Inside-out instrument

Contemporary Music Review

Volumn 25, Issue 1-2, 2006, Pages 151-162

  Harris, Yolande ^a  

^a NONE

Author keywords

Aesthetics; Dispersed; Inside out; Landscape; Sensors; Sound and Video; Ventriloquism

Indexed keywords

EID: 34347280472     PISSN: 07494467     EISSN: 14772256     Source Type: Journal    
DOI: 10.1080/07494460600647618     Document Type: Article

References (11)

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3. Connor, S. (2000). Dumbstruck: A cultural history of ventriloquism. Oxford: Oxford University Press
4. Copeland, R. (2004). Merce Cunningham: The modernizing of modern dance. New York: Routledge
5. Emmerson, S. (1994). 'Local/field': Towards a Typology of Live Electroacoustic Music. Paper presented at the International Computer Music Conference: The Human Touch, Aarhus
6. Feldman, M. (1989). Three voices, for Joan La Barbara. San Francisco, CA: New Albion Records
7. Harris, Y. (2004). The Meta-Orchestra: Research by practice in group multi-disciplinary electronic arts. Organised Sound, 9, 283-294
8. Harris, Y. (2005). The building as instrument. In R. Bandt, D. Mackinnon & M. Duffy (Eds). Hearing places: An anthology of sound and place. Melbourne: University of Melbourne Press
9. Harris, Y. & Bongers, A. J. (2002). Approaches to creating interactivated spaces: From intimate to inhabited interfaces. Organised Sound, 7, 239-246
10. Kahn, D. (1999). Noise, water, meat: A history of sound in the arts. Cambridge, MA: MIT Press
11. Riikonen, T. (2004). Shared sounds in detached movements: Flautist identities inside the 'local/field' spaces. Organised Sound, 9, 233-242