-
1
-
-
0004303974
-
-
(Trans. A. G. Mitchell and W. Blomster). New York: Continuum
-
Adorno, T. 1973. Philosophy of Modern Music. (Trans. A. G. Mitchell and W. Blomster). New York: Continuum.
-
(1973)
Philosophy of Modern Music
-
-
Adorno, T.1
-
3
-
-
12544254177
-
-
(Trans. R. Livingstone). London: Verso
-
Adorno, T. 1981. in Search of Wagner. (Trans. R. Livingstone). London: Verso.
-
(1981)
Search of Wagner
-
-
Adorno, T.1
-
4
-
-
0347829872
-
-
(Trans. S. Weber and S. Weber). Cambridge, Mass.: MIT Press
-
Adorno, T. 1981. Prisms (Trans. S. Weber and S. Weber). Cambridge, Mass.: MIT Press.
-
(1981)
Prisms
-
-
Adorno, T.1
-
6
-
-
60949501576
-
-
(R. Tiedemann, trans. E. Jephcott). Cambridge: Polity
-
Adorno, T. 1998. Beethoven: The Philosophy of Music. (Ed. R. Tiedemann, trans. E. Jephcott). Cambridge: Polity.
-
(1998)
Beethoven: The Philosophy of Music
-
-
Adorno, T.1
-
7
-
-
2442686197
-
-
(Trans. S. Gillespie, with commentary R. Leppert). Berkeley, Los Angeles, and London: University of California Press
-
Adorno, T. 2002. Essays on Music (Trans. S. Gillespie, ed. with commentary R. Leppert). Berkeley, Los Angeles, and London: University of California Press.
-
(2002)
Essays on Music
-
-
Adorno, T.1
-
9
-
-
0001380409
-
The description of technical objects
-
W. E. Bjiker and J. Law, Cambridge, Mass.: MIT Press
-
Akrich, M. 1991. ‘The Description of Technical Objects’, in W. E. Bjiker and J. Law (eds.), Shaping Technology/Building Society. Cambridge, Mass.: MIT Press.
-
(1991)
Shaping Technology/Building Society
-
-
Akrich, M.1
-
10
-
-
0000361457
-
The influence of background music on shopping behaviour: Classical versus top-40 music in a wine store
-
Areni, C. S. and D. Kim. 1993. ‘The Influence of Background Music on Shopping Behaviour: Classical Versus Top-40 Music in a Wine Store’, Advances in Consumer Research 20, 336-40.
-
(1993)
Advances in Consumer Research
, vol.20
, pp. 336-340
-
-
Areni, C.S.1
Kim, D.2
-
11
-
-
84929767699
-
Reflections on the sociology of emotions: The section and the discipline
-
American Sociological Association
-
Barbelet, J. M. 2002. ‘Reflections on the Sociology of Emotions: the Section and the Discipline’, Emotions Section Newsletter, American Sociological Association 16:1, 3-4.
-
(2002)
Emotions Section Newsletter
, vol.16
, Issue.1
, pp. 3-4
-
-
-
14
-
-
18744401868
-
The grain of the voice
-
S. Frith and A. Goodwin, London: Routledge
-
Barthes, R. 1990 [1977]. ‘The Grain of the Voice’, in S. Frith and A. Goodwin (eds.), On Record: Rock, Pop and the Written Word. London: Routledge, 293-301.
-
(1977)
On Record: Rock, Pop and the Written Word
, pp. 293-301
-
-
Barthes, R.1
-
15
-
-
0004164804
-
-
Berkeley, Los Angeles, and London: University of California Press
-
Becker, H. S. 1982. Art Worlds. Berkeley, Los Angeles, and London: University of California Press.
-
(1982)
Art Worlds
-
-
Becker, H.S.1
-
16
-
-
4043070056
-
Ethnomusicology and sociology: A letter to charles seeger
-
Becker, H. S. 1989. ‘Ethnomusicology and Sociology: A Letter to Charles Seeger’, Ethnomusicology, 33, 275-85.
-
(1989)
Ethnomusicology
, vol.33
, pp. 275-285
-
-
Becker, H.S.1
-
19
-
-
84900011668
-
Secure states: Towards a political sociology of emotion
-
J. M. Barbalet, London: Basil Blackwell
-
Berezin, M. 2002. ‘Secure States: Towards a Political Sociology of Emotion’, in J. M. Barbalet (ed.), Sociology and Emotions. London: Basil Blackwell, 33-52.
-
(2002)
Sociology and Emotions
, pp. 33-52
-
-
Berezin, M.1
-
20
-
-
79958182174
-
In pursuit of difference: Scientific studies of men and women
-
G. Kirkup and L. Smith Keller, Cambridge: Polity
-
Birke, L. ‘In Pursuit of Difference: Scientific Studies of Men and Women’, in G. Kirkup and L. Smith Keller (eds.), Knowing Women: Feminism and Knowledge, Cambridge: Polity, 66-77.
-
Knowing Women: Feminism and Knowledge
, pp. 66-77
-
-
Birke, L.1
-
21
-
-
0043141288
-
High culture as mass culture
-
A. Foster and J. R. Blau, Albany: State University of New York Press
-
Blau, J. 1989. ‘High Culture as Mass Culture’, in A. Foster and J. R. Blau (eds.), Art and Society: Readings in the Sociology of the Arts. Albany: State University of New York Press, 429-40.
-
(1989)
Art and Society: Readings in the Sociology of the Arts
, pp. 429-440
-
-
Blau, J.1
-
23
-
-
84925897538
-
Sociology of music: Adorno and beyond
-
(summer)
-
Blomster, W. V. 1976. ‘Sociology of Music: Adorno and Beyond’, Telos 28 (summer), 81-112.
-
(1976)
Telos
, vol.28
, pp. 81-112
-
-
Blomster, W.V.1
-
24
-
-
84929758013
-
Adorno and his critics: Adorno’s musico-sociological thought in the decade following his death
-
Blomster, W. V. 1977. ‘Adorno and his Critics: Adorno’s Musico-Sociological Thought in the Decade Following His Death’, Musicology at the University of Colorado, 200-17.
-
(1977)
Musicology at the University of Colorado
, pp. 200-217
-
-
Blomster, W.V.1
-
27
-
-
69949099104
-
Methodological dilemmas in the sociology of art
-
D. Crane, Oxford: Blackwells
-
Bowler, A. 1994. ‘Methodological Dilemmas in the Sociology of Art’, in D. Crane (ed.), The Sociology of Culture. Oxford: Blackwells, 247-66.
-
(1994)
The Sociology of Culture
, pp. 247-266
-
-
Bowler, A.1
-
30
-
-
60949410877
-
-
Princeton: Princeton University Press
-
Burnham, S. 1995. Beethoven Hero. Princeton: Princeton University Press.
-
(1995)
Beethoven Hero
-
-
Burnham, S.1
-
32
-
-
0039593108
-
-
Middletown, Conn.: Wesleyan University Press
-
Cage, J. 1961. Silence. Middletown, Conn.: Wesleyan University Press.
-
(1961)
Silence
-
-
Cage, J.1
-
33
-
-
84930066251
-
Some elements of a sociology of translation: Domestication of the scallops and the fishermen of st beiene bay
-
J. Law
-
Callon, M. 1986. ‘Some Elements of a Sociology of Translation: Domestication of the Scallops and the Fishermen of St Beiene Bay’ in J. Law (ed.), Power, Action and Belief: A New Sociology of Knowledge, 196-233.
-
(1986)
Power, Action and Belief: A New Sociology of Knowledge
, pp. 196-233
-
-
Callon, M.1
-
34
-
-
0004257752
-
-
(Trans. C. Stewart). London: Gollancz
-
Canetti, E. 1962. Crowds and Power. (Trans. C. Stewart). London: Gollancz.
-
(1962)
Crowds and Power
-
-
Canetti, E.1
-
35
-
-
84929721359
-
From the bottom up: Thinking about tia denora’s everyday life
-
Cavicchi, D. 2002. ‘From the Bottom Up: Thinking About Tia DeNora’s Everyday Life’, Action, Criticism and Thoery for Music Education 1:2, 1-15. http://mas.siue.edu/ACT/v1/Cavicchi02.pdf.
-
(2002)
Action, Criticism and Thoery for Music Education
, vol.1
, Issue.2
, pp. 1-15
-
-
Cavicchi, D.1
-
38
-
-
0002522566
-
An empirical relativist programme in the sociology of scientific knowledge
-
K. Knorr-Cetina and M. Mulkay, London: Sage
-
Collins, H. 1983. ‘An Empirical Relativist Programme in the Sociology of Scientific Knowledge’, in K. Knorr-Cetina and M. Mulkay (eds.), Science Observed: Perspectives on the Social Study of Science. London: Sage, 85-114.
-
(1983)
Science Observed: Perspectives on the Social Study of Science
, pp. 85-114
-
-
Collins, H.1
-
39
-
-
0000066925
-
Emotional energy as the common denominators of rational choice
-
Collins, R. 1993. ‘Emotional Energy as the Common Denominators of Rational Choice’, Rationality and Society 5, 203-20.
-
(1993)
Rationality and Society
, vol.5
, pp. 203-220
-
-
Collins, R.1
-
42
-
-
1642268490
-
Musicological approaches to emotion
-
P. Juslin and J. Sloboda, Oxford: Oxford University Press
-
Cook, N. and Dibben, 2001. ‘Musicological Approaches to Emotion’, in P. Juslin and J. Sloboda (eds.), Music and Emotion: Theory and Research. Oxford: Oxford University Press, 45-71.
-
(2001)
Music and Emotion: Theory and Research
, pp. 45-71
-
-
Cook, N.1
Dibben2
-
44
-
-
0242718390
-
Philosophical perspectives on music’s expressiveness
-
P. Juslin and J. Sloboda, Oxford: Oxford University Press
-
Davies, S. 2001. ‘Philosophical Perspectives on Music’s Expressiveness’, in P. Juslin and J. Sloboda (eds.), Music and Emotion: Theory and Research. Oxford: Oxford University Press, 23-70.
-
(2001)
Music and Emotion: Theory and Research
, pp. 23-70
-
-
Davies, S.1
-
46
-
-
84867358000
-
Structure, chaos and emancipation: Adorno’s philosophy of modern music and the post-ww ii avant-garde
-
R. Monk, Lanham, New York, London: University Press of America
-
DeNora, T. 1986a. ‘Structure, Chaos and Emancipation: Adorno’s Philosophy of Modern Music and the Post-WW II Avant-garde’, in R. Monk (ed.), Structures of Knowing. Lanham, New York, London: University Press of America, 293-322.
-
(1986)
Structures of Knowing
, pp. 293-322
-
-
Denora, T.1
-
47
-
-
84928443558
-
How is extra-musical meaning possible? Music as a place and space for “work”‘
-
DeNora, T. 1986b. ‘How is Extra-musical Meaning Possible? Music as a Place and Space for “Work”‘, Sociological Theory 4, 84-94.
-
(1986)
Sociological Theory
, vol.4
, pp. 84-94
-
-
Denora, T.1
-
48
-
-
0004222568
-
-
Berkeley, Los Angeles, and London: University of California Press
-
DeNora, T. 1995a. Beethoven and the Construction of Genius. Berkeley, Los Angeles, and London: University of California Press.
-
(1995)
Beethoven and the Construction of Genius
-
-
Denora, T.1
-
49
-
-
33645339560
-
Deconstructing periodization: Sociological methods and historical ethnography in late eighteenth-century vienna
-
DeNora, T. 1995b. ‘Deconstructing Periodization: Sociological Methods and Historical Ethnography in Late Eighteenth-Century Vienna’, Beethoven Forum 4, 1-15.
-
(1995)
Beethoven Forum
, vol.4
, pp. 1-15
-
-
Denora, T.1
-
50
-
-
0030300236
-
From physiology to feminism: Reconfiguring body, gender and expertise
-
DeNora, T. 1996. ‘From Physiology to Feminism: Reconfiguring Body, Gender and Expertise’, International Sociology 11:3, 359-83.
-
(1996)
International Sociology
, vol.11
, Issue.3
, pp. 359-383
-
-
Denora, T.1
-
51
-
-
4043155074
-
The biology lessons of opera buffa
-
Mary Hunter and James Webster, Cambridge: Cambridge University Press
-
DeNora, T. 1997. ‘The Biology Lessons of Opera Buffa’, in Mary Hunter and James Webster (eds.), Opera Buffa in Mozart’s Vienna. Cambridge: Cambridge University Press, 146-64.
-
(1997)
Opera Buffa in Mozart’s Vienna
, pp. 146-164
-
-
Denora, T.1
-
52
-
-
0001887287
-
Music as a technology of the self
-
DeNora, T. 1999. ‘Music as a Technology of the Self’, Poetics 26, 31-56.
-
(1999)
Poetics
, vol.26
, pp. 31-56
-
-
Denora, T.1
-
53
-
-
0004180209
-
-
Cambridge: Cambridge University Press
-
DeNora, T. 2000. Music in Everyday Life. Cambridge: Cambridge University Press.
-
(2000)
Music in Everyday Life
-
-
Denora, T.1
-
54
-
-
4043152239
-
Music into action: Performing gender on the viennese concert stage, 1790-1810
-
Special issue on ‘New Directions in Sociology of Music’ (guestT. Dowd), (May)
-
DeNora, T. 2002a. ‘Music into Action: Performing Gender on the Viennese Concert Stage, 1790-1810’, Poetics: Journal of Empirical Research on Literature, the Media and the Arts, Special issue on ‘New Directions in Sociology of Music’ (guest ed. T. Dowd) 30:2 (May), 19-33.
-
(2002)
Poetics: Journal of Empirical Research on Literature, the Media and the Arts
, vol.30
, Issue.2
, pp. 19-33
-
-
Denora, T.1
-
55
-
-
0036265759
-
The role of music in the daily lives of women - the case of intimate culture
-
Special issue on music and gender (guestS. O’Neill), (May)
-
DeNora, T. 2002b. ‘The Role of Music in the Daily Lives of Women - the Case of Intimate Culture’, Feminism and Psychology, Special issue on music and gender (guest ed. S. O’Neill) 12:2 (May), 176-81.
-
(2002)
Feminism and Psychology
, vol.12
, Issue.2
, pp. 176-181
-
-
Denora, T.1
-
57
-
-
84965736367
-
Cultural entrepreneurship in nineteenth-century boston
-
DiMaggio, P. 1982. ‘Cultural Entrepreneurship in Nineteenth-century Boston’, Media, Culture and Society 4, 35-50 and 303-22.
-
(1982)
Media, Culture and Society
, vol.4
, pp. 35-50
-
-
Dimaggio, P.1
-
59
-
-
84929767703
-
The mitigated impact of concentration on diversity: New performing acts and new firms in the mainstream recording market, 1940-1990
-
(forthcoming)
-
Dowd, T. (forthcoming). ‘The Mitigated Impact of Concentration on Diversity: New Performing Acts and New Firms in the Mainstream Recording Market, 1940-1990’, Social Forces.
-
Social Forces
-
-
Dowd, T.1
-
62
-
-
84868505780
-
Fragments: A discussion on the position of critical ethnomusicology in contemporary musicology
-
Edström, O. 1997. ‘Fragments: A Discussion on the Position of Critical Ethnomusicology in Contemporary Musicology’, Svensk Tidskrift for Musikforskning (Swedish Journal of Musicology) 79:1, 9-68.
-
(1997)
Svensk Tidskrift for Musikforskning (Swedish Journal of Musicology)
, vol.79
, Issue.1
, pp. 9-68
-
-
Edström, O.1
-
65
-
-
0005888551
-
The early days of the gramophone industry in india
-
A. Leyson, D. Matless, and G. Revill, New York: The Guilford Press
-
Farrell, G. 1998. ‘The Early Days of the Gramophone Industry in India’, in A. Leyson, D. Matless, and G. Revill (eds.), The Place of Music. New York: The Guilford Press, 57-82.
-
(1998)
The Place of Music
, pp. 57-82
-
-
Farrell, G.1
-
73
-
-
0003206738
-
Passing and the managed achievement of sexual status as an intersexed person
-
New York: The Free Press
-
Garfinkel, H. 1967. ‘Passing and the Managed Achievement of Sexual Status as an Intersexed Person’, 116-85, in Studies in Ethnomethodology. New York: The Free Press, 116-85.
-
(1967)
Studies in Ethnomethodology
, pp. 116-185
-
-
Garfinkel, H.1
-
75
-
-
61449227925
-
Translating adorno: Language, music, and performance
-
Gillespie, S. 1995. ‘Translating Adorno: Language, Music, and Performance’. Musical Quarterly 79, 55-65.
-
(1995)
Musical Quarterly
, vol.79
, pp. 55-65
-
-
Gillespie, S.1
-
76
-
-
84929767705
-
Translator’s note
-
T. W. Adorno, Berkeley, Los Angeles, and London: University of California Press
-
Gillespie, S. 2002. ‘Translator’s Note’, in T. W. Adorno, Essays on Music. Berkeley, Los Angeles, and London: University of California Press, xiii-xx;.
-
(2002)
Essays on Music
, pp. xiii-xx
-
-
Gillespie, S.1
-
78
-
-
0004032597
-
-
Garden City: Doubleday
-
Goffman, E. 1961. Asylums. Garden City: Doubleday.
-
(1961)
Asylums
-
-
Goffman, E.1
-
79
-
-
0001131841
-
A sociology of attachment: Music amateurs, drug users
-
J. Law and J. Hazzard, Oxford: Blackwell
-
Gomart, E. and A. Hennion. 1999. ‘A Sociology of Attachment: Music Amateurs, Drug Users’, in J. Law and J. Hazzard (eds.), Actor Network Theory and After. Oxford: Blackwell, 220-47.
-
(1999)
Actor Network Theory and After
, pp. 220-247
-
-
Gomart, E.1
Hennion, A.2
-
85
-
-
0001310026
-
Baroque and rock: Music, mediators and musical taste
-
Hennion, A. 1997. ‘Baroque and Rock: Music, Mediators and Musical Taste’, Poetics 24, 415-25.
-
(1997)
Poetics
, vol.24
, pp. 415-425
-
-
Hennion, A.1
-
86
-
-
0035568385
-
Music lovers: Taste as performance
-
Hennion, A. 2001. ‘Music Lovers: Taste as Performance’, Theory, Culture and Society 18: 5, 1-22.
-
(2001)
Theory, Culture and Society
, vol.18
, Issue.5
, pp. 1-22
-
-
Hennion, A.1
-
87
-
-
4043101283
-
Authority as performance: The love of bach in nineteenth-century france
-
Special issue on ‘Musical Consciousness’, (T. DeNora and R. Witkin)
-
Hennion, A. and J. M. Fauquet. 2001. ‘Authority as Performance: the Love of Bach in Nineteenth-century France’, Poetics: Journal of Empirical Research on Culture, the Media and the Arts, Special issue on ‘Musical Consciousness’, (ed. T. DeNora and R. Witkin), 29:2, 75-88.
-
(2001)
Poetics: Journal of Empirical Research on Culture, the Media and the Arts
, vol.29
, Issue.2
, pp. 75-88
-
-
Hennion, A.1
Fauquet, J.M.2
-
90
-
-
0004261338
-
-
Berkeley and Los Angeles: University of California Press
-
Hochschild, A. 1983. The Managed Heart. Berkeley and Los Angeles: University of California Press.
-
(1983)
The Managed Heart
-
-
Hochschild, A.1
-
96
-
-
84928095313
-
-
London: Fontana
-
Jay, M. 1984. Adorno. London: Fontana.
-
(1984)
Adorno
-
-
Jay, M.1
-
97
-
-
85173411735
-
-
Berkeley, Los Angeles, and London: University of California Press
-
Johnson, J. 1995. Listening in Paris: A Cultural History. Berkeley, Los Angeles, and London: University of California Press.
-
(1995)
Listening in Paris: A Cultural History
-
-
Johnson, J.1
-
98
-
-
0033130058
-
Against structure: A critique of morphogenetic social theory
-
King, A. 1999. ‘Against Structure: a Critique of Morphogenetic Social Theory’, Sociological Review, 47: 2, 198-222.
-
(1999)
Sociological Review
, vol.47
, Issue.2
, pp. 198-222
-
-
King, A.1
-
100
-
-
60950330205
-
Sociological factors in musicological poetics
-
Kingsbury, H. 1991. ‘Sociological Factors in Musicological Poetics’, Ethnomusicology 35, 195-219.
-
(1991)
Ethnomusicology
, vol.35
, pp. 195-219
-
-
Kingsbury, H.1
-
101
-
-
0001693026
-
Introduction
-
K. Knorr-Cetina and M. Mulkay, London: Sage
-
Knorr-Cetina, K. 1983. ‘Introduction’, in K. Knorr-Cetina and M. Mulkay (eds.), Science in Context. London: Sage, 1-18.
-
(1983)
Science in Context
, pp. 1-18
-
-
Knorr-Cetina, K.1
-
102
-
-
34249675887
-
Music at work: Toward an historical overview
-
Korczynski, M. (2003). ‘Music at Work: Toward an Historical Overview’. Folk Music Journal 3.
-
(2003)
Folk Music Journal
, pp. 3
-
-
Korczynski, M.1
-
104
-
-
0003587905
-
-
Cambridge, Mass.: Harvard University Press
-
Lamont, M. 2000. The Dignity of Working Men. Cambridge, Mass.: Harvard University Press.
-
(2000)
The Dignity of Working Men
-
-
Lamont, M.1
-
107
-
-
0004005686
-
-
Cambridge, Mass.: Harvard University Press
-
Latour, B. 1987. Science in Action. Cambridge, Mass.: Harvard University Press.
-
(1987)
Science in Action
-
-
Latour, B.1
-
109
-
-
0001831248
-
Where are the missing masses? A sociology of a few mundane artefacts
-
W. E. Bijker and J. Law, Cambridge, Mass.: MIT Press
-
Latour, B. 1991. ‘Where Are the Missing Masses? A Sociology of a Few Mundane Artefacts’, in W. E. Bijker and J. Law (eds.), Shaping Technology/Building Society: Studies in Sociotechnical Change. Cambridge, Mass.: MIT Press, 225-58.
-
(1991)
Shaping Technology/Building Society: Studies in Sociotechnical Change
, pp. 225-258
-
-
Latour, B.1
-
112
-
-
0003914592
-
-
Berkeley, Los Angeles, and London: University of California Press
-
Leppert, R. 1993. The Sight of Sound. Berkeley, Los Angeles, and London: University of California Press.
-
(1993)
The Sight of Sound
-
-
Leppert, R.1
-
113
-
-
79954617891
-
Commentary and notes
-
Adorno, Berkeley, Los Angeles, and London: University of California Press
-
Leppert, R. 2002 ‘Commentary and Notes’, in, Adorno, Essays on Music. Berkeley, Los Angeles, and London: University of California Press.
-
(2002)
Essays on Music
-
-
Leppert, R.1
-
117
-
-
0000665627
-
The differential roles of charateristics of music on high- and low-investment customers’ processing of ads
-
MacInnes, D. and M.C. Park. 1991. ‘The Differential Roles of Charateristics of Music on High- and Low-Investment Customers’ Processing of Ads’, Journal of Consumer Research 18, 161-73.
-
(1991)
Journal of Consumer Research
, vol.18
, pp. 161-173
-
-
Macinnes, D.1
Park, M.C.2
-
118
-
-
4043163577
-
Between history and commodity: The production of a musical patrimony through the record in the 1920-1930s
-
Maisonneuve, S. 2001. ‘Between History and Commodity: the Production of a Musical Patrimony Through the Record in the 1920-1930s’, Poetics 29:2, 89-108.
-
(2001)
Poetics
, vol.29
, Issue.2
, pp. 89-108
-
-
Maisonneuve, S.1
-
119
-
-
0004241223
-
-
Milton Keynes: Open University Press
-
Martin, E. 1989. The Woman in the Body. Milton Keynes: Open University Press.
-
(1989)
The Woman in the Body
-
-
Martin, E.1
-
120
-
-
84884459169
-
The egg and the sperm
-
Martin, E. 1991. ‘The Egg and the Sperm’, Signs 16, 485-501.
-
(1991)
Signs
, vol.16
, pp. 485-501
-
-
Martin, E.1
-
123
-
-
61449141303
-
On talking politics during the bach year
-
R. Leppert and S. McClary
-
McClary, S. 1987. ‘On Talking Politics During the Bach Year’, in R. Leppert and S. McClary (eds.). Music and Society.
-
(1987)
Music and Society
-
-
McClary, S.1
-
124
-
-
0003473729
-
-
Cambridge, Mass.: Harvard University Press
-
McNeill, W. 1995. Keeping Together in Time. Cambridge, Mass.: Harvard University Press.
-
(1995)
Keeping Together in Time
-
-
McNeill, W.1
-
125
-
-
0003575643
-
-
Cambridge: Cambridge University Press
-
Melucci, A. 1996a. Challenging Codes. Cambridge: Cambridge University Press.
-
(1996)
Challenging Codes
-
-
Melucci, A.1
-
126
-
-
0004107888
-
-
Cambridge: Cambridge University Press
-
Melucci, A. 1996b. The Playing Self. Cambridge: Cambridge University Press.
-
(1996)
The Playing Self
-
-
Melucci, A.1
-
130
-
-
0002402225
-
Using background music to affect the behaviour of supermarket shoppers
-
Milliman, R. ‘Using Background Music to Affect the Behaviour of Supermarket Shoppers’, Journal of Marketing 46, 86-91.
-
Journal of Marketing
, vol.46
, pp. 86-91
-
-
Milliman, R.1
-
131
-
-
0031501920
-
It’s like you use pots and pans to cook with
-
Moore, L. J. 1997. ‘It’s Like You Use Pots and Pans to Cook With’, Science, Knowledge and Human Values 22: 4, 434-71.
-
(1997)
Science, Knowledge and Human Values
, vol.22
, Issue.4
, pp. 434-471
-
-
Moore, L.J.1
-
135
-
-
84921815427
-
-
unpublished undergraduate diss., Department of Psychology, University of Keele
-
Neilly, L. 1995. ‘The Uses of Music in People’s Everyday Lives’, unpublished undergraduate diss., Department of Psychology, University of Keele.
-
(1995)
The Uses of Music in People’s Everyday Lives
-
-
Neilly, L.1
-
137
-
-
0002445297
-
Music and consumer behaviour
-
D. Hargreaves and A. North, Oxford: Oxford University Press
-
North, A. and D. Hagreaves. 1997. ‘Music and Consumer Behaviour’, in D. Hargreaves and A. North (eds.), The Social Psychology of Music. Oxford: Oxford University Press, 268-89.
-
(1997)
The Social Psychology of Music
, pp. 268-289
-
-
North, A.1
Hagreaves, D.2
-
138
-
-
0030662462
-
In-store music affects product choice
-
North, A., D. Hargreaves, and J. McKendrick. 1997. ‘In-store Music Affects Product Choice’, Nature 390, 132.
-
(1997)
Nature
, vol.390
, pp. 132
-
-
North, A.1
Hargreaves, D.2
McKendrick, J.3
-
140
-
-
0038733255
-
Gender and music
-
D. Hargreaves and A. North, Oxford: Oxford University Press
-
O’Neill, S. 1997. ‘Gender and Music’, in D. Hargreaves and A. North (eds.), The Social Psychology of Music. Oxford: Oxford University Press, 46-66.
-
(1997)
The Social Psychology of Music
, pp. 46-66
-
-
O’Neill, S.1
-
141
-
-
84929767708
-
-
New York: American Library
-
Orwell, G. 1961. 1984. New York: American Library.
-
(1961)
-
-
Orwell, G.1
-
147
-
-
0011556522
-
Cycles in symbol production: The case of popular music
-
S. Frith and A. Goodwin, London: Routledge
-
Peterson, R. and D. Berger. 1990 [1975]. ‘Cycles in Symbol Production: the case of popular music’, ed. S. Frith and A. Goodwin (eds.), On Record: Rock, Pop and the Written Word. London: Routledge.
-
(1975)
On Record: Rock, Pop and the Written Word
-
-
Peterson, R.1
Berger, D.2
-
148
-
-
0001432670
-
How musical tastes mark occupational status groups
-
M. Lamont and M. Fournier, Chicago: University of Chicago Press
-
Peterson, R. and A. Simkus. 1992. ‘How Musical Tastes Mark Occupational Status Groups’, in M. Lamont and M. Fournier (eds.), Cultivating Differences: Symbolic Boundaries and the Making of Inequality. Chicago: University of Chicago Press, 152-86.
-
(1992)
Cultivating Differences: Symbolic Boundaries and the Making of Inequality
, pp. 152-186
-
-
Peterson, R.1
Simkus, A.2
-
150
-
-
0004281448
-
-
(and trans. by A. I. Richards). Cambridge: Cambridge University Press
-
Plato. 1966. The Republic. (Ed. and trans. by A. I. Richards). Cambridge: Cambridge University Press.
-
(1966)
The Republic
-
-
Plato1
-
151
-
-
0004206328
-
-
Cambridge: Cambridge University Press
-
Pollner, M. 1987. Mundane Reason. Cambridge: Cambridge University Press.
-
(1987)
Mundane Reason
-
-
Pollner, M.1
-
152
-
-
0000893380
-
The sociology of cultural reception: Notes toward an emerging paradigm
-
D. Crane
-
Press, A. 1994. ‘The Sociology of Cultural Reception: Notes Toward an Emerging Paradigm’, in D. Crane (ed.) The Sociology of Culture, 221-46.
-
(1994)
The Sociology of Culture
, pp. 221-246
-
-
Press, A.1
-
154
-
-
0002625612
-
Artefacts, memory and a sense of the past
-
D. Middleton and D. Edward s, London: Sage
-
Radley, A. 1990. ‘Artefacts, Memory and a Sense of the Past’, in D. Middleton and D. Edward s (eds.), Collective Remembering. London: Sage.
-
(1990)
Collective Remembering
-
-
Radley, A.1
-
155
-
-
84889444890
-
Reception study: Ethnography and the problems of dispersed audiences and nomadic subjects
-
Radway, J. 1988. ‘Reception Study: Ethnography and the Problems of Dispersed Audiences and Nomadic Subjects’, Cultural Studies 2, 59-76.
-
(1988)
Cultural Studies
, vol.2
, pp. 59-76
-
-
Radway, J.1
-
156
-
-
4043132580
-
The canon in the musicological toolbox
-
K. Bergeron and P. Bohlman, Chicago: University of Chicago Press
-
Randel, D. 1992. ‘The Canon in the Musicological Toolbox’, in K. Bergeron and P. Bohlman (eds.), Disciplining Music: Musicology and its Canons. Chicago: University of Chicago Press, 10-23.
-
(1992)
Disciplining Music: Musicology and Its Canons
, pp. 10-23
-
-
Randel, D.1
-
158
-
-
0003925446
-
-
New Haven: Yale University Press
-
Riesmany, D. 1950. The Lonely Crowd. New Haven: Yale University Press.
-
(1950)
The Lonely Crowd
-
-
Riesmany, D.1
-
160
-
-
0004059250
-
-
(rev. edn). London: Palgrave
-
Sacks, O. 1990. Awakenings (rev. edn). London: Palgrave.
-
(1990)
Awakenings
-
-
Sacks, O.1
-
162
-
-
0011487959
-
Making music together
-
The Hague: Martinus Nijhoff
-
Schutz, A. 1964. ‘Making Music Together’, in Collected Papers Vol. 2. The Hague: Martinus Nijhoff.
-
(1964)
Collected Papers Vol
, vol.2
-
-
Schutz, A.1
-
166
-
-
0003295728
-
Empirical studies of emotional response to music
-
M. Riess-Jones and S. Holleran, Washington, DC: American Psychological Association
-
Sloboda, J. 1992. ‘Empirical Studies of Emotional Response to Music’, in M. Riess-Jones and S. Holleran (eds.), Cognitive Bases of Musial Communication. Washington, DC: American Psychological Association.
-
(1992)
Cognitive Bases of Musial Communication
-
-
Sloboda, J.1
-
168
-
-
0038410369
-
Emotions in everyday listening to music
-
P. Juslin and J. Sloboda, Oxford: Oxford University Press
-
Sloboda, J. and S. O’Neil 2001. ‘Emotions in Everyday Listening to Music’, in P. Juslin and J. Sloboda (eds.), Music and Emotion: Theory and Research. Oxford: Oxford University Press.
-
(2001)
Music and Emotion: Theory and Research
-
-
Sloboda, J.1
O’Neil, S.2
-
170
-
-
0013922665
-
“arousal hypothesis” and the effects of music on purchasing behaviour
-
Smith, P. C. and R. Curnow. 1966. ‘“Arousal Hypothesis” and the Effects of Music on Purchasing Behaviour’, Journal of Applied Psychology 50, 255-6.
-
(1966)
Journal of Applied Psychology
, vol.50
, pp. 255-256
-
-
Smith, P.C.1
Curnow, R.2
-
172
-
-
63849113618
-
Adequate modes of listening
-
(trans. Anahid Kassabian and Leo G. Svendsen), in D. Schwarz, A Kassabian, and L. Siegel, Charlottesville: University Press of Virginia
-
Stockfelt, Ola. 1997. ‘Adequate Modes of Listening’ (trans. Anahid Kassabian and Leo G. Svendsen), in D. Schwarz, A Kassabian, and L. Siegel (eds.), Keeping Score: Music, Disciplinarity, Culture. Charlottesville: University Press of Virginia, 129-46.
-
(1997)
Keeping Score: Music, Disciplinarity, Culture
, pp. 129-146
-
-
Stockfelt, O.1
-
176
-
-
72449132996
-
Culture in action: Symbols and strategies
-
Swidler, A. 1986. ‘Culture in Action: Symbols and Strategies’, American Sociological Review 51, 273-86.
-
(1986)
American Sociological Review
, vol.51
, pp. 273-286
-
-
Swidler, A.1
-
180
-
-
0004136440
-
-
(Trans. and C. Looms). Ann Arbor: Michigan State University Press
-
Tönnies, F. 1957. Community and Society. (Trans. and ed. C. Looms). Ann Arbor: Michigan State University Press.
-
(1957)
Community and Society
-
-
Tönnies, F.1
-
183
-
-
84878922994
-
Homeless memories: How societies forget their past
-
Tota, A. L. 2001b. ‘Homeless Memories: How Societies Forget their Past’, Studies in Communication Sciences 1:2, 193-214.
-
(2001)
Studies in Communication Sciences
, vol.1
, Issue.2
, pp. 193-214
-
-
Tota, A.L.1
-
184
-
-
23844547608
-
When orff meets guinness: Music in advertising as a form of cultural hybrid
-
Tota, A. L. 2001c. ‘When Orff Meets Guinness: Music in Advertising as a Form of Cultural Hybrid’, Poetics 29: 2, 109-24.
-
(2001)
Poetics
, vol.29
, Issue.2
, pp. 109-124
-
-
Tota, A.L.1
-
187
-
-
38249036638
-
How reviewers reach consensus on the value of literary works
-
Van Rees, C. J. 1987. ‘How Reviewers Reach Consensus on the Value of Literary Works’, Poetics 16, 275-94.
-
(1987)
Poetics
, vol.16
, pp. 275-294
-
-
Van Rees, C.J.1
-
188
-
-
0000836137
-
Memories in the making: The shapes of things that went
-
Wagner-Pacifici, R. 1996. ‘Memories in the Making: the Shapes of Things that Went’, Qualitative Sociology 19, 301-21.
-
(1996)
Qualitative Sociology
, vol.19
, pp. 301-321
-
-
Wagner-Pacifici, R.1
-
189
-
-
84888019619
-
The vietnam veterans memorial: Commemorating a difficult past
-
Wagner-Pacifici, R. and B. Schwartz. 1991. ‘The Vietnam Veterans Memorial: Commemorating a Difficult Past’, American Journal of Sociology 97, 376-420.
-
(1991)
American Journal of Sociology
, vol.97
, pp. 376-420
-
-
Wagner-Pacifici, R.1
Schwartz, B.2
-
191
-
-
0003953213
-
-
(G. Roth and C. Wittich). Berkeley and Los Angeles: University of California Press
-
Weber, W. 1978. Economy and Society. (Ed. G. Roth and C. Wittich). Berkeley and Los Angeles: University of California Press.
-
(1978)
Economy and Society
-
-
Weber, W.1
-
194
-
-
61949142105
-
The concept of beethoven’s “early” period in the context of periodizations in general
-
Webster, J. 1994. ‘The Concept of Beethoven’s “Early” Period in the Context of Periodizations in General’, Beethoven Forum 3, 1-27.
-
(1994)
Beethoven Forum
, vol.3
, pp. 1-27
-
-
Webster, J.1
-
196
-
-
0009382988
-
The emotional body
-
Williams, S. 1996. ‘The Emotional Body’, Body & Society 2: 3, 125-39.
-
(1996)
Body & Society
, vol.2
, Issue.3
, pp. 125-139
-
-
Williams, S.1
-
198
-
-
84929767712
-
-
Paper given to International Conference on States of the Arts, Department of Sociology, University of Exeter
-
Wilson-Koves, D. 2000. ‘The theatrical coherence of intimacy’. Paper given to International Conference on States of the Arts, Department of Sociology, University of Exeter.
-
(2000)
The Theatrical Coherence of Intimacy
-
-
Wilson-Koves, D.1
-
202
-
-
35348885424
-
Configuring the user: Inventing new technologies
-
K. Grint and S. Woolgar, Cambridge: Polity
-
Woolgar, S. 1997. ‘Configuring the User: Inventing New Technologies’, in K. Grint and S. Woolgar (eds.), The Machine at Work. Cambridge: Polity, 65-94.
-
(1997)
The Machine at Work
, pp. 65-94
-
-
Woolgar, S.1
-
204
-
-
0007277696
-
Museums as contested sites of remembrance: The enola gay affair
-
G. Fyfe and S. MacDonald, London: Sage
-
Zolberg, V. 1996. ‘Museums as Contested Sites of Remembrance: The Enola Gay Affair’, in G. Fyfe and S. MacDonald (eds.), Theorising Musicians. London: Sage.
-
(1996)
Theorising Musicians
-
-
Zolberg, V.1
|