Chinese theories of reading and writing: A route to hermeneutics and open poetics

Chinese Theories of Reading and Writing: A Route to Hermeneutics and Open Poetics

Volumn , Issue , 2005, Pages 1-286

  Gu, Ming Dong ^a  

^a RHODES COLLEGE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84899319025     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (231)

1. Adams, Hazard, ed. Critical Theory since Plato. San Diego, CA: Harcourt Brace, 1971.
2. Allen, Walter. The English Novel: A Short Critical History. New York: E. P. Dutton, 1954.
3. Aristotle. Poetics. In Adams, Critical Theory since Plato, 47-66.
4. Audi, Robert, ed. The Cambridge Dictionary of Philosophy. Cambridge: Cambridge University Press, 1995.
5. Auerbach, Erich. Mimesis: The Representation of Reality in Western Culture. Garden City, NY: Doubleday, 1957.
6. Bakhtin, M. M. The Dialogic Imagination: Four Essays. Austin: University of Texas Press, 1981.
7. Bakhtin, M. M. "Epic and Novel." In Hoffman and Murphy, Essentials of the Theory of Fiction, 48-69.
8. Barnes, Djuna. Nightwood : The Original Version and Related Drafts. Normal, IL: Dalkey Archive Press, 1995.
9. Barthes, Roland. Elements of Semiology. New York: Hill and Wang, 1967.
10. Barthes, Roland. Image-Music-Text. Translated by Stephen Heath. New York: Hill and Wang, 1977.
11. Barthes, Roland. Mythologies. Translated by Annette Lavers. New York: Noonday Press, 1972.
12. Barthes, Roland The Pleasure of the Text. New York: Hill and Wang, 1974.
13. Barthes, Roland. S/Z: An Essay. Translated by Richard Miller. New York: Hill and Wang, 1974.
14. Baudrillard, Jean. Selected Writings. Translated by Mark Poster. Stanford, CA: Stanford University Press, 1988.
15. Bell, Clive. "The Aesthetic Hypothesis." In Feagin and Maynard. Aesthetics, 15-22.
16. Benveniste, Emile. Problems in General Linguistics. Coral Gables, FL: University of Miami Press, 1971.
17. Birch, Cyril, ed. Anthology of Chinese Literature. New York: Grove Press, 1966.
18. Birch, Cyril, ed. Studies in Chinese Literary Genres. Berkeley and Los Angeles: University of California Press, 1974.
19. Birch, Cyril. Foreword to Plaks, Chinese Narrative, ix-xii.
20. Bishop, John. "Some Limitations of Chinese Fiction." In Studies in Chinese Literature, edited by John Bishop, 239-247. Cambridge, MA: Harvard University Press, 1966.
21. Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. New York: Oxford University Press, 1975.
22. Bloom, Harold. A Map of Misreading. Oxford: Oxford University Press, 1975.
23. Boccaccio, Giovanni. The Decameron. New York: Norton, 1982.
24. Booth, Wayne. The Rhetoric of Fiction. Chicago: University of Chicago Press, 1983.
25. Brewitt-Tailor, C. H., Romance of the Three Kingdoms. 2 vols. Rutland, VT: Charles E. Tuttle, 1959.
26. Cao Xueqin and Gao E. The Story of the Stone. Translated by David Hawkes and John Minford. 5 vols. Harmondsworth, England: Penguin, 1973-86.
27. Carroll, Lewis. Alice's Adventure in Wonderland. New York: Modern Library, 1925.
28. Cervantes, Miguel. Don Quixote. London: Folio Society, 1995.
29. Chan, Wing-tsit, comp. and trans. A Source Book in Chinese Philosophy. Princeton, NJ: Princeton University Press, 1963.
30. Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca, NY: Cornell University Press, 1978.
31. Ch'en, Shou-yi. Chinese Literature: A Historical Introduction. New York: Ronald Press, 1961.
32. Cohan, Steven, and Linda M. Shires. Telling Stories: A Theoretical Analysis of Narrative Fiction. New York: Routledge, 1988.
33. Cohn, Dorrit. The Distinction of Fiction. Baltimore, MD: Johns Hopkins University Press, 1999.
34. Coleridge, S. T. "Biographia Literaria." In Adams, Critical Theory since Plato, 468-71.
35. Collingwood, R. G. The Idea of History. Reprint, London: Oxford University Press, 1980.
36. Cuddon, J. A. A Dictionary of Literary Terms and Literary Theory. Oxford: Blackwell, 1991.
37. Culler, Jonathan. On Deconstruction: Theory and Criticism after Structuralism. Ithaca: Cornell University Press, 1982.
38. De Bary, W. Theodore, comp. Sources of Chinese Tradition. 2 vols. New York: Columbia University Press, 1960.
39. Defoe, Daniel. Robinson Crusoe 1719. Reprint. New York: Norton, 1975.
40. Deleuze, Gilles. "The Simulacrum and Ancient Philosophy." In The Logic of Sense. New York: Columbia University Press, 1990.
41. De Man, Paul. Allegories of Reading: Figural Language in Rousseau, Nietzsche, and Proust. New Haven, CT: Yale University Press, 1979.
42. De Man, Paul. Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. New York: Oxford University Press, 1971.
43. De Man, Paul. "Resistance to Theory." Yale French Studies 63 (1982): 3-20.
44. Derrida, Jacques. Dissemination. Chicago: University of Chicago Press, 1982.
45. Derrida, Jacques. Margins of Philosophy. Chicago: University of Chicago Press, 1983.
46. Derrida, Jacques. Positions. Chicago: University of Chicago Press, 1981.
47. Derrida, Jacques. Writing and Difference. Chicago: University of Chicago Press, 1978.
48. Dewoskin, Kenneth J. "On Narrative Revolution." Chinese Literature: Essays, Articles, Reviews 5 (1983): 29-45.
49. Dewoskin, Kenneth J. "The Six Dynasties Chih-Kuai and the Birth of Fiction." In Plaks, Chinese Narrative, 21-52.
50. Dolezel, Lubomir. Heterocosmica: Fiction and Possible Worlds. Baltimore, MD: Johns Hopkins University Press, 1998.
51. Eagleton, Terry. After Theory. New York: Basic Books, 2003.
52. Eagleton, Terry. Literary Theory: An Introduction. Oxford: Basil and Blackwell, 1983.
53. Eco, Umberto. The Aesthetics of Chaosmos: The Middle Ages of James Joyce. Tulsa, OK: University of Tulsa, 1982.
54. Eco, Umberto. The Open Work. Cambridge, MA: Harvard University Press, 1989.
55. Eco, Umberto. The Role of the Reader: Explorations in the Semiotics of Texts. Bloomington: Indiana University Press, 1979.
56. Eco, Umberto, et al. Interpretation and Overinterpretation. Cambridge: Cambridge University Press, 1992.
57. Egerton, Clament, trans. The Golden Lotus. 4 vols. London: Routledge and Kegan Paul, 1972.
58. Ellmann, Richard. James Joyce. New York: Oxford University Press, 1982.
59. Epstein, Maram. Competing Discourses: Orthodoxy, Authenticity, and Engendered Meanings in Late Imperial Chinese Fiction. Cambridge, MA: Harvard University Asian Center, 2001.
60. Feagin, Susan, and Patrick Maynard, eds. Aesthetics. Oxford: Oxford University Press, 1997.
61. Fodor, Nandor, and Frank Gayno. Freud: Dictionary of Psychoanalysis. New York: Premier Book, 1965.
62. Forster, E. M. Aspects of the Novel. Harmondsworth, England: Pelican Books, 1976.
63. Foucault, Michel. The History of Sexuality. Vol. 1. New York: Vintage Books, 1978.
64. Foucault, Michel. The Order of Things: An Archaeology of the Human Sciences. London: Tavistock, 1970.
65. Fowler, Roger. Linguistics and the Novel. London: Methuen, 1977.
66. Freedman, Ralph. The Lyrical Novel: Studies in Hermann Hesse, André Gide, and Virginia Woolf. Princeton: Princeton University Press, 1963.
67. Freud, Sigmund. Beyond the Pleasure Principle. New York: Norton, 1961.
68. Freud, Sigmund. Complete Psychological Works. Edited by James Strachey. Standard edition. 24 vols. London: Hogarth Press, 1953-74.
69. Freud, Sigmund The Ego and the Id. Translated by James Strachey. New York: Norton, 1960.
70. Freud, Sigmund. The Freud Reader. Edited by Peter Gay. New York: Norton, 1989.
71. Freud, Sigmund. The Interpretation of Dreams. New York: Avon Books, 1965.
72. Freud, Sigmund Introductory Lectures on Psychoanalysis. Translated by James Strachey. New York: Norton, 1966.
73. Freud, Sigmund On Dreams. Translated by James Strachey. New York: Norton, 1950.
74. Freud, Sigmund. An Outline of Psychoanalysis. New York: Norton, 1970.
75. Freud, Sigmund. The Sexual Enlightenment of Children. New York: Collier Books, 1963.
76. Frye, Northrop. Anatomy of Criticism: Four Essays. Princeton, NJ: Princeton University Press, 1957.
77. Frye, Northrop. Fables of Identity: Studies in Poetic Mythology. New York: Harcourt, Brace, and World, 1963.
78. Ge, Liangyan. Out of the Margins: The Rise of Chinese Vernacular Fiction. Honolulu: University of Hawaii Press, 2001.
79. Gennett, Gérard. The Archtext: An Introduction. Berkeley and Los Angeles: University of California Press, 1992.
80. Gennett, Gérard. Fiction et diction. Paris: Seuil, 1991.
81. Gu, Ming Dong. "Brocade of Human Desires: The Poetics of Weaving in the Jin Ping Mei and Traditional Commentaries." Journal of Asian Studies 63, no. 2 (2004): 333-56.
82. Gu, Ming Dong. Chinese Theories of Reading and Writing: A Route to Hermeneutics and Open Poetics. Albany: State University of New York Press: 2005.
83. Gu, Ming Dong. "The Genesis and Evolution of Literary Forms: An Inquiry across Cultural Boundaries." Tamkang Review 27, no 4 (1997): 443-75.
84. Gu, Ming Dong. "The Hongloumeng as an Open Novel: For a New Paradigm of Redology." Monumenta Serica: A Journal of Oriental Studies 51 (2003): 253-282.
85. Gu, Ming Dong. "Is Mimetic Theory in Literature and Art Universal?" Poetics Today, 26 no. 3 (2005): 459-99.
86. Gu, Ming Dong. "Lu Xun, Jameson, and Multiple Polysemia." Canadian Review of Comparative Literature 28, no. 4 (2001): 434-57.
87. Gu, Ming Dong. "Mimetic Theory in Chinese Literary Thought." New Literary History 36, no. 4 (2005): 403-24.
88. Gu, Ming Dong. "Paradox of Vision and Vision of Paradox: Ideology and Form in the Jin Ping Mei." Journal of Oriental Studies 37, no. 2 (1991): 175-203.
89. Gu, Ming Dong. "Suggestiveness in Chinese Literary Thought: Symphony of Metaphysics and Aesthetics." Philosophy East & West 53, no. 4 (2003): 490-513.
90. Gu, Ming Dong. "The Universal 'One': Toward a Common Conceptual Basis for Chinese and Western Studies." Diacritics: A Review of Contemporary Criticism 32, no. 2 (2002): 86-105.
91. Gu, Ming Dong. "The Universal Significance of Frye's Theory of Fictional Modes." In O'Grady and Wang, Northrop Frye, 162-76.
92. Hall, David L., and Roger T. Ames. Thinking from the Han: Self, Truth, and Transcendence and Western Culture. Albany: State University of New York Press, 1998.
93. Hanan, Patrick. The Chinese Short Story. Cambridge, MA: Harvard University Press, 1973.
94. Hanan, Patrick. The Chinese Vernacular Story. Cambridge, MA: Harvard University Press, 1981.
95. Hanan, Patrick "The Early Chinese Short Story: A Critical Theory in Outline." In Birch, Studies in Chinese Literary Genres. 299-338.
96. Hanan, Patrick. "The Nature of Ling Meng-ch'u's Fiction." In Plaks, Chinese Narrative, pp. 85-114.
97. Hanan, Patrick. "Sources of the Chin P'ing Mei." Asia Major 10 (1963): 23-67.
98. Hanan, Patrick. "The Text of the Chin P'ing Mei." Asia Major 9 (1962): 1-57.
99. Hawkes, David. "The Translator, the Mirror and the Dream-Some Observations on a New Theory, " Renditions 13 (1980): 5-20.
100. Hegel, Robert E. The Novel in Seventeenth-Century China. New York: Columbia University Press, 1981.
101. Heidegger, Martin. Basic Writings. Edited by David Farrell Krell. Rev. ed. New York: Harper Collins, 1977.
102. Heidegger, Martin. Early Greek Thinking. New York: Harper and Row, 1975.
103. Heidegger, Martin. Poetry, Language, Thought. New York: Harper and Row, 1971.
104. Hoffman, Michael, and Patrick Murphy, eds. Essentials of the Theory of Fiction. Durham, NC: Duke University Press, 1988.
105. Holland, Norman. The Dynamics of Literary Response. New York: Oxford University Press, 1968.
106. Hsia, C. T. The Classical Chinese Novel: A Critical Introduction. New York: Columbia University Press, 1968.
107. Irwin, Richard G. The Evolution of a Chinese Novel: Shui-hu chuan. Cambridge, MA: Harvard University Press, 1953.
108. Jakobson, Roman. "Closing Statement: Linguistics and Poetics." In T. A. Sebeok. Ed. Style in Language, edited by T. A. Sebeok. Cambridge, MA: MIT Press, 1960.
109. Jakobson, Roman. Language in Literature. Cambridge, MA: Harvard University Press, 1987.
110. Jakobson, Roman, and Morris Halle. 1956. Fundamentals of Language. The Hague: Mouton & Co.
111. Jameson, Fredric. "Third-World Literature in the Era of Multinational Capitalism." Social Text 15 (1986): 65-88.
112. Joyce, James. Finnegans Wake. New York: Viking Press, 1939.
113. Joyce, James. Ulysses: The Corrected Text. New York: Random House, 1986.
114. Kafka, Franz. Letters to Felice. New York: Schocken Books, 1973.
115. Kant, Immanuel. Critique of Judgment. In Adams, Critical Theory since Plato. 379-90.
116. Kao, Yu-kung. "Lyric Vision in Chinese Narrative Tradition: A Reading of Hung-lou Meng and Ju-Lin Wai-Shih." In Plaks, Chinese Narrative, pp. 227-43.
117. Kermode, Frank. The Art of Telling: Essays on Fiction. Cambridge, M.A.: Harvard University Press, 1983.
118. Kirk, G. S., et al. The Presocratic Philosophers: A Critical History with a Selection of Texts. New York: Cambridge University Press, 1963.
119. Korsmeyer, Carolyn. Aesthetics: The Big Questions. Oxford: Blackwell, 1998.
120. Kristeva, Julia. Desire in Language. New York: Columbia University Press, 1980.
121. Kristeva, Julia. The Kristeva Reader. New York: Columbia University Press.
122. Kristeva, Julia. Revolution in Poetic Language. New York: Columbia University Press, 1984.
123. Lacan, Jacques. Ecrits: A Selection. London: Tavistock, 1977.
124. Lacan, Jacques. The Four Fundamental Concepts of Psycho-analysis. London: Tavistock, 1977.
125. Lane, Michael. Ed. Introduction to Structuralism. New York: Basic Books, 1970.
126. Lao, Tzu. Tao Te Ching. Translated by D. C. Lau. Harmondsworth: Penguin Books, 1962.
127. Lau, Joseph S. M., et al., eds. Modern Chinese Stories and Novellas: 1919-1949. New York: Columbia University Press, 1981.
128. Lawrence, D. H. Phoenix: The Posthumous Papers of D. H. Lawrence. Edited by Edward D. McDonald. New York: Viking Press, 1968.
129. Lee, Leo Ou-fan. Voices from the Iron House: A Study of Lu Xun. Bloomington: Indiana University Press, 1987.
130. Lentricchia, Frank and Thomas McLaughlin, eds. Critical Terms for Literary Study. Chicago: University of Chicago Press, 1990.
131. Levi-Strauss, Claude. Anthropologie structurale. Paris: Plon, 1958.
132. Levy, Andre. "About the Date and the First Printed Edition of the Chin P'ing Mei." Chinese Literature: Essays, Articles, Reviews 1, no. 1 ( January 1979): 43-47.
133. Li, Wai-yee. Enchantment and Disenchantment: Love and Illusion in Chinese Literature. Princeton, NJ: Princeton University Press, 1993.
134. Lin, Shuen-fu. "Chia Po-yu's First Visit to the Land of Illusion: An Analysis of a Literary Dream in an Interdisciplinary Perspective." Chinese Literature: Essays, Articles, Reviews 14 (1992): 77-106.
135. Liu, James J. Y. The Art of Chinese Poetry. Chicago: University of Chicago Press, 1962.
136. Liu, James J. Y. Chinese Theories of Literature. Chicago: University of Chicago Press, 1975.
137. Liu, Hsieh. The Literary Mind and the Carving of Dragons. Translated by Vincent Yuchung Shih. Taipei: Chung Hwa Book Co., 1975.
138. Lu, Sheldon. From Historicity to Fictionality: The Poetics of Chinese Narrative. Stanford, CA: Stanford University Press, 1994.
139. Lu, Xun A Brief History of Chinese Fiction. Translated by Hsien-yi Yang and Glalys Yang. Peking: Foreign Languages Press, 1976.
140. Lu, Xun. The Complete Stories of Lu Xun. Translated by Yang Xianyi and Gladys Yang. Peking: Foreign Languages Press, 1964.
141. Lu, Xun. Lu Xun: Selected Works. Translated by Yang Xianyi and Gladys Yang. 4 vols. Peking: Foreign Languages Press, 1956.
142. Lu, Xun. Old Tales Retold. Translated by Yang Xianyi and Gladys Yang. Peking: Foreign Languages Press, 1972.
143. Lu, Xun. Selected Stories of Lu Hsun. New York: Norton, 1977.
144. Lukács, Georg. The Theory of the Novel: A Historico-philosophical Essay on the Forms of Great Epic Literature. Translated by Anna Bostock. Cambridge, MA: MIT Press, 1971.
145. Ma, Y. W. "Fiction." In Nienhauser, Indiana Companion to Traditional Chinese Literature, 31-48.
146. Ma, Y. W., and Joseph Lau, eds. Traditional Chinese Stories and Novellas: Themes and Variations. New York: Columbia University Press, 1978.
147. The Mahabharata. Rendered in English by Willliam Buck. Berkeley and Los Angeles: Univeristy of California Press, 1973.
148. Mair, Victor. "The Narrative Revolution in Chinese Literature: Ontological Presuppositions." Chinese Literature: Essays, Articles, Reviews 5 (1983): 1-22.
149. Martin, Wallace. Recent Theories of Narrative. Ithaca, NY: Cornell University Press, 1986.
150. McKillop, Alan Dugald. Samuel Richardson: Printer and Novelist. Chapel Hill: University of North Carolina Press, 1960.
151. Mill, John Stuart. "What Is Poetry?" In Adams, Critical Theory Since Plato. 536-543.
152. Miller, J. Hillis. "Narrative." In Lentricchia and McLaughlin, Critical Terms for Literary Study. 66-79.
153. Mitchell, W. J. T., ed. On Narrative. Chicago: University of Chicago Press, 1980.
154. Mitchell, W. J. T. "Representation." In Lentricchia and McLaughlin, Critical Terms for Literary Study. 11-22.
155. More, Thomas. Utopia: A New Translation, Backgrounds, Criticism. New York: Norton, 1975.
156. Murasaki, Shikibu. The Tale of Genji. Translated by Edward Seidensticker. New York: Alfred Knopf, 1976.
157. Nienhauser, William, ed. The Indiana Companion to Traditional Chinese Literature. Bloomington: Indiana University Press, 1986.
158. Nienhauser, William. "The Origins of Chinese Fiction." In Monumenta Serica 38 (1988-89): 191- 217.
159. O'Grady, Jean, and Wang Ning, eds. Northrop Frye: Eastern and Western Perspectives. Toronto: University of Toronto Press, 2003.
160. Olson, Charles. Human Universe. Edited by Donald Allen. New York: Grove Press, 1967.
161. Orwell, George. Animal Farm: A Fairy Story. London: Folio Society, 1988.
162. Owen, Stephen. Readings in Chinese Literary Thought. Cambridge, MA: Harvard University Press, 1992.
163. Passmore, John. A Hundred Years of Philosophy. 2nd ed. Harmondsworth, England: Penguin, 1972.
164. Pavel, Thomas. "Fiction and Imitation." Poetics Today 21, no. 3 (2000): 521-41.
165. Peirce, Charles Sanders. Collected Papers. Ed. Charles Hartshorne and Paul Weis. 8 vols. Cambridge, MA: Harvard University Press, 1931-58.
166. Peirce, Charles Sanders. Peirce on Signs. Edited by James Hoopes. Chapel Hill: University of North Carolina Press, 1991.
167. Peirce, Charles Sanders. Philosophical Writings of Peirce. Edited by Justus Buchler. New York: Dover, 1955.
168. Plaks, Andrew H. Archetype and Allegory in the Dream of the Red Chamber. Princeton, NJ: Princeton University Press, 1976.
169. Plaks, Andrew H, ed. Chinese Narrative: Critical and Theoretical Essays. Princeton, NJ: Princeton University Press, 1977.
170. Plaks, Andrew H. "The Chongzhen Commentary on the Jin Ping Mei: Gems amidst the Dross." Chinese Literature: Essays, Articles, Reviews 8, nos. 1 and 2 ( July 1986): 19-30.
171. Plaks, Andrew H. "Conceptual Models in Chinese Narrative Theory." Journal of Chinese Philosophy 4, no. 1 (1977): 25-47.
172. Plaks, Andrew H. The Four Masterworks of the Ming Novel. Princeton, NJ: Princeton University Press, 1987.
173. Plaks, Andrew H. "Full-length Hsiao-shuo and the Western Novel: A Generic Reappraisal." In China and the West: Comparative Literary Studies, edited by William Tay et al., 163-76. Hong Kong: Chinese University Press, 1980.
174. Plato. The Republic. Cambridge: Cambridge University Press, 1963.
175. Porter, Deborah L. From Deluge to Discourse: Myth, History, and the Generation of Chinese Fiction. Albany: State University of New York Press, 1996.
176. Power, Arthur. Conversations with James Joyce. London: Millington, 1974.
177. Preminger, Alex, et al., eds. The Princeton Encyclopedia of Poetry and Poetics. Princeton, NJ: Princeton University Press, 1993.
178. Proust, Marcel. A la recherche du temps perdu. 3 vols. Paris: Gallimard, 1954.
179. Proust, Marcel. Remembrance of Things Past. New York: Vintage Books, 1982.
180. Prušek, Jaroslav. "Urban Centers: The Cradle of Popular Fiction." In Cyril Birch, ed., Studies in Chinese Literary Genres, 259-98.
181. Ramayana [King Rama's Way]. Rendered into English by William Buck. Berkeley and Los Angeles: University of California Press, 1976.
182. Reed, Walter. An Exemplary History of the Novel: The Quixotic versus the Picaresque. Chicago: University of Chicago Press, 1981.
183. Richardson, Samuel. Clarissa: or, The History of a Young Lady. London: Folio Society, 1991.
184. Richardson, Samuel. Pamela, or Virtue Rewarded. New York: E. P. Dutton, [1955-57].
185. Riffaterre, Michael. Fictional Truth. Baltimore, MD: Johns Hopkins University Press, 1990.
186. Robert, Marthe. Origins of the Novel. Bloomington: Indiana University Press, 1980.
187. Rolston, David L., ed. How to Read the Chinese Novel. Princeton, NJ: Princeton University Press, 1990.
188. Rolston, David L. Reading and Writing between the Lines: Traditional Chinese Fiction Commentary and Premodern Chinese Fiction. Stanford, CA: Stanford University Press, 1997.
189. Roy, David T. "The Case for T'ang Hsien-tsu's Authorship of the Jin Ping Mei." Chinese Literature: Essays, Articles, Reviews 8, nos. 1 and 2 ( July 1986): 31-62.
190. Roy, David T. "Chang Chu-p'o's Commentary on the Chin P'ing Mei." In Plaks, Chinese Narrative, 115-23.
191. Roy, David T, trans. The Plum in the Golden Vase. Vols. 1 and 2. Princeton, NJ: Princeton University Press, 1993-2001.
192. Said, Edward. Beginnings: Intention and Method. New York: Basic Books, 1975.
193. Satyendra, Indira. "The Metaphors of the Body: The Sexual Economy in the Chin P'ing Mei tz'u-hua." In Chinese Litereature: Essays, Articles, Reviews 15 (1993): 85-97.
194. Saussure, Ferdinand. Course in General Linguistics. London: Peter Owen, 1960.
195. Schaeffer, Jean-Marie. Pourquoi la fiction? Paris: Seuil, 1999.
196. Scholes, Robert. Elements of Fiction. Oxford: Oxford University Press, 1968.
197. Scholes, Robert. "Language, Narrative, and Anti-Narrative." In Mitchell, ed., On Narrative. 200-8.
198. Scholes, Robert, and Robert Kellogg. The Nature of Narrative. New York: Oxford University Press, 1966.
199. Schorer, Mark. "Technique as Discovery." In Hoffman and Murphy, Essentials of the Theory of Fiction, Durham, 101-114.
200. Searle, John. "The Logical Status of Fictional Discourse." New Literary History 6 (1975): 319-32.
201. Sebeok, Thomas A. A Sign Is Just a Sign. Bloomington: Indiana University Press, 1991.
202. Silverman, Kaja. The Subject of Semiotics. New York: Oxford University Press, 1983.
203. Smith, Barbara H. On the Margins of Discourse: The Relation of Literature to Language. Chicago: University of Chicago Press, 1979.
204. Smith, Barbara H. "Narrative Versions, Narrative Theories." In Mitchell, On Narrative. 209-32.
205. Sterne, Lawrence. The Life and Opinions of Tristram Shandy. Oxford: Clarendon Press, 1983.
206. Suzuki, D. T., trans. The Lankavatara Sutra, A Mahayana Text. London: Routledge, 1932.
207. Tanner, Tony. Adultery in the Novel: Contract and Transgression. Baltimore, MD: Johns Hopkins University Press, 1979.
208. Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. Ithaca, NY: Cornell University Press, 1975.
209. Todorov, Tzvetan. Genres in Discourse. Cambridge: Cambridge University Press, 1990.
210. Todorov, Tzvetan. The Poetics of Prose. Ithaca, NY: Cornell University Press, 1977.
211. Waley, Arthur, trans. The Analects of Confucius. New York: Vintage Books, 1938.
212. Waley, Arthur, trans. The Tale of Genji. By Lady Murasaki. New York: Modern Library, 1960.
213. Wang, Jing. The Story of Stone: Intertexuality, Ancient Chinese Stone Lore and the Stone Symbolism in Dream of the Red Chamber, Water Margin, and the Journey to the West. Durham, NC: Duke University Press, 1992.
214. Wang, John C. Y. "Early Chinese Narrative: The Tso-chuan as Example." In Plaks, Chinese Narrative, 3-22.
215. Watt, Ian. The Rise of The Novel: Studies in Defoe, Richardson and Fielding. Berkeley and Los Angeles: University of California Press, 1960.
216. Widmer, Ellen and Kang-i Sung Chang, eds. Writing Women in Late Imperial China. Stanford, CA: Stanford University Press, 1997.
217. Wilhelm, Hellmut. "Notes on Chou Fiction." In Transition and Permanence: Chinese History and Culture. Edited by D. C. Buxbaum and F. W. Mote, 251-63. Hong Kong: Cathay Press, 1972.
218. Wong, Kam-ming, "Point of View, Norms, and Structure: Hung-lou meng and Lyrical Fiction." In Plaks, Chinese Narrative, 203-26.
219. Woolf, Virginia. "Mr. Bennett and Mrs. Brown." In Hoffman and Murphy, Essentials of the Theory of Fiction, 24-39.
220. Woolf, Virginia The Waves. London: Hogarth Press, 1980.
221. Wordsworth, William. "Preface to the Second Edition of Lyrical Ballads." In Adams, Critical Theory since Plato. 432-43.
222. Wu, Hung. "Beyond Stereotypes: The Twelve Beauties in Qing Court Art and the 'Dream of the Red Chamber.'" In Widmer and Chang, Writing Women in Late Imperial China, 311-18.
223. Yang, Hsien-yi, and Gladys Yang, trans. The Scholars. Beijing: Foreign Language Press, 1957.
224. Yee, Angelina C. "Self, Sexuality, and Writing in Hongloumeng, " Harvard Journal of Asiatic Studies 55, no. 2 (1995): 373-407.
225. Young, Edward. "Conjectures on Original Composition." In Critical Theory since Plato, 337-47.
226. Yu, Anthony C. "History, Fiction and the Reading of Chinese Narrative." Chinese Literature: Essays, Articles, Reviews 10 (1988): 1-19.
227. Yu, Anthony C, trans. Journey to the West. 4 vols. Chicago: University of Chicago Press, 1977- 83.
228. Yu, Anthony C. Rereading the Stone: Desire and the Making of Fiction in Dream of the Red Chamber. Princeton, NJ: Princeton University Press, 1997.
229. Yu, Ying-shih. "The Two Worlds of Hunglou meng." Renditions, no. 2 (1974): 5-21.
230. Zeitlin, Judith T. Historian of the Strange: Pu Songling and the Chinese Classical Tale. Stanford, CA: Stanford University Press, 1993.
231. Zhuangzi. Complete Works of Chuang Tzu. Translated by Burton Watson. New York: Columbia University Press, 1968.