Introduction: Disability studies in commotion with performance studies

Bodies in Commotion: Disability and Performance

Volumn , Issue , 2005, Pages 1-12

  Sandahl, Carrie ^a   Auslander, Philip ^b  

^a FLORIDA STATE UNIVERSITY   (United States)

^b GEORGIA INSTITUTE OF TECHNOLOGY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84898275439     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Editorial

References (22)

1. Ahhhh, Freak Out! Metaphors of Disability and Femaleness in Performance, " Theatre Topics 9, no. 1 (1999): 11-30.
2. David T. Mitchell and Sharon L. Snyder, Narrative Prosthesis: Disabilities and the Dependencies of Discourse (Ann Arbor: University of Michigan Press, 2000), 6.
3. Erving Goffman, The Presentation of Self in Everyday Life (New York: Anchor, 1959).
4. Judith Butler, Bodies That Matter: On the Discursive Limits of Sex (New York: Routledge, 1993).
5. John Belluso, interview by Carrie Sandahl, Los Angeles, July 2, 2001.
6. Joseph Shapiro, No Pity: People with Disabilities Forging a New Civil Rights Movement (New York: Times Books, 1993), 43.
7. Martin Norden, The Cinema of Isolation: A History of Physical Disability in the Movies (New Brunswick: Rutgers University Press, 1994).
8. Paul Longmore "Screening Stereotypes: Images of Disabled People in Television and Motion Pictures, " Social Policy 16 (summer 1985): 31-37.
9. David Hevey, The Creatures Time Forgot: Photography and Disability Imagery (New York: Routledge, 1992).
10. Mitchell and Snyder, Narrative Prosthesis, 54.
11. Petra Kuppers, "Deconstructing Images: Performing Disability, " Contemporary Theatre Review 11, nos. 3-4 (2001): 26.
12. Catherine Cole, "Artist's Statement, " http://www.fivefootfeat. com, accessed August 8, 2003.
13. Garland Thomson, Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature (New York: Columbia University Press, 1997).
14. Freakery: Cultural Spectacles of the Extraordinary Body (New York: New York University Press, 1996).
15. Lend Me Your Ear: Rhetorical Constructions of Deafness (Washington, D.C.: Gallaudet University Press, 1999).
16. Jon McKenzie, Perform or Else: From Discipline to Performance (London: Routledge, 2001), 29-53.
17. Lennard J. Davis, "The End of Identity Politics and the Beginning of Dismodernism: On Disability as an Unstable Category, " in Bending Over Backwards: Disability, Dismodernism, and Other Difficult Positions (New York: New York University Press, 2002).
18. Simi Linton, Claiming Disability: Knowledge and Identity (New York: New York University Press, 1998).
19. Doris Zames Fleischer and Frieda Zames, The Disability Rights Movement: From Charity to Confrontation (Philadelphia: Temple University Press, 2001).
20. Harlan Hahn, A Journey into a DEAF-WORLD (San Diego: Dawn Sign Press, 1996).
21. Richard Schechner, "Approaches, " in Performance Theory (New York: Routledge, 1988), 1-34.
22. Wladimir Krysinski, "Semiotic Modalities of the Body in Modern Theater, " Poetics Today 2-3 (1981): 141.