Sells like teen spirit: Music, youth culture, and social crisis

Sells like Teen Spirit: Music, Youth Culture, and Social Crisis

Volumn , Issue , 2010, Pages 1-273

  Moore, Ryan ^a  

^a FLORIDA ATLANTIC UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84900648148     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (376)

1. Achenbach, Joel. 1991. "Birth of a Protest Movement". Washington Post, January 17.
2. Adams, Rebecca G. and Robert Sardiello (eds.). 2000. Deadhead Social Science: You Ain't Gonna Learn What You Don't Want to Know. Walnut Creek, CA: AltaMira Press.
3. Adorno, Theodor W. 1982. "On the Fetish Character in Music and the Regression of Listening". The Essential Frankfurt School Reader, eds. Andrew Arato and Eike Gebhardt. New York: Continuum.
4. Adorno, Theodor W. 1989. "Perennial Fashion-Jazz". Critical Theory and Society: A Reader, eds. Stephen Eric Bronner and Doulgas MacKay Kellner. New York: Routledge.
5. Adorno, Theodor W. 1990. "On Popular Music". On Record: Rock, Pop, and the Written Word, eds. Simon Frith and Andrew Goodwin. New York: Pantheon.
6. Adorno, Theodor W. 2001. The Culture Industry, ed. J.M. Bernstein. New York: Routledge.
7. Adorno, Theodor W. 2002. Essays on Music, ed. Richard Leppert, trans. Susan H. Gillespie. Berkeley and Los Angeles: University of California Press.
8. Albini, Steve. "The Problem with Music". Commodify Your Dissent: Salvos from the Baffler, eds. Thomas Frank and Matt Weiland. New York: Norton.
9. Alden, Grant and Peter Blackstock (eds.). 1998. No Depression: An Introduction to Alternative Country Music (Whatever That Is). Nashville: Dowling Press.
10. Ali, Lorraine. 1995. "The Grrrls Fight Back". Los Angeles Times, July 27.
11. American Association of University Women. 1991. Shortchanging Girls, Shortchanging America. Washington, DC: American Association of University Women.
12. Andersen, Mark and Mark Jenkins. 2003. Dance of Days: Two Decades of Punk in the Nation's Capital. New York: Akashic Books.
13. Anderson, Benedict. 1991. Imagined Communities: Reflections on the Origin and Spread of Nationalism. New York: Verso.
14. Anderson, Perry. 1976. Considerations on Western Marxism. London: NLB.
15. Anderson, Perry. 1998. The Origins of Postmodernity. New York: Verso.
16. Anderson, Terry H. 1995. The Movement and the Sixties. New York: Oxford University Press.
17. Arnett, Jeffrey. 1991. "Adolescents and Heavy Metal Music: From the Mouths of Metalheads". Youth and Society 23 (1): 76-98.
18. Arnett, Jeffrey. 1995. Metalheads: Heavy Metal Music and Adolescent Alienation. Boulder, CO: Westview Press.
19. Arnold, Gina. 1993. Route 666: On the Road to Nirvana. New York: St. Martin's Press.
20. Aronowitz, Stanley. 1992. The Politics of Identity: Class, Culture, Social Movements. New York: Routledge.
21. Ashley, David. 1997. History Without a Subject: The Postmodern Condition. Boulder, CO: Westview Press.
22. Attali, Jacques. 1985. Noise: The Political Economy of Music, trans. Brian Massumi. Minneapolis: University of Minnesota Press.
23. Auslander, Phillip. 2006. Performing Glam Rock: Gender and Theatricality in Popular Music. Ann Arbor: University of Michigan Press.
24. Azerrad, Michael. 1994. Come as You Are: The Story of Nirvana. New York: Doubleday.
25. Azerrad, Michael. 2001. Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991. New York: Little, Brown.
26. Bagdikian, Ben H. 2004. The New Media Monopoly. Boston: Beacon Press.
27. Bakhtin, M.M. 1968. Rabelais and his World, trans. Helene Oswolsky. Cambridge, MA: MIT Press.
28. Bakhtin, M.M. 1981. The Dialogic Imagination: Four Essays, ed. Michael Holquist, trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press.
29. Baldwin, James. 1976. The Devil Finds Work. New York: Dial Press.
30. Bangs, Lester. 1988. Psychotic Reactions and Carburetor Dung: Literature as Rock 'n' Roll, Rock 'n' Roll as Literature, ed. Greil Marcus. New York: Anchor Books.
31. Bannister, Matthew. 2006. White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Burlington, VT: Ashgate.
32. Barber, Benjamin. 1995. Jihad vs. McWorld. New York: Times Books.
33. Barthes, Roland. 1977. "The Grain of the Voice". Image/Music/Text, ed. and trans. Stephen Heath. New York: Hill and Wang.
34. Baudrillard, Jean. 1994. Simulation and Simulacra, trans. Ann Arbor: University of Michigan Press.
35. Bauman, Zygmunt. 2000. Liquid Modernity. Malden, MA: Blackwell, 2000.
36. Bauman, Zygmunt. 2005. Liquid Life. Malden, MA: Polity Press, 2005.
37. Bayles, Martha. 1994. Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music. Chicago: University of Chicago Press.
38. Bayton, Mavis. 1990. "How Women Become Musicians". On Record: Rock, Pop, and the Written Word, eds. Simon Frith and Andrew Goodwin. New York: Pantheon.
39. Becker, Howard S. 1973. Outsiders: Studies in the Sociology of Deviance. New York: Free Press.
40. Becker, Howard S. 1982. Art Worlds. Berkeley and Los Angeles: University of California Press.
41. Becker, Scott (ed.). 1998. We Rock So You Don't Have To: The Option Reader, vol. 1. San Diego: Incommunicado Press.
42. Bell, Daniel. 1975. The Cultural Contradictions of Capitalism. New York: Basic Books.
43. Belsito, Peter and Bob Davis. 1983. Hardcore California: A History of Punk and New Wave. San Francisco: Last Gasp.
44. Benjamin, Walter. 1969. Illuminations, trans. Harry Zohn. New York: Schocken.
45. Bennett, Andy. 1999. "Subcultures or Neo-Tribes? Rethinking the Relationship Between Youth, Style, and Musical Taste". Sociology 33 (3): 599-617.
46. Bennett, Andy and Keith Kahn-Harris (eds.). 2004. After Subculture: Critical Studies in Contemporary Youth Culture. New York: Palgrave Macmillan.
47. Bennett, Andy and Richard Peterson (eds.). 2005. Music Scenes: Local, Translocal, Virtual. Nashville: Vanderbilt University Press.
48. Berger, Harris. 1999. Metal, Jazz, and Rock: Perception and the Phenomenology of Musical Experience. Hanover, NH: University of New England Press.
49. Berman, Marshall. 1974. "Sympathy for the Devil: Faust, the '60s, and the Tragedy of Development". American Review 19 (August): 23-75.
50. Berman, Marshall. 1982. All That Is Solid Melts into Air: The Experience of Modernity. New York: Penguin Books.
51. Best, Steven and Douglas Kellner. 1998. "Beavis and Butt-Head: No Future for Postmodern Youth". Youth Culture: Identity in a Postmodern World, ed. Jonathon S. Epstein. Malden, MA: Blackwell.
52. Blush, Steven. 2001. American Hardcore: A Tribal History. Los Angeles: Feral House.
53. Boehlert, Eric. 2001. "Pay for Play". Salon, March 14, http://archive.salon.com/ent/feature/2001/03/14/payola/index.html.
54. Boehlert, Eric. 2001. "Radio's Big Bully". Salon, April 30, http://archive.salon.com/ent/feature/2001/04/30/clear_channel/index.html.
55. Boltanski, Luc and Eve Chiapello. 2006. The New Spirit of Capitalism, trans. Gregory Elliot. New York: Verso.
56. Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgment of Taste, trans. Richard Nice. Cambridge, MA: Harvard University Press.
57. Bourdieu, Pierre. 1993. The Field of Cultural Production: Essays on Art and Literature, edited and introduced by Randal Johnson. New York: Columbia University Press.
58. Boyd, Todd. 2004. The New H.N.I.C: The Death of Civil Rights and the Reign of Hip Hop. New York: New York University Press.
59. Brake, Michael. 1985. Comparative Youth Culture: The Sociology of Youth Culture and Youth Subcultures in America, Britain, and Canada. New York: Routledge.
60. Brass, Kevin. 2005. "GoliathSucks.net". Austin Chronicle, April 1.
61. Braunstein, Peter. 2002. "Forever Young: Insurgent Youth and the Sixties Culture of Rejuvenation". Imagine Nation: The American Counterculture of the 1960s and '70s, eds. Peter Braunstein and Michael W. Boyle. New York: Routledge.
62. Brooks, David. 2000. Bobos in Paradise: The New Upper Class and How They Got There. New York: Simon and Schuster.
63. Brush, Lisa. 1999. "Gender, Work, Who Cares?! Production, Reproduction, Deindustrialization, and Business as Usual". Revisioning Gender, eds. Myra Max Ferree, Judith Lorber, and Beth B. Hess. Thousand Oaks, CA: Sage Publications.
64. Bryson, Bethany. 1996. "'Anything But Heavy Metal': Symbolic Exclusion and Musical Dislikes". American Sociological Review 45 (2): 884-99.
65. Burkeman, Oliver. 2003. "Bush Backer Sponsoring Pro-War Rallies". Guardian, March 26.
66. Buszek, Maria Elena. 2006. Pin-Up Grrrls: Feminism, Sexuality, Popular Culture. Durham, NC: Duke University Press.
67. Callahan, David. 2004. The Cheating Culture: Why More Americans Are Doing Wrong to Get Ahead. Orlando: Harcourt.
68. Chang, Jeff. 2005. Can't Stop, Won't Stop: A History of the Hip-Hop Generation. New York: St. Martin's Press.
69. Chapple, Steve and Reebee Garofalo. 1977. Rock 'n' Roll Is Here to Pay: The History and Politics of the Music Industry. Chicago: Nelson Hall.
70. Christie, Ian. 2003. Sound of the Beast: The Complete Headbanging History of Heavy Metal. New York: HarperCollins.
71. Clarke, Donald. 1995. The Rise and Fall of American Popular Music. New York: St. Martin's Press.
72. Clawson, Mary Ann. 1999. "When Women Play the Bass: Instrument Specialization and Gender Interpretation in Alternative Rock Music". Gender and Society 13 (2): 193-210.
73. Cobb, William Jelani. 2007. To the Break of Dawn: A Freestyle on the Hip Hop Aesthetic. New York: New York University Press.
74. Cohen, Albert K. 1955. Delinquent Boys: The Culture of the Gang. New York: Free Press.
75. Cohen, Jason and Michael Krugman. 1994. Generation Ecch! The Backlash Starts Here. New York: Fireside.
76. Cohen, Phil. 1997. "Subcultural Conflict and Subcultural Community". The Subcultures Reader, eds. Ken Gelder and Sarah Thornton. New York: Routledge.
77. Cohen, Phil. 1999. On the Youth Question. Durham, NC: Duke University Press.
78. Cohen, Sara. 1991. Rock Culture in Liverpool: Popular Music in the Making. New York: Oxford University Press.
79. Cohen, Stanley. 1972. Folk Devils and Moral Panics: The Creation of the Mods and Rockers. New York: St. Martin's Press.
80. Coontz, Stephanie. 1992. The Way We Never Were: American Families and the Nostalgia Trap. New York: Basic Books.
81. Cressey, Paul G. 1932. The Taxi-Dance Hall. New York: Greenwood Press.
82. Currid, Elizabeth. 2007. The Warhol Economy: How Fashion, Art, and Music Drive New York City. Princeton, NJ: Princeton University Press.
83. Davis, Fred. 1979. Yearning for Yesterday: A Sociology of Nostalgia. New York: Free Press.
84. Davis, Mike. 1992. City of Quartz: Excavating the Future in Los Angeles. New York: Vintage Books.
85. Dawson, Ashley. 2005. "Love Music, Hate Racism: The Cultural Politics of the Rock Against Racism Campaigns, 1976-1981". Postmodern Culture 16 (1): http://muse.jhu.edu/login?uri=/journals/pmc/v016/16.1dawson.html.
86. Debord, Guy. 1983. Society of the Spectacle. Detroit: Black and Red.
87. de Certeau, Michel. 1984. The Practice of Everyday Life, trans. Steven F. Randall. Berkeley and Los Angeles: University of California Press.
88. Denisoff, R. Serge. 1986. Tarnished Gold: The Record Industry Revisited. New Brunswick, NJ: Transaction Publishers.
89. DeNora, Tia. 2003. After Adorno: Rethinking Music Sociology. New York: Cambridge University Press.
90. Denski, Stan and David Sholle. 1992. "Metal Men and Glamour Boys: Gender and Performance in Heavy Metal". Men, Masculinity, and the Media, ed. Steve Craig. Newbury Park, CA: Sage Publications.
91. Derber, Charles. 2004. The Wilding of America: Money, Mayhem, and the New American Dream. New York: Worth.
92. DeRogatis, Jim. 2000. Let It Blurt: The Life and Times of Lester Bangs, America's Greatest Rock Critic. New York: Broadway Books.
93. Dery, Mark. 2004. "Public Enemy Confrontation". That's the Joint! The Hip-Hop Studies Reader, eds. Murray Forman and Mark Anthony Neal. New York: Routledge.
94. Des Barres, Pamela. 2005. I'm with the Band: Confessions of a Groupie. Chicago: Chicago Review Press.
95. Des Barres, Pamela. 2007. Let's Spend the Night Together: Backstage Secrets of Rock Muses and Supergroupies. Chicago: Chicago Review Press.
96. Dettmar, Kevin J. H. 2005. Is Rock Dead? New York: Routledge.
97. Donaton, Scott. 1993. "The Media Wakes Up to Generation X". Advertising Age, February 1.
98. Douglas, Elizabeth. 1994. "Can the Industry Be Saved? GOP Injections of Military Spending Will Help, But Don't Expect an All-Out Cure". San Diego Union-Tribune, November 20.
99. Douglas, Susan. 1995. Where the Girls Are: Growing Up Female with the Mass Media. New York: Times Books.
100. Dunn, Robert. 1998. Identity Crises: A Social Critique of Postmodernity. Minneapolis: University of Minnesota Press.
101. Edge, Brian (ed.). 2004. 924 Gilman: The Story So Far. San Francisco: Maximum rocknroll.
102. Edwards, Bob and John D. McCarthy. 2004. "Resources and Social Movement Mobilization". The Blackwell Companion to Social Movements, eds. David A. Snow, Sarah A. Soule, and Hanspeter Kriesi. Malden, MA: Blackwell.
103. Edwards, Tim. 1997. Men in the Mirror: Men's Fashion, Masculinity, and Consumer Culture. London: Cassell.
104. Ehrenreich, Barbara. 1983. The Hearts of Men: American Dreams and the Flight from Commitment. New York: Anchor Books.
105. Ehrenreich, Barbara. 1989. Fear of Falling: The Inner Life of the Middle Class. New York: Harper Perennial.
106. Ehrenreich, Barbara. 2007. Dancing in the Streets: A History of Collective Joy. New York: Metropolitan Books.
107. Ehrenreich, Barbara, Elizabeth Hess, and Gloria Jacobs. 1997. "Beatlemania: A Sexually Defiant Consumer Culture?" The Subcultures Reader, eds. Ken Gelder and Sarah Thornton. New York: Routledge.
108. Epstein, Barbara. 1991. Political Protest and Cultural Revolution: Nonviolent Direct Action in the 1970s and 1980s. Berkeley and Los Angeles: University of California Press.
109. Erickson, Erik. 1968. Identity, Youth, and Crisis. New York: Norton.
110. Eyerman, Ron and Andrew Jamison. 1998. Music and Social Movements: Mobilizing Traditions in the Twentieth Century. New York: Cambridge University Press.
111. Faludi, Susan. 1999. Stiffed: The Betrayal of the American Man. New York: William Morrow.
112. Farber, David. 2002. "Intoxicated State/Illegal Nation: Drugs in the Sixties Counterculture". Imagine Nation: The American Counterculture of the 1960s and '70s, eds. Peter Braunstein and Michael W. Boyle. New York: Routledge.
113. Fast, Susan. 2001. In the Houses of the Holy: Led Zeppelin and the Power of Rock Music. New York: Oxford University Press.
114. Fast, Susan. 2006. "Rethinking Issues of Gender and Sexuality in Led Zeppelin: A Woman's View of Pleasure and Power in Hard Rock". The Popular Music Studies Reader, eds. Andy Bennett, Barry Shank, and Jason Toynbee. New York: Routledge.
115. Featherstone, Mike. 1992. Consumer Culture and Postmodernism. Thousand Oaks, CA: Sage Publications.
116. Fine, Michelle, Lois Weis, Judi Addelston, and Julia Maruza. 1997. "(In)Secure Times: Constructing White Working-Class Masculinities in the Late 20th Century". Gender and Society 11 (1): 52-68.
117. Finnegan, Ruth. 2007. The Hidden Musicians: Music-Making in an English Town. Hanover, NH: Wesleyan University Press.
118. Flipside. 1987. The Ten-Year Anniversary Issue. Whittier, CA: Flipside.
119. Florida, Richard. 2002. The Rise of the Creative Class. New York: Basic Books.
120. Florida, Richard. 2005. Cities and the Creative Class. New York: Routledge.
121. Fonarow, Wendy. 2006. Empire of Dirt: The Aesthetics and Rituals of British Indie Music. Hanover, NH: Wesleyan University Press.
122. Forman, Murray. 2002. The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop. Hanover, NH: Wesleyan University Press.
123. Fox, Kathryn Joan. 1987. "Real Punks and Pretenders: The Social Organization of a Counterculture". Journal of Contemporary Ethnography 16 (October): 344-70.
124. Frank, Robert H. 2007. Falling Behind: How Rising Inequality Harms the Middle Class. Berkeley and Los Angeles: University of California Press.
125. Frank, Robert H. and Phillip Cook. 1995. The Winner-Take-All Society: Why the Few at the Top Get So Much More Than the Rest of Us. New York: Free Press.
126. Frank, Thomas. 1996. "Hip Is Dead". The Nation, April 1.
127. Frank, Thomas. 1997. The Conquest of Cool: Business Culture, Counterculture, and the Rise of Hip Consumerism. Chicago: University of Chicago Press.
128. Frank, Thomas. 2000. One Market Under God: Extreme Capitalism, Market Populism, and the End of Economic Democracy. New York: Doubleday.
129. Frank, Thomas. 2004. What's the Matter with Kansas? How Conservatives Won the Heart of America. New York: Metropolitan Books.
130. Frank, Thomas and Dave Mulcahey (eds.). 2003. Boob Jubilee: The Cultural Politics of the New Economy. New York: Norton.
131. Freeman, Joshua B. 2000. Working-Class New York: Life and Labor Since World War II. New York: New Press.
132. Frith, Simon. 1981. Sound Effects: Youth, Leisure, and the Politics of Rock 'n' Roll. New York: Pantheon Books.
133. Frith, Simon. 1996. Performing Rites: On the Value of Popular Music. Cambridge, MA: Harvard University Press.
134. Frith, Simon. 1997. "Formalism, Realism, and Leisure: The Case of Punk". The Subcultures Reader, eds. Ken Gelder and Sarah Thornton. New York: Routledge.
135. Frith, Simon and Howard Horne. 1988. Art Into Pop. London: Metheun.
136. Frith, Simon and Angela McRobbie. 1990. "Rock and Sexuality". On Record: Rock, Pop, and the Written Word, eds. Simon Frith and Andrew Goodwin. New York: Pantheon.
137. Frith, Simon and John Street. 1992. "Rock Against Racism and Red Wedge". Rockin' the Boat: Mass Music and Mass Movements, ed. Reebee Garofalo. Boston: South End Press.
138. Gaines, Donna. 1990. Teenage Wasteland: Suburbia's Dead-End Kids. Chicago: University of Chicago Press.
139. Gans, Herbert. 1974. Popular Culture and High Culture: An Analysis and Evaluation of Taste. New York: Basic Books.
140. Gardiner, Judith Kegan. 2003. "South Park, Blue Men, Anality, and Market Masculinity". Masculinities: Interdisciplinary Readings, ed. Mark Hussey. Upper Saddle River, NJ: Prentice Hall.
141. Gardiner, Michael. 2000. Critiques of Everyday Life. New York: Routledge.
142. Garnham, Nicholas. 2006. "Political Economy and Cultural Studies: Reconciliation or Divorce?" Cultural Theory and Popular Culture: A Reader, ed. John Storey. New York: Prentice Hall.
143. Gendron, Bernard. 1986. "Theodor Adorno Meets the Cadillacs". Studies in Entertainment, ed. Tania Modleski. Bloomington: University of Indiana Press.
144. Gendron, Bernard. 2002. Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde. Chicago: University of Chicago Press.
145. George, Nelson. 1988. The Death of Rhythm and Blues. New York: Pantheon.
146. George, Nelson. 1999. Hip Hop America. New York: Penguin Books.
147. Giddins, Gary. 2004. "How Come Jazz Isn't Dead?" This Is Pop: In Search of the Elusive at the Experience Music Project, ed. Eric Weisbard. Cambridge, MA: Harvard University Press.
148. Gilroy, Paul. 1991. "There Ain't No Black in the Union Jack": The Cultural Politics of Race and Nation. Chicago: University of Chicago Press.
149. Gitlin, Todd. 1980. The Whole World Is Watching: Mass Media in the Making and Unmaking of the New Left. Berkeley and Los Angeles: University of California Press.
150. Gitlin, Todd. 1986. "'We Build Excitement.'" Watching Television, ed. Todd Gitlin. New York: Pantheon.
151. Gitlin, Todd. 1987. The Sixties: Years of Hope, Days of Rage. New York: Bantam Books.
152. Gitlin, Todd. 1989. "Postmodernism: Roots and Politics," Dissent 36 (Spring): 100-108.
153. Gitlin, Todd. 2001. Media Unlimited: How the Torrent of Images and Sounds Overwhelms Our Lives. New York: Metropolitan Books.
154. Goldthorpe, Jeff. 1992. "Intoxicated Culture: Punk Symbolism and Punk Protest". Socialist Review 22 (2): 35-64.
155. Goodlad, Lauren M.E. and Michael Bibby (eds.). 2007. Goth: Undead Subculture. Durham, NC: Duke University Press.
156. Goodman, Fred. 1997. The Mansion on the Hill: Dylan, Young, Geffen, Springsteen, and the Head-On Collision of Rock and Commerce. New York: Vintage, 1998.
157. Goodwin, Andrew. 1990. "Sample and Hold: Pop Music in the Digital Age of Reproduction". On Record: Rock, Pop, and the Written Word, eds. Simon Frith and Andrew Goodwin. New York: Pantheon.
158. Goodwin, Jeff, James Jasper, and Donatella Della Porta (eds.). 2001. Passionate Politics: Emotions and Social Movements. Chicago: University of Chicago Press.
159. Gottlieb, Joanne and Gayle Wald. 1994. "Smells Like Teen Spirit: Riot Grrrls, Revolution, and Women in Independent Rock". Microphone Fiends: Youth Culture and Youth Music, eds. Tricia Rose and Andrew Ross. New York: Routledge.
160. Gracyk, Theodor. 1999. Rhythm and Noise: An Aesthetics of Rock. Durham, NC: Duke University Press.
161. Grazian, David. 2003. Blue Chicago: The Search for Authenticity in Urban Blues Clubs. Chicago: University of Chicago Press.
162. Greenwald, Andy. 2003. Nothing Feels Good: Punk Rock, Teenagers, and Emo. New York: St. Martin's Griffin.
163. Groce, Stephen B. and Margaret Cooper. 1990. "Just Me and the Boys? Women in Local-Level Rock and Roll". Gender and Society 4 (2): 220-29.
164. Gross, David M. and Sophfronia Scott. 1990. "Proceeding with Caution". Time, July 16.
165. Grossberg, Lawrence. 1992. We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. New York: Routledge.
166. Grossberg, Lawrence. 1994. "Is Anybody Listening? Does Anybody Care? On 'The State of Rock.'" Microphone Fiends: Youth Music and Youth Culture, eds. Andrew Ross and Tricia Rose. New York: Routledge.
167. Grossberg, Lawrence. 1999. "The Indifference of Television, or, Mapping TV's Popular (Affective) Economy". Dancing in Spite of Myself. Durham, NC: Duke University Press.
168. Grossberg, Lawrence. 2002. "Reflections of a Disappointed Popular Music Scholar". Rock Over the Edge: Transformations in Popular Music Culture, eds. Roger Beebe, Denise Fulbrook, and Ben Saunders. Durham, NC: Duke University Press.
169. Grossberg, Lawrence. 2006. "Cultural Studies vs. Political Economy: Is Anybody Else Tired with This Debate?" Cultural Theory and Popular Culture: A Reader, ed. John Storey. New York: Prentice Hall.
170. Guffey, Elizabeth E. 2006. Retro: The Culture of Revival. London: Reaktion.
171. Haenfler, Ross. 2004. "Manhood in Contradiction: The Two Faces of Straight Edge". Men and Masculinities 7 (1): 77-99.
172. Haenfler, Ross. 2006. Straight Edge: Clean-Living Youth, Hardcore Punk, and Social Change. New Brunswick, NJ: Rutgers University Press.
173. Halbwachs, Maurice. 1992. On Collective Memory, ed. and trans. Louis A. Coser. Chicago: University of Chicago Press.
174. Hall, Stuart and Tony Jefferson (eds.). 1975. Resistance Through Rituals: Youth Subcultures in Post-war Britain. New York: Routledge.
175. Harmon, Larry. 1996. "Token Indie Band". San Diego Weekly Reader, April 11.
176. Harrington, Joe. 2002. Sonic Cool: The Life and Death of Rock 'n' Roll. Milwaukee: Hal Leonard.
177. Harrison, Bennett and Barry Bluestone. 1988. The Great U-Turn: Corporate Restructuring and the Polarizing of America. New York: Basic Books.
178. Hartigan, John, Jr. 1999. Racial Situations: Class Predicaments of Whiteness in Detroit. Princeton, NJ: Princeton University Press.
179. Harvey, David. 1989. The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Cambridge, MA: Blackwell.
180. Harvey, David. 2005. A Brief History of Neoliberalism. New York: Oxford University Press.
181. Heath, Joseph and Andrew Potter. 2005. A Nation of Rebels: Why Counterculture Became Consumer Culture. New York: HarperCollins.
182. Hebdige, Dick. 1979. Subculture: The Meaning of Style. New York: Routledge.
183. Henwood, Doug. 1997. "Trash-O-Nomics". White Trash: Race and Class in America, eds. Annalee Newitz and Matt Wray. New York: Routledge.
184. Hesmondhalgh, David. 1988. "Post-punk's Attempts to Democratise the Music Industry: The Success and Failure of Rough Trade". Popular Music 16 (1): 255-74.
185. Heylin, Clinton. 2007. Babylon's Burning: From Punk to Grunge. New York: Canongate.
186. Highmore, Ben. 2001. Everyday Life and Cultural Theory. New York: Routledge.
187. Hobsbawm, Eric and Terence Ranger (eds.). 1984. The Invention of Tradition. New York: Cambridge University Press.
188. Hodkinson, Paul. 2002. Goth: Identity, Style, and Subculture. New York: Berg.
189. Hoskyns, Barney. 1996. Waiting for the Sun: Strange Days, Weird Scenes, and the Sound of Los Angeles. New York: St. Martin's Press.
190. Howe, Neil and William Strauss. 1993. 13th Gen: Abort, Retry, Ignore, Fail? New York: Vintage.
191. Howe, Neil and William Strauss. 2000. Millennials Rising: The Next Great Generation. New York: Vintage.
192. Humphrey, Clark. 1999. Loser: The Real Seattle Music Story. 2d ed. New York: Abrams.
193. Hustwit, Gary. 1998. Releasing an Independent Record. San Diego: Rockpress Publishing.
194. Huyssen, Andreas. 1995. Twilight Memories: Marking Time in a Culture of Amnesia. New York: Routledge.
195. Jameson, Fredric. 1979. "Reification and Utopia in Mass Culture". Social Text 1 (Winter): 130-48.
196. Jameson, Fredric. 1991. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham, NC: Duke University Press.
197. Jay, Martin. 1984. Marxism and Totality: The Adventures of a Concept from Lukács to Habermas. Berkeley and Los Angeles: University of California Press.
198. Jeffords, Susan. 1994. Hard Bodies: Hollywood Masculinity in the Reagan Era. New Brunswick, NJ: Rutgers University Press, 1994.
199. Jenkins, Henry. 2006. Fans, Bloggers, and Gamers: Media Consumers in a Digital Age. New York: New York University Press.
200. Jenkins, Henry. 2007. Convergence Culture: Where Old and New Media Collide. New York: New York University Press.
201. Johnson, Haynes. 1991. Sleepwalking Through History: America in the Reagan Years. New York: Norton.
202. Juno, Andrea (ed.). 1996. Angry Women in Rock. New York: Juno Books.
203. Kamen, Paula. 2000. Her Way: Women Remake the Sexual Revolution. New York: New York University Press.
204. Kaplan, E. Ann. 1987. Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture. New York: Routledge.
205. Kearney, Mary Celeste. 1998. "Don't Need You: Rethinking Identity Politics and Separatism from a Grrrl Perspective". Youth Culture: Identity in a Postmodern World, ed. Jonathan Epstein. Malden, MA: Blackwell.
206. Kearney, Mary Celeste. 2006. Girls Make Media. New York: Routledge.
207. Keniston, Kenneth. 1968. Young Radicals: Notes on Committed Youth. New York: Harcourt, Brace, and World.
208. Keniston, Kenneth. 1971. Youth and Dissent. New York: Harcourt Brace Janovich.
209. Kimmel, Michael S. 1996. Manhood in America: A Cultural History. New York: Free Press.
210. Kitwana, Bakari. 2003. The Hip Hop Generation: Young Blacks and the Crisis in African American Culture. New York: Basic Civitas Books.
211. Klatch, Rebecca. 1999. A Generation Divided: The New Left, the New Right, and the 1960s. Berkeley and Los Angeles: University of California Press.
212. Klein, Naomi. 2000. No Logo: Taking Aim at the Brand Bullies. New York: Picador.
213. Klein, Naomi. 2007. The Shock Doctrine: The Rise of Disaster Capitalism. New York: Metropolitan Books.
214. Kling, Rob, Spencer Olin, and Mark Poster (eds.). 1991. Postsuburban California: The Transformation of Orange County Since World War II. Berkeley and Los Angeles: University of California Press.
215. Knopper, Steve. 2009. Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age. New York: Free Press.
216. Konow, David. 2002. Bang Your Head: The Rise and Fall of Heavy Metal. New York: Three Rivers Press.
217. Kreske, Leigh and Jim McKay. 2000. "'Hard and Heavy': Gender and Power in a Heavy Metal Subculture". Gender, Place, and Culture: A Journal of Feminist Ethnography 7 (3): 287-304.
218. Kruse, Holly. 2003. Site and Sound: Understanding Independent Music Scenes. New York: P. Lang.
219. Kusek, David and Gerd Leonhard. 2005. The Future of Music: Manifesto for the Digital Revolution. Boston: Berklee Press.
220. Larana, Enrique, Hank Johnston, and Joseph R. Gusfield (eds.). 1994. New Social Movements: From Ideology to Identity. Philadelphia: Temple University Press.
221. Lash, Scott. 1990. Sociology of Postmodernism. New York: Routledge.
222. Lash, Scott and John Urry. 1987. The End of Organized Capitalism. Madison: University of Wisconsin Press.
223. Leblanc, Lorraine. 1999. Pretty in Punk: Girls' Resistance in a Boys' Subculture. New Brunswick, NJ: Rutgers University Press.
224. Lee, Tommy, Mick Mars, Vince Neil, and Nikki Sixx, with Neil Strauss. 2001. The Dirt: Confessions of the World's Most Notorious Rock Band. New York: Harper Entertainment.
225. Lefebvre, Henri. 1984. Everyday Life in the Modern World. New Brunswick, NJ: Transaction Publishers.
226. Lefebvre, Henri. 1991, 2002, 2005. The Critique of Everyday Life, 3 vols, trans. Gregory Elliot and John Moore. New York: Verso.
227. Lefebvre, Henri. 2004. Rhythmanalysis: Space, Time, and Everyday Life, trans. Stuart Elden and Gerald Moore. New York: Continuum International.
228. Leland, John. 2004. Hip: The History. New York: Ecco.
229. Leonard, Marion. 1997. "Rebel Girl You Are the Queen of My World: Feminism, Subculture, and Grrrl Power". Sexing the Groove: Popular Music and Gender, ed. Sheila Whiteley. New York: Routledge.
230. Lévi-Strauss, Claude. 1966. The Savage Mind, trans. John Weightman and Doreen Weightman. Chicago: University of Chicago Press.
231. Levine, Noah. 2003. Dharma Punx: A Memoir. New York: HarperSanFrancisco.
232. Lipsitz, George. 1990. Time Passages: Collective Memory and American Popular Culture. Minneapolis: University of Minnesota Press.
233. Lipsitz, George. 1998. The Possessive Investment in Whiteness: How White People Profit from Identity Politics. Philadelphia: Temple University Press.
234. Lloyd, Richard. 2006. Neo-Bohemia: Art and Commerce in the Postindustrial City. New York: Routledge.
235. Lott, Eric. 1993. Love and Theft: Blackface Minstrelsy and the American Working Class. New York: Oxford University Press.
236. Lukács, György. 1971. History and Class Consciousness: Studies in Marxist Dialectics, trans. Rodney Livingstone. Cambridge, MA: MIT Press.
237. Maffesoli, Michel. 1996. The Time of the Tribes. London: Sage Publications.
238. Mailer, Norman. 1959. Advertisements for Myself. Cambridge, MA: Harvard University Press, 2005.
239. Males, Mike. 1996. The Scapegoat Generation: America's War on Adolescents. Monroe, ME: Common Courage Press.
240. Mandel, Ernest. 1975. Late Capitalism. London: NLB.
241. Mannheim, Karl. 1952. "The Problem of Generations". Essays on the Sociology of Knowledge, ed. Paul Kecskemeti. London: Routledge and Kegan Paul.
242. Marcus, Greil. 1989. Lipstick Traces: A Secret History of the Twentieth Century. Cambridge, MA: Harvard University Press.
243. Marcus, Greil. 1993. Ranters and Crowd Pleasers: Punk in Pop Music, 1977-92. New York: Anchor Books.
244. Marcus, Greil. 2001. "Sleater-Kinney". Time, July 9.
245. Marin, Rick. 1992. "Grunge: A Success Story". New York Times, November 15.
246. Marx, Karl. 1978. Capital, vol. 1. The Marx-Engels Reader, ed. Robert Tucker. New York: Norton. (Unless otherwise indicated, the texts are translations that have appeared in editions published by the Foreign Languages Publishing House or Progress Publishers in Moscow.)
247. Karl Marx. 1978. The Eighteenth Brumaire of Louis Bonaparte, The Marx-Engels Reader, ed. Robert Tucker. New York: Norton.
248. Marx, Karl and Friedrich Engels. 1978. Manifesto of the Communist Party. The Marx-Engels Reader, ed. Robert Tucker. New York: Norton.
249. McAdam, Doug, John D. McCarthy, and Mayer Zald (eds.). 1996. Comparative Perspectives on Social Movements: Political Opportunities, Mobilizing Structures, and Cultural Framings. New York: Cambridge University Press.
250. McCarthy, John D. and Mayer N. Zald. 1977. "Resource Mobilization and Social Movements: A Partial Theory". American Journal of Sociology 82 (6) (May): 1212-41.
251. McChesney, Robert W. 1999. Rich Media, Poor Democracy: Communication Politics in Dubious Times. Urbana: University of Illinois Press.
252. McClary, Susan. 1991. Feminine Endings: Music, Gender, and Sexuality. Minneapolis: University of Minnesota Press.
253. McClary, Susan and Robert Walser. 1990. "Start Making Sense! Musicology Wrestles with Rock". On Record: Rock, Pop, and the Written Word, eds. Simon Frith and Andrew Goodwin. New York: Pantheon Books.
254. McGirr, Lisa. 2001. Suburban Warriors: The Origins of the New American Right. Princeton, NJ: Princeton University Press.
255. McNeil, Legs and Gillian McCain. 1996. Please Kill Me: The Uncensored Oral History of Punk. New York: Penguin Books.
256. McRobbie, Angela. 1991. Feminism and Youth Culture: From Jackie to Just Seventeen. London: Macmillan.
257. McRobbie, Angela (ed.). 1991. Zoot Suits and Second-Hand Dresses: An Anthology of Fashion and Music. London: Macmillan.
258. McRobbie, Angela. 1994. Postmodernism and Popular Culture. New York: Routledge.
259. McRobbie, Angela and Jenny Garber. 1997. "Girls and Subcultures". The Subcultures Reader, eds. Ken Gelder and Sarah Thornton. New York: Routledge.
260. Melucci, Alberto. 1996. Challenging Codes: Collective Action in the Information Age. New York: Cambridge University Press.
261. Mertes, Tom (ed.). 2004. A Movement of Movements: Is Another World Really Possible? New York: Verso.
262. Middleton, Richard. 2006. Voicing the Popular: On the Subjects of Popular Music. New York: Routledge.
263. Miller, James. 1999. Flowers in the Dustbin: The Rise of Rock 'n' Roll, 1947-1977. New York: Simon and Schuster.
264. Miller, Timothy. 1991. The Hippies and American Values. Knoxville: University of Tennessee Press.
265. Mishel, Lawrence, Jared Bernstein, and Sylvia Allegretto. 2007. The State of Working America, 2006/2007. Ithaca, NY: Cornell University Press.
266. Mitchell, Tony (ed.). 2001. Global Noise: Rap and Hip-Hop Outside the USA. Hanover, NH: Wesleyan University Press.
267. Modleski, Tania. 1986. "Femininity as Mas(s)querade: A Feminist Approach to Mass Culture". High Theory/Low Culture: Analyzing Popular Television, ed. Colin McCabe. Manchester, U.K.: Manchester University Press.
268. Moore, Ryan. 2005. "Alternative to What? Subcultural Capital and the Commercialization of a Music Scene". Deviant Behavior 26 (3): 229-52.
269. Moore, Ryan. 2007. "Friends Don't Let Friends Listen to Corporate Rock: Punk as Field of Cultural Production". Journal of Contemporary Ethnography 36 (4): 438-74.
270. Mort, Frank. 1996. Cultures of Consumption: Masculinities and Social Space in Late Twentieth-Century Britain. New York: Routledge.
271. Muggleton, David. 2002. Inside Subculture: The Postmodern Meaning of Style. New York: Berg.
272. Muggleton, David. and Rupert Weinzierl (eds.). 2004. The Post-subcultures Reader. New York: Berg, 2004.
273. Newman, Katherine. 1993. Declining Fortunes: The Withering of the American Dream. New York: Basic Books.
274. News from Nowhere (ed.). 2004. We Are Everywhere: The Irresistible Rise of Global Anticapitalism. New York: Verso.
275. Nixon, Sean James. 1996. Hard Looks: Masculinities, Spectatorship, and Contemporary Consumption. New York: St. Martin's Press.
276. Oberholzer-Gee, Felix and Koleman Strumpf. 2007. "The Effect of File Sharing on Record Sales: An Empirical Analysis". Journal of Political Economy 115 (1) (February): 1-42.
277. Olick, Jeffrey K. and Joyce Robbins. 1998. "Social Memory Studies: From 'Collective Memory' to the Historical Sociology of Mnemonic Practices". Annual Review of Sociology 24 (August): 105-40.
278. Orenstein, Peggy. 1994. Schoolgirls: Young Women, Self-Esteem, and the Confidence Gap. New York: Anchor Books.
279. Park, David J. 2007. Conglomerate Rock: The Music Industry's Quest to Divide Music and Conquer Wallets. New York: Lexington Books.
280. Perry, Imani. 2004. Prophets of the Hood: Politics and Poetics in Hip Hop. Durham, NC: Duke University Press.
281. Peterson, Charles. 1995. Screaming Life: A Chronicle of the Seattle Music Scene. New York: HarperCollins.
282. Peterson, Charles. 2003. Touch Me, I'm Sick. Brooklyn: powerHouse.
283. Peterson, Karla. 1994. "Independents' Days: Concerts, Workshops Offer a Sounding Board for Struggling Musicians". San Diego Union-Tribune, October 4.
284. Peterson, Richard. 1999. Creating Country Music: Fabricating Authenticity. Chicago: University of Chicago Press.
285. Pfeil, Fred. 1995. White Guys: Studies in Postmodern Domination and Difference. New York: Verso.
286. Pilsbury, Glenn. 2006. Damage Incorporated: Metallica and the Production of Musical Identity. New York: Routledge.
287. Pink, Daniel H. 2001. Free Agent Nation: How America's Independent Workers Are Transforming the Way We Live. New York: Warner Books.
288. Pipher, Mary. 1994. Reviving Ophelia: Saving the Selves of Adolescent Girls. New York: Ballantine.
289. Polhemus, Ted. 1997. "Post-subcultures". The Clubcultures Reader: Readings in Popular Cultural Studies, eds. Steve Redhead, Derek Wynne, and Justin O'Connor. Malden, MA: Blackwell.
290. Pough, Gwendolyn. 2004. Check It While I Wreck It: Black Womanhood, Hip-Hop Culture, and the Public Sphere. Boston: Northeastern University Press.
291. Priore, Dominic. 2007. Riot on the Sunset Strip: Rock 'n' Roll's Last Stand in Hollywood. Berkeley, CA: Jawbone Press.
292. Quinn, Eithne. 2005. Nuthin' But a "G" Thang: The Culture and Commerce of Gangsta Rap. New York: Columbia University Press.
293. Reynolds, Simon. 1999. Generation Ecstasy: Into the World of Techno and Rave Culture. New York: Routledge.
294. Reynolds, Simon. 2006. Rip It Up and Start Again: Postpunk, 1978-84. New York: Penguin Books.
295. Reynolds, Simon and Joy Press. 1995. The Sex Revolts: Gender, Rebellion, and Rock 'n' Roll. Cambridge, MA: Harvard University Press.
296. Richardson, James T. 1991. "Satanism in the Courts: From Heavy Metal to Murder". The Satanism Scare, eds. James T. Richardson, Joel Best, and David G. Bromley. New York: A. de Gruyter.
297. Riesman, David. 1990. "Listening to Popular Music". On Record: Rock, Pop, and the Written Word, eds. Simon Frith and Andrew Goodwin. New York: Pantheon.
298. Ritchie, Karen. 1992. "Get Ready for Generation X". Advertising Age, November Ritchie, Karen. 1995. Marketing to Generation X. New York: Lexington Books.
299. Roediger, David. 1999. The Wages of Whiteness: Race and the Making of the American Working Class. New York: Verso.
300. Rogin, Michael. 1988. Ronald Reagan, the Movie, and Other Episodes in Political Demonology. Berkeley and Los Angeles: University of California Press.
301. Rose, Tricia. 1994. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover, NH: Wesleyan University Press.
302. Rosenberg, Bernard and David Manning White (eds.). 1957. Mass Culture: The Popular Arts in America. Glencoe, IL: Free Press.
303. Ross, Andrew. 1989. No Respect: Intellectuals and Popular Culture. New York: Routledge.
304. Ross, Andrew. 2002. No-Collar: The Humane Workplace and Its Hidden Costs. New York: Basic Books.
305. Roszak, Theodor. 1969. The Making of a Counterculture. New York: Anchor Books.
306. Rubin, Lillian B. 1995. Families on the Fault Line: America's Working Class Speaks About the Family, the Economy, Race, and Ethnicity. New York: HarperCollins.
307. Ryan, Michael and Douglas Kellner. 1988. Camera Politica: The Politics and Ideology of Contemporary Hollywood Film. Bloomington: Indiana University Press.
308. Sandler, Lauren. 2006. Righteous: Dispatches from the Evangelical Youth Movement. New York: Penguin Books.
309. Sanneh, Kelefa. 2007. "The Rap Against Rockism". The Rock History Reader, ed. Theo Cateforis. New York: Routledge.
310. Savage, Jon. 1993. England's Dreaming: Anarchy, Sex Pistols, Punk Rock, and Beyond. New York: St. Martin's Griffin.
311. Schippers, Mimi. 2002. Rockin' Out of the Box: Gender Maneuvering in Alternative Hard Rock. New Brunswick, NJ: Rutgers University Press.
312. Schlit, Kristen. 2003. "'A Little Too Ironic': The Appropriation and Packaging of Riot Grrrl Politics by Mainstream Female Musicians". Popular Music and Society 26 (1): 5-16.
313. Schlit, Kristen. 2003. "'I'll Resist with Every Inch and Every Breath': Girls and Zine Making as a Form of Resistance". Youth and Society 35 (1): 71-97.
314. Schloss, Joseph. 2002. Making Beats: The Art of Sample-Based Hip Hop. Middletown, CT: Wesleyan University Press.
315. Schor, Juliet. 1998. The Overspent American: Upscaling, Downshifting, and the New Consumer. New York: Basic Books.
316. Schor, Juliet. 2004. Born to Buy: The Commercialized Child and the New Consumer Culture. New York: Scribner.
317. Schumacher, Thomas G. 2004. "'This Is a Sampling Sport': Digital Sampling, Rap Music, and the Law in Cultural Production". That's the Joint! The Hip-Hop Studies Reader, eds. Murray Forman and Mark Anthony Neal. New York: Routledge.
318. Schwartz, Gary. 1987. Beyond Conformity or Rebellion: Youth and Authority in America. Chicago: University of Chicago Press.
319. Sennett, Richard. 1998. The Corrosion of Character: The Personal Consequences of Work in the New Capitalism. New York: Norton, 1998.
320. Sennett, Richard. 2006. The Culture of the New Capitalism. New Haven, CT: Yale University Press.
321. Shank, Barry. 1994. Dissonant Identities: The Rock 'n' Roll Scene in Austin, Texas. Hanover, NH: Wesleyan University Press.
322. Sharpley-Whiting, T. Denean. 2007. Pimps Up, Ho's Down: Hip Hop's Hold on Young Black Women. New York: New York University Press.
323. Shaughnessy, Rick. 1993. "County Jobless Rate: 9.2%". San Diego Union-Tribune, August 28.
324. Sheff, David and Rob Tannenbaum. 2007 "Rip. Burn. Die". The Rock History Reader, ed. Theo Cateforis. New York: Routledge.
325. Shumway, David. 2007. "Where Have All the Rock Stars Gone?" Chronicle of Higher Education, June 22.
326. Simmel, Georg. 1907. The Philosophy of Money, trans. Tom Bottomore and David Frisby. New York: Routledge, 2004.
327. Simon, William. 1978. A Time for Truth. New York: Reader's Digest Press.
328. Slash, with Anthony Bozza. 2007. Slash. New York: HarperEntertainment.
329. Sloat, Lisa. 1998. "Incubus: Male Songwriters' Portrayal of Women's Sexuality in Pop Metal Music". Youth Culture: Identity in a Postmodern World, ed. Jonathan Epstein. Malden, MA: Blackwell.
330. Smith, Ethan. 2007. "Sales of Music, Long in Decline, Plunge Sharply". Wall Street Journal, March 21.
331. Soja, Edward W. 1989. Postmodern Geographies: The Reassertion of Space in Critical Social Theory. New York: Verso.
332. Sontag, Susan. 1966. Against Interpretation, and Other Essays. New York: Farrar, Straus and Giroux.
333. Spillman, Lyn. 1997. Nation and Commemoration: Creating National Identities in the United States and Australia. New York: Cambridge University Press.
334. Spitz, Marc and Brendan Mullen. 2001. We Got the Neutron Bomb: The Untold Story of L.A. Punk. New York: Three Rivers Press.
335. Stallybrass, Peter and Allon White. 1986. The Politics and Poetics of Transgression. Ithaca, NY: Cornell University Press.
336. Stark, James. 2006. Punk '77: An Inside Look at the San Francisco Rock 'n' Roll Scene. San Francisco: RE/Search.
337. Strausbaugh, John. 2001. Rock 'Til You Drop: The Decline from Rebellion to Nostalgia. New York: Verso.
338. Straw, Will. 1990. "Characterizing Rock Music Culture: The Case of Heavy Metal". On Record: Rock, Pop, and the Written Word, eds. Simon Frith and Andrew Goodwin. New York: Pantheon Books.
339. Straw, Will. 1991. "Systems of Articulation, Logics of Change: Communities and Scenes in Popular Music". Cultural Studies 5 (3): 368-88.
340. Students for a Democratic Society. 1995. "The Port Huron Statement". 'Takin' It to the Streets': A Sixties Reader, eds. Alexander Bloom and Wini Breines. New York: Oxford University Press.
341. Tabb, William. 1982. The Long Default: New York City and the Urban Fiscal Crisis. New York: Monthly Review Press.
342. Taussig, Michael T. 1980. The Devil and Commodity Fetishism in South America. Chapel Hill: University of North Carolina Press.
343. Temple, Johnny. 1999. "Noise from Underground: Punk Rock's Anarchic Rhythms Spur a New Generation to Political Activism". The Nation, October 17.
344. Theweleit, Klaus. 1987. Male Fantasies, vol. 1, Women, Floods, Bodies, History, trans. Steven Conway. Minneapolis: University of Minnesota Press.
345. Thompson, E.P. 1963. The Making of the English Working Class. New York: Pantheon.
346. Thornton, Sarah. 1994. "Moral Panic, the Media and British Rave Culture". Microphone Fiends: Youth Culture and Youth Music, eds. Andrew Ross and Tricia Rose. New York: Routledge.
347. Thornton, Sarah. 1996. Club Cultures: Music, Media, and Subcultural Capital. Hanover, NH: Wesleyan University Press.
348. Thornton, Sarah. 2006. "Understanding Hipness: 'Subcultural Capital' as Feminist Tool". The Popular Music Studies Reader, eds. Andy Bennett, Barry Shank, and Jayson Toynbee. New York: Routledge.
349. Thrasher, Fredric M. 1927. The Gang. Chicago: University of Chicago Press.
350. Turner, Chris. 2004. Planet Simpson: How a Cartoon Masterpiece Defined a Generation. Cambridge, MA: Da Capo Press.
351. Twenge, Jean. 2006. Generation Me: Why Today's Young Americans Are More Confident, Assertive, Entitled-and More Miserable Than Ever Before. New York: Free Press.
352. Union-Tribune Publishing Company. 1990. The Union-Tribune's Annual Review of San Diego Business. San Diego: Union-Tribune.
353. Vale, V. 1998. Swing: The New Retro Renaissance. San Francisco: V/Search Publications.
354. Vaneigem, Raoul. 2004. The Revolution of Everyday Life, trans. Donald Nicholson-Smith. Seattle: Left Bank Books.
355. Wagner-Pacifici, Robin and Barry Schwartz. 1991. "The Vietnam Veterans Memorial: Commemorating a Difficult Past". American Journal of Sociology 97 (2): 376-420.
356. Waksman, Steve. 1999. Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience. Cambridge, MA: Harvard University Press.
357. Walker, Michael. 1993. "San Diego, Alternatively". Los Angeles Times Magazine, October 18.
358. Walser, Robert. 1993. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, NH: Wesleyan University Press.
359. Watkins, S. Craig. 2006. Hip Hop Matters: Politics, Pop Culture, and the Struggle for the Soul of a Movement. Boston: Beacon Press.
360. Weber, Max. 1905. The Protestant Ethic and the Spirit of Capitalism, 3d ed. trans. Stephen Kalberg. Los Angeles: Roxbury, 2002.
361. Weider, Judy. 1998. "Judas Priest's Rob Halford Is First Heavy Metal Band Member to Say He's Gay". The Advocate, May 12.
362. Weinstein, Deena. 1991. Heavy Metal: A Cultural Sociology. New York: Lexington Books.
363. Weis, Lois. 1990. Working Class Without Work: High School Students in a Deindustrializing Economy. New York: Routledge.
364. Widgery, David. 1986. Beating Time: Riot 'n' Race 'n' Rock 'n' Roll. London: Chatto and Windus.
365. Williams, Raymond. 1977. Marxism and Literature. Oxford: Oxford University Press.
366. Williams, Raymond. 2001. "Base and Superstructure in Marxist Cultural Theory". The Raymond Williams Reader, ed. John Higgins. Malden, MA: Blackwell.
367. Willis, Ellen. 1981. Beginning to See the Light: Pieces of a Decade. New York: Knopf.
368. Willis, Paul. 1977. Learning to Labor: How Working-Class Kids Get Working-Class Jobs. New York: Columbia University Press.
369. Willis, Paul. 1978. Profane Culture. London: Routledge and Kegan Paul.
370. Wise, Sue. "Sexing Elvis". On Record: Rock, Pop, and the Written Word, eds. Simon Frith and Andrew Goodwin. New York: Pantheon Books.
371. Witkin, Robert W. 1998. Adorno on Music. New York: Routledge.
372. Witikin, Robert W. 2003. Adorno on Popular Culture. New York: Routledge.
373. Wood, Robert. 2006. Straightedge Youth: Complexity and Contradictions of a Subculture. Syracuse, NY: Syracuse University Press.
374. Wooden, Wayne S. and Randy Blazak. 2001. Renegade Kids, Suburban Outlaws. Belmont, CA: Wadsworth.
375. Zobl, Elke. 2004. "Revolution Grrrl and Lady Style, Now!" Peace Review 16 (4): 445-52.
376. Zukin, Sharon. 1992. Loft Living: Culture and Capital in Urban Change. Baltimore: Johns Hopkins University Press.