Evidence for multiple strategies in off-beat tapping with anisochronous stimuli

Psychological Research

Volumn 78, Issue 5, 2014, Pages 721-735

  Launay, Jacques ^a,b   Dean, Roger T ^a   Bailes, Freya ^a,c  

^a WESTERN SYDNEY UNIVERSITY   (Australia)

^b UNIVERSITY OF OXFORD   (United Kingdom)

^c UNIVERSITY OF HULL   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

ADULT; FEMALE; HEARING; HUMAN; MALE; PHYSIOLOGY; PSYCHOMOTOR PERFORMANCE; TIME PERCEPTION; YOUNG ADULT;

ADULT; AUDITORY PERCEPTION; FEMALE; HUMANS; MALE; PSYCHOMOTOR PERFORMANCE; TIME PERCEPTION; YOUNG ADULT;

EID: 84906314876     PISSN: 03400727     EISSN: 14302772     Source Type: Journal    
DOI: 10.1007/s00426-013-0513-9     Document Type: Article

References (40)

1. Amazeen, P., Schmidt, R., & Turvey, M. (1995). Frequency detuning of the phase entrainment dynamics of visually coupled rhythmic movements. Biological Cybernetics, 72(6), 511-518.
2. Chen, Y., Ding, M., & Kelso, S. J. A. (2001). Origins of timing errors in human sensorimotor coordination. Journal of Motor Behavior, 33(1), 3-8.
3. Chen, J. L., Penhune, V. B., & Zatorre, R. J. (2008). Moving on time: brain network for auditory-motor synchronization is modulated by rhythm complexity and musical training. Journal of Cognitive Neuroscience, 20(2), 226-239.
4. Delignières, D., Torre, K., & Lemoine, L. (2009). Long-range correlation in synchronization and syncopation tapping: a linear phase correction model. PLoS ONE, 4(11), e7822.
5. Drake, C., Penel, A., & Bigand, E. (2000). Tapping in time with mechanically and expressively performed music. Music Perception, 18(1), 1-23.
6. Fraisse, P., & Ehrlich, S. (1955). Note sur la possibilitè de syncoper en fonction du tempo d'une cadence. L'annèe psychologique, 55(1), 61-65.
7. Gelman, A., & Hill, J. (2007). Data analysis using regression and multilevel/hierarchical models. Cambridge: Cambridge University Press.
8. Hary, D., & Moore, G. (1987). Synchronizing human movement with an external clock source. Biological Cybernetics, 56(5), 305-311.
9. Huber, P. J. (1964). Robust estimation of a location parameter. The Annals of Mathematical Statistics, 35(1), 73-101.
10. Kato, M., & Konishi, Y. (2006). Auditory dominance in the error correction process: A synchronized tapping study. Brain Research, 1084, 115-122.
11. Keller, P. E., & Repp, B. H. (2005). Staying offbeat: Sensorimotor syncopation with structured and unstructured auditory sequences. Psychological Research, 69(4), 292-309.
12. Kolakoski, W., & Ucoluk, N. (1966). Self generating runs, problem 5304. The American Mathematical Monthly, 73(6), 681-682.
13. Large, E. W. (2000). On synchronizing movements to music. Human Movement Science, 19(4), 527-566.
14. Large, E. W., & Jones, M. R. (1999). The dynamics of attending: how people track time-varying events. Psychological Review, 106(1), 119-159.
15. Large, E. W., & Snyder, J. S. (2009). Pulse and meter as neural resonance. Annals of the New York Academy of Sciences, 1169(1), 46-57.
16. Launay, J., Dean, R. T., & Bailes, F. (2013). Synchronization can influence trust following virtual interaction. Experimental Psychology, 60(1), 53-63.
17. Madison, G., & Merker, B. (2002). On the limits of anisochrony in pulse attribution. Psychological Research, 66(3), 201-207.
18. Madison, G., & Merker, B. (2004). Human sensorimotor tracking of continuous subliminal deviations from isochrony. Neuroscience Letters, 370(1), 69-73.
19. Mates, J. (1994). A model of synchronization of motor acts to a stimulus sequence. I. Timing and error corrections. Biological Cybernetics, 70(5), 463-473.
20. Michon, J. (1967). Timing in temporal tracking. The Netherlands: van Gorcum Assen.
21. Michon, J., & van der Valk, N. (1967). A dynamic model of timing behavior. Acta Psychologica, 27, 204-212.
22. Ollen, J. E. (2006). A criterion-related validity test of selected indicators of music sophistication using expert ratings. Doctoral dissertation, Ohio State University, 2006. Retrieved from http://rave. ohiolink. edu/etdc/view?acc_num=osu1161705351.
23. Pikovsky, A., Rosenblum, M., & Kurths, J. (2001). Synchronization: a universal concept in nonlinear sciences. Cambridge: Cambridge University Press.
24. Pressing, J. (1998). Error correction processes in temporal pattern production: 1. Journal of Mathematical Psychology, 42(1), 63-101.
25. Repp, B. H. (2000). Compensation for subliminal timing perturbations in perceptual-motor synchronization. Psychological Research, 63(2), 106-128.
26. Repp, B. H. (2001). Phase correction, phase resetting, and phase shifts after subliminal timing perturbations in sensorimotor synchronization. Journal of Experimental Psychology: Human Perception and Performance, 27(3), 600-621.
27. Repp, B. H. (2002a). Automaticity and voluntary control of phase correction following event onset shifts in sensorimotor synchronization. Journal of Experimental Psychology: Human Perception and Performance, 28(2), 410-430.
28. Repp, B. H. (2002b). Phase correction in sensorimotor synchronization: nonlinearities in voluntary and involuntary responses to perturbations. Human Movement Science, 21(1), 1-37.
29. Repp, B. H. (2004). Comments on "Rapid Motor Adaptations to Subliminal Frequency Shifts During Syncopated Rhythmic Sensorimotor Synchronization" by Michael H. Thaut and Gary P. Kenyon (Human Movement Science 22 (2003), 321-338). Human Movement Science, 23, 61-77.
30. Repp, B. H. (2005a). Rate limits of on-beat and off-beat tapping with simple auditory rhythms: 1. Qualitative observations. Music Perception, 22(3), 479-496.
31. Repp, B. H. (2005b). Sensorimotor synchronization: a review of the tapping literature. Psychonomic Bulletin & Review, 12(6), 969-992.
32. Repp, B. H. (2006). Does an auditory distractor sequence affect self-paced tapping? Acta Psychologica, 121, 81-107.
33. Repp, B. H. (2010). Sensorimotor synchronization and perception of timing: effects of music training and task experience. Human Movement Science, 29(2), 200-213.
34. Repp, B. H., Keller, P. E., & Jacoby, N. (2012). Quantifying phase correction in sensorimotor synchronization: empirical comparison of three paradigms. Acta Psychologica, 139(2), 281-290.
35. Repp, B. H., & Penel, A. (2004). Rhythmic movement is attracted more strongly to auditory than to visual rhythms. Psychological Research, 68, 252-270.
36. Said, S. E., & Dickey, D. A. (1984). Testing for unit roots in autoregressive-moving average models of unknown order. Biometrika, 71(3), 599-607.
37. Schmidt, R. C., & O'Brien, B. (1997). Evaluating the dynamics of unintended interpersonal coordination. Ecological Psychology, 9(3), 189-206.
38. Vorberg, D., & Schulze, H. H. (2002). Linear phase-correction in synchronization: predictions, parameter estimation, and simulations. Journal of Mathematical Psychology, 46(1), 56-87.
39. Vorberg, D., & Wing, A. (1996). Modeling variability and dependence in timing. In H. Heuer & S. W. Keele (Eds.), Handbook of perception and action (Vol. 2, pp. 181-262). London: Academic Press.
40. Vos, P. G., & Helsper, E. L. (1992). Tracking simple rhythms: On-beat versus off-beat performance. In: F. Macar, V. Pouthas, & W. J. Friedman (Eds.), Time, action, and cognition: Towards bridging the gap, (pp. 287-299). Dordrecht: Kluwer.