Estrangement and the somatics of literature: Tolstoy, Shklovsky, Brecht

Estrangement and the Somatics of Literature: Tolstoy, Shklovsky, Brecht

Volumn , Issue , 2008, Pages 1-317

  Robinson, Douglas ^a  

^a NONE

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EID: 84894975798     PISSN: None     EISSN: None     Source Type: Book    
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202. Reich, Bernhard. Im Wettlauf mit der Zeit: Erinnerungen aus fünf Jahrzehnten deutscher Theatergeschichte ("In the Race with Time: Memoirs of Five Decades of German Theater History"). Berlin: Henschelverlag, 1970.
203. Reich, Wilhelm. Character-analysis. 1933. Translated by Theodore P. Wolfe. New York: Noonday, 1949.
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209. Rockmore, Tom. "Fichte, Lask, and Lukács' Hegelian Marxism." Journal of the History of Philosophy 30. 4 (October 1992):557-77.
210. Ross, Stephen David. The Gift of Touch: Embodying the Good. Albany: SUNY Press, 1998.
211. Rousseau, Jean-Jacques. Emile or On Education. Edited and translated by Allan Bloom. New York: Basic Books, 1979.
212. -. Social Contract, Discourse on the Virtue Most Necessary for a Hero, Political Fragments, and Geneva Manuscript. 1767. Translated by Judith R. Bush, Roger D. Masters, and Christopher Kelly. Vol. 4 of The Collected Writings of Rousseau. Hanover: University Press of New England, 1994.
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225. Schumacher, Ernst. Brecht: Theater und Gesellschaft im 20. Jahrhundert ("Theater and Society in the Twentieth Century). Berlin: Henschelverlag, 1973.
226. Sheldon, Richard. Acknowledgements in Shklovsky, Sentimental'noe/ Sentimental, v-vi.
227. -. Introduction to Shklovsky, Zoo/ZOO, xiii-xxxiii.
228. -. "Introduction: Viktor Shklovsky and the Device of Ostensible Surrender." In Shklovsky, Tret'ya/Third, ix-xlii.
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233. Shirer, William L. Love and Hatred: The Stormy Marriage of Leo and Sonya Tolstoy. New York: Simon and Schuster, 1994.
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235. -. Gamburgsky schyot. ("The Hamburg Score/Rankings/Account." The phrase refers to a wrestling competition, hence score or rankings, but Richard Sheldon is translating the book for the Dalkey Archive Press under the title Hamburg Account.) 1928. Reprint, Moscow: Sovyetsky pisatel', 1990.
236. -. "Iskusstvo kak priyom." 1917.
237. Reprinted in Shklovsky, O teorii (1925), 7-23; (1929), 7-20; (1983), 9-25
238. and Shklovsky, Gamburgsky (1990), 58-72.
239. Translated into German by Gisela Drohla as "Kunst als Kunstgriff." In Drohla, ed., Shklovsky, Theorie der Prosa. Frankfurt am Main: Fischer-Taschenbuch-Verlag, 1966.
240. Translated into English by Lee T. Lemon and Marion J. Reis as "Art as Technique." In Lemon and Reis, Russian Formalist Criticism, 3-24.
241. Retranslated by Benjamin Sher as "Art as Device." In Shklovsky, O teorii/Theory, 1-14.
242. -. Khod konya. Berlin: Helikon-Verlag, 1923.
243. Reprinted in Shklovsky, Gamburgsky (1990), 74-150.
244. Translated by Richard Sheldon as Knight's Move. Normal, IL: Dalkey Archive Press, 2005.
245. -. Literatura i kinematograf ("Literature and the Cinematographer"). Berlin: Helikon-Verlag, 1923.
246. -. O teorii prozy. Moscow and Leningrad: Krug, 1925. Reprint, Moscow: Federatsiya, 1929. Reprint, Moscow: Sovyetskiy pisatel', 1983.
247. Translated by Benjamin Sher as Theory of Prose. 1990. Reprint, Normal, IL: Dalkey Archive Press, 1998.
248. -. "Obnovlenie ponyatiya" ("Renewal of a Concept"). In Shklovsky, Povesti o proze: Razmyshleniya i razbory ("Tales on Prose"), 2 vols., 2:298-305. Moscow: Khudozhestvennaya literatura, 1966.
249. -. "O poezii i zaumnom yazyke" ("On Poetry and Trans-Rational Language"). Poetica II (Petrograd, 1919).
250. -. "Pamyatnik nauchnoy oshibke" ("A Monument to a Scientific Error"). Literaturnaya gazeta 4. 41 (January 27, 1930). Available at http://magazines.russ. ru/nlo/2000/44/shklovs.html. (accessed December 20, 2005).
251. -. "Parodiyny roman: 'Tristram Shendi' Sterna." In Shklovsky, O teorii (1925), 177-205; (1929), 139-61.
252. Translated by Benjamin Sher as "The Novel as Parody: Sterne's Tristram Shandy." In Shklovsky, O teorii/Theory, 141-70.
253. -. Sentimental'noe puteshestvie. Berlin: Helikon-Verlag, 1923.
254. Reprinted in Shklovsky, Eschyo, 15-266.
255. Translated by Richard Sheldon as A Sentimental Journey: Memoirs, 1917-1922. 1970. Reprint, Normal, IL: Dalkey Archive Press, 2004.
256. -. "Stroenie rasskaza i romana." In Shklovsky, O teorii (1929) 68-90.
257. Translated by Benjamin Sher as "The Structure of Fiction. " In Shklovsky, O teorii/Theory, 52-71.
258. -. "Svyaz priyomov syuzhetoslozheniya s obschimi priyomami stilya." 1919.
259. Reprinted in Shklovsky, O teorii (1925), 24-70; (1929) 21-59.
260. Translated by Benjamin Sher as "The Relationship Between Devices of Plot Construction and General Devices of Style." In Shklovsky, O teorii/Theory, 15-51.
261. -. Tret'ya fabrika. Moscow: Krug, 1926.
262. Reprinted in Shklovsky, Eschyo, 333-94.
263. Translated by Richard Sheldon as Third Factory. 1977. Reprint, Normal, IL: Dalkey Archive Press, 2002.
264. -. "Voskreshenie slova." 1914.
265. Reprinted in Shklovsky, Gamburgsky (1990), 36-42.
266. Translated by Richard Sherwood as "The Resurrection of the Word." In Stephen Bann and John Bowlt, eds., Russian Formalism: A Collection of Articles and Texts in Translation, 41-47. New York: Barnes and Noble, 1973.
267. -. "Vyshla kniga Mayakovskogo 'Oblako v shtanakh' " ("Mayakovsky's Book 'Cloud in Pants' is Out"). 1915.
268. Reprinted in Shklovsky, Gamburgsky (1990), 42-45.
269. -. Zoo. Pis'ma ne o lyubvi, ili Tret'ya Eloiza. Berlin: Helikon-Verlag, 1923.
270. Reprinted in Shklovsky, Eschyo, 267-332.
271. Translated by Richard Sheldon as ZOO, or Letters Not about Love. 1971. Reprint, Normal, IL: Dalkey Archive Press, 2001.
272. Shukman, Ann, trans. "The Ode as an Oratorical Genre", by Yury Tynyanov. New Literary History 34. 3 (Summer 2003):565-96.
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278. Stahl, Harvey. William Blake: The Apocalyptic Vision. New York: Wittenborn, 1974.
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285. -. The Mask of Evil: Brecht's Response to the Poetry, Theatre and Thought of China and Japan: A Comparative and Critical Evaluation. Bern: Peter Lang, 1977.
286. Tatlow, Antony, and Wong Tak-Wai, eds. Brecht and East Asian Theatre. Hong Kong: Hong Kong University Press, 1982.
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294. Tolstoy, Lev. Anna Karenina. 1875-1877. Reprint. Vols. 18-19 of Tolstoy, Polnoe.
295. Translated by Aylmer Maude as Anna Karenina. 1918.
296. Reprint. In George Gibian, ed., Anna Karenina: The Maude Translation, Backgrounds and Sources, Essays in Criticism, 1-740. New York: Norton, 1970.
297. -. Chto takoe iskusstvo? In Tolstoy, Polnoe, vol. 30, Proizvedeniya 1882-1898 ("Works, 1882-1898"), 25-203.
298. Translated by Aylmer Maude as What Is Art? in What Is Art? and Essays on Art, 70-312. 1898. New York: Oxford University Press, 1950.
299. -. Dnevniki. In Tolstoy, Polnoe, vols. 50-58.
300. Edited and translated by R. F. Christian as Tolstoy's Diaries. 2 vols. New York: Scribner's, 1985.
301. -. Ispoved'. In Tolstoy, Polnoe, vol. 23, Proizvedeniya 1879-1884 ("Works 1879-1884"), 1-59.
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304. Tolstoy, Sophia. The Diaries of Sophia Tolstoy. Translated by Cathy Porter. New York: Random House, 1985.
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311. Wellek, René. A History of Modern Criticism: 1750-1950. New Haven: Yale University Press, 1965.
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319. Wilson, Edward O. Sociobiology: The New Synthesis. Cambridge, MA: Belknap, 1975.
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