Musical imagiNation: U.S-Colombian identity and the Latin music boom

Musical ImagiNation: U.S-Colombian Identity and the Latin Music Boom

Volumn , Issue , 2010, Pages 1-255

  Cepeda, María Elena ^a  

^a WILLIAMS COLLEGE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84900605985     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (549)

1. Abbas, Ackbar, and John Nguyet Erni, eds. Internationalizing Cultural Studies: An Anthology. Malden, MA: Blackwell, 2005.
2. Abu-Lughod, Lila. "Writing Against Culture." Recapturing Anthropology. Ed. Richard Fox. Santa Fe, NM: School of American Research Press, 1991. 137-162.
3. Adams, Noah, and Gustavo Arellano. "Review: Andrea Echeverri's Self-Titled Debut Album." Day to Day. National Public Radio. 18 April 2005.
4. Agudelo, Carlos. "New Colombian Sounds Coming to U.S. Market." Billboard, 15 Jan. 1983: 43.
5. Alvarez, Jr., Robert R. Mangos, Chiles and Truckers: The Business of Transnationalism. Minneapolis:University of Minnesota Press, 2005.
6. Amnistía Internacional. Violencia política en Colombia. Mito y realidad. Madrid: Editorial Amnistía Internacional, 1994.
7. Anderson, Benedict. "Exodus." Critical Inquiry 20.2 (1994): 314-327.
8. Aparicio, Frances R. "On Sub-Versive Signifiers: Tropicalizing Language in the United States." Tropicalizations: Transcultural Representations of Latinidad. Ed. Frances R. Aparicio and Susana Chávez-Silverman. Hanover, NH: Dartmouth/University Press of New England, 1997. 194-212.
9. Aparicio. Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures. Hanover, NH: University Press of New England, 1998.
10. Aparicio. "The Blackness of Sugar: Celia Cruz and the Performance of (Trans)Nationalism." Cultural Studies 13.2 (1999): 223-236.
11. Aparicio. "Ethnifying Rhythms, Feminizing Cultures." Music and the Racial Imagination. Ed. Ronald Radano and Philip V. Bohlman. Chicago: University of Chicago Press, 2000. 95-112.
12. Aparicio. "La Lupe, La India, and Celia: Toward a Feminist Genealogy of Salsa Music." Situating Salsa: Global Markets and Local Meaning in Latin Popular Music. Ed. Lise Waxer. London: Routledge, 2002. 135-160.
13. Aparicio. "Gendered Transculturations in Six Feet Under: Implications for Rethinking Latin American, American, Latina/o and Gender Studies." Lecture. The Future of Ethnic Studies in/as American Studies, Williams College, Williamstown, MA, 12 March 2005.
14. Aparicio, Frances R., and Susana Chávez-Silverman. Introduction. Tropicalizations:Transcultural Representations of Latinidad. Ed. Frances R. Aparicio and Susana Chávez-Silverman. Hanover, NH: Dartmouth/University Press of New England, 1997.
15. Aparicio, Frances R., and Cándida Jáquez. Introduction. Musical Migrations: Transnationalism and Cultural Hybridity in Latin/o America. Ed. Frances R. Aparicio and Cándida Jáquez with María Elena Cepeda. New York: St. Martin's Press, 2003.
16. Aponte, Alex. "Miami, the Media Heavy." Hispanic Business (July-August 1998): 50ff.
17. Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis:University of Minnesota Press, 1996.
18. Araújo de Molina, Consuelo. Vallenatología. Orígenes y fundamentos de la música vallenata. Bogotá: Ediciones Tercer Mundo, 1973.
19. Arévalo-Mateus, Jorge. "The Colombian Costeño Musicians of the New York Metropolitan Area: A Manifestation of Urban Vallenato." Master's thesis. Hunter College, CUNY, 1998.
20. Arias Polo, Arturo. "Carlos Vives: un cantautor con sonido propio." Elherald.com, 18 Nov. 1999 .
21. Arnold, Chuck, and Linda Trischitta. "Bomba shell." People, 2 Feb. 2002: 134-136.
22. Arocha, Jaime. "Inclusion of Afro-Colombians: Unreachable National Goal?" Latin American Perspectives 25.3 (1998): 70-89.
23. Arocha Rodríguez, Jaime. "Afro-Colombia Denied." North American Congress on Latin America (NACLA) 25.4 (1992): 28-31.
24. Arregocés Carrere, Benyi. "Champeta." Fundación Cultural Son al Son. 2000. .
25. "Artistas colombianos ganan cinco premios Grammy Latinos." ElTiempo.com, 31 Oct. 2001 .
26. Associated Press. "Hispanics Set to Surpass Blacks in Buying Power in U.S." International Herald Tribune, 1 Sept. 2006 .
27. Aterciopelados. "La estaca." El Dorado. Dir. Carlos Gaviria. MTV Latino. 1995.
28. Aterciopelados. "Baracunátana." La pipa de la paz. RCA International, 1996.
29. Aterciopelados. Colombia conexión. El Dorado. RCA International, 1995.
30. Aterciopelados. "Cosita seria." La pipa de la paz. RCA International, 1996.
31. Aterciopelados. "Cosita seria." La pipa de la paz. RCA International, 1996.
32. Aterciopelados. "Miss Panela." La pipa de la paz. RCA International, 1996.
33. Aterciopelados. "No necesito." La pipa de la paz. RCA International, 1996.
34. Aterciopelados. "El estuche." Caribe atómico. RCA International, 1998.
35. Aterciopelados. "El estuche." Caribe atómico. Dir. Marina Zurkow. MTV Latino. 1998.
36. Aterciopelados. "Florecita rockera 2003." Evolución. RCA International, 2002.
37. "Aterciopelados se quedarán en Colombia, pese al conflicto armado." Efe News Services (U.S.). Spanish Newswire Services [cited 8 Feb. 2001].
38. Austerlitz, Saul. Money for Nothing: A History of Music Video From the Beatles to the White Stripes. New York: Continuum, 2006.
39. Báez, Anna Cristina. Personal communication. 30 Nov. 2000.
40. Báez, Jillian. " 'En mi imperio': Competing Discourses of Agency in Ivy Queen's Reggaetón." CENTRO Journal 18.11 (2006): 62-81.
41. Báez, Jillian. "Mexican (American) Women Talk Back: Audience Responses to Representations of Latinidad in U.S. Advertising." Latina/o Communication Studies Today. Ed. Angharad N. Valdivia. New York: Peter Lang, 2008. 257-282.
42. Baldwin, Kristen. "The Best Next Thing." Entertainment Weekly, 31 March 2000: 20-28.
43. Ballvé, Marcelo. "The Battle for Latino Media." North American Congress on Latin America (NACLA) 37.4 (Jan.-Feb. 2004): 20-25.
44. Banks, Jack. Monopoly Television: MTV's Quest to Control the Music. Boulder, CO: Westview Press, 1996.
45. Bayton, Mavis. "Feminist Musical Practice: Problems and Contradictions." Rock and Popular Music: Politices, Policies, Institutions. Ed. Tony Bennett, Simon Frith, Lawrence Grossberg, John Shepherd, and Graeme Turner. London: Routledge, 1993. 177-192.
46. Behdad, Ali. A Forgetful Nation: On Immigration and Cultural Identity in the United States. Durham, NC: Duke University Press, 2005.
47. Bennett, Tony, Simon Frith, Lawrence Grossberg, John Shepherd and Graeme Turner, eds. Rock and Popular Music: Politices, Policies, Institutions. London: Routledge, 1993.
48. Bergquist, Charles, Ricardo Peñaranda, and Gonzalo Sánchez, eds. Violence in Colombia, 1990-2000: Waging War and Negotiating Peace. Lanham, MD: SR Books, 2001.
49. Berland, Jody. "Sound, Image and Social Space: Music Video and Media Reconstruction." Sound and Vision: The Music Video Reader. Ed. Simon Frith, Andrew Goodwin, and Lawrence Grossberg. London: Routledge, 1993. 25-43.
50. Bernstein, Nina, and Adam Glick. "The New Immigrant Dream: Arepas as Common as Bagels." New York Times, 6 Feb. 2007: A1.
51. Berríos-Miranda, Marisol. " 'Con Sabor a Puerto Rico': The Reception and Influence of Puerto Rican Salsa in Venezuela." Musical Migrations: Transnationalism and Cultural Hybridity in Latin/o America. Ed. Frances R. Aparicio and Cándida Jáquez with María Elena Cepeda. New York: St. Martin's Press, 2003. 47-67.
52. Beverley, John. "The Ideology of Postmodern Music and Leftist Politics." Against Literature. Minneapolis: University of Minneapolis Press, 1993. 124-142.
53. Beverley, John, and David Houston. "Una utopía degradada: notas sobre Miami." Trans. Juan Pablo Dabove. Heterotropías: Narrativas de identidad en América Latina. Ed. Juan Pablo Dabove and Carlos Jáuregui. Pittsburgh: ILLI, 2003. 419-445.
54. Binder, Frederick M., and David M. Reimers. "New York as an Immigrant City." Origins and Destinies. Ed. Silvia Pedraza and Rubén G. Rumbaut. Belmont, CA: Wadsworth, 1996. 334-345.
55. Bloque. "Descarga." Bloque. Luaka Bop, 1998.
56. Blow. DVD. Directed by Ted Demme. New Line Home Video, 2001.
57. Bolaño Saurith, Paúl. "Caja, guarcharaca, y acordeón." El Tiempo-Caribe, 17 April 1998: 5.
58. Borger, Julian. "Republican Grip Starts to Loosen in Little Havana." Guardian (London, England), 5 Oct. 2004: 12.
59. Branch-Brioso, Karen. "El poder político en Miami es complejo." El Nuevo Herald, 4 Sept. 2000 .
60. Branch-Brioso, Karen, Tim Henderson, and Alfonso Chardy. "Los anglos, el poder verdadero." El Nuevo Herald 3 Sept. 2000 .
61. Branch-Brioso, Karen. "Sondeo rompe el mito del poder cubano en Miami-Dade." El Nuevo Herald, 3 Sept. 2000 .
62. Braun, Herbert. Our Guerrillas, Our Sidewalks: A Journey Into the Violence of Colombia. Lanham, MD: Rowman & Littlefield, 2003.
63. Burns, Gary. "Formula and Distinctiveness in Movie-Based Music Videos." Popular Music and Society 18.4 (1994): 7-18.
64. Burns, Gary. "How Music Video Has Changed, and How It Has Not Changed." Popular Music and Society 18.3 (1994): 67-80.
65. Burns, Gary. "'Where the Action Is': Dick Clark's Precursor to Music Video." Journal of Popular Film and Television 25.1 (1997): 31-38.
66. Burns, Gary. "Visualizing 1950s Hits on 'Your Hit Parade.'" Popular Music 17.2 (1998): 139-153.
67. Burns, Gary. "Pop Up Video: The New Historicism. Journal of Popular Film and Television 32.2 (2004): 74-83.
68. Bush, Gregory W. "'Playground of the USA': Miami and the Promotion of Spectacle." Pacific Historical Review 68.2 (May 1999): 153-172.
69. Bushnell, David. The Making of Modern Colombia: A Nation in Spite of Itself. Berkeley:University of California Press, 1993.
70. Butler, Rhett. "And Our Winners Are..." Time, Fall 2001: 29.
71. Cabán, Pedro. "The New Synthesis of Latin American and Latino Studies." Borderless Borders: U.S. Latinos, Latin Americans, and the Paradox of Interdependence. Ed. Frank Bonilla, Edwin Meléndez, Rebecca Morales and María de los Angeles Torres. Philadelphia:Temple University Press, 1998. 195-215.
72. Cabrera, Carlos Augusto. E-mail forwarded to the author containing the article "Para los colombianos, los eventos culturales importantes son de la Costa Caribe." Bernardo Bejarano González. ElTiempo.com, 14 July 2002.
73. Caicedo, Andrés. ¡Que viva la música! Bogotá: Editorial Norma, 2001.
74. Campo Miranda, Rafael. Crónicas didácticas sobre el folclor musical de Colombia. Barranquilla:Editorial Mejoras, 1999.
75. Cárdenas Duque, Rocío. Música caribeña. Tres países y un sólo ritmo. Ensayos. Cali: Centro Editorial/Universidad de Valle, 1992.
76. Cardona, Eliseo. "Shakira: From Colombia to the World." CDNOW, 20 Sept. 2000 .
77. Casillas, Dolores Inés. "From Colonial Hottentot to Post-Colonial 'Hottie': Jennifer López' Re(butt)als to White America." Students of Color of Rackham Conference. University of Michigan, Ann Arbor, Michigan, 13 Feb. 2000.
78. Casillas, Dolores Inés. "Sounds of Belonging: A Cultural History of Spanish-Language Radio in the United States." Ph.D. diss., University of Michigan, Ann Arbor, 2006.
79. Casillas, Dolores Inés. "A Morning Dose of Latino Masculinity: U.S. Spanish-Language Radio and the Politics of Gender." Latina/o Communication Studies Today. Ed. Angharad N. Valdivia. New York: Peter Lang, 2008. 161-186.
80. Casillas, Dolores Inés, and María Elena Cepeda. "How Tejas Arrived at La Isla: Jennifer López, Selena, and the Construction of a Latina Iconography." Puerto Rican Studies Association. Congress Plaza Hotel, Chicago, 5 Oct. 2002.
81. Castro Caycedo, Germán. El Hueco. Bogotá: Planeta, 1989.
82. Cepeda, María Elena. "Columbus Effect(s): The Politics of Crossover and Chronology within the Latin(o) Music 'Boom.'" Discourse 23.1 (2001): 242-267.
83. Cepeda, María Elena. "Shakira as the Idealized, Transnational Citizen: A Case Study of Colombianidad in Transition." Latino Studies 1.2 (2003): 210-232.
84. Cepeda, María Elena. "Survival Aesthetics: U.S. Latinas and the Negotiation of Popular Media." Latina/o Communication Studies Today. Ed. Angharad N. Valdivia. New York: Peter Lang, 2008. 237-256.
85. Chaparro, María Alejandra. "Little Colombia: Teen Immigrants Make New Lives in the United States." Hemisphere 11.3 (2002): 8-11.
86. Chernick, Marc W. "The Paramilitarization of the War in Colombia." NACLA, March-April 1998: 28-33.
87. Christie, Andrew. "The Debate You're Not Hearing: Immigration and Trade." Common Dreams News Center, 8 April 2006 .
88. Citron, Marcia J. Gender and the Musical Canon. Urbana: University of Illinois Press, 2000.
89. Clary, Mike. "Colombians Flee Homeland to Seek Refuge in Miami." Los Angeles Times, 12 Oct. 1999: 1.
90. Clemens, Luis. "The Sound that Sells." Marketing y Medios, December 2005 .
91. Click, Melissa A., and Michael W. Kramer. "Reflections on a Century of Living: Gendered Differences in Mainstream Popular Songs." Popular Communication 5.4 (2007):241-262.
92. Clifford, James. "Diasporas." Internationalizing Cultural Studies: An Anthology. Ed. Ackbar Abbas and John Nguyet Erni. Malden, MA: Blackwell, 2005. 524-558.
93. Coates, Norma. "(R)evolution Now? Rock and the Political Potential of Gender." Sexing the Groove: Popular Music and Gender. Ed. Sheila Whiteley. London: Routledge, 1997. 50-64.
94. Cobb, Kim. "Changing Mix of Latinos Stirs Florida Politics: Cuban-American Support for GOP Could Be Offset by Other Hispanics." Houston Chronicle, 28 Sept. 2004: A1.
95. Cobo, Leila. "A Rich Musical Tradition Swells Up and Out Into the World." Miami Herald, 25 July 1999: 5m, 7m.
96. Cobo, Leila. "Santander, Estefan Resolve Legal Quarrel." Billboard, 6 April 2002: 8.
97. Cobo, Leila. Interview With John Ydstie. All Things Considered. National Public Radio. 18 Sept. 2002.
98. Cobo, Leila. "Shakira x 2." azcentral.com, 24 May 2005 .
99. Cobo, Leila. "Latin Music Sales Plummet in 2007." reuters.com, 10 Dec. 2007 .
100. Cobo-Hanlon, Leila. "Barefoot Girl: Pop Diva Shakira Comes of Age." L.A. Weekly, 22 Nov. 1996: 51.
101. Cocaine Cowboys. DVD. Directed by Billy Corben. Magnolia Pictures, 2005.
102. Cohen, Howard. "There's Something About Miami." Billboard, 15 May 1999: 51-57.
103. Cohen, Sara. "Men Making a Scene: Rock Music and the Production of Gender." Sexing the Groove: Popular Music and Gender. Ed. Sheila Whiteley. London and New York:Routledge, 1997. 17-36.
104. Collier, Michael W. "Colombian Migration to South Florida: A Most Unwelcome Reception." Working paper. Colombian Studies Institute, Latin American and Caribbean Center. Florida International University, Miami, Florida. May 2004 .
105. "Colombia." The New Grove Dictionary of Music and Musicians. 6th ed. New York: Grove's Dictionaries, 1980.
106. Colombia, South America, 2008 [map]. 1:200. "Political Map of Colombia." 2008. Central Intelligence Agency. The World Factbook .
107. "Colombia se mueve." Semana.com, 29 August 2004 .
108. "Colombia's Diaspora." Chart. New York Times on the Web, 10 April 2001 .
109. "Colombia's Other Import." Editorial. Palm Beach Post, 6 April 2000: 16A.
110. "The Colombian Diaspora: Miami Nice." Economist.com, 3 May 2001 .
111. "The Colombian Diaspora in South Florida." Working paper. Colombian Studies Institute, Latin American and Caribbean Center. Florida International University, Miami, Florida. May 2001 .
112. Colón, Willie. "The Latin Grammys: Is There No End to the Egotism of the Miami Mafia?" Trans. Octavio Romano. Fwd. by Wilson Valentín-Escobar. 18 Sept. 2000 .
113. "Conéctese con una causa-Migraciones." conexioncolombia.com, 20 Aug. 2006 .
114. "Conexión Colombia." Semana, 11 Nov. 2002: 17.
115. Contreras, Feliz. "Defining Latin Alternative Music." All Things Considered. National Public Radio, 7 March 2006.
116. Cunin, Elizabeth. "El caribe visto desde el interior del país: estereotipos raciales y sexuales." Revista de Estudios Colombianos 30 (2006): 6-14.
117. Curtis, James R., and Richard F. Rose. "'The Miami Sound': A Contemporary Latin Form of Place-Specific Music." The Sound of People and Places: A Geography of American Folk and Popular Music. Ed. George O. Carney. 3rd ed. Lanham, MD: Rowman & Littlefield, 1994. 263-273.
118. Cusick, Suzanne G. "On a Lesbian Relationship With Music: A Serious Effort Not to Thnk Straight." Queering the Pitch: The New Gay and Lesbian Musicology. 2nd ed. Ed. Elizabeth Wood and Philip Brett. London: Routledge, 2006. 67-85.
119. Darling, Juanita. "Colombia Strikes a New Note." Los Angeles Times, 25 Sept. 1998: A1.
120. Das Gupta, Monica. Unruly Immigrants: Rights, Activism and Transnational South Asians Politics in the United States. Durham, NC: Duke University Press, 2006.
121. Dávila, Arlene. Latinos, Inc.: The Marketing and Making of a People. Berkeley: University of California Press, 2001.
122. Dávila, José. "Bush Whacked by Ricky Martin." miaminewtimes.com, 17 May 2007 .
123. Davis, Martha Ellen. "An Antidote to Crisis." Hemisphere 11.3 (2002): 4-7.
124. Davis, Mike. Magical Urbanism: Latinos Reinvent The U.S. Big City. London: Verso, 2000.
125. Deas, Malcolm. "Violent Exchanges: Reflections on Political Violence in Colombia." The Legitimization of Violence. Ed. David E. Apter. New York: New York University Press, 1997. 350-404.
126. De Certeau, Michel. The Practice of Everyday Life. Trans. Steven Rendall. Berkeley: University of California Press, 1984.
127. Deevoy, Adrian. "Colombian Gold." Maxim Blender April-May 2001: 100-107.
128. De Genova, Nicholas, and Ana Y. Ramos-Zayas. Latino Crossings: Mexicans, Puerto Ricans, and the Politics of Race and Citizenship. London: Routledge, 2003.
129. De la Riva, Roxana. "Alvaro Nieto: 'Quiero trabajar por los colombianos.'" La Prensa (San Antonio, TX). 2 Feb. 2006: 10.
130. De León, Sergio. "Shakira Welcomed Home in Colombia. abcnews.com, 15 Nov. 2006 .
131. Del Villar Sierra, Oliverio. "Significa resistir." Colombia: País de regiones. Ed. Fabio Zambrano F. Vol. 1. Bogotá: Cinep, 1998. 302-305.
132. Dermota, Ken. "Colombia's 'Elvis' Popularizes New Folk." Christian Science Monitor, 28 Aug. 1995: 14.
133. Desmond, Jane. "Embodying Difference: Issues in Dance and Cultural Studies." Everynight Life: Culture and Dance in Latin/o America. Ed. Celeste Fraser Delgado and José Esteban Muñoz.Durham, NC: Duke University Press, 1997. 33-64.
134. Dibben, Nicola. "Representations of Femininity in Popular Music." Popular Music 18.3 (1999): 331-355.
135. Dickerson, Marla. "Placing Blame for Mexico's Ills." Los Angeles Times, 1 July 2006 .
136. "Diosa coronada." Semana, 26 Feb. 2001: 25-29.
137. Dolinsky, Lewis. "The True State of Colombia." San Francisco Chronicle, 22 April 2001 .
138. Domínguez, Virginia R. "For a Politics of Love and Rescue." Cultural Anthropology 15.3 (2000): 361-393.
139. Dorfman, Steve, Luis R. Rigual, and Linda Larx. "The City's Most Fascinating Faces of 2000." Miami Metro (December 2000): 31-36.
140. Drummond, Tammerlin. "Godfather of the Miami Sound." Time, 24 May 1999: 78.
141. Duany, Jorge. "Popular Music in Puerto Rico: Toward an Anthropology of Salsa." Latin American Music Review 5.2 (1984): 186-216.
142. Dudley, Steven. "Walking Through the Nightscapes of Bogotá." North American Congress on Latin America (NACLA) (Sept.-Oct. 1999): 10-14.
143. Dudley, Steven. Walking Ghosts: Murder and Guerrilla Politics in Colombia. New York: Routledge, 2004.
144. Dugas, John C. "Colombian Attitudes Toward the United States After 9/11." America: Sovereign Defender or Cowboy Nation? Ed. Vladmir Shlapentokh, Joshua Woods, and Eric Shiraev. Hants, Great Britan/Burlington, VT: Ashgate, 2005. 69-88.
145. Echeverri, Andrea. "Lactochampeta." Andrea Echeverri. Nacional Records, 2005.
146. "Election 2000: Bush, Gore, Locked in Unprecedented Fight for Control of the White House." Special Event. CNN. Miami. 8 Nov. 2000.
147. "El elegido." Semana, 11 Nov. 2002: 104.
148. Elliot, Andrea. "Thousands Flee War in Colombia, Plan New Lives in U.S." Miami Herald, 29 Aug. 2001 .
149. Elliot, Emory. "Diversity in the United States and Abroad: What Does It Mean When American Studies Is Transnational?" American Quarterly 59.1 (2007): 1-22.
150. "Emilio Estefan tilda a Willie Colón de izquierdista." El Universal, 20 Oct. 2000 .
151. Emerson, Rana A. "'Where My Girls At?': Negotiating Black Womanhood in Music Videos." Gender & Society 16.1 (2002): 155-135.
152. "En la variedad está el placer." Semana, 5 Nov. 2001: 80-81.
153. Escobar, Cristina. "Dual Citizenship and Political Participation: Migrants in the Interplay of United States and Colombian Politics." Latinos and Citizenship: The Dilemma of Belonging. Ed. Suzanne Oboler. New York: Palgrave Macmillan, 2006. 113-141.
154. Espitia, Marilyn. "The Other 'Other Hispanics': South American-Origin Latinos in the United States." Columbia History of Latinos in the United States Since 1960. Ed. David G. Gutiérrez. New York: Columbia University Press, 2004. 257-280.
155. Esterrich, Carmelo, and Javier H. Murillo. "Rock With Punk With Pop With Folklore:Transformations and Renewal in Aterciopelados and Café Tacuba." Latin American Music Review 21.1 (2000): 31-44.
156. "Éxodo con visa." Semana, 6 Nov. 2000: 58-60.
157. Falconi, José Luis, and José Antonio Mazzotti, eds. Introduction. The Other Latinos:Central and South Americans in the United States. Cambridge, MA: Harvard University Press, 2007.
158. Farber, Jim. "Ricky, Listen to These Numbers; Move Over Martin, Tell López the News..." Daily News [New York], 4 March 2001: 13.
159. Farley, Christopher John. "Latin Music Pops." Time, 24 May 1999: 74-79.
160. Farley, Christopher John. "Sounds of Magic Realism." Time, 14 May 2001: 72.
161. Farley, Christopher John. "The Making of a Rocker." Time, Fall 2001: 16-18.
162. Farley, Christopher John, with David E. Thigpen. "Christina Aguilera: Building a 21st Century Star." Time, 6 March 2000: 71-72.
163. Farrell, Cathleen, and Valeria Escobar. "¡Que le pongan salsa!" Poder (April 2002): 22-26.
164. Fast, Susan. In the Houses of the Holy: Led Zeppelin and the Power of Rock Music. Oxford:Oxford University Press, 2001.
165. Fawcett, Louise, and Eduardo Posada-Carbó. "Arabs and Jews in the Development of the Colombian Caribbean, 1850-1950." Arab and Jewish Immigrants in Latin America:Images and Realities. Ed. Ignacio Klich and Jeffer Lesser. London and Portland, OR:Frank Cass, 1998. 57-591.
166. Feldman, Heidi. Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific. Middleton, CT: Wesleyan University Press, 2006.
167. Fernández, Enrique. "Topline Colombian." Village Voice, 1 Feb. 1983: 81-82.
168. Fernández, Raúl. From Afro-Cuban Rhythms to Latin Jazz. Berkeley: University of California, 2006.
169. Fernández, Raúl, and Bernardo Useche. "'¡No somos criminales; somos trabajadores!': La emigración latinoamericana a Estados Unidos." Deslinde: Revista del Centro de Estudios del Trabajo 40 (Sept.-Nov. 2006) .
170. Fernández L'Hoeste, Héctor D. "On How Bloque de Búsqueda Lost Part of Its Name:The Predicaments of Colombian Rock in the U.S. Market." Rockin' Las Americas: Rock Music and Rock Cultures Across Latin(o) America. Ed. Deborah Pacini Hernández, Héctor D. Fernández L'Hoeste, and Eric Zolov. Pittsburgh: University of Pittsburgh Press, 2004. 179-199.
171. Fernández L'Hoeste. "Del vallenato propio y ajeno: Hacia una reconfiguración del imaginario colombiano y mexicano." Revista de Estudios Colombianos 27-28 (2005): 73-77.
172. Fernández L'Hoeste. "All Cumbias, the Cumbia: The Latin Americanization of a Tropical Genre." Imagining Our Americas: Toward a Transnational Frame. Eds. Sandhya Shukla and Heidi Tinsman. Durham, NC: Duke University Press, 2007. 338-364.
173. Fiol-Matta, Licia. "Pop Latinidad: Puerto Ricans in the Latin Explosion, 1999." CENTRO Journal 14.1 (2002): 27-51.
174. Fiske, John. Understanding Popular Culture. London and New York: Routledge, 1989.
175. Flores, Juan. From Bomba to Hip-Hop: Puerto Rican Culture and Latino Identity. New York:Columbia University Press, 2000.
176. Flores, Juan. "Latina/o Studies: New Contexts, New Concepts." Critical Latin American and Latina/o Studies. Ed. Juan Poblete. Minneapolis: University of Minnesota Press, 2003. 191-205.
177. Fluck, Winfried. "Inside and Outside: What Kind of Knowledge Do We Need?: A Respsonse to the Presidential Address." American Quarterly 59.1 (2007): 23-32.
178. Foner, Nancy. "Second-Generation Transnationalism, Then and Now." The Changing Face of Home: The Transnational Lives of the Second Generation. Ed. Peggy Levitt and Mary Waters. New York: Russell Sage, 2002. 242-252.
179. Forero, Juan. "Prosperous Colombians Fleeing, Many to the U.S." New York Times on the Web, 10 April 2001 .
180. Foucault, Michel. The History of Sexuality: An Introduction. Vol. 1. Trans. Robert Hurley. New York: Vintage Books, 1990.
181. Franco, Natalia. "The Colombian Migration to South Florida: Expectations and Experiences." Master's thesis, Florida International University, 2002.
182. Fraser Delgado, Celeste. "Velvet Offensive." miaminewtimes.com, 21 June 2001 .
183. Fraser Delgado, Celeste. "Los Producers." miaminewtimes.com, 6 Sept. 2001 .
184. Fraser Delgado, Celeste. "Viva Colombia! Could Shakira End the Economic Slump?" miaminewtimes.com, 22 Nov. 2001 .
185. Fraser Delgado, Celeste. "What Rock and Roll Owes the Blues, Carlos Vives Owes Vallenato." miaminewtimes. com, 20 Dec. 2001 .
186. Fraser Delgado, Celeste. Personal Interview. 23 May 2002.
187. Fraser Delgado, Celeste. "Yo Quiero Mi MTV." miaminewtimes.com, 24 Oct. 2002 .
188. Fraser Delgado, Celeste. "Not for Export." www.miamisunpost.com, 23 Feb. 2006, .
189. Fregoso, Rosa Linda. MeXicana Encounters: The Making of Social Identities on the Borderlands. Berkeley: University of California Press, 2003.
190. Frith, Simon. "Towards an Aesthetic of Popular Music." Music and Society: The Politics of Composition, Performance, and Reception. Ed. Susan McClary and Richard Leppert. Cambridge: Cambridge University Press, 1987. 133-149.
191. Frith, Simon. "The Discourse of World Music." Western Music and Its Others: Difference, Representation, and Appropriation in Music. Ed. Georgina Born and David Hesmondhalgh. Berkeley: University of California Press, 2000. 305-322.
192. Frith, Simon, and Andrew Goodwin, eds. On Record: Rock, Pop and the Written Word. London: Routledge, 2000.
193. Frith, Simon, Andrew Goodwin, and Lawrence Grossberg, eds. Sound and Vision: The Music Video Reader. London: Routledge, 1993.
194. Gage, Julienne. "The British Invasión." miaminewtimes.com, 17 May 2007 .
195. García, Guy. "Another Latin Boom, but Different." New York Times, 27 June 1999: 25ff.
196. García Canclini, Néstor. "Cultural Reconversion." Trans. Holly Staver. On Edge: The Crisis of Contemporary Latin American Culture. Ed. George Yúdice, Jean Franco, and Juan Flores. Minneapolis: University of Minneapolis Press, 1991. 29-43.
197. García Canclini, Néstor. Transforming Modernity. Popular Culture in Mexico. Trans. Lidia Lozano. Austin:University of Texas Press, 1993.
198. García Canclini, Néstor. Hybrid Cultures. Strategies for Entering and Leaving Modernity. Trans. Christopher L. Chiappari and Silvia L. López. Minneapolis: University of Minneapolis Press, 1995.
199. García Márquez, Gabriel. Cien años de soledad. Madrid: Ediciones Cátedra, 1997.
200. García Márquez, Gabriel. "Valledupar, la parranda del siglo." RevistaCambio.com, 5 April 2001 .
201. Garofalo, Reebee. "Black Popular Music: Crossing Over or Going Under?" Rock and Popular Music: Politics, Policies, Institutions. Ed. Tony Bennett, Simon Frith, Lawrence Grossberg, John Shepherd, and Graeme Turner. London: Routledge, 1993. 231-248.
202. Garofalo, Reebee. Rockin' Out: Popular Music in the USA. Boston: Allyn and Bacon, 1997.
203. Gell, Aaron. "Love in the Time of Shakira." Elle, April 2006: 304-309, 345.
204. Ghitis, Frida. "The Colombian Miracle." Arkansas Democrat-Gazette (Little Rock), 8 July 2008 .
205. Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. Cambridge, MA:Harvard University Press, 1993.
206. Giraldo, Javier. Colombia: The Genocidal Democracy. Monroe, ME: Common Courage Press, 1996.
207. Glasser, Ruth. My Music Is My Flag: Puerto Rican Musicians and Their New York Communities, 1917-1940. Berkeley: University of California Press, 1995.
208. Glasser, Ruth. "Musical Darwinism." Música de las Américas: Salsa and Latin Jazz Panel Discussion. Smithsonsian Institution. S. Dillon Ripley Center, Washington, DC, 31 July 1999.
209. Glick-Schiller, Nina. "Transnational Urbanism as a Way of Life: A Research Topic Not a Metaphor." City & Society 17.1 (2005): 49-64.
210. Glick Schiller, Nina, and Georges Eugene Fouron. "Transnational Lives and National Identities: The Identity Politics of Haitian Immigrants." Transnationalism From Below. Ed. Michael Peter Smith and Luis Eduardo Guarnizo. New Brunswick, NJ: Transaction, 1998. 130-161.
211. Glick Schiller, Nina. Georges Woke Up Laughing: Long-Distance Nationalism and the Search for Home. Durham, NC: Duke University Press, 2001.
212. Goldring, Luin. "The Power of Status in Transnational Social Fields." Transnationalism from Below. Ed. Michael Peter Smith and Luis Eduardo Guarnizo. New Brunswick, NJ:Transaction, 1998. 165-195.
213. Goodman, Peter S. "In Mexico, People Do Really Want to Stay: Chicken Farmers Fear U.S. Exports Will Send More Workers North for Jobs." Washington Post, 7 January 2007: A01.
214. Goodnough, Abby. "Hispanic Vote in Florida: Neither a Bloc Nor Lock." New York Times, 17 Oct. 2004: 31.
215. Goodwin, Andrew. Dancing in the Distraction Factory: Music Television and Popular Culture. Minneapolis: University of Minnesota Press, 1992.
216. "Grave compromiso." Editorial. La Nación (San José, Costa Rica), 23 May 2000: 13A.
217. Grenier, Guillermo J., and Max J. Castro. "Triadic Politics: Ethnicity, Race, and Politics in Miami, 1959-1998." Pacific Historical Review 68.2 (May 1999): 273-292.
218. Grewal, Inderpal. Transnational America: Feminisms, Diasporas, Neoliberalisms. Durham, NC: Duke University Press, 2005.
219. Grossberg, Lawrence. "The Media Economy of Rock Culture: Cinema, Postmodernity and Authenticity." Sound and Vision: The Music Video Reader. Ed. Simon Frith, Andrew Goodwin, and Lawrence Grossberg. London: Routledge, 1993. 185-209.
220. Guarín R., Martha. "Mi tierra se merece lo mejor: Shakira." El Heraldo (Barranquilla, Colombia), 16 Nov. 2006 .
221. Guarnizo, Luis Eduardo. "On the Political Participation of Transnational Migrants: Old Practices and New Trends." E Pluribus Unum? Contemporary and Historical Perspectives on Immigrant Political Incorporation. Ed. Gary Gerstle and John Mollenkopf. New York: Russell Sage Foundation, 2001. 213-263.
222. Guarnizo, Luis Eduardo, and Marilyn Espitia. "Colombia." The New Americans: A Guide to Immigration Since 1965. Ed. Mary C. Waters and Reed Ueda with Helen B. Marrow. Cambridge, MA: Harvard University Press, 2007. 371-385.
223. Guarnizo, Luis Eduardo, and Luz Marina Díaz. "Transnational Migration: A View From Colombia." Ethnic and Racial Studies 22.3 (1999): 397-421.
224. Guarnizo, Luis Eduardo, Arturo Ignacio Sánchez, and Elizabeth M. Roach. "Mistrust, Fragmented Solidarity and Transnational Migration: Colombians in New York City and Los Angeles." Ethnic and Racial Studies 22.3 (1999): 367-396.
225. Guilbault, Jocelyn. "On Redefining the 'Local' Through World Music." The World of Music 35.2 (1993): 33-47.
226. Gurak, Douglas, and Greta Gilbertson. "Household Transitions in the Migrations of Dominicans and Colombians to New York." International Migration Review 26 (1992): 22-45.
227. Gutiérrez, David G. The Columbia History of Latinos in the United States Since 1960. New York: Columbia University Press, 2004.
228. Habell-Pallán, Michelle. Locamotion: The Travels of Chicana and Latina Popular Culture. New York: New York University Press, 2005.
229. Habib, Caitlin. "The Two Sides of Shakira." Urban Latino 58 (July 2005): 39-42.
230. Hagen, Jason. "New Colombian President Promises More War." North American Congress on Latin America (NACLA) (July-Aug. 2002): 24-29.
231. Hall, Stuart. "Encoding/decoding." Culture, Media, Language: Working Papers in Cultural Studies, 1972-79. London: Hutchinson, 1980. 128-138.
232. Hall, Stuart. "Notes on Deconstructing 'The Popular.'" People's History and Socialist Theory. Ed. Raphael Samuel. London: Routledge and Kegan Paul, 1981. 227-240.
233. Raphael Samuel. "The Whites of Their Eyes: Racist Ideologies and the Media." Silver Linings: Some Strategies for the Eighties: Contributions to the Communist University of Londond. Ed. Communist University of London. London: Lawrence and Wishart, 1981. 28-52.
234. Raphael Samuel. "What Is This 'Black' in Black Popular Culture?" Black Popular Culture. Ed. Gina Dent. Seattle: Bay Press, 1992. 21-36.
235. Raphael Samuel. "Old and New Identities, Old and New Ethnicities." Culture, Globalization and the World System. Contemporary Conditions for the Representation of Identity. Ed. Anthony D. King. Minneapolis: University of Minnesota Press, 1997. 43-68.
236. Raphael Samuel. "Cultural Identity and Diaspora." Theorizing Diaspora: A Reader. Eds. Jana Evams Braziel and Anita Mannur. Malden, MA: Blackwell, 2003. 233-246.
237. Hanke, Robert. "'Yo Quiero Mi MTV!': Making Music Television for Latin America." Mapping the Beat: Popular Music and Contemporary Theory. Ed. Thomas Swiss, John Sloop, and Andrew Herman. Malden, MA: Blackwell, 1998. 219-245.
238. Hartman, Saidiya. "Seduction and the Uses of Power." Between Woman and Nation:Nationalisms, Transnational Feminisms, and the State. Ed. Norma Alarcón, Caren Kaplan, and Minoo Moallem. Durham, NC: Duke University Press, 1999. 111-141.
239. Hayden, Thomas, and Karen Schoemer. "¿Se Habla Rock and Roll? You Will Soon." Newsweek, 8 Sept. 1997: 70-71.
240. Hebdige, Dick. Subculture: The Meaning of Style. London and New York: Routledge, 1979.
241. Heinz, Wolfgang S. "Violencia política y cambio social en Colombia." Literatura colombiana hoy: Imaginación y barbarie. Ed. Karl Kohut.Madrid: Iberoamericana, 1994. n.p.
242. Helg, Aline. "Race in Argentina and Cuba, 1880-1930: Theory, Policies, and Popular Reaction." The Idea of Race in Latin America, 1870-1940. Ed. Richard Graham. Austin:University of Texas Press, 1990. 37-69.
243. Hermes, Joke. Re-Reading Popular Culture. Malden, MA: Blackwell, 2005.
244. Hernández, Tanya Katerí. "The Buena Vista Social Club: The Racial Politics of Nostalgia." Latina/o Popular Culture. Ed. Michelle Habell-Pallán and Mary Romero. New York:New York University Press, 2002. 61-72.
245. "Hispanic or Latino by Specific Origin." Table. U.S. Census Bureau, PCT006 .
246. "Hispanic or Latino by Type." Table. U.S. Census Bureau, QT-P9 .
247. "Hispanic or Latino Origin for the United States, Regions, Divisions, States, and for Puerto Rico: 2000." Table. U.S. Census Bureau, Census 2000 PHC-T-10. 22 Oct. 2001 .
248. hooks, bell. Yearning: Race, Gender and Cultural Politics. Boston: South End Press, 1990.
249. hooks, bell. "Postmodern Blackness." Cultural Theory and Popular Culture: A Reader. 2nd ed. Ed. John Storey. Athens: University of Georgia Press, 1998. 417-424.
250. Hourani, Albert, and Nadim Shehadi. Introduction. The Lebanese in the World: A Century of Emigration. Ed. Albert Hourani and Nadim Shehadi. London: I. B. Tauris, 1992.
251. Hunt, John Britt. "Beyond the Drug Trafficker Stereotype: The Changing American Perceptions of Colombians." Master's thesis. Florida International University, 2002.
252. Hurtado, Aída. "Relating to Privilege: Seduction and Rejection in the Subordination of White Women and Women of Color." Theorizing Feminism: Parallel Trends in the Humanities and Social Sciences. Ed. Anne C. Hermann and Abigail J. Stewart. Hanover, NH: Wesleyan University Press, 1994. 136-154.
253. Iskandar, Adel. "'Whenever, Wherever!'": The Discourse of Orientalist Transnationalism in the Construction of Shakira." The Ambassadors 6.2 (July 2003) .
254. Jackson, John L. Harlem World: Doing Race and Class in Contemporary Black America. Chicago: University of Chicago Press, 2001.
255. Jaramillo, Ana María. "Mueren seis balseros colombianos en el Caribe." El Tiempo.com, 20 July 2001 .
256. Järviluoma, Helmi, Pirkko Moisala, and Anni Vilkko. "Not Only Vision-Analysing Sound and Music From the Perspective of Gender." Gender and Qualitative Methods. Ed. Helmi Järviluoma, Pirkko Moisala, and Anni Vilkko. Thousand Oaks, CA: Sage, 2003. 84-106.
257. Jenkins, Henry. Convergence Culture: Where New and Old Media Collide. New York: New York University Press, 2006.
258. Jones-Correa, Michael. Between Two Nations: The Political Predicament of Latinos in New York City. Ithaca: Cornell University Press, 1998.
259. Kaplan, Amy. "Violent Belongings and the Question of Empire Today: Presidential Address to the American Studies Association, October 17, 2003." American Quarterly 56. 1(2004): 1-18.
260. Kaplan, E. Ann. Rocking Around the Clock: MTV Postmodernism and Consumer Culture. New York: Methuen, 1987.
261. Kelly, James. "Trouble in Paradise." time.com, 23 Nov. 1981 .
262. Kemp, Mark. "Rock en español: The Latin Invasion." Paste April-May 2005: 78-83.
263. King, Kate. "Hispanic Buying Power, Entrepreneurship on the Rise." CNN.com, 1 Oct. 2007 .
264. Klich, Ignacio, and Jeffrey Lesser. "Introduction: 'Turco' Immigrants in Latin America." The Americas 53.1 (1996): 1-14.
265. Klich, Ignacio. "Introduction: Images and Realities of Arab and Jewish Immigrants in Latin America." Arab and Jewish Immigrants in Latin America: Images and Realities. Ed. Ignacio Klich and Jeffrey Lesser. London: Frank Cass, 1998. vii-xiiii.
266. Kogan, Frank. "River Deep, Freckle High." !Voice, 26 Dec. 2001-7 Jan. 2002 .
267. Kruse, Holly. "Subcultural Identity in Alternative Music Culture." Popular Music 12.1(1993): 33-41.
268. La arepa colombiana en Nueva York/The Colombian Arepa in New York. DVD. Directed by Roberto Arévalo. Atlanta, GA: Beyond Documentary, 2007 [1991].
269. "La cantante Shakira, una buena noticia de Colombia." ElTiempo.com, 9 May 2001 .
270. La Fountain-Stokes, Lawrence. "Aterciopelados." Claridad, 11 July 1997: 22.
271. Lannert, John. "Colombia's Shakira: I'm Here." Billboard, 15 June 1996: 1.
272. Lannert, John. "Latin Sales Swell in First Half of '99." Billboard, 21 Aug. 1999: 8.
273. Larmer, Brook. "Latino America." Newsweek, 12 July 1999: 48-58.
274. "Las cadenas del racismo siguen sin romperse." ElTiempo.com, 26 Aug. 2001 .
275. Latin Beat. ABC. 7 Sept. 1999.
276. "Latin U.S.A." Newsweek, 12 July 1999: 48-61.
277. Lechner, Ernesto. Rock en Español: The Latin Alternative Rock Explosion. Chicago: Chicago Review Press, 2005.
278. León, Juan. "Tropical Overexposure: Miami's 'Sophisticated Tropics' and the Balsero." Tropicalizations: Transcultural Representations de Latinidad. Ed. Frances R. Aparicio and Susana Chávez-Silverman. Hanover, NH: Dartmouth/University Press of New England, 1997. 213-228.
279. L'Estrange Fawcett, Louise. "Lebanese, Palestinians, and Syrians in Colombia." The Lebanese in the World: A Century of Emigration. Ed. Albert Hourani and Nadim Shehadi. London: I. B. Tauris, 1992. 361-377.
280. Levin, Jordan. "Grammy-Winning Producer Touts Heart Over High-Tech." Variety 10-16 June 1996: 56.
281. Levin, Jordan. "Miami's Potent Musical Mix." Variety, 10-16 June 1996: 49.
282. Levin, Jordan. "Payola Called Fixture in Latin Music." Miami Herald 8 Dec. 2002: n.p.
283. Levitt, Peggy. The Transnational Villagers. Berkeley: University of California Press, 2001.
284. Levitt, Peggy. "Transnational Ties and Incorporation: The Case of Dominicans in the United States." The Columbia History of Latinos in the United States Since 1960. Ed. David G. Gutiérrez. New York: Columbia University Press, 2004. 229-256.
285. Lewis, Lisa A. "Consumer Girl Culture: How Music Video Appeals to Girls." Television and Women's Culture: The Politics of the Popular. Ed. Mary Ellen Brown. London: Sage, 1990. 89-101.
286. Lewis, Lisa A. Gender Politics and MTV: Voicing the Difference. Philadelphia: Temple University Press, 1990.
287. Lewis, Lisa A. "Being Discovered: The Emergence of Female Address on MTV." Sound and Vision:The Music Video Reader. Ed. Simon Frith, Andrew Goodwin, and Lawrence Grossberg. London: Routledge, 1993. 129-151.
288. Levy, Steven. "Ad Nauseam: How MTV Sells Out Rock & Roll." Rolling Stone, 8 Dec. 1983:30-37, 74, 76, 78-79.
289. Leyshon, Andrew, David Matless, and George Revill. Introduction. The Place of Music. Ed. Andrew Leyshon, David Matless, and George Revill. New York: Guilford Press, 1998.
290. Lipsitz, George. Time Passages: Collective Memory and American Popular Culture. Minneapolis:University of Minnesota Press, 1990.
291. Lipsitz, George. Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place. London: Verso, 1994.
292. Lipsitz, George. "World Cities and World Beat: Low-Wage Labor and Transnational Culture." Pacific Historical Review 68.2 (1999): 213-231.
293. Lipsitz, George. "The Lion and the Spider: Mapping Sexuality, Space and Politics in Miami Music." American Studies in a Moment of Danger. Minneapolis: University of Minneapolis Press, 2001.
294. Lister, Martin, Jon Dovey, Seth Giddings, Iain Grant, and Kieran Kelley, eds. New Media:A Critical Introduction. London: Routledge, 2003.
295. "Live Earth Artist: Shakira." msnPRESENTS, www.msn.com, 27 July 2007 .
296. Livingstone, Grace. Inside Colombia: Drugs, Democracy and War. New Brunswick, NJ:Rutgers University Press, 2004.
297. "Llegan más colombianos." La Nación (San José, Costa Rica), 22 May 2000: 18A.
298. Llewellyn, Howard. "Estefan, GVM, and Sony Launch Long-Awaited Latin Label Sunnyluna." Billboard, 11 May 2002: 42.
299. Logan, John. "The New Latinos: Who They Are, Where They Are." Lewis Mumford Center for Comparative Urban and Regional Research. State University of New York at Albany, 2001.
300. Lo mejor del vallenato, Volumen 1. Videocassette. Vedisco Records 1996.
301. Lorbada, Javier. "Shakira: Estar en este cuerpo no es nada fácil." MTV Magazine (Spain) (July-Aug. 2005): 52-56.
302. "Los colombianos en Estados Unidos." Embassy of Colombia, Washington, DC. 20 Oct. 2002 .
303. "Los ritmos del vallenato." El Tiempo-Caribe, 17 April 1998: 5.
304. Lovering, John. "The Global Music Industry: Contradictions in the Commodification of the Sublime." The Place of Music. Ed. Andrew Leyshon, David Matless, and George Revill. New York: Guilford Press, 1998. 31-56.
305. Manalansan, Martin F. Global Divas: Filipino Gay Men in the Diaspora. Durham, NC:Duke University Press, 2003.
306. Mannon, Jennifer. "Headbang in Bogotá: The Other Plan Colombia." miaminewtimes, 23 Nov. 2000 .
307. Manrique, Jaime. Latin Moon in Manhattan. New York: St. Martin's Press, 1993.
308. Manuel, Peter. "Puerto Rican Music and Cultural Identity: Creative Appropriation of Cuban Sources from Danza to Salsa." Ethnomusicology 38.2 (1994): 249-280.
309. Marinucci, Carla. "Cuban Americans' Key Role in Election 2004; Community No Longer Republican Monolith in Miami." San Francisco Chronicle, 3 Oct. 2004: A14.
310. Marrow, Helen B. "South America: Ecuador, Peru, Brazil, Argentina, Venezuela." The New Americans: A Guide to Immigration Since 1965. Ed. Mary C. Waters and Reed Ueda with Helen B. Marrow. Cambridge, MA: Harvard University Press, 2007. 593-611.
311. Martin, Denis-Constant. "The Choices of Identity." Social Identities 1.1 (1995): 5-20.
312. Martin, Lydia. "Breaking Tradition: Aterciopelados and Other Latin Rockers Bring a New Kind of Beat to Watcha Tour 2000." www.herald.com, 26 Aug. 2000 .
313. Martin, Lydia. "Shakira Wants the World." Latina July 2001: 90-93, 133-134.
314. Martín Barbero, Jesús. "Latin America: Cultures in the Communication Media." Journal of Communication 43.2 (1993): 18-30.
315. Martínez, Katynka Z. "American Idols With Caribbean Soul: Cubanidad and the Latin Grammys." Latino Studies 4 (2006): 381-400.
316. Martínez, Liliana Angélica. "Shakira es imparable." ElTiempo.com, 23 Feb. 2001 .
317. Mathews, Gordon. "Context and Consciouness in the Practice of Transnationality." City & Society 17.1 (2005): 35-48.
318. Mato, Daniel. "On Global and Local Agents and the Social Making of Transnational Identities and Related Agendas in 'Latin' America." Identities 4.2 (1997): 167-212.
319. McClary, Susan. Feminine Endings: Music, Gender, and Sexuality. Minneapolis: University of Minnesota Press, 1991.
320. McClary, Susan, and Robert Walser. "Start Making Sense! Musicology Wrestles With Rock." 1988. On Record: Rock, Pop, and the Written Word. Ed. Simon Frith and Andrew Goodwin. London: Routledge, 2000. 277-292.
321. McClintock, Anne. "Family Feuds: Gender, Nationalism, and the Family." Feminist Review 44 (1993): 61-80.
322. McGovern, James P. The Suffering Continues: Internally Placed People in Colombia. Report Prepared for the Congressional Human Rights Caucus, 110th Cong., 2nd sess., 21 July 2008.
323. McGovern, Jim. "Recognizing 2007 as the Year of the Internally Displaced in Colombia." H. Res. 426, 110th Cong., 1st sess. Congressional Record, 11 July 2007 .
324. McIntosh, Heather. "Music Video Forerunners in Early Television Programming: A Look at WCPO-TV's Innovations and Contributions in the 1950s." Popular Music and Society 27.3 (2004): 259-273.
325. McKee, David L. "Some Specifics on the Brain Drain From the Andean Region." Internationational Migration/Migrations Internationales/Migraciones Internacionales 21.4 (1983):488-499.
326. McRobbie, Angela, and Simon Frith. "Rock and Sexuality." On Record: Rock, Pop, and the Written Word. Ed. Simon Frith and Andrew Goodwin. London: Routledge, 1990. 371-389.
327. Me duele el corazón/My Heart Aches. DVD. Directed by Roberto Arévalo. Atlanta, GA:Beyond Documentary, 2007 [n.d.].
328. Méndez, Juan M. "Unbottled and Unleashed: Christina Aguilera." Latina, Dec. 1999:78-81.
329. Mercer, Kobena. "Monster Metaphors: Notes on Michael Jackson's Thriller." Sound and Vision: The Music Video Reader. Ed. Simon Frith, Andrew Goodwin, and Lawrence Grossberg. London: Routledge, 1993. 93-108.
330. Mirabel, Manuel 'Guajiro,' and Amadito Valdés. Buena Vista Social Club. DVD. Directed by Wim Wenders. Lion's Gate, 1999.
331. Miyoshi, Masao. "A Borderless World? From Colonialism to Transnationalism and the Decline of the Nation-State." Critical Inquiry 19.4 (1993): 726-751.
332. Mohanty, Chandra Talpade. "Cartographies of Struggle: Third World Women and the Politics of Feminism." Introduction. Third World Women and the Politics of Feminism. Ed. Chandra Talpade Mohanty, Ann Russo, and Lourdes Torres. Bloomington: Indiana University Press, 1991.
333. Mohanty, Chandra Talpade. "Under Western Eyes: Feminist Scholarship and Colonial Discourses." Third World Women and the Politics of Feminism. Ed. Chandra Talpade Mohanty, Ann Russo, and Lourdes Torres. Bloomington: Indiana University Press, 1991. 51-80.
334. Molina-Guzmán, Isabel. "Gendering Latinidad Through the Elián News Discourse About Cuban Women." Latino Studies 3(2005): 179-204.
335. Molina-Guzmán, Isabel, and Angharad N. Valdivia. "Brain, Brow or Bootie: Iconic Latinas in Contemporary Popular Culture." Communication Review 2 (2004): 205-221.
336. Morales, Ed. "Colombia te canto: The Redeeming Power of Music." Hopscotch 1.4 (1999):34-49.
337. Morales, Ed. "Fade to Blonde." Urban Latino, Dec.-Jan. 2001: 38-41.
338. Morales, Ed. Living in Spanglish: The Search for Latino Identity in America. New York: St. Martin's Press, 2002.
339. Morales, Ed. The Latin Beat: The Rhythms and Roots of Latin Music From Bossa Nova to Salsa and Beyond. Cambridge, MA: Da Capo Press, 2003.
340. Mora-Mass, Elizabeth. "Colombianos en Nueva York, del sueño americano a la pesadilla gringa." ElTiempo.com, 1 July 2001 .
341. Morris, Nancy. "The Myth of Unadulterated Culture Meets the Threat of Imported Media." Media, Culture & Society 24 (2002): 278-289.
342. Moya, Luis L., and Luis A. Del Castillo Cadavid. "What Is Vallenato?" 3 March 1998 .
343. Murillo, Mario A. Colombia and the United States: War, Unrest and Destabilization. New York: Seven Stories Press, 2004.
344. Naber, Nadine. "Ambiguous Insiders: An Investigation of Arab American Invisibility." Ethnic and Racial Studies 23.1 (2000): 37-61.
345. Navarro, Mireya. "Latin Grammys Border Skirmish." newyorktoday.com, 13 Sept. 2000. 14 Sept. 2000 <.../genListing.htm&categoryid=30&only+y&bfromind+1815&eeid=30664 84&eetype=article&ren>.
346. Negrón-Muntaner, Frances. "Jennifer's Butt." Aztlán 22 (1997): 181-194.
347. Negrón-Muntaner, Frances. Boricua Pop: Puerto Ricans and the Latinization of American Culture. New York:New York University Press, 2004.
348. Negus, Keith. Producing Pop: Culture and Conflict in the Popular Music Industry. London:Hodder. Arnold, 1992.
349. Negus, Keith. Music Genres and Corporate Cultures. London: Routledge, 1999.
350. "New Girl In Town." Newsweek, 26 Nov. 2001: n.p.
351. Ngai, Mae M. "Transnationalism and the Transformation of the 'Other': Response to the Presidential Address." American Quarterly 57.1 (2005): 59-65.
352. Niurka, Norma. "Carlos Vives, el consentido de los dioses." Elherald.com, 14 Sept. 2000 .
353. Noble, David W. Death of a Nation: American Culture and the End of Exceptionalism. Minneapolis:University of Minnesota Press, 2002.
354. "No peace." The Economist, 11 Oct. 1997: 38.
355. "No pienso sacrificar mi personalidad." Semana, 24 Sept. 2001: 116-117.
356. Noriega, Chon. Introduction. I, Carmelita Tropicana: Performing Between Cultures. Boston:Beacon Press, 2000.
357. Obejas, Achy. "Taking Rock Around the Globe: Shakira, Chao and 'Alterlatinos' Are Changing the Scene." Chicago Tribune, 12 Sept. 2002: C6.
358. Oboler, Suzanne. Ethnic Labels, Latino Lives. Identity and the Politics of (Re)Presentation in the United States. Minneapolis: University of Minneapolis Press, 1995.
359. Oboler, Suzanne. "Introduction: Los que llegaron: 50 Years of South American Immigration (1950- 2000)-An Overview." Latino Studies 3 (2005): 42-52.
360. Oboler, Suzanne. "South Americans." The Oxford Encyclopedia of Latinos and Latinas in the United States. Ed. Suzanne Oboler and Deena J. González. Oxford and New York: Oxford University Press, 2005. 146-158.
361. Ocampo López, Javier. Música y folclor de Colombia. Bogotá: Plaza y Janés, 1976.
362. Ocaña, Damarys. "Has Shakira Sold Out?" Latina, Sept. 2006: n.p.
363. Ocando, Casto. "Recibirán una tarjeta consular de identidad los colombianos en EEUU." El Nuevo Herald, 24 March 2004: 2A.
364. Ocando, Casto, and Graciela Mrad. "El sueño americano defrauda a inmigrantes." El Nuevo Herald, 12 Oct. 2003: 1a.
365. Ochoa, Ana María. "García Márquez, Macondismo, and the Soundscapes of Vallenato." Popular Music 24.2 (2005): 207-222.
366. Ong, Aihwa. Flexible Citizenship: The Cultural Logics of Transnationality. Durham, NC:Duke University Press, 1999.
367. Oppenheimer, Andrés. "Uribe's Counteroffense Working-at Least at Home." Miami Herald, 22 April 2007 .
368. Ortiz, Fernando. La música afrocubana. Madrid: Ediciones Júcar, 1974.
369. Orwall, Bruce. "The Burden of Power: The U.S. in the 21st Century." The Wall Street Journal, 13 Feb. 2001: A1ff.
370. Pacini Hernández, Deborah. "Bachata: From the Margins to the Mainstream." Popular Music 11.3 (1992): 359-364.
371. Pacini Hernández, Deborah. Bachata: A Social History of Dominican Popular Music. Philadelphia: Temple University Press, 1995.
372. Pacini Hernández, Deborah. "Sound Systems, World Beat and Diasporan Identity in Cartagena, Colombia." Diaspora 5.3 (1996): 429-466.
373. Pacini Hernández, Deborah. "Dancing With the Enemy: Cuban Popular Music, Race, Authenticity, and the World-Music Landscape." Latin American Perspectives 25.3 (May 1998): 110-125.
374. Pacini Hernández, Deborah. "Race, Ethnicity and the Production of Latin/o Popular Music." Global Repertoires:Popular Music Within and Beyond the Transnational Music Industry. Ed. Andreas Gebesmair and Alfred Smudits. Aldershot: Ashgate, 2001. 57-72.
375. Pacini Hernández, Deborah, Héctor Fernández L'Hoeste, and Eric Zolov, eds. Rockin' Las Americas: Rock Music and Rock Cultures Across Latin(o) America. Pittsburgh: University of Pittsburgh Press, 2004.
376. Padgett, Tim. "Tough as Males." Time, 3 Aug. 1998 .
377. Palacios, Marco. Between Legitimacy and Violence: A History of Colombia, 1875-2002. Trans. Richard Stoller. Durham, NC: Duke University Press, 2006.
378. Parado, Freddy. Justicia Made in U.S.A.: dramática historia de un inmigrante atropellado por el sólo hecho de ser colombiano. Bogotá: Planeta, 2002.
379. Parédez, Deborah. "Remembering Selena, Re-membering Latinidad." Theatre Journal 54 (2002): 63-84.
380. Pareles, Jon. "Beyond Borders, Without Boundaries." New York Times on the Web, 12 July 2001 .
381. Pareles, Jon. "The Shakira Dialectic." New York Times, 13 Nov. 2005 .
382. "Pastrana: 'Shakira, nuestra embajadora internacional.'" ElTiempo.com, 23 Feb. 2001 .
383. Paxman, Andrew. "Latinas Making Music: Cantautoras Shaking Up Tune Industry." Variety, 31 March-6 April 1997: 71.
384. Paz-Frydman, Silvia. "The Latina Body and the Entertainment Industry: The Practices of Resistance, Hegemony, and Identity Construction." Unpublished manuscript, Williams College, Williamstown, MA, 2006.
385. "Peace in Colombia? This Year, Next Year, Sometime..." The Economist, 10 April 1999: 31. 14 Nov.
386. Pellegrini, Frank. "America Goes Mucho Loco for Ricky." time daily, 13 May 1999 .
387. Peña, Manuel H. The Texas-Mexican Conjunto: History of a Working-Class Music. Austin:University of Texas Press, 1985.
388. Peña, María. "Thousands of Colombians Continue Exodus to the U.S." Efe News Services (U.S.), Global News Wire, 8 March 2002.
389. Penhaul, Karl. "The Lure of a Better Life." U.S. News & World Report, 8 Jan. 2001: 28.
390. Perdomo Escobar, José Ignacio. Historia de la música en Colombia. Bogotá: Editorial ABC, 1963.
391. Pérez-Torres, Rafael. "Brown Transnationalisms: Consuming Latino Identities in a Postmodern Era." Lecture. American Studies Association, Oakland, CA, 12 Oct. 2006.
392. Portaccio Fontalvo, José. Colombia y su música. Volumen I. Bogotá: Logos Diagramación, 1995.
393. Portes, Alejandro, and Alex Stepick. City on the Edge: The Transformation of Miami. Berkeley:University of California Press, 1993.
394. Portes, Alejandro, and Rubén Rumbaut. Legacies: The Story of the Immigrant Second Generation. Berkeley: University of California Press, 2001.
395. Post, Jennifer. "Erasing the Boundaries Between Public anmd Private in Women's Performance Traditions." Cecilia Reclaimed: Feminist Perspectives on Gender and Music. Ed. Susan C. Cook and Judy S. Tsou. Urbana: University of Illinois Press, 1993. 35-51.
396. Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. London: Routledge, 1992.
397. "'Quiero serle fiel a la música colombiana." Semana.com, 3 March 2002 .
398. Rakow, Lana. "Feminist Approaches to Popular Culture: Giving Patriarchy its Due." Cultural Theory and Popular Culture: A Reader. 2nd ed. Ed. John Storey. Athens: University of Georgia Press, 1998. 275-291.
399. "Recuperado cuerpo de Consuelo Araújonoguera." ElTiempo.com, 30 Sept. 2001 .
400. Rey, Mario. "Albita Rodríguez: Sexuality, Imaging and Gender Construction in the Music of Exile." Queering the Popular Pitch. Ed. Sheila Whiteley and Jennifer Rycenga. London:Routledge, 2006. 115-129.
401. Reyes, Gerardo. "Uribe 'empeñado en devolver la paz' a los colombianos." El Nuevo Herald, 1 Oct. 2004 .
402. Riaño-Alcalá, Pilar. "Urban Space and Music in the Formation of Youth Cultures: The Case of Bogotá, 1920-1980." Studies in Latin American Popular Culture 10 (1991):87-106.
403. "Richard Blair: Británico pachangero." www.boomonline.com, 3 June 2002 .
404. Rivera, Raquel Z. New York Ricans From the Hip-Hop Zone. New York: Palgrave Macmillan, 2003.
405. Rivero, Yeidy M. "The Performance and Reception of Televisual 'Ugliness' in 'Yo soy Betty la fea.'" Feminist Media Studies 3.1 (2003): 65-82.
406. Roberts, John Storm. The Latin Tinge: The Impact of Latin American Music on the United States. 2nd ed. New York: Oxford University Press, 1999.
407. Robles, Frances. "Revision to Colombian Constitution Grants Military, Police Broad New Powers." Miami Herald, 12 Dec. 2003 .
408. Robles, Frances. "Many Colombians Leave the Miami Area, Return Home." Miami Herald, 22 Dec. 2003 .
409. Robinson, Linda. "Watch Out: The Rhythm Is Gonna Get You, Too." U.S. News & World Report, 24 May 1999: 61.
410. Rodas de Juárez, Celeste. "Shakira: Música y amor." Cosmopolitian en español, Nov. 2001:67-69.
411. Rodríguez, Jesús. "Ciclón Shakira." EP/El País Semanal (Madrid, Spain), 28 May 2006:48-54.
412. Rodríguez, Marcela. "Cartas a Shakira: orgullo nacional." ElTiempo.com, 6 May 2001 .
413. Rohter, Larry. "Driven by Fear, Colombians Leave in Droves." New York Times on the Web, 5 March 2000 .
414. Rohter, Larry. "Rock en Español Is Approaching Its Final Border." New York Times, 6 Aug. 2000:2.27.
415. Rojas, Cristina. Civilization and Violence: Regimes of Representation in Nineteenth-Century Colombia. Minneapolis: University of Minnesota Press, 2002.
416. Rojas, Viviana. "The Gender of Latinidad: Latinas Speak About Hispanic Television." Communication Review 7(2004): 125-153.
417. Roldán, Mary. Blood and Fire: La Violencia in Antioquia, Colombia, 1946-1953. Durham, NC: Duke University Press, 2002.
418. Romero, A. "Champeta Criolla." World Music Central, 26 Aug. 2004 .
419. Roque Ramírez, Horacio N. "Rafa Negrón's Pan Dulce and the Queer Sonic latinaje o San Francisco." CENTRO Journal 24.1 (2007): 274-313.
420. Rosaldo, Renato. Culture and Truth: The Remaking of Social Analysis. Boston: Beacon Press. 1989.
421. Rosaldo, Renato. "Cultural Citizenship, Inequality, and Multiculturalism." Latino Cultural Citizenship. Claiming Identity, Space, and Rights. Ed. William V. Flores and Rina Benmayor. Boston: Beacon Press, 1997. 27-38.
422. Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover, NH: Wesleyan University Press/University Press of New England, 1994.
423. Rose, Tricia. "Never Trust a Big Butt and a Smile." Feminist Television Criticism: A Reader. Ed. Charlotte Brundson, Julia D'Acci, and Lynn Spigel. New York: Oxford University Press, 1997. 300-317.
424. Ross Sorkin, Andrew. "NBC Is Paying $1.98 Billion for Telemundo." New York Times, 12 Oct. 2001: C1.
425. Rúa, Mérida M. "Latinidades." Oxford Encyclopedia of Latinos and Latinas in the United States. Ed. Suzanne Oboler and Deena J. González. New York: Oxford University Press, 2005. 505-507.
426. Rumbaut, Rubén. "Origins and Destinies: Immigration, Race and Ethnicity in Contemporary America." Origins and Destinies. Ed. Silvia Pedraza and Rubén G. Rumbaut. Belmont, CA: Wadsworth, 1996. 21-42.
427. Salaita, Steven. "Ethnic Identity and Imperative Patriotism: Arab Americans Before and After 9/11." College Literature 32.2 (2005): 146-169.
428. Salazar, Rodrigo. "An Icon Goes Pop!: Ricky siempre será nuestro." Urban Latino June-July 2002: 46.
429. Saldívar, José David. Border Matters: Remapping American Cultural Studies. Berkeley:University of California Press, 1997.
430. Samper Pizano, Daniel. "Sé lo que significa esto para mi tierra." ElTiempo.com, 23 Feb. 2001 .
431. Samper Pizano, Daniel, and Pilar Tafur. 100 años de vallenato. 2nd ed. Colombia: MTM Limitada, 1997.
432. Sánchez Cristo, Julio. "'La fama y el dinero son lo de menos.'" Semana, 2 Dec. 2002:30-34.
433. Sandino Moreno, Catalina, Virginia Ariza, and Yenny Paola Vega. María Full of Grace. DVD. Directed by Joshua Marston. HBO Films, 2004.
434. Santa Ana, Otto. Brown Tide Rising: Metaphors of Latinos in Contemporary American Public Discourse. Austin: University of Texas Press, 2002.
435. Santa Ana, Otto, with Juan Morán and Cynthia Sánchez. "Awash Under a Brown Tide:Immigration Metaphors in California Public and Print Media Discourse." Aztlán 23.2 (Fall 1998): 137-177.
436. Sassen-Koob, Saskia. "Formal and Informal Associations: Dominicans and Colombians In New York." International Migration Review 13 (1979): 314-332.
437. Savigliano, Marta. Tango and the Political Economy of Passion. Boulder, CO: Westview Press, 1995.
438. Scarface. [1983]. DVD. Directed by Brian De Palma. Universal Studios, 2006.
439. Schaeffer-Grabiel, Felicity. "Beyond and Back: Locating Chicanas and Latinas Within Transnational Feminist Theories." Roundtable Presentation. American Studies Association Annual Meeting, Atlanta, 11 Nov. 2004.
440. Schaeffer-Grabiel, Felicity. "Planet-Love.com: Cyberbrides in the Americas and the Transnational Routes of U.S. Masculinity." Signs: Journal of Women in Culture and Society 31 (2006):331-356.
441. Scott, Janny. "A Census Query Is Said to Skew Data on Latinos." New York Times, 27 June 2001: 1.
442. Shakira. "¿Dónde Están los Ladrones?" Advertisement. Columbia House Club Música Latina: 1-2, 1998.
443. Shakira. Shakira, MTV Unplugged. Videocassette. Sony Music, 2000.
444. Shakira. Laundry Service. DVD. Sony Music, 2001.
445. Shakira. Shakira: En vivo y en privado. DVD. Sony Music International, 2004.
446. Shakira. "La tortura." Fijación oral, Volumen I. Dir. Michael Haussman. MTV. 2005.
447. Shakira. "Hips Don't Lie." Oral Fixation, Volume II. Dir. Sophie Muller. MTV. 2006.
448. Shakira. Concert. TD Banknorth Arena, Boston, Massachusetts. 5 Sept. 2006.
449. Shakira. Interview. By Katie Couric and Matt Lauer, Today Show, NBC, 28 April 2007.
450. Shakira, Featuring Alejandro Sanz. "La Tortura." Fijación oral, Volumen I, EPIC. Dir. Michael Haussman, 2005.
451. Shakira, Featuring Wycleff Jean. Latin Billboard Awards, Telemundo, 27 April 2007.
452. Shakira. The Today Show. NBC, 28 April 2007.
453. Shank, Barry. Dissonant Identities: The Rock'n'Roll Scene in Austin, Texas. Middleton, CT:Wesleyan University Press, 1994.
454. Sheffield, Rob. "Shakira Sinks Her Colombian Flag." Rolling Stone, 31 Jan. 2002: 20.
455. Shoer Roth, Daniel. "Miami, Capital de la Música." El Nuevo Herald, 12 June 1999: 1A.
456. Shohat, Ella. Taboo Memories, Diasporic Voices. Durham, NC: Duke University Press, 2006.
457. Shohat, Ella. "Ethnicities-in-Relation: Toward a Multicultual Reading of American Cinema." Unspeakable Images: Ethnicity and the American Cinema. Ed. L. D. Friedman. Urbana:University of Illinois Press, 1991. 215-250.
458. Shohat, Ella, and Robert Stam. Unthinking Eurocentrism: Multiculturalism and the Media. London: Routledge, 1994.
459. Shohat, Ella. "From the Imperial Family to the Transnational Imaginary: Media Spectatorship in the Age of Globalization." Global/Local: Cultural Production and the Transnational Imaginary. Ed. Rob Wilson and Wimal Dissanayake. Durham, NC: Duke University Press, 1996. 145-170.
460. Shugart, Helene A. "Crossing Over: Hybridity and Hegemony in the Popular Media." Communication and Critical/Cultural Studies 4.2 (2007): 115-141.
461. Shultz, Cara Lynn. "Shakirattack: With Legions of Loyal Fans in Latin America, Singer Shakira Is Taking the U.S. by Storm-and Loving It." Teen People, March 2002: 86-87.
462. Silverman, Kaja. Male Subjectivity at the Margins. London: Routledge, 1992.
463. Silvestrini, Blanca G. "'The World We Enter When Claiming Our Rights': Latinos and Their Quest for Culture." Latino Cultural Citizenship. Claiming Identity, Space, and Rights. Ed. William V. Flores and Rina Benmayor. Boston: Beacon Press, 1997. 39-53.
464. Simonett, Helena. Banda: Mexican Musical Life Across Borders. Middletown, CT: Wesleyan University Press, 2001.
465. Sinclair, John. "'The Hollywood of Latin America': Miami as Regional Center in Television Trade." Television & New Media 4.3 (2003): 211-229.
466. Sirgado, Miguel A. "Sidestepper: música colombiana de vibra suave." El Nuevo Herald, 15 Aug. 2003: 1C.
467. Slobin, Mark. "Micromusics of the West: A Comparative Approach." Ethnomusicology 36 (Winter 1992): 1-87.
468. Slobin, Mark. "Music in Diaspora: The View From America." Diaspora 3.3 (1994): 243-250.
469. Smith, Michael Peter. "Transnationalism, the State, and the Extraterritorial Citizen." Politics & Society 31.4 (2003): 467-502.
470. Smith, Michael Peter. "Power in Place/Places of Power: Contextualizing Transnational Research." City & Society 17.1 (2005): 5-34.
471. Smith, Michael Peter, and Luis Eduardo Guarnizo. "The Locations of Transnationalism." Introduction. Transnationalism from Below. Ed. Michael Peter Smith and Luis Eduardo Guarnizo. New Brunswick, NJ: Transaction, 1998.
472. Smith, Robert. "'Mexicanness' in New York: Migrants Seek New Place in Old Racial Order." NACLA, Sept.-Oct. 2001: 14-17.
473. Smith, Suzanne E. Dancing in the Street: Motown and the Cultural Politics of Detroit. Cambridge, MA: Harvard University Press, 1999.
474. Soto Torres, Edgardo. "Willie Colón: gestor de la salsa acosado por el boicot." Diálogo, Nov. 1999: 20.
475. Stack, John F., Jr. "The Ethnic Citizen Confronts the Future: Los Angeles and Miami at Century's End." Pacific Historical Review 68.2 (1999): 309-316.
476. Stasiulis, Daiva K. "Relational Possibilities of Nationalisms, Racisms, and Feminisms." Between Woman and Nation: Nationalisms, Transnational Feminisms, and the State. Ed. Norma Alarcón, Caren Kaplan, and Minoo Moallem. Durham, NC: Duke University Press, 1999. 182-218.
477. Storey, John. An Introduction to Cultural Theory and Popular Culture. 2nd ed. Athens:University of Georgia Press, 1998.
478. Storey, John. Inventing Popular Culture. Malden, MA: Blackwell, 2003.
479. Straw, Will. "Systems of Articulation, Logics of Change: Communities and Scenes in Popular Music." Cultural Studies 5.3 (1991): 368-388.
480. Streicker, Joel. "Policing Boundaries: Race, Class and Gender in Cartagena, Colombia." Blackness in Latin America and the Caribbean. Vol 1. Ed. Norman E. Whitten, Jr., and Arlene Torres. Bloomington: Indiana University Press, 1998. 278-308.
481. Suárez, Juana. "Sites of Contention: Colombian Cultural Production at the Threshold of a New Millenium." Ph.D. diss., Arizona State University, 2000.
482. "Sueño americano." Semana.com, 14 May 2001 .
483. Suhair Majaj, Lisa. "Arab Americans and the Meanings of Race." Postcolonial Theory and the U.S.: Race, Ethnicity, and Literature. Ed. Amritjit Singh and Peter Schmidt. Jackson:University of Mississippi Press, 2000. 320-337.
484. Suro, Roberto. Counting the "Other Hispanics": How Many Colombians, Dominicans, Ecuadorians, Guatemalans and Salvadorans Are There in the United States? Washington, DC:Pew Hispanic Center, 2002.
485. Takacs, Stacey. "Alien-Nation: Immigration, National Identity and Transnationalism." Cultural Studies 13.4 (1999): 591-620.
486. Tannenbaum, Rob. "Miss Universe." Blender, July 2005: 72-80.
487. Tate, Winifred. "Repeating Past Mistakes: Aidiing Counterinsurgency in Colombia." NACLA, Sept.-Oct. 2002: 19.
488. Téllez Herrera, Andrea. "El sueno Americano." Colombianos que alcanzaron el éxito en Estados Unidos. Bogotá: Intermedio, 2002.
489. "Tengo derecho a soñar." Semana.com, 31 March 2007 .
490. Tobar, Dániza. "Carlos Vives: el dueño de la parranda." Ocean Drive en Español, Dec. 2001:82-85.
491. Tobar, Dániza. "Una sirena única!: La Next Big Thing entró a la cancha." Ocean Drive en Español, Dec. 2001: 64-67.
492. Torres-Saillant, Silvio. "Pitfalls of Latino Chronologies: South and Central Americans." Latino Studies 5 (2007): 489-502.
493. Trouillot, Michel-Rolph. Silencing the Past: Power and the Production of History. Boston:Beacon Press, 1995.
494. Ulaby, Neda. "U.S. Crossover Hits Elude Latin Alternative." All Things Considered. National Public Radio. 8 March 2006.
495. Uribe-Urán, Víctor. "Colonial baracunátanas and Their Nasty Men: Spousal Homicides and the Law in Late Colonial New Granada." Journal of Social History 35.1 (2001): 43-72.
496. Valdés-Rodríguez, Alisa. "Latin American Rock Gets Its Green Card." Boston Globe, 4 Sept. 1998: D1.
497. Valdés-Rodríguez, Alisa. "Who's Buying Cuban Phenom?" Los Angeles Times, 14 Aug. 1999 .
498. Valdés-Rodríguez, Alisa. "Searching for Carlos Vives." latimes.com, 12 Sept. 2000 .
499. Valdivia, Angharad N. A Latina in the Land of Hollywood and Other Essays on Media Culture (Tucson: University of Arizona Press, 2000).
500. Valdivia, Angharad N. "Latina/o Communication and Media Studies Today: An Introduction." Communication Review 7 (2004): 107-112.
501. Valdivia, Angharad N. "Latinas as Radical Hybrid: Transnationally Gendered Traces in Mainstream Media." Global Media Journal 4.7 (2004) .
502. Valdivia, Angharad N. "Is Penélope to J.Lo as Culture Is to Nature?" From Bananas to Buttocks: The Latina Body in Popular Film and Culture. Ed. Myra Mendible. Austin: University of Texas Press, 2007. 129-148.
503. Valdivia, Angharad N., ed. Latina/o Communication Studies Today. New York: Peter Lang, 2008.
504. Valdivia, Angharad N., with Ramona Curry. "Xuxa!: Can Latin Americans Be Blonde or Can the United States Tolerate a Latin American?" A Latina in the Land of Hollywood and Other Essays on Media Culture. Ed. Angharad N.Valdivia. Tucson: University of Arizona Press, 2000. 125-147.
505. Valentín-Escobar, Wilson. "Between Salsa and Jazz: The Latin Scene in New York." Center for African and African-American Studies. University of Michigan, Ann Arbor. Fall 1998.
506. Valentín-Escobar, Wilson. "Marketing Memory/Marketing Authenticity in Buena Vista Social Club Recordings." Paper presented at XXII Latin American Studies Association International Congress, Hyatt Regency Hotel, Miami, 16 Mar. 2000.
507. van Dijk, Teun A. "Principles of Discourse Analysis." Discourse & Society 4.2 (1993):249-283.
508. Vargas, Armando. "Migration, Literature, and the Nation: Majar Literature in Brazil." Ph.D. diss., University of California at Berkeley, 2006.
509. Vélez-Ibáñez, Carlos, and Anna Sampaio. "Introduction: Processes, New Prospects, and Approaches." Transnational Latina/o Communities: Politics, Processes, and Cultures. Ed. Carlos Vélez-Ibáñez and Anna Sampaio. Lanham, MD: Rowman & Littlefield, 2002.
510. Vernallis, Carol. Experiencing Music Video: Aesthetics and Cultural Context. New York:Columbia University Press, 2004.
511. Vila, Pablo. Crossing Borders, Reinforcing Borders: Social Categories, Metaphors and Narrative Identities on the U.S.-Mexico Frontier. Austin: University of Texas Press, 2000.
512. Vives, Carlos. "La tierra del olvido." La tierra del olvido. Polygram Discos, 1995.
513. Vives, Carlos. "Malas lenguas." Tengo fe. EMI Latin, 1997.
514. Vives, Carlos. Concert. Miami Arena, Miami, Florida. 6 Sept. 2000.
515. Vives, Carlos. "Carito." Déjame entrar. EMI Latin, 2001.
516. Vives, Carlos. "Décimas." Déjame entrar. EMI Latin, 2001.
517. Vives, Carlos, and La Provincia. "La celosa." Clásicos de la Provincia. PolyGram Discos, 1993.
518. Wade, Peter. "Patterns of Race in Colombia." Bulletin of Latin American Research 5.2 (1986): 1-19.
519. Wade, Peter. Blackness and Race Mixture: Racial Dynamics in Colombia. Baltimore: Johns Hopkins University Press, 1993.
520. Wade, Peter. "Man the Hunter: Gender and Violence in Music and Drinking Contexts in Colombia." Sex and Violence: Issues in Representation and Experience. Ed. Peter Gow and Penelope Harvey. London: Routledge, 1994. 115-137.
521. Wade, Peter. "Blackness and Cultural Syncretism in Colombia." Slavery and Beyond: The African Impact on Latin America and the Caribbean. Ed. Darién J. Davis. Wilmington, DE:Scholarly Resources, 1995.
522. Wade, Peter. "The Cultural Politics of Blackness in Colombia." American Ethnologist 22.2 (1995):342-358.
523. Wade, Peter. Race and Ethnicity in Latin America. London: Pluto Press, 1997.
524. Wade, Peter. "Music, Blackness and National Identity: Three Moments in Colombian History." Popular Music 17.1 (1998): 1-19.
525. Wade, Peter. Music, Race and Nation: Música Tropical in Colombia. Chicago: University of Chicago Press, 2000.
526. Wade, Peter. "Racial Identity and Nationalism: A Theoretical View From Latin America." Ethnic and Racial Studies 24.5 (2001): 845-865.
527. Walser, Robert. Running With the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, NH: Wesleyan University Press/University Press of New England, 1993.
528. Watrous, Peter. "A Country Now Ready to Listen." New York Times, 27 June 1999: 25ff.
529. Waxer, Lise. Rev. of Music, Race and Nation: Música Tropical in Colombia, by Peter Wade. Journal of Popular Music Studies 13.2 (2001): 235-239.
530. Weiderhorn, "Make Shakira Dance for You Whenever, Wherever." mtv.com, 5 Nov. 2001 .
531. Werde, Bill. "Crossover Dreams." Village Voice, 15 Aug. 2000: 59.
532. Whiteley, Sheila. Introduction. Sexing the Groove: Popular Music and Gender. Ed. Sheila Whiteley. London: Routledge, 1997.
533. Whiteley, Sheila. "Challenging the Feminine: Annie Lennox, Androgyneity, and Illusions of Identity." Women in Popular Music: Sexuality, Identity, and Subjectivity. Ed. Sheila Whiteley. London: Routledge, 2000. 119-135.
534. Whiteley, Shiela, and Jennifer Rycenga, eds. Queering the Popular Pitch. London: Routledge, 2006.
535. Wierderhorn, Jon. "Make Shakira Dance for You Whenever, Wherever." mtv.com, Nov. 2002 .
536. Williams, Raymond L. "Andrés Caicedo's ¡Que viva la música!: Interpretation and the Fictionalized Reader." Revista de Estudios Hispánicos 17.1 (1983): 43-54.
537. Williams, Raymond L. The Colombian Novel, 1844-1987. Austin: University of Texas Press, 1991.
538. Willman, Chris. "Marque Marc." EW Magazine, 8 Oct. 1999 .
539. Wise, Sue. "From Butch God to Teddy Bear?: Some Thoughts on My Relationship With Elvis." Feminist Praxis: Research, Theory, and Epistemology in Feminist Sociology. Ed. Liz Stanley. London: Routledge, 1990. 134-144.
540. Wright, Evan. "Shakira." Rolling Stone, 11 April 2002: 68-76, 142.
541. Youngers, Coletta. "U.S. Entanglements in Colombia Continue." NACLA, March-April 1998: 34-35, 47.
542. Yúdice, George. The Expediency of Culture: Uses of Culture in the Global Era. Durham, NC:Duke University Press, 2003.
543. Yúdice, George. "La industria de la música en la integración América Latina-Estados Unidos." Las industrias culturales en la integración latinoamericana. Ed. Néstor García Canclini and Carlos Moneta. Buenos Aires: Eudeba, 2003. 115-161.
544. Yúdice, George. "Linking Cultural Citizenship and Transnationalism to the Movement for an Equitable Global Economy." Latin American Studies Association FORUM 37.1 (2006):15-16.
545. Zambrano D., Andrés. "Aterciopelados impulsa rock en español en E.U." ElTiempo.com, 13 May 2001 .
546. Zapata Olivella, Delia. "La cumbia: Síntesis musical de la nación colombiana." Revista colombiana del folclor 3.7 (1962): 189-204.
547. Zazueta Martínez, Katynka. "The 'Latin Explosion,' Media Audiences, and the Marketing of Latino Panethnicity: Latina Magazine and the Latin Grammys in a Post-Selena América." Ph.D. diss., University of California, San Diego, 2003.
548. Zentella, Ana Celia. Growing Up Bilingual. Malden, MA: Blackwell: 1997.
549. Zolov, Eric. Refried Elvis: The Rise of the Mexican Counterculture. Berkeley: University of California Press, 1999.