Designing kinetics for architectural facades: State change

Designing Kinetics for Architectural Facades: State Change

Volumn , Issue , 2011, Pages 1-178

  Moloney, Jules ^a  

^a VICTORIA UNIVERSITY OF WELLINGTON   (New Zealand)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84909204017     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203814703     Document Type: Book

References (168)

1. Acconi, V., Holl, S. and Ritter, A. Storefront for Art and Architecture. New York: Hatje Cantz. 2000.
2. Addington, M. and Schodek, D. Smart Materials and Technologies for Architecture and Design Professionals. Oxford: Architectural Press. 2005.
3. Ag4 Media Facades 2000-2006. Cologne: Daab. 2006.
4. Allen, S. and Agrest, D. Practice: Architecture, Technique, and Representation. Australia: G+B Arts International. 2000.
5. Anshuman, S. 'Responsiveness and Social Expression: Seeking Human Embodiment in Intelligent Façades'. Paper presented at ACADIA 05, Savannah (Georgia). 2005, 12-23.
6. Anshuman, S. and Kumar, B. 'Architecture and HCI: A Review of Trends Towards an Integrative Approach to Designing Responsive Space'. International Journal of IT in Architecture, Engineering and Construction. 2004; 2: 273-83.
7. Anstey, T. 'Where is the Project? Cedric Price on Architectural Action', in Rendell, J. (ed.) Critical Architecture. London: Routledge. 2007.
8. Ashby, W. R. 'Requisite Variety and Its Implications for the Control of Complex Systems'. Cybernetica. 1958; 1: 83-99.
9. Baird, G. The Architectural Expression of Environmental Control Systems. New York: Spon Press, 2001.
10. Ban, S., Ambasz, E., Bell, E. and Wood, D. Shigeru Ban. New York: Princeton University Press, 2001.
11. Banham, R. Theory and Design in the First Machine Age. London: Architectural Press. 1960.
12. Barratt, K. Logic and Design in Art, Science and Mathematics. London: Herbert Press. 1980.
13. Barrow-Green, J. Poincaré and the Three Body Problem. New York: American Mathematical Society. 1997.
14. Batty, M. 'A Research Programme for Urban Morphology'. Environment and Planning B: Planning and Design. 1999; 26: 475-6.
15. Beesley, P. 'Hylozoic Ground'. 2010. Online reference available at http://www.hylozoicground.com/. Accessed 10 November 2010.
16. Beesley, P. Kinetic Architectures and Geotextile Installations. Cambridge, ON: Riverside Architectural Press. 2010.
17. Beesley, P., Hirosue, S. and Ruxton, J. 'Towards Responsive Architecture', in Beesley, P., Hirosue, S. and Ruxton, J. (eds) Responsive Architectures Subtle Technologies. Cambridge, ON: Riverside Architectural Press. 2006.
18. Bois, Y.-A. 'Force Fields: Phases of the Kinetic'. Art Forum. 2009; 39.
19. Bois, Y.-A. and Shepley, J. 'A Picturesque Stroll around Clara-Clara'. October. 1984; 29: 32-6.
20. Borst, A. and Egelhaaf, M. 'Principles of Visual Motion Detection'. Trends in Neurosciences. 1989; 12: 297-306.
21. Bowker, G. C. and Star, S. L. Sorting Things Out: Classification and Its Consequences. Boston, MA: MIT Press. 2000.
22. Braun, H. (ed.) MusicandTechnologyin the Twentieth Century. Baltimore: Johns Hopkins Press. 2002.
23. Brett, G. Kinetic Art: The Language of Movement. London: Studio Vista. 1968.
24. Brett, G., Museu D'art Contemporani (Barcelona Spain) and Hayward Gallery. Force Fields: Phases of the Kinetic. Barcelona: Museu d'Art Contemporani. 2000.
25. Burnham, J. Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of This Century. New York: G. Braziller. 1968.
26. Burnham, J. 'Systems Esthetics'. Art Forum. 1968; 7: 30-5.
27. Burry, M. Scripting Cultures: Architectural Design and Programming. London: John Wiley and Sons. 2011.
28. Bury, P. 'Time Dilated', in René, D. (ed.) The Movement. Dusseldorf: Editions Denise René. 1955.
29. Chopard, B. and Droz, M. Cellular Automata Modelling of Physical Systems. Cambridge: Cambridge University Press. 1998.
30. Coates, P. Programming Architecture. London and New York: Routledge. 2010.
31. Cole, B. and Cheshire, D. 'Mobile Cellular Models of Ant Behavior'. The American Naturalist. 1996; 148: 1-15.
32. Craig, D. J. 'The Future Tents: Kinetic Sculptor Chuck Hoberman Expands the Boundaries of Design'. Columbia Magazine. 2006; Spring.
33. dECOi Architects. 'Technological Latency: From Autoplastic to Alloplastic', Digital Creativity. 2000; 11:131-43.
34. Deleuze, G. Bergsonism. New York: Zone Books. 1988.
35. Derrington, A., Allen, H. and Delicato, L. 'Visual Mechanisms of Motion Analysis and Motion Perception'. Annual Review of Phycology. 2004; 55: 181-205.
36. Dessoir, M. Aesthetics and Theory of Art. Detroit: Wayne State University Press. 1970.
37. Dorin, A. 'Classification of Physical Process for Virtual-Kinetic Art', Proceeding of First Iteration, Melbourne, 1999, 68-79.
38. Eco, U. Kant and the Platypus. London: Vintage. 1999.
39. Elbert, D., Musgrave, K., Peachey, D., Perlin, K. and Worley, S. Texturing and Modeling: A Procedural Approach. San Francisco: Morgan Kaufmann. 2003.
40. Eno, B. 'Generating and Organizing Variety in the Arts', in Battock, G. (ed.) Breaking the Sound Barrier: A Critical Anthology of the New Music. New York: Elsevier-Dutton Publishing. 1981.
41. Epstein, D. Shaping Time: Music, the Brain, and Performance. New York: Schirmer Books. 1995.
42. Eshkol, N. and Wachman, A. Movement Notation. London: Weidenfeld and Nicolson. 1958.
43. Evans, R. The Projective Cast: Architecture and Its Three Geometries. Cambridge, MA: MIT Press. 1995.
44. Findeli, A. 'Moholy-Nagy's Design Pedagogy in Chicago (1937-46)'. Design Issues. 1990; 7: 4-19.
45. Fisch, R. 'Cyclic Cellular Automata and Related Processes', in Gutowitz, H. (ed.) Cellular Automata: Theory and Experiment. Boston, MA: MIT Press. 1991.
46. Focillon, H. The Life of Forms in Art. Cambridge, MA: MIT Press. 1989.
47. Fortmeyer, R. 'Control Freaks'. Architectural Record. 2010; March: 102-3.
48. Foucault, M. The Order of Things. New York: Random House. 1970.
49. Fox, M. A. and Kemp, M. Interactive Architecture. New York: Princeton Architectural Press. 2009.
50. Fox, M. A. and Yeh, B. P. 'Intelligent Kinetic Systems in Architecture', in Nixon, P, Lacey, G. and Dobson, S. (eds) Managing Interactions in Smart Environments: First International Workshop. London: Springer. 2000.
51. Frampton, K. Modern Architecture: A Critical History. London: Oxford University Press. 1981.
52. Frampton, K. Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture. Cambridge, MA: MIT Press. 1995.
53. Frazer, J. An Evolutionary Architecture. London: Architectural Association. 1995.
54. Frazer, J. 'The Cybernetics of Architecture: A Tribute to the Contribution of Gordon Pask'. Kybernetes. 2001; 20: 641-51.
55. Gabo, N. Gabo: Constructions, Sculpture, Paintings, Drawings and Engravings. London: Lund Humphries. 1957.
56. Gabo, N. and Pevsner, A. 'The Realistic Manifesto', in Bowlt, J. (ed.) Russian Art of the Avant Garde: Theory and Criticism (Documents of Twentieth Century Art), 1902-1934, New York: Thames and Hudson, 1988. (revised edition).
57. Gage, S. 'Edge Monkeys - the Design of Habitat Specific Robots in Buildings'. Technoetic Arts. 2005; 3: 169-79.
58. Gage, S. 'How to Design a Black and White Box'. Kybernetes. 2007; 36: 1129-39.
59. Gardner, M. 'Mathematical Games: The Fantastic Combinations of John Conway's New Solitaire Game "Life".' Scientific American. 1970; 223: 120-3.
60. Gavrilou, E. 'Inscribing Structures of Dance into Architecture', in Proceedings of the 4th International Space Syntax Symposium, London, 2003, 32.1-32.16.
61. Gibson, J. J. The Perception of the Visual World. Boston: Houghton Mifflin. 1950.
62. Giedion, S. Space, Time and Architecture: The Growth of a New Tradition. Cambridge, MA: Harvard University Press. 1941.
63. Glanville, R. 'Try Again. Fail Again.' Kybernetes. 2007; 36: 1 173-206.
64. Güçyeter, B. 'A Comparative Examination of Structural Characteristics of Retractable Structures'. MSc thesis. Dokuz Eylül University. 2004.
65. Guest, A. H. 'Dance Notation'. Perspecta. 1990; 26: 203-14.
66. Haeusler, M. H. Chromatophoric Architecture: Designing for 3D Media Facades. Berlin: Jovis, 2010.
67. Ham, J. 'Music and Architecture: From Digital Composition to Physical Artifact', paper presented at The Quest for New Paradigms, eCAADe, Lisbon, 2005, 21-4.
68. Hamblyn, R. The Invention of Clouds. New York: Farrar, Straus and Giroux. 2001.
69. Hanoch-Roe, G. 'Scoring the Path: Linear Sequences in Music and Space', in Muecke, M. and Zach, M. (eds) Resonance: Essays on the Intersection of Music and Architecture. Lulu Publishing. 2007.
70. Harries, J. G. 'A Proposed Notation for Visual Fine Art'. Leonardo. 1975; 8: 295-300.
71. Harrison, A., Loe, E. and Read, J. Intelligent Building in South East Asia. London: Taylor and Francis. 1998.
72. Hayles, N. K. 'Boundary Disputes: Homeostasis, Reflexivity, and the Foundations of Cybernetics', in Markley, M. (ed.) Virtual Realities and Their Discontents. Baltimore: Johns Hopkins University Press. 1996.
73. Hearn, F. Ideas That Shaped Buildings. Cambridge, MA: MIT Press. 2003.
74. Hensel, M. and Sungurog, D. 'Material Performance'. Architectural Design. 2008; 78: 34-41.
75. Herbert, D. Architectural Study Drawings. New York: John Wiley and Sons. 1993.
76. Hersey, G. 'The Renaissance Matrix'. Journal of the Society of Architectural Historians. 1977; 36: 256-8.
77. Hill, J. 'Storefront for Art and Architecture in New York.' A Weekly Dose of Architecture. 31 May 1999. Online reference available at http://www.archidose.org/wp/1999/05/31/storefront-for-art-and-architecture/ Accessed 10 September 2010.
78. Hladik, P. 'Moving Structure', in Beesley, P., Hirosue, S., Buxton, J., Trankle, M. and Turner, C. (eds) Responsive Architectures Subtle Technologies. Toronto: Riverside Architectural Press. 2006.
79. Horrocks, R. Art That Moves: The Work of Len Lye. Auckland: Auckland University Press. 2009.
80. Howard, L. Essay on the Modification of Clouds. London: John Churchill and Sons. 1803.
81. Huler, S. Defining the Wind: The Beaufort Scale, and How a 19th-Century Admiral Turned Science into Poetry. New York: Random House. 2005.
82. Ingraham, C. Architecture and the Burdens of Linearity. New Haven: Yale University Press. 1998.
83. Jormakka, K. Flying Dutchmen: Motion in Architecture. Basel: Birkhausser. 2002.
84. Kahn, N. 'Wind Veil'. 2000. Online reference available at http://nedkahn.com/wind.html.
85. Kaufmann, E. Architecture in the Age of Reason: Baroque and Post-Baroque in England, Italy, and France. New York: Dover Publications. 1955.
86. Kepes, G. The Nature and Art of Motion. New York: G. Braziller. 1965.
87. Korkmaz, K. 'An Analytical Study of the Design Potentials in Kinetic Architecture'. PhD thesis. izmir Institute of Technology. 2004.
88. Krier, R. Architectural Composition. London: Academy Editions. 1988.
89. Kristeller, P. O. 'The Modern System of the Arts: A Study in the History of Aesthetics Part 1'. Journal of the History of Ideas. 1951; 12: 496-527.
90. Kronenburg, R. Flexible: Architecture That Responds to Change. London: Lawrence King Publishing. 2007.
91. Kwinter, S. 'Landscapes of Change: Boccioni's "Stati d'animo" as a General Theory of Models'. Assemblage. 1993; 19: 50-65.
92. Kwinter, S. 'Leap in the Void: A New Organon', in Davidson, C. (ed.) Anyhow. Cambridge, MA: MIT Press. 1998.
93. Kwinter, S. Architectures of Time: Toward a Theory of the Event in Modernist Culture. Cambridge, MA: MIT Press. 2001.
94. Kwinter, S. 'The Judo of Cold Combustion', in Reiser, J. (ed.) Atlas of Novel Tectonics. New York: Princeton University Press. 2006.
95. Kwinter, S. 'Who's Afraid of Formalism', in Davidson, C. (ed.) Far from Equibrium: Essays on Technology and Design Culture. New York: Actar. 2008.
96. Leatherbarrow, D. 'Architecture's Unscripted Performance', in Kolarevic, B. and Malkawi, A. (eds) Performance Architecture: Beyond Instrumentality. New York: Spon Press. 2005.
97. Leatherbarrow, D. and Mostafavi, M. Surface Architecture. Cambridge, MA: MIT Press. 2002.
98. Levy, A. J. 'Real and Virtual Spaces Generated by Music'. International Journal of Architectural Computing. 2003; 1.
99. Lynn, G. Animate Form. New York: Princeton Architectural Press. 1999.
100. Maher, M. L., Merrick, K. and Saunders, R. 'From Passive to Proactive Design Elements', in Dong, A., Vande Moere, A. & Gero, J. S. (eds) CAAD Futures, 2007, Sydney: Springer, 2007.
101. Malina, F. J. Kinetic Art: Theory and Practice: Selections from the Journal Leonardo. New York: Dover Publications. 1974.
102. Malina, F. J. 'Kinetic Painting: The Lumidyne System', in Malina, F. J. (ed.) Kinetic Art: Theory and Practice. New York: Dover Publications. 1974.
103. Marks, R. Stained Glass in England During the Middle Ages. London: Routledge. 1993.
104. Massey, J. 'Buckminster Fuller's Cybernetic Pastoral: The United States Pavilion at Expo 67'. Journal of Architecture. 2006; 11: 463-83.
105. Mather, D. 'An Aesthetic of Turbulence: The Works of Ned Kahn', in Narula, M., Senupta, S., Sundaram, R., Sharen, A. and Lovink, G. (eds) Sarai Reader 6: Turbulence. Delhi: Centre for the Study of Developing Societies. 2006.
106. Mathews, S. 'The Fun Palace as Virtual Architecture: Cedric Price and the Practices of Indeterminancy'. Journal of Architectural Education. 2006; 59: 39-48.
107. Mayri, O. Origins of Feedback Control. Cambridge MA: MIT Press. 1970.
108. McCormack, J. Impossible Nature: The Art of Jon McCormack, Melbourne: Australian Centre for the Moving Image, 2004.
109. Mennan, Z. 'The Question of Non Standard Form'. METU JFA. 2008; 25: 171-83.
110. Mertins, D. (ed.) The Presence of Mies. New York: Princeton Architectural Press. 1994.
111. Mitchell, W. J. and McCullough, M. Digital Design Media: A Handbook for Architects and Design Professionals. New York: Van Nostrand Reinhold. 1991.
112. Miyake, T. and Ishihara, H. 'Development of Small Size Window Cleaning Robot by Wall Climbing Mechanism', paper presented at the International Symposium on Automation and Robotics in Construction. Tokyo. 2006.
113. Moholy-Nagy, L. Vision in Motion. Chicago: P. Theobald. 1947.
114. Moloney, J. 'Architectural Science: Literal and Notional Force Fields', in Proceedings of New Constellations: Art, Science and Society, Sydney: Museum of Contemporary Art. 2006, 31-4.
115. Moloney, J. 'A Framework for the Design of Kinetic Facades' in Dong, A., Vande Moere, A. and Gero, J. S. (eds) paper presented at CAAD Futures, 2007, Sydney: Springer, 2007. 461-4.
116. Moloney, J. 'Kinetic Architectural Skins and the Computational Sublime'. Leonardo. 2009; 42: 65-70.
117. Mostafavi, M. and Leatherbarrow, D. On Weathering. Boston, MA: MIT Press. 1993.
118. Moussavi, F. and Kubo, M. The Function of Ornament. New York: Actar. 2006.
119. Mulder, B., Van Zijl, I. and Rietveld, G. T. Rietveld Schroeder House. New York: Princeton Architectural Press. 1999.
120. Neumeyer, F. 'Head First through the Wall: An Approach to the Non-Word Facade'. Journal of Architecture. 1999; 4: 245-59.
121. Nouvel, J. Architecture and Design 1976-1995. Milan: Skira Editore. 1997.
122. Oosterhuis, K. 'A New Kind of Building'. 2005. Online reference available at http://www.haecceityinc.com/homepage.html. Accessed 15 November 2010.
123. Oosterhuis, K. and Biloria, N. 'Interactions with Proactive Architectural Spaces: The Muscle Projects.' Communications of the ACM-Organic user Interfaces. 2008; 51: 70-8.
124. Oosterhuis, K. and Xia, X. (eds) Interactive Architecture. Rotterdam: Episode Publishers. 2007.
125. Parent, R. Computer Animation. San Francisco: Morgan Kaufmann. 2002.
126. Payne, A. 'Surface: Between Structure and Sense', in Beesley, P. (ed.) Kinetic Architectures and Geotextile Installations. Cambridge, ON: Riverside Press. 2009.
127. Pearsall, J. (ed.) The Concise Oxford English Dictionary. Oxford: Oxford University Press. 2002.
128. Popper, F. Origins and Development of Kinetic Art. London: Studio Vista. 1968.
129. Randl, C. Revolving Architecture: A History of Buildings That Rotate, Swivel, and Pivot. New York: Princeton Architectural Press. 2008.
130. Reiser, J. Atlas of Novel Tectonics. New York: Princeton Architectural Press. 2006.
131. Reynolds, C. W. 'Flocks, Herds and Schools: A Distributed Behavioral Model'. Computer Graphics. 1987; 21: 25-34.
132. Rickey, G. Constructivism: Origins and Evolution. New York: George Braziller. 1967.
133. Rickey, G.W. 'The Morphology of Movement: A Study of Kinetic Art'. Arts Journal. 1963; 22: 220-31.
134. Rogers, L. R. Relief Sculpture. London: Oxford University Press. 1974.
135. Romero, J. and Machado, P. (eds) The Art of Artificial Evolution: A Handbook of Evolutionary Art and Music. New York: Springer. 2007.
136. Rhowbotham, K. Field Event/Field Space. London: Black Dog. 1999.
137. Rowe, C. The Mathematics of the Ideal Villa and Other Essays. Cambridge, MA: MIT Press. 1976.
138. Rowe, C. and Slutzky, R. 'Transparency: Literal and Phenomenal'. Perspecta. 1963; 8: 45-54.
139. Sachs, C. Rhythm and Tempo: A Study in Music History. New York: W. W. Norton. 1953.
140. Saggio, A. 'Interactivity at the Centre of Architectural Research', Architectural Design. 2005; 75(1): 23-9.
141. Sakamoto, T. and Ferre, A. (eds) From Control to Design: Parametric/Algorithmic Architecture. New York: Actar. 2008.
142. Saunders, P. T. An Introduction to Catastrophe Theory. Cambridge: Cambridge University Press. 1980.
143. Shanken, E. A. 'Reprogramming Systems Aesthetics: A Strategic Historiography', in Proceedings of the Digital Arts and Culture Conference, 2009. Irvine: University of California, Irvine. 2009.
144. Sharpe, L. The Cambridge Companion to Goethe. Cambridge: Cambridge University Press. 2002.
145. Souriau, E. 'Time in the Plastic Arts'. The Journal of Aesthetics and Art Criticism. 1949; 7: 294-307.
146. Spiller, N. 'Nanotechnology - the Liberation of Architecture', in Hill, J. (ed.) Architecture: The Subject is Matter. London: Routledge. 2001.
147. Steadman, P. Architectural Morphology: An Introduction to the Geometry of Building Plans. London: Pion. 1983.
148. Stengel, R. F. Flight Dynamics. Princeton, NJ: Princeton University Press. 2004.
149. Terzidis, K. Expressive Form. New York: Spon Press. 2003.
150. Terzidis, K. Algorithmic Architecture. Boston: Architectural Press. 2006.
151. Thompson, D. A. On Growth and Form. Cambridge: Cambridge University Press. 1961.
152. Tizonis, A. Movement, Structure and the Work of Santiago Calatrava. Berlin: Birkhauser. 1995.
153. Tschumi, B. Architecture and Disjunction. Cambridge: MIT Press. 1994.
154. Twombly, R. C. (ed.) Louis I. Kahn: Essential Texts. New York: W. W. Norton. 2003.
155. Vesely, D. Architecture in the Age of Divided Representation: The Question of Creativity in the Shadow of Production. Cambridge, MA: MIT Press. 2004.
156. Virilio, P., Lotringer, S. and Taormina, M. 'After Architecture: A Conversation'. Grey Room. 2001; 3: 32-53.
157. Webb, M. 'Tradition Stood on End'. Architectural Review. 2005; February 1: 82-5.
158. Whitelaw, M. Metacreation: Art and Artificial Life. Cambridge, MA: MIT Press. 2004.
159. Whiteley, N. Reyner Banham: Historian of the Immediate Future. Boston, MA: MIT Press. 2003.
160. Wiener, N. Cybernetics: Or Control and Communication in the Animal and the Machine. Cambridge, MA: MIT Press. 1965
161. Wigginton, M. and Harris, J. Intelligent Skins. Oxford: Butterworth-Heinemann. 2002.
162. Wittkower, R. Architectural Principles in the Age of Humanism. Chichester: John Wiley and Sons. 1999.
163. Wolfe, C. 'Lose the Building: Systems Theory, Architecture, and Diller+Scofidio's Blur'. Postmodern Culture. 2006; 16(3). Online at http://muse.uq.edu.au.ezproxy.lib.unimelb.edu.au/journals/pmc/v016/16.3wolfe.html. Accessed May 2008.
164. Wolfram, S. 'Universality and Complexity in Cellular Automata'. Nature. 1984; 311: 419-24.
165. Woodbury, R. Elements of Parametric Design. New York: Routledge. 2010.
166. Xenakis, I. Formalized Music: Thought and Mathematics in Composition. New York: Pendragon Press. 2001.
167. Zeki, S. and Lamb, M. 'The Neurology of Kinetic Art'. Brain. 1994; 1 17: 607-36.
168. Zuk, W. and Clark, R. H. Kinetic Architecture. New York: Van Nostrand Reinhold. 1970.