Composing in real-time?

Contemporary Music Review

Volumn 18, Issue 3, 1999, Pages 31-39

  Risset, Jean Claude ^a  

^a NONE

Author keywords

Composition; Computer synthesis of sound; Interaction; Performance; Real time

Indexed keywords

EID: 61149483536     PISSN: 07494467     EISSN: 14772256     Source Type: Journal    
DOI: 10.1080/07494469900640331     Document Type: Article

References (7)

1. M. V. Mathews (1977). Lefstrowsky's will. Creative Computing, March/ April 1977, pp. 82-87.
2. M. V. Mathews (1992). My view of the future of real-time computer music. Keynote address, 1992 International Computer Music Conference Proceedings, p. 1. (The complete text is available from the International Computer Music Association, P.O. Box 1634, San Francisco, Ca 94101, USA).
3. J. C. Risset (1969). An introductory catalog of computer-synthesized sounds. Bell Telephone Laboratories. To be published in 1994 by Wergo (Collection Digital Music Digital) with the record "History of early computer music".
4. J. C. Risset (1985). Computer music experiments 1964-. Computer Music Journal 9 no 1, 11-18.
5. J. C. Risset (1991). Composer le son: experiences avec l'ordinateur. Contrechamps no 11 (numéro spécial sur les musiques électroniques), Genève, 107-126.
6. J. C. Risset & S. Van Duyne (1996). Real-time interaction with a computer-controlled acoustic piano. Computer Music Journal 20 no 1, 62-75.
7. P. Virilio (1993). L'art du moteur. Galilée, Paris.