Creative process and performance practice of interactive computer music: A performer's tale

Organised Sound

Volumn 8, Issue 3, 2003, Pages 289-296

  Kimura, Mari ^a  

^a Juilliard School   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84873629103     PISSN: 13557718     EISSN: 14698153     Source Type: Journal    
DOI: 10.1017/S1355771803000268     Document Type: Article

References (6)

1. Kimura, M. 1996. Computers for performers, Computer Music Journal 20(4): 25–6. MIT Press.
2. Lewis, G. 1999. Interacting with latter-day musical automata. Aesthetics of Live Electronic Music: Contemporary Music Review 18(3): 99–122.
3. Lewis, G. 1986. An excerpt from an unpublished article while working at STEIM.
4. Kimura, M. 1995. Performance practice in computer music. Computer Music Journal 19(1): 64–75. MIT Press.
5. Risset, J.-C. 1999. Composing in real-time? Aesthetics of Live Electronic Music: Contemporary Music Review 18(3): 31–39.
6. Rowe, R. 1999. Aesthetics of interactive music systems. Aesthetics of Live Electronic Music: Contemporary Music Review 18(3): 83–87.