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Volumn , Issue , 2012, Pages

Pianist motion capture with the kinect depth camera

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER MUSIC;

EID: 84905192242     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (28)

References (23)
  • 1
    • 0031169873 scopus 로고    scopus 로고
    • Musical applications of electric field sensing
    • J. Paradiso and N. Gershenfeld, "Musical applications of electric field sensing," Computer music journal, vol. 21, no. 2, pp. 69-89, 1997.
    • (1997) Computer Music Journal , vol.21 , Issue.2 , pp. 69-89
    • Paradiso, J.1    Gershenfeld, N.2
  • 9
    • 85160306052 scopus 로고    scopus 로고
    • Augmenting the acoustic piano with electromagnetic string actuation and continuous key position sensing
    • A. McPherson and Y. Kim, "Augmenting the acoustic piano with electromagnetic string actuation and continuous key position sensing," in New Interfaces for Musical Expression 2010, 2010.
    • (2010) New Interfaces For Musical Expression 2010
    • McPherson, A.1    Kim, Y.2
  • 12
    • 43449114501 scopus 로고    scopus 로고
    • Tactile feedback and timing accuracy in piano performance
    • W. Goebl and C. Palmer, "Tactile feedback and timing accuracy in piano performance," Experimental Brain Research, vol. 186, no. 3, pp. 471-479, 2008.
    • (2008) Experimental Brain Research , vol.186 , Issue.3 , pp. 471-479
    • Goebl, W.1    Palmer, C.2
  • 13
    • 53049110569 scopus 로고    scopus 로고
    • Expertise-dependent modulation of muscular and non-muscular torques in multi-joint arm movements during piano keystroke
    • S. Furuya and H. Kinoshita, "Expertise-dependent modulation of muscular and non-muscular torques in multi-joint arm movements during piano keystroke," Neurosience, vol. 156, pp. 390-402, 2008.
    • (2008) Neurosience , vol.156 , pp. 390-402
    • Furuya, S.1    Kinoshita, H.2
  • 15
    • 84871853525 scopus 로고    scopus 로고
    • Palmer, "Finger motion in piano performance: Touch and tempo," in International Symposium on Performance Science, ISPS 2009
    • W. Goebl and C. Palmer, "Finger motion in piano performance: Touch and tempo," in International Symposium on Performance Science, ISPS 2009. European Association of Conservatoires (AEC), 2009, pp. 65-70.
    • (2009) European Association of Conservatoires (AEC) , pp. 65-70
    • Goebl, W.1
  • 16
    • 1542713611 scopus 로고    scopus 로고
    • Neuromuscular patterns of finger movements during piano playing. Definition of an experimental protocol
    • C. Sforza, C. Macri, M. Turci, G. Grassi, and V. F. Ferrario, "Neuromuscular patterns of finger movements during piano playing. definition of an experimental protocol." Ital J Anat Embryol., vol. 108, no. 4, pp. 211-222, 2003.
    • (2003) Ital J Anat Embryol , vol.108 , Issue.4 , pp. 211-222
    • Sforza, C.1    Macri, C.2    Turci, M.3    Grassi, G.4    Fer, V.F.5    Rario6
  • 20
    • 57049146237 scopus 로고    scopus 로고
    • Automated analysis of body movement in emotionally expressive piano performances
    • G. Castellano, M. Mortillaro, A. Camurri, G. Volpe, and K. Scherer, "Automated analysis of body movement in emotionally expressive piano performances," Music Perception, pp. 103-119, 2008.
    • (2008) Music Perception , pp. 103-119
    • Castellano, G.1    Mortillaro, M.2    Camurri, A.3    Volpe, G.4    Scherer, K.5
  • 22
    • 84905173780 scopus 로고    scopus 로고
    • "http://en.wikipedia.org/wiki/kinect."
  • 23
    • 0031172670 scopus 로고    scopus 로고
    • Parameters for modeling the upper extremity
    • H. Veeger, B. Yu, K. An, and R. Rozendal, "Parameters for modeling the upper extremity," Journal of Biomechanics, vol. 30, no. 6, pp. 647-652, 1997.
    • (1997) Journal of Biomechanics , vol.30 , Issue.6 , pp. 647-652
    • Veeger, H.1    Yu, B.2    An, K.3    Rozendal, R.4


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.