Physically-based audio rendering of contact

Proceedings - 2002 IEEE International Conference on Multimedia and Expo, ICME 2002

Volumn 2, Issue , 2002, Pages 445-448

  Avanzini, Federico ^a   Rath, Matthias ^b   Rocchesso, Davide ^b  

^a UNIVERSITY OF PADOVA   (Italy)

^b UNIVERSITY OF VERONA   (Italy)

Author keywords

[No Author keywords available]

Indexed keywords

AUDIO RENDERING;

EID: 84908208062     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: 10.1109/ICME.2002.1035636     Document Type: Conference Paper

References (14)

1. W. Buxton, "Using our Ears: an Introduction to the Use of Nonspeech Audio Cues," in Extracting Meaning from Complex Data: Processing, Display, Interaction, E. J. Farrel, Ed., pp. 124-127. Proceedings of SPIE, Vol 1259,1990.
2. S. A. Brewster and M. G. Crease, "Correcting Menu Usability Problems with Sound," Behaviour and Information Technology, vol. 18, no. 3, pp. 165-177,1999.
3. D. R. Begault, 3-D Sound for Virtual Reality and Multimedia, Academic Press, 1994.
4. W. W. Gaver, "How Do We Hear in the World? Explorations in Ecological Acoustics," Ecological Psychology, vol. 5, no. 4, pp. 285-313, Apr. 1993.
5. R. L Klatzky, D. K. Pai, and E. P. Krotov, "Perception of Material from Contact Sounds," Presence, vol. 9, no. 4, pp. 399-410, Aug. 2000.
6. K. van del Doel, P. G. Kry, and D. K. Pai, "FoleyAuto-matic: Physically-based Sound Effects for Interactive Simulation and Animation," in Proc. ACM Siggraph 2001, Los Angeles, Aug. 2001.
7. J. F. O'Brien, P. R. Cook, and G. Essl, "Synthesizing Sounds from Physically Based Motion," in Proc. ACM Siggraph 2001, Los Angeles, Aug. 2001.
8. F. Avanzini and D. Rocchesso, "Controlling Material Properties in Physical Models of Sounding Objects," in Proc. Int. Computer Music Conf. (ICMC'01), La Habana, Sept. 2001, Available at http: //www. soundobj ect. org.
9. F. Avanzini and D. Rocchesso, "Modeling Collision Sounds: Non-linear Contact Force," in Proc. COST-G6 Conf. Digital Audio Effects (DAFX-01), Limerick, Dec. 2001, pp. 61-66, Available at http : //www. soundob j ect. org.
10. J. M. Adrien, "The Missing Link: Modal Synthesis," in Representations of Musical Signals, G. De Poli, A. Piccialli, and C. Roads, Eds., pp. 269-297. MIT Press, 1991.
11. K. H. Hunt and F. R. E. Crossley, "Coefficient of Restitution Interpreted as Damping in Vibroimpact," ASME J. Applied Mech., pp. 440-445, June 1975.
12. D. W. Marhefka and D. E. Orin, "A Compliant Contact Model with Nonlinear Damping for Simulation of Robotic Systems," IEEE Trans. Systems, Man and Cybernetics-Part A, vol. 29, no. 6, pp. 566-572, Nov. 1999.
13. M. Marshall, M. Rath, and B. Moynihan, "The Virtual Bho-dran-The Vodhran," in Int. Workshop on New Interfaces for Musical Expression, Dublin, May 2002.
14. G. B. Vicario, "Phenomenology of Sound Events," in Deliverable of the Sounding Object Project Consortium, D. Rocchesso, Ed. 2001, Available at http://www.soundobj ect.org.