Exploring micromovements with motion capture and sonification

Lecture Notes of the Institute for Computer Sciences, Social-Informatics and Telecommunications Engineering

Volumn 101 LNICST, Issue , 2012, Pages 100-107

  Jensenius, Alexander Refsum ^a   Bjerkestrand, Kari Anne Vadstensvik ^b  

^a UNIVERSITY OF OSLO   (Norway)

^b Bjerkestrand ^*  (Norway)

Author keywords

dance; micromovement; motion capture; sonification

Indexed keywords

BODY MOVEMENTS; DANCE; HUMAN EYE; INTERACTIVE DANCE; MICRO-MOVEMENTS; MICROMOVEMENT; MOTION CAPTURE; MOTION CAPTURE SYSTEM; MOVEMENT PATTERN; MUSIC PERFORMANCE; PILOT STUDIES; REAL TIME; SONIFICATIONS;

INDUSTRIAL ENGINEERING;

ENGINEERING;

EID: 84869594581     PISSN: 18678211     EISSN: None     Source Type: Book Series    
DOI: 10.1007/978-3-642-33329-3_12     Document Type: Conference Paper

References (11)

1. Jensenius, A.R., Johnson, V.: Performing the electric violin in a sonic space. Computer Music Journal (in review)
2. Klein, G.: Farewell to the internal clock: a contribution in the field of chronobiology. Springer, New York (2007)
3. Snyder, B.: Music and Memory: An Introduction. The MIT Press, Cambridge (2000)
4. Roads, C.: Microsound. The MIT Press, Cambridge (2001)
5. Danielsen, A. (ed.): Musical Rhythm in the Age of Digital Reproduction. Ashgate, Farnham (2010)
6. Jacobsson, S., Bjerkestrand, K.A.V.: 10:50-11:00 (video) (2005), http://youtu.be/y3gecc2-4xy (last checked: 10.11.2011)
7. Dobrian, C., Bevilacqua, F.: Gestural control of music: using the Vicon 8 motion capture system. In: Proceedings of the International Conference on New Interfaces for Musical Expression, Montreal, pp. 161-163 (2003)
8. Downie, M.: Choreographing the Extended Agent: Performance Graphics for Dance Theater. PhD thesis, MIT, Cambridge, MA (2005)
9. Toiviainen, P., Burger, B.: MoCap Toolbox Manual. University of Jyväskylä, Jyväskylä (2010)
10. Eerola, T., Luck, G., Toiviainen, P.: An investigation of pre-schoolers' corporeal synchronization with music. In: Proceedings of the 9th International Conference on Music Perception & Cognition, Bologna, pp. 472-476 (2006)
11. Peters, D.: Enactment in listening: Intermedial dance in EGM sonic scenarios and the bodily grounding of the listening experience. Performance Research 15, 81-87 (2010)