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Volumn , Issue , 2011, Pages

On the creative use of score following and its impact on research

(1)  Cont, Arshia a  

a CNRS   (France)

Author keywords

[No Author keywords available]

Indexed keywords

ALGORITHMS;

EID: 84905170021     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (14)

References (24)
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    • Cont, A.1
  • 2
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    • Music Plus One: A System for Expressive and Flexible Musical Accompaniment
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  • 4
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  • 5
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    • A coupled duration-focused architecture for realtime music to score alignment
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    • A. Cont, A coupled duration-focused architecture for realtime music to score alignment, IEEE Transactions on Pattern Analysis and Machine Intelligence, vol. 32, no. 6, pp. 974-987, June 2010.
    • (2010) IEEE Transactions On Pattern Analysis and Machine Intelligence , vol.32 , Issue.6 , pp. 974-987
    • Cont, A.1
  • 6
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    • The informatics philharmonic
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    • C. Raphael, The informatics philharmonic, Commun. ACM, vol. 54, pp. 87-93, March 2011. [Online]. Available: http://doi.acm.org/10.1145/1897852.1897875
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    • Raphael, C.1
  • 7
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    • Cambridge, MA, USA: MIT Press
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    • Interactive composing: An overview
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  • 11
    • 85071975304 scopus 로고
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    • T. Machover and J. Chung, Hyperinstruments: Musically intelligent and interactive performance and creativity systems, in International Computer Music Conference (ICMC), 1989, pp. 186-190.
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  • 14
    • 61149483536 scopus 로고    scopus 로고
    • Composing in real-time?
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  • 15
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  • 18
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    • ScofoMIREX, Score following evaluation proposal," webpage, August 2006. [Online]. Available: http://www.music-ir.org/mirex/2006/index.php/ Score_Following_Proposal
    • Score Following Evaluation Proposal
  • 19
    • 0003669982 scopus 로고    scopus 로고
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    • N. Storey, Safety critical computer systems. AddisonWesley Longman Publishing Co., Inc. Boston, MA, USA, 1996.
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  • 21
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    • (2009) Polyphonic Audio Score Following: The Otemo Case
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  • 24
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.