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Volumn 38, Issue 3, 2009, Pages 309-323

Ergotic Sounds: A New Way to Improve Playability, Believability and Presence of Virtual Musical Instruments

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EID: 84905182801     PISSN: 09298215     EISSN: 17445027     Source Type: Journal    
DOI: 10.1080/09298210903359187     Document Type: Article
Times cited : (21)

References (20)
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  • 3
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    • An enactive approach to the design of new tangible musical instruments
    • Essl, G. and O'Modhrain, S. 2006. An enactive approach to the design of new tangible musical instruments. Organized Sound, 11: 285–296.
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  • 8
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    • Real time bowed string synthesis with force feedback gesture
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    • Florens, J.-L. Real time bowed string synthesis with force feedback gesture. Proceedings of Forum Acousticum. Sevilla. November.
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  • 9
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    • ERGOS: A multi-degrees of freedom and versatile forcefeedback panoply
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    • Florens, J.-L., Luciani, A., Castagne, N. and Cadoz, C. ERGOS: A multi-degrees of freedom and versatile forcefeedback panoply. Proceedings of EuroHaptics. Munich. pp. 356–360.
    • Proceedings of EuroHaptics , pp. 356-360
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  • 10
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    • The theory of affordances
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    • Gibson, J. J. 1977. “ The theory of affordances ”. In Perceiving, Acting, and Knowing, Edited by: Shaw, R. and Bransford, J. 67–82. Hillsdale, NJ: Lawrence Erlbaum.
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  • 11
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    • Hunt, A., Wanderley, M. M. and Paradis, M. 2003. The importance of parameter mapping in electronic instrument design. Journal of New Music Research, 32: 429–440.
    • (2003) Journal of New Music Research , vol.32 , pp. 429-440
    • Hunt, A.1    Wanderley, M.M.2    Paradis, M.3
  • 12
    • 59349097213 scopus 로고    scopus 로고
    • Simulating haptic feedback using vision: A survey of research and applications of pseudo-haptic feedback
    • Lécuyer, A. 2009. Simulating haptic feedback using vision: A survey of research and applications of pseudo-haptic feedback. Presence: Teleoperators and Virtual Environments, 18: 39–53.
    • (2009) Presence: Teleoperators and Virtual Environments , vol.18 , pp. 39-53
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  • 14
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    • The vBow: A virtual violin bow controller for mapping gesture to synthesis with haptic feedback
    • Nichols, C. 2002. The vBow: A virtual violin bow controller for mapping gesture to synthesis with haptic feedback. Organised Sound, 7: 215–220.
    • (2002) Organised Sound , vol.7 , pp. 215-220
    • Nichols, C.1
  • 17
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    • Cymatic: Restoring the physical manifestation of digital sound using haptic interfaces to control a new computer based musical instrument
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    • Rimell, S., Howard, D. M., Tyrrell, A. M., Kirk, R. and Hunt, A. Cymatic: Restoring the physical manifestation of digital sound using haptic interfaces to control a new computer based musical instrument. Proceedings of the International Computer Music Conference. Sweden. pp. 114–117.
    • Proceedings of the International Computer Music Conference , pp. 114-117
    • Rimell, S.1    Howard, D.M.2    Tyrrell, A.M.3    Kirk, R.4    Hunt, A.5
  • 18
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    • Timbre et synthèse des sons
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    • Risset, J.-C. 1990. “ Timbre et synthèse des sons ”. In Le timbre métaphore pour la composition, Edited by: Barrière, J.-B. 239–260. Paris: IRCAM/Christian Bourgeois.
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  • 19
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    • (2000) Trends in Gestural Control of Music , pp. 71-94
    • Wanderley, M.M.1    Cadoz, C.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.