-
4
-
-
17744371360
-
-
Berkeley, CA: University of California Press
-
Becker, H. S. (2008). Art worlds. Berkeley, CA: University of California Press.
-
(2008)
Arţworlds
-
-
Becker, H.S.1
-
5
-
-
34547350120
-
Toward a broader conception of creativity: A case for "mini-c" creativity
-
doi:10.1037/1931-3896.1.2.73
-
Beghetto, R. A., & Kaufman, J. C. (2007). Toward a broader conception of creativity: A case for "mini-c" creativity. Psychology of Aesthetics, Creativity, and the Arts, 1, 73-79. doi:10.1037/1931-3896.1.2.73
-
(2007)
Psychology of Aesthetics, Creativity, and the Arts
, vol.1
, pp. 73-79
-
-
Beghetto, R.A.1
Kaufman, J.C.2
-
6
-
-
0347687601
-
Cognitive regularities in creative activity
-
doi:10.1037/1089-2680.4.1.59
-
Bink, M. L., & Mash, R. L. (2000). Cognitive regularities in creative activity. Review of General Psychology, 4, 59-78. doi:10.1037/1089-2680.4.1.59
-
(2000)
Review of General Psychology
, vol.4
, pp. 59-78
-
-
Bink, M.L.1
Mash, R.L.2
-
7
-
-
84873669250
-
Cultural psychology in action-theoretical perspective
-
In W. J. Looner & S. A. Hayes (Eds.), Charlotte, NC: Information Age Publishing
-
Boesch, E. E. (2007). Cultural psychology in action-theoretical perspective. In W. J. Looner & S. A. Hayes (Eds.), Discovering cultural psychology: A profile and selected readings of Ernest E. Boesch (pp. 153-165). Charlotte, NC: Information Age Publishing.
-
(2007)
Discovering cultural psychology: A profile and selected readings of Ernesţ E. Boesch
, pp. 153-165
-
-
Boesch, E.E.1
-
8
-
-
77950943538
-
Spontaneity and creativity in highly practiced performance
-
In I. Delie'ge & G. A. Wiggins (Eds.), New York, NY: Psychological Press
-
Caffin, R., Lemieux, A. F., & Chen, C. (2006). Spontaneity and creativity in highly practiced performance. In I. Delie'ge & G. A. Wiggins (Eds.), Musical creativity: Multidisciplinary research in theory and practice (pp. 200-218). New York, NY: Psychological Press.
-
(2006)
Musical creativity: Multidisciplinary research in theory and practice
, pp. 200-218
-
-
Caffin, R.1
Lemieux, A.F.2
Chen, C.3
-
9
-
-
84862330134
-
Slovak and Ruthenian Easter eggs in America: The impacţof culture contacţon immigranţarţand custom
-
doi:10.1111/j.0022-3840.1970.0401_155.x
-
Cincura, A. (1970). Slovak and Ruthenian Easter eggs in America: The impact of culture contact on immigrant art and custom. Journal of Popular Culture, 4, 155-193. doi:10.1111/j.0022-3840.1970.0401_155.x
-
(1970)
Journal of Popular Culture
, vol.4
, pp. 155-193
-
-
Cincura, A.1
-
11
-
-
0037718585
-
Little c creativity
-
In A. Craft, B. Jeffrey, & M. Leibling (Eds.), London, England: Continuum
-
Craft, A. (2001). "Little c creativity." In A. Craft, B. Jeffrey, & M. Leibling (Eds.), Creativity in education (pp. 45-61). London, England: Continuum.
-
(2001)
Creativity in education
, pp. 45-61
-
-
Craft, A.1
-
12
-
-
0002018355
-
Society, culture, and person: A systems view of creativity
-
In R. Sternberg (Ed.), Cambridge, England: Cambridge University Press
-
Csikszentmihalyi, M. (1988). Society, culture, and person: A systems view of creativity. In R. Sternberg (Ed.), The nature of creativity: Contemporary psychological perspectives (pp. 325-339). Cambridge, England: Cambridge University Press.
-
(1988)
The nature of creativity: Contemporary psychological perspectives
, pp. 325-339
-
-
Csikszentmihalyi, M.1
-
14
-
-
10844264486
-
Creativity, habit, and the social products of creative action: Revising Joas, incorporating Bourdieu
-
doi:10.1111/j.0735-2751.2004.00236.x
-
Dalton, B. (2004). Creativity, habit, and the social products of creative action: Revising Joas, incorporating Bourdieu. Sociological Theory, 22, 603-622. doi:10.1111/j.0735-2751.2004.00236.x
-
(2004)
Sociological Theory
, vol.22
, pp. 603-622
-
-
Dalton, B.1
-
16
-
-
33847123375
-
The influence of experience and deliberate practice on the developmenţof superior experţperformance
-
In K. A. Ericsson, N. Charness, P. Feltovich, & R. R. Hoffman (Eds.), Cambridge, England: Cambridge University Press
-
Ericsson, K. A. (2006). The influence of experience and deliberate practice on the development of superior expert performance. In K. A. Ericsson, N. Charness, P. Feltovich, & R. R. Hoffman (Eds.), Cambridge handbook of expertise and expert performance (pp. 685-706). Cambridge, England: Cambridge University Press.
-
(2006)
Cambridge handbook of expertise and experţperformance
, pp. 685-706
-
-
Ericsson, K.A.1
-
17
-
-
0003777867
-
-
Cambridge, MA: MITPress
-
Finke, R. A., Ward, T. B., & Smith, S. S. (1992). Creative cognition: Theory, research, and applications. Cambridge, MA: MIT Press.
-
(1992)
Creative cognition: Theory, research, and applications
-
-
Finke, R.A.1
Ward, T.B.2
Smith, S.S.3
-
18
-
-
0004059939
-
-
New York, NY: Basic Books
-
Gardner, H. (1993). Creating minds: An anatomy of creativity seen through the lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi. New York, NY: Basic Books.
-
(1993)
Creating minds: An anatomy of creativity seen through the lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi
-
-
Gardner, H.1
-
19
-
-
0038369731
-
Individual and group interviewing
-
In M. Bauer & G. Gaskell (Eds.), London, England: Sage
-
Gaskell, G. (2000). Individual and group interviewing. In M. Bauer & G. Gaskell (Eds.), Qualitative researching with text, image and sound (pp. 38-56). London, England: Sage.
-
(2000)
Qualitative researching with text, image and sound
, pp. 38-56
-
-
Gaskell, G.1
-
20
-
-
70350575757
-
Paradigms in the study of creativity: Introducing the perspective of cultural psychology
-
doi:10.1016/j.newideapsych.2009.07.007
-
Glǎveanu, V. P. (2010). Paradigms in the study of creativity: Introducing the perspective of cultural psychology. New Ideas in Psychology, 28, 79-93. doi:10.1016/j.newideapsych.2009.07.007
-
(2010)
New Ideas in Psychology
, vol.28
, pp. 79-93
-
-
Glǎveanu, V.P.1
-
21
-
-
84874579157
-
Habitual creativity: Revisiting habit, reconceptualizing creativity
-
doi: 10.1037/a0026611
-
Glǎveanu, V. P. (2012). Habitual creativity: Revisiting habit, reconceptualizing creativity. Review of General Psychology, 16, 78-92. doi: 10.1037/a0026611
-
(2012)
Review of General Psychology
, vol.16
, pp. 78-92
-
-
Glǎveanu, V.P.1
-
22
-
-
84862335642
-
"Through the creator's eyes": Using the subjective camera to study crafţcreativity
-
doi:10.1080/10400419.2012.677293
-
Glǎveanu, V. P., & Lahlou, S. (2012). "Through the creator's eyes": Using the subjective camera to study craft creativity. Creativity Research Journal, 24, 152-162. doi:10.1080/10400419.2012.677293
-
(2012)
Creativity Research Journal
, vol.24
, pp. 152-162
-
-
Glǎveanu, V.P.1
Lahlou, S.2
-
23
-
-
79952037618
-
-
[Easter eggs. A study of folklore, second edition]. Bucureşti, Romania: Paideia
-
Gorovei, A. (2001). Ouǎle de Paşte. Studiu de folclor, ediţia a doua [Easter eggs. A study of folklore, second edition]. Bucureşti, Romania: Paideia.
-
(2001)
Ouǎle de Paşte. Studiu de folclor, ediţia a doua
-
-
Gorovei, A.1
-
24
-
-
8744282924
-
Theoretical preliminaries to the study of action
-
In M. von Cranach R. Harré (Eds.), Cambridge, England: Cambridge University Press
-
Harré, R. (1982). Theoretical preliminaries to the study of action. In M. von Cranach & R. Harré (Eds.), The analysis of action (pp. 5-33). Cambridge, England: Cambridge University Press.
-
(1982)
The analysis of action
, pp. 5-33
-
-
Harré, R.1
-
25
-
-
71549133358
-
The value and meaning of creative leisure
-
doi:10.1037/a0014879
-
Hegarty, C. B. (2009). The value and meaning of creative leisure. Psychology of Aesthetics, Creativity, and the Arts, 3, 10-13. doi:10.1037/ a0014879
-
(2009)
Psychology of Aesthetics, Creativity, and the Arts
, vol.3
, pp. 10-13
-
-
Hegarty, C.B.1
-
27
-
-
85105422679
-
Creativity and cultural improvisation: An introduction
-
In E. Hallam & T. Ingold (Eds.), Oxford, England: Berg
-
Ingold, T., & Hallam, E. (2007). Creativity and cultural improvisation: An introduction. In E. Hallam & T. Ingold (Eds.), Creativity and cultural improvisation (pp. 1-24). Oxford, England: Berg.
-
(2007)
, pp. 1-24
-
-
Ingold, T.1
Hallam, E.2
-
28
-
-
68749109452
-
Creativity and society
-
J. R. Shook & J. Margolis (Eds.), Malden, MA: Blackwell Publishing, doi:10.1002/9780470997079.ch32
-
Joas, H., & Kilpinen, E. (2006). Creativity and society. In J. R. Shook & J. Margolis (Eds.), A companion to pragmatism (pp. 323-335). Malden, MA: Blackwell Publishing. doi:10.1002/9780470997079.ch32
-
(2006)
A companion to pragmatism
, pp. 323-335
-
-
Joas, H.1
Kilpinen, E.2
-
29
-
-
84878346422
-
Copying artworks as perceptual experience for creation
-
Kentaro, I., & Takeshi, O. (2004). Copying artworks as perceptual experience for creation. Cognitive Studies, 11, 51-59.
-
(2004)
Cognitive Studies
, vol.11
, pp. 51-59
-
-
Kentaro, I.1
Takeshi, O.2
-
30
-
-
34547466790
-
Lifespan creativity in a non-Western artistic tradition: A study of Japanese ukiyo-e printmakers
-
doi:10.2190/166N-6470-1325-T341
-
Kozbelt, A., & Durmysheva, Y. (2007). Lifespan creativity in a non-Western artistic tradition: A study of Japanese ukiyo-e printmakers. International Journal of Aging and Human Development, 65, 23-51. doi:10.2190/166N-6470-1325-T341
-
(2007)
International Journal of Aging and Human Development
, vol.65
, pp. 23-51
-
-
Kozbelt, A.1
Durmysheva, Y.2
-
31
-
-
84878354469
-
Copying... The direcţline to creativity
-
doi:10.2307/3192407
-
Kozlowski, P. J., & Yakel, N. C. (1980). Copying... The direct line to creativity. Art Education, 33(8), 24-27. doi:10.2307/3192407
-
(1980)
Arţ Education
, vol.33
, Issue.8
, pp. 24-27
-
-
Kozlowski, P.J.1
Yakel, N.C.2
-
32
-
-
84957698861
-
Observing cognitive work in offices
-
In N. Streitz, J. Siegel, V. Hartkopf, & S. Konomi (Eds.), Heidelberg, Germany: Springer. doi:10.1007/10705432_14
-
Lahlou, S. (1999). Observing cognitive work in offices. In N. Streitz, J. Siegel, V. Hartkopf, & S. Konomi (Eds.), Cooperative buildings. Integrating information, organizations and architecture (pp. 150-163). Heidelberg, Germany: Springer. doi:10.1007/10705432_14
-
(1999)
Cooperative buildings. Integrating information, organizations and architecture
, pp. 150-163
-
-
Lahlou, S.1
-
33
-
-
80052196804
-
How can we capture the subject's perspective? An evidence-based approach for the social scientist
-
doi:10.1177/0539018411411033
-
Lahlou, S. (2011). How can we capture the subject's perspective? An evidence-based approach for the social scientist. Social Science Information, 50, 607-655. doi:10.1177/0539018411411033
-
(2011)
Social Science Information
, vol.50
, pp. 607-655
-
-
Lahlou, S.1
-
34
-
-
11244326220
-
Modeling the creative process: A grounded theory analysis of creativity in the domain of arţmaking
-
doi:10.1207/S15326934CRJ1402_5
-
Mace, M. A., & Ward, T. (2002). Modeling the creative process: A grounded theory analysis of creativity in the domain of art making. Creativity Research Journal, 14, 179 -192. doi:10.1207/ S15326934CRJ1402_5
-
(2002)
Creativity Research Journal
, vol.14
, pp. 179-192
-
-
Mace, M.A.1
Ward, T.2
-
36
-
-
79952100306
-
Beyond postnormal times: The future of creativity and the creativity of the future
-
doi:10.1016/ j.futures.2010.10.013
-
Montuori, A. (2011). Beyond postnormal times: The future of creativity and the creativity of the future. Futures, 43, 221-227. doi:10.1016/ j.futures.2010.10.013
-
(2011)
Futures
, vol.43
, pp. 221-227
-
-
Montuori, A.1
-
37
-
-
84965572038
-
Deconstructing the lone genius myth: Toward a contextual view of creativity
-
doi:10.1177/00221678950353005
-
Montuori, A., & Purser, R. (1995). Deconstructing the lone genius myth: Toward a contextual view of creativity. Journal of Humanistic Psychology, 35, 69-112. doi:10.1177/00221678950353005
-
(1995)
Journal of Humanistic Psychology
, vol.35
, pp. 69-112
-
-
Montuori, A.1
Purser, R.2
-
39
-
-
77956276655
-
Creative vision and inspiration of Shona stone sculptors
-
doi: 10.1037/a0017475
-
Ngara, C. (2010). Creative vision and inspiration of Shona stone sculptors. Psychology of Aesthetics, Creativity, and the Arts, 4, 181-192. doi: 10.1037/a0017475
-
(2010)
Psychology of Aesthetics, Creativity, and the Arts
, vol.4
, pp. 181-192
-
-
Ngara, C.1
-
40
-
-
2942670636
-
Why isn'ţcreativity more importanţto educational psychologists? Potentials, pitfalls, and future directions in creativity research
-
doi:10.1207/s15326985ep3902_1
-
Plucker, J., Beghetto, R. A., & Dow, G. T. (2004). Why isn't creativity more important to educational psychologists? Potentials, pitfalls, and future directions in creativity research. Educational Psychologist, 39, 83-96. doi:10.1207/s15326985ep3902_1
-
(2004)
Educational Psychologist
, vol.39
, pp. 83-96
-
-
Plucker, J.1
Beghetto, R.A.2
Dow, G.T.3
-
43
-
-
47849109519
-
Improvisation and the creative process: Dewey, Collingwood, and the aesthetics of spontaneity
-
doi:10.2307/432094
-
Sawyer, R. K. (2000). Improvisation and the creative process: Dewey, Collingwood, and the aesthetics of spontaneity. Journal of Aesthetics and Art Criticism, 58, 149-161. doi:10.2307/432094
-
(2000)
Journal of Aesthetics and ArţCriticism
, vol.58
, pp. 149-161
-
-
Sawyer, R.K.1
-
44
-
-
50249089765
-
-
New Haven, CT: Yale University Press
-
Sennett, R. (2008). The craftsman. New Haven, CT: Yale University Press.
-
(2008)
The craftsman
-
-
Sennett, R.1
-
45
-
-
7944237480
-
Researching the researchers: Using a snowballing technique
-
Streeton, R., Cooke, M., & Campbell, J. (2004). Researching the researchers: Using a snowballing technique. Nurse Research, 12, 35-46.
-
(2004)
Nurse Research
, vol.12
, pp. 35-46
-
-
Streeton, R.1
Cooke, M.2
Campbell, J.3
-
46
-
-
0348004493
-
The psychological study of goal-directed action: Basic issues
-
In M. von Cranach & R. Harré (Eds.) Cambridge, England: Cambridge University Press
-
von Cranach, M. (1982). The psychological study of goal-directed action: Basic issues. In M. von Cranach & R. Harré (Eds.), The analysis of action (pp. 35-73). Cambridge, England: Cambridge University Press.
-
(1982)
The analysis of action
, pp. 35-73
-
-
von Cranach, M.1
-
48
-
-
23844548973
-
Creative cognitive process of arţmaking: A field study of a traditional Chinese ink painter
-
Yokochi, S., & Okada, T. (2005). Creative cognitive process of art making: A field study of a traditional Chinese ink painter. Creativity Research Journal, 17, 241-255.
-
(2005)
Creativity Research Journal
, vol.17
, pp. 241-255
-
-
Yokochi, S.1
Okada, T.2
|