
    • Parsons, L.M.1
  • 38
    • 0037294491 scopus 로고    scopus 로고
    • An Empirical Comparison of Rhythm in Language and Music
    • Patel, A.D. and Daniele, J.R. (2003) 'An Empirical Comparison of Rhythm in Language and Music', Cognition 87: B35 - B45
    • (2003) Cognition , vol.87
    • Patel, A.D.1    Daniele, J.R.2
  • 39
    • 79954281820 scopus 로고
    • A Phenomenology of Jazz
    • Pike, A. (1974) 'A Phenomenology of Jazz', Journal of Jazz Studies 2 (1). 88 - 94
    • (1974) Journal of Jazz Studies , vol.2 , Issue.1 , pp. 88-94
    • Pike, A.1
  • 40
    • 1542590997 scopus 로고
    • Cognitive Isomorphisms between Pitch and Rhythm in World Musics: West Africa, the Balkans and Western Tonality
    • Pressing, J. (1983) 'Cognitive Isomorphisms between Pitch and Rhythm in World Musics: West Africa, the Balkans and Western Tonality', Studies in Music 17: 38 - 61
    • (1983) Studies in Music , vol.17 , pp. 38-61
    • Pressing, J.1
  • 42
    • 61049258027 scopus 로고    scopus 로고
    • Tonic Sol-fa
    • S. Sadie (ed.) 2nd edn, pp. London: Macmillan
    • Rainbow, B. (2001) 'Tonic Sol-fa', in S. Sadie (ed.) The New Grove Dictionary of Music and Musicians, Vol. 25, 2nd edn, pp. 603 - 607. London: Macmillan
    • (2001) The New Grove Dictionary of Music and Musicians , pp. 603-607
    • Rainbow, B.1
  • 44
    • 84968286715 scopus 로고
    • A Constraint on the Expressive Timing of a Melodic Gesture: Evidence from Performance and Aesthetic Judgment
    • Repp, B.H. (1992) 'A Constraint on the Expressive Timing of a Melodic Gesture: Evidence from Performance and Aesthetic Judgment', Music Perception 10 (2). 221 - 242
    • (1992) Music Perception , vol.10 , Issue.2 , pp. 221-242
    • Repp, B.H.1
  • 45
    • 84970123423 scopus 로고
    • Music as Motion: A Synopsis of Alexander Truslit's (1938) Gestaltung und Bewegung in der Musik
    • Repp, B.H. (1993) 'Music as Motion: A Synopsis of Alexander Truslit's (1938) Gestaltung und Bewegung in der Musik', Psychology of Music 21: 48 - 72
    • (1993) Psychology of Music , vol.21 , pp. 48-72
    • Repp, B.H.1
  • 46
    • 0034964389 scopus 로고    scopus 로고
    • Music and Nonmusical Abilities
    • R.J. Zatorre and I. Peretz (eds) New York: Annals of the New York Academy of Sciences
    • Schellenberg, E.G. (2001) 'Music and Nonmusical Abilities', in R.J. Zatorre and I. Peretz (eds) The Biological Foundations of Music, pp. 355 - 371. New York: Annals of the New York Academy of Sciences
    • (2001) The Biological Foundations of Music , pp. 355-371
    • Schellenberg, E.G.1
  • 47
    • 0040741174 scopus 로고    scopus 로고
    • The Development of Metaphoric Understanding: Implications for a Theory of Creativity
    • Seitz, J.A. (1997) 'The Development of Metaphoric Understanding: Implications for a Theory of Creativity', Creativity Research Journal 10 (4). 347 - 353
    • (1997) Creativity Research Journal , vol.10 , Issue.4 , pp. 347-353
    • Seitz, J.A.1
  • 49
    • 84926191177 scopus 로고    scopus 로고
    • Mind, Musical Improvisation, and the Body: The Microgenesis of Jazz Improvisation
    • J. Seitz (Chair)
    • Seitz, J.A. (2001) 'Mind, Musical Improvisation, and the Body: The Microgenesis of Jazz Improvisation', in J. Seitz (Chair) Adaptive and Maladaptive Forms of Embodied Cognition, paper presented at the Annual Symposium of the Jean Piaget Society, June, University of California, Berkeley, CA, accessed 9 June 2005. Available http://www.york.cuny.edu/%7Eseitz/JPS2001paper. htm
    • Adaptive and Maladaptive Forms of Embodied Cognition
    • Seitz, J.A.1
  • 50
    • 33646855747 scopus 로고    scopus 로고
    • Mind, Dance, and Pedagogy
    • Seitz, J.A. (2002) 'Mind, Dance, and Pedagogy', Journal of Aesthetic Education 36 (4). 37 - 42
    • (2002) Journal of Aesthetic Education , vol.36 , Issue.4 , pp. 37-42
    • Seitz, J.A.1
  • 52
    • 0009406669 scopus 로고
    • The Development of Comprehension of Physiognomic Metaphor in Photographs
    • Seitz, J.A. and Beilin, H. (1987) 'The Development of Comprehension of Physiognomic Metaphor in Photographs', British Journal of Developmental Psychology 5: 321 - 331
    • (1987) British Journal of Developmental Psychology , vol.5 , pp. 321-331
    • Seitz, J.A.1    Beilin, H.2
  • 54
    • 0039953338 scopus 로고    scopus 로고
    • The Acquisition of Musical Performance Expertise: Deconstructing the "talent" Account of Individual Differences in Musical Expressivity
    • K.A. Ericsson (ed.) Mahwah, NJ: Erlbaum
    • Sloboda, J.A. (1996) 'The Acquisition of Musical Performance Expertise: Deconstructing the "Talent" Account of Individual Differences in Musical Expressivity', in K.A. Ericsson (ed.) The Road to Excellence: The Acquisition of Expert Performance in the Arts and Sciences, Sports, and Games, pp. 107 - 126. Mahwah, NJ: Erlbaum
    • (1996) The Road to Excellence: The Acquisition of Expert Performance in the Arts and Sciences, Sports, and Games , pp. 107-126
    • Sloboda, J.A.1
  • 57
    • 0000235554 scopus 로고
    • Affect Attunement: The Sharing of Feeling States between Mother and Infant by Means of Inter-modal Fluency
    • T. Field and N. Fox (eds) Norwood, NJ: Ablex
    • Stern, D.N., Hofer, L., Haft, W. and Dore, J. (1985) 'Affect Attunement: The Sharing of Feeling States between Mother and Infant by Means of Inter-modal Fluency', in T. Field and N. Fox (eds) Social Perception in Infants, pp. 106 - 131. Norwood, NJ: Ablex
    • (1985) Social Perception in Infants , pp. 106-131
    • Stern, D.N.1    Hofer, L.2    Haft, W.3    Dore, J.4
  • 60
    • 0026653777 scopus 로고
    • The Dynamics of Dynamics: A Model of Musical Expression
    • Todd, N.P.M. (1992) 'The Dynamics of Dynamics: A Model of Musical Expression', Journal of the Acoustical Society of America 91 (6). 3540 - 3550
    • (1992) Journal of the Acoustical Society of America , vol.91 , Issue.6 , pp. 3540-3550
    • Todd, N.P.M.1
  • 61
    • 0035808529 scopus 로고    scopus 로고
    • Music and the Hemispheres
    • Tramo, M.J. (2001) 'Music and the Hemispheres', Science 291: 54 - 56
    • (2001) Science , vol.291 , pp. 54-56
    • Tramo, M.J.1
  • 62
    • 0023355803 scopus 로고
    • Infants' Perception of Musical Patterns
    • Trehub, S.E. (1987) 'Infants' Perception of Musical Patterns', Perception and Psychophysics 41 (6). 635 - 641
    • (1987) Perception and Psychophysics , vol.41 , Issue.6 , pp. 635-641
    • Trehub, S.E.1
  • 63
    • 0034953290 scopus 로고    scopus 로고
    • Musical Predispositions in Infancy
    • R.J. Zatorre and I. Peretz (eds) New York: Annals of the New York Academy of Sciences
    • Trehub, S.E. (2001) 'Musical Predispositions in Infancy', in R.J. Zatorre and I. Peretz (eds) The Biological Foundations of Music, pp. 1 - 16. New York: Annals of the New York Academy of Sciences
    • (2001) The Biological Foundations of Music , pp. 1-16
    • Trehub, S.E.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.