Musical materials, perception, and listening

The Cultural Study of Music: A Critical Introduction

Volumn , Issue , 2013, Pages 193-203

  Dibben, Nicola ^a  

^a UNIVERSITY OF SHEFFIELD   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84883484591     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203821015     Document Type: Chapter

References (9)

1. Clarke, Eric F. 1999. Subject-position and the specification of invariants in music by Frank Zappa and P. J. Harvey. Music Analysis 18: 347–74.
2. Cook, Nicholas. 1990. Music, imagination and culture. Oxford: Clarendon Press.
3. Cross, Ian. 1998. Music analysis and music perception, Music Analysis 17(1): 3–20.
4. DeNora, Tia. 2000. Music in everyday life. Cambridge, U.K.: Cambridge Univ. Press.
5. Du Gay, Paul, Stuart Hall, Linda Janes, Hugh Mackay, and Keith Negus, eds. 1997. Doing cultural studies: The story of the Sony Walkman. London: Sage.
6. Johnson, James H. 1995. Listening in Paris: A cultural history. Berkeley: Univ. of California Press.
7. Small, Christopher. 1998. Musicking: The meanings of performing and listening. Hanover, N.H.: University Press of New England.
8. Sterne, Jonathan. 2001. A machine to hear for them: On the very possibility of sound’s reproduction. Cultural Studies 15(2): 259–94.
9. Windsor, W. Luke. 2000. Through and around the acousmatic: the interpretation of electroacoustic sounds. Pp. 7–35 in Music, electronic media and culture. Edited by Simon Emmerson. Aldershot, U.K.: Ashgate.