Enactment in listening: Intermedial dance in EGM sonic scenarios and the listening body

Performance Research

Volumn 15, Issue 3, 2010, Pages 81-87

  Peters, Deniz ^a  

^a Universitat fur Musik und darstellende Kunst Graz   (Austria)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 78149312226     PISSN: 13528165     EISSN: None     Source Type: Journal    
DOI: 10.1080/13528165.2010.527211     Document Type: Review

References (11)

1. Birringer, Johannes (2008) Performance, Technology, and Science, New York, NY: PAJ Publications.
2. Godøy, Rolf Inge (2003) 'Motor-Mimetic Music Cognition', Leonardo 36(4): 317-19.
3. Godøy, Rolf Inge (2006) 'Gestural-Sonorous Objects: Embodied Extensions of Schaeffer's Conceptual Apparatus', Organised Sound 11(2): 149-157.
4. Merleau-Ponty, Maurice (2002) Phenomenology of Perception, trans. Colin Smith, London and New York: Routledge.
5. Noë, Alva (2002) 'Art as Enaction', 〈http://www. interdisciplines.org/artcog/papers/8〉 (accessed 7 April 2010).
6. Noë, Alva (2004) Action in Perception, Cambridge, Mass.: MIT Press.
7. Noë, Alva (2009) Out of Our Heads: Why You Are Not Your Brain, and Other Lessons from the Biology of Consciousness, New York: Hill and Wang.
8. Peters, Deniz (forthcoming, 2011) 'Haptic Illusions and Imagined Agency: Bodily Experiences of Sonic Resistances', Contemporary Music Review.
9. Smalley, Denis (2007) 'Space-Form and the Acousmatic Image', Organised Sound 12(1): 35-58.
10. Stoppiello, Dawn, and Coniglio, Mark (2003) 'Fleshmotor', in Judy Malloy (ed.) Women, Art, and Technology, Cambridge, Mass.: MIT Press, 440-50.
11. Varela, Francisco, Thompson, Evan and Rosch, Eleanor (1991) The Embodied Mind: Cognitive Science and Human Experience, Cambridge, Mass.: MIT Press.