Twenty-first century piano

Proceedings of the International Conference on New Interfaces for Musical Expression

Volumn , Issue , 2009, Pages 203-206

  Nicolls, Sarah ^a  

^a BRUNEL UNIVERSITY   (United Kingdom)

Author keywords

Gestural; Interactive; Motors; Performance; Piano; Sensor; Technology

Indexed keywords

ELECTRONIC SOUND; FEEDBACK SYSTEMS; GESTURAL; HUMAN BODIES; INTERACTIVE; INTERACTIVITY; PERFORMANCE; PERFORMANCE FEEDBACK; PIANO; TECHNOLOGY;

MUSIC;

EID: 84905195424     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (10)

1. Richards, J. “Getting the hands dirty”, Leonardo Music Journal, vol. 18, pp. 7-8, 2008.
2. Frances-Marie Uitti, Accessed 15 Jan 2009,
3. Andrea Neumann,15 Jan 2009,
4. Emmerson, S. ‘Local/field’: Towards a Typology of Live Electroacoustic Music”, in Proc. of the International Computer Music Conference: The Human Touch (ICMC), 1994, pp. 31-34.
5. Harris, Y. (2006). Inside-out Instrument. Contemporary Music Review Vol. 25, No. 1/2, February/April 2006, pp. 151 – 162
6. Rebelo, P. “Haptic Sensation and Instrumental Transgression”, Contemporary Music Review 25:1/2, (Feb/Apr 2006), pp. 27 – 35
7. Philippe Manoury, 15 Jan 2009,
8. Green. J. Piece for Piano & Lamp (2005) Available from the composer, currently based at the Centre for Life Sciences, Cambridge
9. Commission for (re)Actor (BigDog Interactive) given by the Centre for Digital Music at Queen Mary’s, Univ. of London
10. Zbyszyński M. “Augmenting the Cello” (Freed, Adrian, Francis-Marie Uitti, and Michael Zbyszyński: NIME Paris 2006)