Bach: An environment for computer-aided composition in max

ICMC 2012: Non-Cochlear Sound - Proceedings of the International Computer Music Conference 2012

Volumn , Issue , 2012, Pages 373-378

  Agostini, Andrea ^a   Ghisi, Daniele ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER MUSIC;

COMPUTER-AIDED; MUSICAL NOTATION; REAL-TIME ENVIRONMENT; SYMBOLIC PROCESSING; USER INPUT;

METADATA;

EID: 84881403888     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (12)

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2. A. Agostini and D. Ghisi, "Gestures, events and symbols in the bach environment," in Proceedings of the Journees d'lnformatique Musicale, Mons, Belgium, 2012, pp. 247-255.
3. A. Agostini and D. Ghisi, "Real-time computer-aided composition with bach," Contemporary Music Review, 2012, to appear.
4. G. Assayag and al., "Computer assisted composition at Ircam: From patchwork to OpenMusic," Computer Music Journal, no. 23 (3), pp. 59-72, 1999.
5. A. Cont, "Modeling Musical Anticipation," Ph.D. dissertation, University of Paris 6 and University of California in San Diego, 2008.
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11. M. Puckette, "A divide between'compositional' and'performative' aspects of Pd," in Proceedings of the First Internation Pd Convention, Graz, Austria, 2004.
12. N. Schnell, R. Borghesi, D. Schwarz, F. Bevilacqua, and R. Muller, "FTM-Complex Data Structures for Max," in Proceedings of the International Computer Music Conference, 2005.